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MMMMMX ______________________________________________________________________________________________________________________________________________________ Release Info Artist : ACDC Album : Stiff Upper Lip Plus Bonus Disc Tracks : 18 genre : Hard Rock Time : CD1: 47:02 CD2: 33:59 Frequancy : 44.1KHz Bitrate : 256kbps Mode : Full Stereo Size : 148,6 MB Label : Universal International Catalog# : 531019 Str.date : Feb-27-2001 Rip.date : Nov-09-2005 URL : http://www.allmusic.com Ripper : AoW: SuperWyse ______________________________________________________________________________________________________________________________________________________ Artist and Album Notes AC/DC Formed in 1973 in Sydney, Australia Years Active: 1970s-2000s Group Members * Brian Johnson * Bon Scott * Mark Evans * Phil Rudd * Chris Slade * Cliff Williams * Simon Wright * Angus Young * Malcolm Young * Dave Evans Biography AC/DC's mammoth power-chord roar became one of the most influential hard rock sounds of the '70s. In its own way, it was a reaction against the pompous art rock and lumbering arena rock of the early '70s. AC/DC's rock was minimalist -- no matter how huge and bludgeoning the guitar chords were, there was a clear sense of space and restraint. Combined with Bon Scott's larynx-shredding vocals, the band spawned countless imitators over the next two decades. AC/DC was formed in 1973 in Australia by guitarist Malcolm Young after his band, the Velvet Underground, collapsed (Young's band has no relation to the seminal American group). With his younger brother Angus as lead guitarist, the band played some gigs around Sydney. Angus was only 15-years-old at the time and his sister suggested that he should wear his school uniform on-stage; the look became the band's visual trademark. While still in Sydney, the original lineup (featuring singer Dave Evans) cut a single called "Can I Sit Next to You," with ex-Easybeats Harry Vanda and George Young (Malcolm and Angus' older brother) producing. The band moved to Melbourne the following year, where drummer Phil Rudd (formerly of the Coloured Balls) and bassist Mark Evans joined the band. The band's chauffeur, Bon Scott, became their lead vocalist when their singer, Dave Evans, refused to go on-stage. Previously, Scott had been vocalist for the Australian prog rock bands Fraternity and the Valentines. More importantly, he helped cement the group's image as brutes -- he had several convictions on minor criminal offenses and was rejected by the Australian Army for being "socially maladjusted." And AC/DC was socially maladjusted. Throughout their career they favored crude double entendres and violent imagery, all spiked with a mischievous sense of fun. The group released two albums -- High Voltage and TNT -- in Australia in 1974 and 1975. Material from the two records comprised the 1976 release High Voltage in the U.S. and U.K.; the group also toured both countries. Dirty Deeds Done Dirt Cheap followed at the end of the year. Evans left the band at the beginning of 1977, with Cliff Williams taking his place. In the fall of 1977, AC/DC released Let There Be Rock, which became their first album to chart in the U.S. Powerage, released in spring of 1978, expanded their audience even further, thanks in no small part to their dynamic live shows (which were captured on 1978's live If You Want Blood, You've Got It). What really broke the doors down for the band was the following year's Highway to Hell, which hit number 17 in the U.S. and number eight in the U.K., becoming the group's first million-seller. AC/DC's train was derailed when Bon Scott died on February 20, 1980. The official coroner's report stated he had "drunk himself to death." In March, the band replaced Scott with Brian Johnson. The following month, the band recorded Back in Black, which would prove to be their biggest album, selling over ten million copies in the U.S. alone. For the next few years, the band was one of the largest rock bands in the world, with For Those About to Rock We Salute You topping the charts in the U.S. In 1982, Rudd left the band; he was replaced by Simon Wright. After 1983's Flick of the Switch, the band's commercial standing began to slip; they were able to reverse their slide with 1990's The Razor's Edge, which spawned the hit "Thunderstruck." While not the commercial powerhouse they were during the late '70s and early '80s, the '90s saw them maintain their status as a top international concert draw. In the fall of 1995, their 16th album, Ballbreaker, was released. Produced by Rick Rubin, the album received some of the most positive reviews of AC/DC's career. Ballbreaker entered the American charts at number four and sold over a million copies in its first six months of release. Stiff Upper Lip followed in early 2000. AMG Rating: 4 AMG Review Stiff Upper Lip, AC/DC's 15th studio album, may not reach the heights of Back in Black or Highway to Hell, but it delivers strongly and satisfyingly. It's the record that the highly-touted, Rick Rubin-produced Ballbreaker should have been: a simple, addictive, hard album, bursting with bold riffs and bolstered by a crunching, thrillingly visceral sound. Sure, there are absolutely no new ideas, but that's the point. AC/DC knows their strengths and they embrace them. And why shouldn't they? Nobody writes a better riff than the Young brothers; each song has a riff so catchy, it feels like you've heard it for years. Is there anything earth-shaking? Hardly, but it's largely terrific nonetheless, just because AC/DC are so good at what they do. It's simple music, to be sure, but it's unassumingly musical and, in a way rather smart. If making music like this was really that easy, why can't anybody else do it this well? Some bands are capable of knocking out one record like this -- one, maybe two. AC/DC does it nearly every time out. They've never really stretched, yet that's why they have one of the most reliable catalogs in rock & roll. When you put on one of their records, you know what you're in for, and they always deliver. With Stiff Upper Lip, they're not at classic status, but they're still top-notch. This may not be the first AC/DC record for a collection, but once you're into their scene, it's a fine place to be. [The Australian release includes a bonus disc featuring a link to their website, live performances of "Back in Black," "Hard as a Rock," "Ballbreaker," "Whole Lotta Rose," and "Let There Be Rock" from 1996 recorded in Madrid, and three videos: "Stiff Upper Lip," "Safe in New York City," and "Satellite Blues."] Credz Alli Design Eric Altenburger Digital Restoration, Retouching Michael Fraser Engineer, Mixing Richard Jones Equipment Technician Mista Dean Karr Photography, Concept Dean Maher Assistant Engineer George Marino Mastering Phil Rudd Drums Ricky St. Pierre Equipment Technician Cliff Williams Guitar (Bass) Angus Young Guitar George Young Producer Malcolm Young Guitar (Rhythm) _____________________________________________________________________________________________________________________________________________________ Track Listing CD1 01 Stiff Upper Lip [03:35] 02 Meltdown [03:41] 03 House of Jazz [03:56] 04 Hold Me Back [03:59] 05 Safe in New York City [03:59] 06 Can't Stand Still [03:41] 07 Can't Stop Rock 'N' Roll [04:02] 08 Satellite Blues [03:46] 09 Damned [03:52] 10 Come and Get It [04:02] 11 All Screwed Up [04:36] 12 Give It Up [03:53] CD2 01 Cyberspace [Live] [02:59] 02 Back in Black [Live] [04:10] 03 Hard as a Rock [Live] [04:50] 04 Ballbreaker [Live] [04:41] 05 Whole Lotta Rosie [Live] [05:26] 06 Let There Be Rock [Live] [11:53] ######################################################################################################################################################