Audio-Forces_Of_Nature-VRS011LP-LP-2013-sour

Tracklist (M3U)
# Filename Artist Songname Bitrate BPM
1 a-audio-botfly-sour.mp3 Audio Botfly Unknown Unknown
2 b-audio-nomad-sour.mp3 Audio Nomad Unknown Unknown
3 c-audio-airborne-sour.mp3 Audio Airborne Unknown Unknown
4 d-audio-aftermath_(feat_ryme_tyme)-sour.mp3 Audio Aftermath (feat Ryme Tyme) Unknown Unknown
NFO
.___________________ __________________|_ | /______________|_ .__________\ | | | | | | | | ______/_ ______ | ._______\_____ | _|_ ___\ __/________\ /________| __\ _ )__ | ((___\ \\ \___ . __ . | . . /___ __|_ | | l | \/ | l | l // /____)) |_ | | | | | | | __ / |_____,------|_____,------|____.------|____|------' | \\/ / | | | /_ .... | | ..... | | : | `-----:---------------------------' `-----------------------:----' : design.by.ant1k :.............: __ ____ _______ ................... _(_/_( _ /_( _/ _ /_ ................... : : : \_ | | | |_ | | : : : : | : | | | | _/ | | : : : : | : | .--+ | | | | | +----------------------------------------------+--+--+---. | | | | | | | | r e l e a s e i n f o : . : | `--+ | | | | | +----------------------------------------------+--+--+---' | | | | | | | . :.................: : : | | | |__|__|__|__|_____| : : :.................: : | : :... : _______________/_ ..... \ / : : _\ rippers /____. : : release no ( 11078 ) \ rating | : : \_____. | : : artist (Audio ) | .---. | : : title (Forces Of Nature ) | 0 | | | : : record label (Virus (VRS011LP) ) | 9 | | | : : genre (Drum & Bass ) | 8 |%%%| | : : release date (2013/11/15) | 7 |%%%| | : : street date (2013/11/??) | 6 |%%%| | : : | 5 |%%%| | : : media type vinyl (x) tape ( ) cd ( ) radio ( ) | 4 |%%%| | : : cover sfv m3u cover ( ) sfv (x) m3u (x) cue ( ) | 3 |%%%| | : : | 2 |%%%| | :.. :..... ... | 1 |%%%| | : : :.: (04 tracks) (24:47 min) ( 45,2 mb) | `---' | : ...:.... `----------' :...:..: : :: :......: _. ____ ____ ____ __ .............. .( |_ .\ _ )_\__ )_( __/.__/ / .......... : : : | __/_| _ _/ _ | | | /_ /_ : : : : | . : | | | | | | | | | | | : : : : | | | .--| | | | | | | | | | |----------------------------------+--+--+---. | | | | | | | | | | | | t r a c k l i s t i n g : . : | `--| | | | | | | | | | |----------------------------------+--+--+---' | | | | | | | | | | | : :........: : : | | | |_____|__|__|_____|_____|__|__| :.. . :............: . | : :... : nr times track titles .----^-------^----------------------------------------------------------------. | A 6:40 Audio - Botfly | | B 6:17 Audio - Nomad | | C 5:11 Audio - Airborne | | D 6:39 Audio - Aftermath (feat Ryme Tyme) | `----^-------^--------------------------------------------/ | ...... /____________________| : . ...:.. : : :..........: :....: :: ____ ____ __. ____ ____ ____ ____ ... .\ _ )_( _ /_\ |___( _ /_\__ )_( __/_( _ /_ : ........... : | _ _/ /___/ | / /___/ _ |___ / /___/ ........ : : | : | | | | | | | | | | | | | | | : : : : | : | .--| | | | | | | | | | | | | | |------------------------+--+--+-. | | | | | | | | | | | | | | | | r e l e a s e n o t e : . : | `--| | | | | | | | | | | | | | |------------------------+--+--+-' | | | | | | | | | | | | | | | :......: : : | | | |__|__|_____|_____|_____|_____|_____|_____| :.........: | : :.. : : : | | .-------+ -+-------. | | | | | | Over the years, drum & bass has seen | | | | literally thousands of record labels come and | | | | go. But amid the seemingly infinite imprints | | | | that have provided an outlet for the music, | | | | very few can claim to have had anywhere near | | | | the influence of the mighty Virus Recordings. | | | | | | | | Ed Rush & Optical, alongside fellow 'tech | | | | step' luminaries Matrix, Trace, RymeTyme and | | | | later Bad Company and Cause 4 Concern, layed | | | | down the Virus template on timeless tracks | | | | such as 'Gasmask', 'Watermelon' and | | | | 'Medicine', as well as LPs 'Wormhole'and | | | | 'Sleepwalk', and within just a couple of | | | | years had a seismic influence on the sound of | | | | Drum & Bass. | | | | | | | | On his third LP for the mighty Virus | | | | Recordings, all, and we mean, all of the | | | | tracks are shut-down, stone-cold classics, | | | | and as soon as you hear cuts like Mudshark, | | | | A.R.P., and the unbelievable Botfly, you'll | | | | know exactly what we mean. Touches of | | | | neurofunk, hints of classic techstep and | | | | shades of hardstep are found throughout, but | | | | Audio is also not afraid to throw out the | | | | rulebook and take the music in directions he | | | | wants. A master of his craft, his word is the | | | | law, and we are all just pawns in his game. | | | | | | | | Audio's first experience with electronic | | | | music was in the early 90's with the Colin | | | | Dale and Colin Favour radio shows on Kiss | | | | 100. He was instantly hooked, and when, a few | | | | years later, the classic "Wormhole" LP on | | | | Virus recordings was released, there was no | | | | turning back and he embraced the underground | | | | family that we know and love as, Drum & Bass. | | | | | | | | The true combination of music and technology | | | | can be found in Audio's music, as one of the | | | | most experienced producers in the game today | | | | unleashes a masterpiece. As always, he has | | | | drawn from his wealth of influences, creating | | | | a full tableau of sound possibilities, | | | | unleashing an array of styles and moods. If | | | | you have been searching for that distillation | | | | of the essence of the late 90s, but | | | | skyrocketed into the future, look no further | | | | than the Force Of Nature LP! | | | | | | `-------+- +-------` : : __. ____ _____ ____ __. .............. \ |___( _ /_\ _/_\__ )_\ |___ .......... : : : / | / /___/ | / _ | | / : : : : | . : | | | | | | | | | | | : : : : | | | .--| | | | | | | | | | |----------------------------------+--+--+---. | | | | | | | | | | | | d i s c l a i m e r : . : | `--| | | | | | | | | | |----------------------------------+--+--+---' | | | | | | | | | | | : :........: : : | | | |__|__|_____|_____|_____|_____| :.. . :............: . | : :... : .-----------------------------------------------------------------------------. | | | This release may contain copyrighted material, however SOUR guarantees | | that this material was at least available to one person "on the street" | | and that the possession of this material is in no way privileged. | | | | SOUR has been releasing good quality drum'n'bass, jungle & oldskool rips to | | the internet drum'n'bass public since summer 1999. Originally a small | | operation, we have now reached levels of international acclaim. | | | | SOUR is dedicated to both the availability and promotion of music to the | | public, and our rips are intended to reflect these ideals. Specifically: | | | | . SOUR is dedicated to the promotion of new music that is currently | | available to buy. If you like something you hear, you are obliged to | | attempt to purchase an original copy. | | | | . SOUR is dedicated to the promotion of old music that may no longer be | | available to buy. | | | | . SOUR is dedicated to the expansion and infiltration of drum'n'bass | | worldwide! We provide a service where none is available, specifically in | | many remote countries where traditional distributors can not afford to | | target. Also, the availability of drum'n'bass in an easily accessible | | form expands the potential for real world sales to people who may not | | otherwise have considered buying drum'n'bass. | | | | . SOUR is dedicated to the expansion of the online and offline real world | | scenes. With more listeners enjoying what they hear, clubs and venues can | | only expect MORE people to attend events; DJ's can only expect MORE | | people to pay to see THEM. | | | | By accident of today's current real world distribution arrangements, many | | artists will find that SOUR releases IMPROVE their real world sales; | | especially for items only on vinyl. This is the basis upon which SOUR | | operates. | | | `---------------------------------------------------------/ | ...... /____________________| : . ...:.. : : :..........: :....: :: [ sour productions(c) 1999-2013 ]

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