█████████████████████████████████████████████████ ░ ▓▓ ██████████████████████████████████████████████████ ░ ▒▒ ████████████████████████████████████████████ ░ ▒▓ █████████████████████████████████████████ ░▒ ▒▒ ░██████████████████████████████████████▒▒▓ ▓ ███████████████████████████████████████ ▒░ ████████████████████████████████████ █ ██████████████████████████████████▒ █ ▓█████████████████████████████████ ▒ ████████████████████████████████ ▒▒ ▒██████████████████████████████ ▒█ █████████████████████████████ ▒█▓▒ ████████████████████████████ ░██░ ░█░ ███████████████████████████ ████ ██████████████████████████▒ ▓████ █████████████████████████▓ █████░ █████████████████████████▓ ██████░ ████████████████████████▓ ███████ ███████████████████████▓ ████████▒ ▓█████████████████████▒ ▓█████████ ████████████████████░ ░███████████▒ █████████░██████▓░ ▒█████████████▒ ██████▓ ██ ▒▒█████████████████▒ ░█████ ███ ░ ░▒████████████████████▒▒ ██████▒░█▒██░█ █▒ ████████████████████████▒ ████████▒ ▓███ ████▓█ ██████████████████████░ ███████ ▒ ░██░ █ ███ ▒███████████████████████ ███████░ ▒ ███ █ ░██████████████████████████ ████████▓ ▓█░ ▒██████████████████████████████▒ ████████░▒██▒██████████████████████████████████ ████████████ █████████████████████████████████▒ ████████████ ████████████████████████████████ ████████████▓░██████████████████████████████▒ ████ ██ ██ █████████████ █████████████████████████████▒ ██ ██ ██████████████████████████████████████████ ████ ██ ████ █████ ████ █████████████████████████████████████████ ██ ██ ██ ██ ██ ██ ██ ███████████████████████████████████████▓ ██████ ██ ██ ██ ██████ ██████████████████████████████████████ ██ ██ ██ ██ █ ██ ████████████████████████████████████▒ █████ ██████ ██████ ███ █████ ███████████████████████████████████▒ ▒ █████████████████████████████████ ▒▒░ ELITE RECORD PLAYERS ███████████████████████████████ ▒▒ █████████████████████████████ ▒ ▒▒ ██████████████████████████▓ ▒▒▒ ████████████████████████ ░▒ ████████████████████ ░▒▓▒ ░ ███████████████▒▒░░▒░█░ ░ ┌────────┐ ────┤ Info ├───────────────────────────────────────────────────────────────── └────────┘ Artist | Angel Olsen Title | My Woman Genre | Indie Format | Album Source | CDDA Time | 47:19 Label | Jagjaguar Store | 2016 Catalog | JAG284 Rip | 2016 Bitrate | 234 kbps Size | 82.67 MB Freq | 44.1 kHz Encoder | Lame 3.98.4 ┌────────┐ ────┤ Tracks ├───────────────────────────────────────────────────────────────── └────────┘ 01. Intern 2:45 02. Never Be Mine 3:39 03. Shut Up Kiss Me 3:21 04. Give It Up 2:54 05. Not Gonna Kill You 4:55 06. Heart Shaped Face 5:32 07. Sister 7:44 08. Those Were The Days 4:16 09. Woman 7:32 10. Pops 4:41 ┌────────┐ ────┤ Notes ├───────────────────────────────────────────────────────────────── └────────┘ Raised in St. Louis, Missouri and later relocating to Chicago, Illinois, indie folk singer/songwriter Angel Olsen began performing in St. Louis coffee shops in her teenage years, eventually branching out and tapping into a network of like-minded artists. Olsen worked with California musician Emmett Kelly as part of his collective the Cairo Gang, singing harmonies on Bonnie Prince Billy's 2010 album "The Wonder Show Of The World", as well as its 2011 follow-up, "Wolfroy Goes to Town". In 2010, Olsen released "Strange Cacti", a cassette of original Americana songs that was later reissued as a 12-inch, both with Bathetic Records. Following the acclaimed "Burn Your Fire For No Witness" and its expanded sound by two-and-a-half years, Olsen broadens her palette even more on LP four, "My Woman". Now with a long enough discography to note trends, she's made a steady transformation from tormented acoustic crooner to veritable indie rock songstress, if one still capable of the most intimate of deliveries. "My Woman" has the full range on display, including some electronics and extroversion not heard from her previously, as dictated by a loose story arc that follows the stages of a doomed relationship, all told from a woman's point of view. The album was recorded live to tape with a five-piece backing band at Vox Studios in Los Angeles. In the ambivalent opener, "Intern", our heroine reluctantly decides to have one last go at love, foreshadowing with 'DoesnÆt matter who you are or what you do/Something in the world will make a fool of you'. The song's atmospheric electronics, a first for Olsen, brace listeners for that expanded palette from the opening seconds. A couple of tracks later is the infectious "Shut Up Kiss Me". Also unlike any of her prior material, it's an aggressive retro rocker that captures unbridled passion and lust ('I ain't giving up tonight'). Co-dependency sets in on "Give It Up". and insecurity follows on "Not Gonna Kill You". both full-band, electric-guitar tunes. Arrangements get sparer as the subject matter gets more philosophical and despondent, such as on the artful "Sister". a dusty, nearly eight-minute epic that bargains with the future. Soon, "Those Were The Days" wonders 'Will you ever know the same love that I know?'. The breathy torch song is devoid of the singer's trademark heart-aching yodel, forgoing past country styling for low-key jazz-rock. In stark contrast to some of the other songs on the record, the closer, "Pops", is a solo piano dirge that bookends the album with its somber opener ('I'll be the thing that lives in the dream when it's gone'). While some tracks will surprise established fans, to say that My Woman is a departure or style swap for Olsen doesn't really take into account the album as a whole. The elements that are new here play out like a means to an end for a songwriter with a tale to tell, one chock-full of raw emotions. The songs stand just fine on their own, too, out of context. So, load up the playlists, but consider giving the album a proper front-to-back play through at least once for old time's sake. ┌────────┐ ────┤ Group ├───────────────────────────────────────────────────────────────── └────────┘