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MMMMMX ______________________________________________________________________________________________________________________________________________________ Release Info Artist : AC/DC Album : Bonfire Tracks : 42 genre : Hard Rock Time : CD1: 45:02 CD2: 40:06 CD3: 46:51 CD4: 57:09 CD5: 42:04 Frequancy : 44.1KHz Bitrate : 256kbps Mode : Full Stereo Size : 423,10 MB Label : Epic Catalog# : 80218 Str.date : 000-00-2003 Rip.date : Mar-30-2005 Ripper : AoW: SuperWyse URL : http://www.allmusic.com ______________________________________________________________________________________________________________________________________________________ Artist and Album Notes Formed: 1973 in Sydney, Australia Years Active: 1970s-2000s Group Members * Brian Johnson * Bon Scott * Mark Evans * Phil Rudd * Chris Slade * Cliff Williams * Simon Wright * Angus Young * Malcolm Young * Dave Evans Biography AC/DC's mammoth power-chord roar became one of the most influential hard rock sounds of the '70s. In its own way, it was a reaction against the pompous art rock and lumbering stadium rock of the early '70s. AC/DC's rock was minimalist -- no matter how huge and bludgeoning the guitar chords were, there was a clear sense of space and restraint. Combined with Bon Scott's larynx-shredding vocals, the band spawned countless imitators over the next two decades. AC/DC was formed in 1973 in Australia by guitarist Malcolm Young after his band, the Velvet Underground, collapsed (Young's band has no relation to the seminal American group). With his younger brother Angus as lead guitarist, the band played some gigs around Sydney. Angus was only 15 years old at the time and his sister suggested that he should wear his school uniform on stage; the look became the band's visual trademark. While still in Sydney, the original lineup (featuring singer Dave Evans) cut a single called "Can I Sit Next to You," with ex-Easybeats Harry Vanda and George Young (Malcolm and Angus' older brother) producing. The band moved to Melbourne the following year, where drummer Phil Rudd (formerly of the Coloured Balls) and bassist Mark Evans joined the band. The band's chauffeur, Bon Scott, became their lead vocalist when their singer, Dave Evans, refused to go on stage. Previously, Scott had been vocalist for the Australian prog bands Fraternity and the Valentines. More importantly, he helped cement the group's image as brutes -- he had several convictions on minor criminal offenses and was rejected by the Australian Army for being "socially maladjusted." And AC/DC was socially maladjusted. Throughout their career they favored crude double entendres and violent imagery, all spiked with a mischievous sense of fun. The group released two albums -- High Voltage and TNT -- in Australia in 1974 and 1975. Material from the two records comprised the 1976 release High Voltage in the U.S. and U.K.; the group also toured both countries. Dirty Deeds Done Dirt Cheap followed at the end of the year. Evans left the band at the beginning of 1977, with Cliff Williams taking his place. In the fall of 1977, AC/DC released Let There Be Rock, which became their first album to chart in the U.S. Powerage, released in spring of 1978, expanded their audience even further, thanks in no small part to their dynamic live shows (which were captured on 1978's live If You Want Blood, You've Got It). What really broke the doors down for the band was the following year's Highway to Hell, which hit number 17 in the U.S. and number eight in the U.K., becoming the group's first million-seller. AC/DC's train was derailed when Bon Scott died on February 20, 1980. The official coroner's report stated he had "drunk himself to death." In March, the band replaced Scott with Brian Johnson. The following month, the band recorded Back in Black, which would prove to be their biggest album, selling over ten million copies in the U.S. alone. For the next few years, the band was one of the largest rock bands in the world, with For Those About to Rock We Salute You topping the charts in the U.S. In 1982, Rudd left the band; he was replaced by Simon Wright. After 1983's Flick of the Switch, the band's commercial standing began to slip; they were able to reverse their slide with 1990's The Razor's Edge, which spawned the hit "Thunderstruck." While not the commercial powerhouse they were during the late '70s and early '80s, the '90s saw them maintain their status as a top international concert draw. In the fall of 1995, their 16th album, Ballbreaker, was released. Produced by Rick Rubin, the album received some of the most positive reviews of AC/DC's career. Ballbreaker entered the American charts at number four and sold over a million copies in its first six months of release. Stiff Upper Lip followed in early 2000. AMG Rating: 3.5 AMG Review Oddly, the legend of Bon Scott never haunted AC/DC. They grieved, certainly, but they were able to move on, releasing Back in Black as a tribute in 1980. The record became their biggest hit and helped them become one of the biggest rock & roll bands in the world. By the late '90s, the group remained popular, and a strange phenomenon had happened -- there were generations of AC/DC fans who came of age after Scott's death, and had only a passing familiarity with the rocker. Perhaps that's one of the reasons why they lovingly assembled the five-disc box set Bonfire in 1997. The set is a tribute to Scott, featuring two live albums -- one from New York in 1978, the other from Paris in 1979, which is essentially the soundtrack to the Let There Be Rock film -- a disc of outtakes, and a remastered version of Back in Black. For hardcore fans, this is something of a dream come true, since the live albums are stronger than any of the group's other live releases, with the possible exception of If You Want Blood You've Got It. The disc of alternate takes, outtakes, and stray live cuts offers no real revelations, but there are enough interesting moments to make it worthwhile. And while any AC/DC fan has Back in Black, it's nice hearing it in this context, because it shows that even if the band could carry on splendidly, they were still missing the insane, wild-man charisma of Bon Scott. Nowhere is that charisma better preserved -- both through music and stories -- than on Bonfire. Credz Georges Amann Photography Benji Armbrister Assistant Engineer Peter Coleman Engineer Jim De Barros Art Direction, Design Arnaud Durieux Research, Archivist Robert Ellis Photography Murray Engleheart Liner Notes Michael Halsband Creative Consultant Bruce Harris A&R Paul Hoare Engineer Sam Horsburgh, Jr. Engineer Ted Jensen Remastering Brian Johnson Vocals Patrick Jones Photography Robert John "Mutt" Lange Producer Timothy Manteau Design Assistant George Marino Digital Remastering Phillip Morris Photography Jack Newber Assistant Engineer Tony Platt Engineer, Mixing Chuck Pulin Photography Ebet Roberts Photography Phil Rudd Drums Brad Samuelsohn Mixing Brad Samuelson Mixing Engineer Hannes Schmid Photography Scott Family Photography Bon Scott Vocals Joe Sia Photography Joseph Sia Photography Eric Steinhilber Design Assistant Todd Steinhilber Design Assistant Harry Vanda Producer Cliff Williams Guitar (Bass) Angus Young Guitar George Young Producer, Remixing Malcolm Young Guitar (Rhythm) Francis Zegut Archival Assistant _____________________________________________________________________________________________________________________________________________________ Track Listing cd1 01 Live Wire [Live] [06:16] 02 Problem Child [Live] [04:40] 03 High Voltage [Live] [05:55] 04 Hell Ain't A Bad Place To Be [Live] [04:13] 05 Dog Eat Dog [Live] [04:42] 06 Jack [Live] [08:37] 07 Whole Lotta Rosie [Live] [05:09] 08 Rocker [Live] [05:30] cd2 01 Live Wire [08:04] 02 Shot Down In Flames [03:39] 03 Hell Ain't A Bad Place To Be [04:31] 04 Sin City [05:25] 05 Walk All Over You [05:06] 06 Bad Boy Boogie [13:21] cd3 01 The Jack [06:05] 02 Highway To Hell [03:30] 03 Girls Got Rhythm [03:19] 04 High Voltage [06:32] 05 Whole Lotta Rosie [04:55] 06 Rocker [10:45] 07 T.N.T. [04:13] 08 Let There Be Rock [07:32] cd4 01 Dirty Eyes [03:21] 02 Touch Too Much [06:34] 03 If You Want Blood You Got It [04:26] 04 Back Seat Confidential [05:23] 05 Get It Hot [04:15] 06 Sin City [04:53] 07 She's Got Balls [07:56] 08 School Days [05:21] 09 It's A Long Way To The Top (If You Wanna Rock 'N' Roll) [05:16] 10 Ride On [09:44] cd5 01 Hells Bells [05:12] 02 Shoot To Thrill [05:17] 03 What Do You Do For Money Honey [03:35] 04 Givin The Dog A Bone [03:31] 05 Let Me Put My Love Into You [04:15] 06 Back In Black [04:15] 07 You Shook Me All Night Long [03:30] 08 Have A Drink On Me [03:58] 09 Shake A Leg [04:05] 10 Rock And Roll Ain't Noise Pollution [04:26] ######################################################################################################################################################