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MMMMMM MMMMMMMM MMMMM M: . 2M We're Your Source Entertainment for MP3's . . MMMMMX ______________________________________________________________________________________________________________________________________________________ Release Info Artist : Alice Cooper Album : Easy Action Tracks : 09 genre : Hard Rock Time : 34:44 min Frequancy : 44.1KHz Bitrate : 256kbps Mode : Full Stereo Size : 63,7 MB Label : Capitol Catalog# : 73391 Str.date : Jan-01-1970 Rip.date : Jun-14-2005 URL : http://www.allmusic.com Ripper : AoW: SuperWyse ______________________________________________________________________________________________________________________________________________________ Artist and Album Notes Born: Vincent Damon Furnier on Feb 4, 1948 in Detroit, MI Years ActiveL 1960s-2000s Biography Originally, there was a band called Alice Cooper led by a singer named Vincent Damon Furnier. Under his direction, Alice Cooper pioneered a grandly theatrical and violent brand of heavy metal that was designed to shock. Drawing equally from horror movies, vaudeville, heavy metal, and garage rock, the group created a stage show that featured electric chairs, guillotines, fake blood, and huge boa constrictors, all coordinated by the heavily made-up Furnier. By that time, Furnier had adopted the name for his androgynous on-stage personality. While the visuals were extremely important to the group's impact, the band's music was nearly as distinctive. Driven by raw, simple riffs and melodies that derived from '60s guitar pop as well as show tunes, it was rock & roll at its most basic and catchy, even when the band ventured into psychedelia and art rock. After the original group broke up and Furnier began a solo career as Alice Cooper, his actual music lost most of its theatrical flourishes, becoming straightforward heavy metal, yet his stage show retained all of the trademark props that made him the king of shock rock. Furnier formed his first group, the Earwigs, as an Arizona teenager in the early '60s. Changing the band's name to the Spiders in 1965, the group was eventually called the Nazz (not to be confused with Todd Rundgren's band of the same name). The Spiders and the Nazz both released local singles that were moderately popular. In 1968, after discovering there was another band called with the same name, the group changed its name to Alice Cooper. According to band legend, the name came to Furnier during a ouija board session, where he was told he was the reincarnation of a 17th-century witch of the same name. Comprised of vocalist Furnier -- who would soon begin calling himself Alice Cooper -- guitarist Mike Bruce, guitarist Glen Buxton, bassist Dennis Dunaway, and drummer Neal Smith, the group moved to California in 1968. In California, the group met Shep Gordon, who became their manager, and Frank Zappa, who signed Alice Cooper to his Straight Records imprint. Alice Cooper released their first album, Pretties for You, in 1969. Easy Action followed early in 1970, yet it failed to chart. The group's reputation in Los Angeles was slowly shrinking, so the band moved to Furnier's hometown of Detroit. For the next year, the group refined their bizarre stage show. Late in 1970, the group's contract was transferred to Straight's distributor Warner Bros., and they began recording their third album with producer Bob Ezrin. With Ezrin's assistance, Alice Cooper developed their classic heavy metal crunch on 1971's Love It to Death, which featured the number 21 hit single "Eighteen"; the album peaked at number 35 and went gold. The success enabled the group to develop a more impressive, elaborate live show, which made them highly popular concert attractions across the U.S. and eventually the U.K. Killer, released late in 1971, was another gold album. Released in the summer of 1972, School's Out was Alice Cooper's breakthrough record, peaking at number two and selling over a million copies. The title song became a Top Ten hit in the U.S. and a number one single in the U.K. Billion Dollar Babies, released the following year, was the group's biggest hit, reaching number one in both America and Britain; the album's first single, "No More Mr. Nice Guy," became a Top Ten hit in Britain, peaking at number 25 in the U.S. Muscle of Love appeared late in 1973, yet it failed to capitalize on the success of Billion Dollar Babies. After Muscle of Love, Furnier and the rest of Alice Cooper parted ways to pursue other projects. Having officially changed his name to Alice Cooper, Furnier embarked on a similarly theatrical solo career; the rest of the band released one unsuccessful album under the name Billion Dollar Babies, while Mike Bruce and Neal Smith both recorded solo albums that were never issued. In the fall of 1974, a compilation of Alice Cooper's five Warner albums, entitled Alice Cooper's Greatest Hits, became a Top Ten hit. For his first solo album, Cooper hired Lou Reed's backing band from Rock 'N' Roll Animal -- guitarists Dick Wagner and Steve Hunter, bassist Prakash John, keyboardist Joseph Chrowski, and drummer Penti Glan -- as his supporting group. Welcome to My Nightmare, Alice Cooper's first solo album, was released in the spring of 1975. The record wasn't a great departure from his previous work, and it became a Top Ten hit in America, launching the hit acoustic ballad "Only Women Bleed"; its success put an end to any idea of reconvening Alice Cooper the band. Its follow-up, 1976's Alice Cooper Goes to Hell, was another hit, going gold in the U.S. After Alice Cooper Goes to Hell, Cooper's career began to slip, partially due to changing trends and partially due to his alcoholism. Cooper entered rehabilitation in 1978, writing an album about his treatment called From the Inside (1978) with Bernie Taupin, Elton John's lyricist. During the early '80s, Cooper continued to release albums and tour, yet he was no longer as popular as he was during his early-'70s heyday. Cooper made a successful comeback in the late '80s, sparked by his appearances in horror films and a series of pop-metal bands that paid musical homage to his classic early records and concerts. Constrictor, released in 1986, began his comeback, but it was 1989's Trash that returned Cooper to the spotlight. Produced by the proven hitmaker Desmond Child, Trash featured guest appearances by Jon Bon Jovi, Richie Sambora, and most of Aerosmith; the record became a Top Ten hit in Britain and peaked at number 20 in the U.S., going platinum. "Poison," a mid-tempo rocker featured on the album, became Cooper's first Top Ten single since 1977. After the release of Trash, he continued to star in the occasional film, tour, and record, although he wasn't able to retain the audience recaptured with Trash. Still, 1991's Hey Stoopid and 1994's The Last Temptation were generally solid, professional efforts which helped Cooper settle into a comfortable cult status without damaging the critical goodwill surrounding his '70s output. After a live album, 1997's Fistful of Alice, Cooper returned on the smaller Spitfire label in 2000 with Brutal Planet. AMG Rating: 3.5 AMG Review The author of the book Alice Cooper, Steve Demorest accurately calls this "the great undiscovered" Cooper album. Pretties for You is a difficult record, while Love It to Death is such a classic, but this pre-Bob Ezrin album, created with help from Neil Young producer David Briggs, might be the perfect picture of an evolving Alice Cooper Group. "Mr. & Misdemeanor" has Cooper beginning to define his nasty trademark vocal style. "Here's new pretties for you/nobody likes me but we adore you." Cooper became known for writing two-and-a-half- to three-minute catchy tunes with negative themes, augmented by longer pieces toward the end of the recordings. With that in mind, this is almost pre-production for Love It to Death, although the band is more inventive here. "Shoe Salesman" could be Strawberry Alarm Clock, and this clone British pop/punk would've been a nice arena for AC to continue dabbling in, had Ezrin not transformed them into hard rockers. For those not convinced of Cooper's ability to sing after the beautiful adult contemporary songs he composed with Dick Wagner in the late '70s, Easy Action gives evidence that Cooper has more of a voice than he got credit for. "Still No Air" has a sci-fi slant, a slant they could've taken up when the members departed from Cooper and became the Billion Dollar Babies. "Below Your Means" is almost seven minutes of early Who-style musical investigation. There is that great West Coast Jefferson Airplane sound throughout, some hybrid of L.A./U.K. garage rock and psychedelia. This material would fit nicely on a soundtrack for American International Pictures. Side two opens with Return of the Spiders, with upfront fuzz guitar. Dedicated to Gene Vincent, one wonders if this was influenced by David Bowie or if David Bowie influenced it? Both artists emerged around the same time, with Alice Cooper under Frank Zappa's wing, for better or for worse. Their androgynous personas both covered simultaneously in Rolling Stone magazine. "Laughing at Me" is very similar to Bowie's "Man Who Sold the World." There's the cryogenic "Refrigerator Heaven"; a very British pop "Beautiful Flyaway," which is listed as fifth on the album cover, but is actually the fourth track; and "Lay Down and Die, Goodbye," a seven-minute-and-30-second song which clearly sounds like it belongs on Zappa's record label. That this band could run the gamut from Zappa to Bowie, and perhaps inspired both, makes Easy Action a good study and entertaining record. Credz David Briggs Piano, Producer Michael Bruce Guitar, Keyboards Glen Buxton Guitar Herb Cohen Executive Producer Alice Cooper Vocals Dennis Dunaway Bass Bill Inglot Digital Remastering Barry Keane Engineer Barry Keene Engineer Ken Perry Digital Remastering Neal Smith Drums Lorrie Sullivan Photography John Williams Art Direction _____________________________________________________________________________________________________________________________________________________ Track Listing 01 Mr. & Misdemeanor [03:11] 02 Shoe Salesman [02:36] 03 Still No Air [02:33] 04 Below Your Means [06:56] 05 Return Of The Spiders [04:33] 06 Laughing At Me [02:15] 07 Refrigerator Heaven [02:01] 08 Beautiful Heaven [03:03] 09 Lay Down And Die, Goodbye [07:36] ######################################################################################################################################################