Azimuth-Azimuth_85-CD-1985-D2H

Tracklist (M3U)
# Filename Artist Songname Bitrate BPM
1 01-azimuth-adios_iony.mp3 Azimuth Adios Iony 224 Unknown
2 02-azimuth-dream_-_lost_song.mp3 Azimuth Dream / Lost Song 209 Unknown
3 03-azimuth-who_are_you.mp3 Azimuth Who Are You? 210 Unknown
4 04-azimuth-breathtaking.mp3 Azimuth Breathtaking 212 Unknown
5 05-azimuth-potion_1.mp3 Azimuth Potion 1 211 Unknown
6 06-azimuth-february_daze.mp3 Azimuth February Daze 218 Unknown
7 07-azimuth-til_bakeblikk.mp3 Azimuth Til Bakeblikk 218 Unknown
8 08-azimuth-potion_2.mp3 Azimuth Potion 2 214 Unknown
NFO
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Number : ECM 1298 / 827 520-2 ▓███ ███▓ Street Date : 1985-00-00 ▓███ ███▓ Rip Date : 2018-12-16 ▓███ ███▓ Encoder : LAME 32bits version 3.98.4 (http://www.mp3dev.org/) ▓███ ███▓ Quality : 214kbps / 44.1KHz / Joint Stereo ▓███ ███▓ Tracks : 8 ▓███ ███▓ Playtime : 00:44:21 (71.9MB) ▓███ ███▓ URL : http://ecmreviews.com/2011/12/21/azimuth-85 ▓███ ███▓ ▓███ ███▓█▄▄ ▄▄█▓███ ███████▓███▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄███▓███████ ██▀▀▀▀███▓████ ▄▄▄▄▄ ▄▄▄▄ ▀ ▄▄▄ ▀ ▄▄▄▄ ▄ ▄ ▄ ███ ▄ ▄▄▄▄ ▄▄▄▄▄ █████▓███▀▀▀▀██ █ ▓▓▓▓ ███████▄▄ █ ▄ █ █ █ █ █ ▄▄▄ █▄▀ █ ███ █ ▀▄▄▄ ▄ █ ▄▄████████ ▓▓▓▓ █ █ ▓▓▓▓ █████████ █ █ █ ▀▀▄ █▀▀▀█ ▀▄▄▄▄ █ ▀▄ █▄▄▄▄ █ ▄▄▄▄▀ █ █ ██████████ ▓▓▓▓ █ ██▄▄▄▄███▓██████▄▄▄█▄▄▄█▄▄▄▄▄█▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄██▄▄▄███████▓███▄▄▄▄██ ████████▀▀▀ ▀▀▀████████ ███▓▀ ▀▓███ ███▓ ▓███ ███▓ ▓███ ███▓ ▓███ ███▓ 01 Adios Iony 6:21 ▓███ ███▓ 02 Dream / Lost Song 5:55 ▓███ ███▓ 03 Who Are You? 3:42 ▓███ ███▓ 04 Breathtaking 7:00 ▓███ ███▓ 05 Potion 1 2:18 ▓███ ███▓ 06 February Daze 6:24 ▓███ ███▓ 07 Til Bakeblikk 9:05 ▓███ ███▓ 08 Potion 2 3:36 ▓███ ███▓ ▓███ ███▓ ▓███ ███▓ ▓███ ███▓ 44:21 min ▓███ ███▓ ▓███ ███▓█▄▄ ▄▄█▓███ ███████▓███▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄███▓███████ ██▀▀▀▀███▓█████ ▄▄▄▄ ▄▄▄▄▄ ▄ █████████████ ▄ ▄▄▄▄ ▄▄▄▄▄ ▄▄▄ ▀█████▓███▀▀▀▀██ █ ▓▓▓▓ ████████ █ █ █▄▄ ▄ █ █████ ▄▄▄▄▄ █ █ █ ▄ █ █ █ ▄ █ ████████ ▓▓▓▓ █ █ ▓▓▓▓ ████████ █ ▀▀▄ █▄▄▄▄ █▄▄▄▄ █▄▄▄▄▄▄▄█ █ █ █ █ █▀▀▀ ▀▄▄▄▀ ████████ ▓▓▓▓ █ ██▄▄▄▄███▓█████▄▄▄█▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄█████████▄▄▄▄▄█▄▄▄▄▄████▄▄▄▄▄██████▓███▄▄▄▄██ ████████▀▀▀ ▀▀▀████████ ███▓▀ ▀▓███ ███▓ ▓███ ███▓ The equivocal trio known as Azimuth will forever be one of ECMÆs ▓███ ███▓ most profound. The combination of John TaylorÆs pianism and Norma ▓███ ███▓ WinstoneÆs vocals alongside Kenny WheelerÆs soulful trumpeting was ▓███ ███▓ just what the 1980s needed to find solace in sound. TaylorÆs heart ▓███ ███▓ is sure to still yours in ôAdios Iony,ö from which Wheeler and ▓███ ███▓ Winstone draw parallel threads before the slow persuasion of words ▓███ ███▓ begins to make itself heard: ▓███ ███▓ ▓███ ███▓ àa boat rounds the bendàbearing downà ▓███ ███▓ breathtakingà ▓███ ███▓ three herons stand their groundàswayingà ▓███ ███▓ did you see them land? ▓███ ███▓ moon behind branchesà ▓███ ███▓ suddenly bright, clear, frosty ▓███ ███▓ ▓███ ███▓ Winstone paints her poetry in talk-singing before leaping into a ▓███ ███▓ pool of organ as Wheeler plays us out. ôDreamö sleeps peacefully in ▓███ ███▓ loving vocal arms. ▓███ ███▓ ▓███ ███▓ you and I in a vast deserted square ▓███ ███▓ everything crumbles to the ground ▓███ ███▓ facing you, I slowly slide into the chasm of your smileà ▓███ ███▓ ▓███ ███▓ We feel blissfully lost, somehow grounded by love yet pushed ever ▓███ ███▓ forward beyond our wildest desires and into humbler shelters. The ▓███ ███▓ piano of ôLost Songö then looks us in the eye as if to speak the ▓███ ███▓ next title: ôWho Are You?ö The trumpeting here is liquid mercury. ▓███ ███▓ Like SiegfriedÆs bird, it is a floating commentator, hanging from ▓███ ███▓ the thinnest of threads pinched in forested fingers. ▓███ ███▓ ▓███ ███▓ àfunny to think of the children we were ▓███ ███▓ memories we walked right through ▓███ ███▓ but now you ask, ▓███ ███▓ IÆd have to guess that you feel lonely tooà ▓███ ███▓ ▓███ ███▓ Music and song walk hand in hand into the slow dance that follows. ▓███ ███▓ In ôBreathtaking,ö Winstone touches glaring heights with her vast ▓███ ███▓ internal power, drawing her throat into the refractions of a ▓███ ███▓ ôFebruary Daze.ö The Steve Reichian consistency in the keys lends ▓███ ███▓ unusual urgency to the groupÆs ethereal sound, which only further ▓███ ███▓ blurs the snapshot rendered in ôTil Bakeblikk.ö The albumÆs elixir ▓███ ███▓ is made complete with two ôPotions,ö the second of which sits ▓███ ███▓ perched on the softly swinging bar of its aural cage, forever ▓███ ███▓ singing, forever wanting, and finding flight only in the concluding ▓███ ███▓ silence. ▓███ ███▓ ▓███ ███▓ This is AzimuthÆs zenith and another significant chapter of ECMÆs ▓███ ███▓ backstory. ItÆs easy to see why this album never made it on to the ▓███ ███▓ 3-disc retrospective, for to do so would have risked diluting its ▓███ ███▓ value as a standalone artifact. Essential for many reasons, not ▓███ ███▓ least of all for Taylor, who plays as if he were holding an ▓███ ███▓ inanimate body in his hands, tracing its every contour until it ▓███ ███▓ comes back to life. ▓███ ███▓ ▓███ ███▓ John Taylor - piano, organ ▓███ ███▓ Norma Winstone - vocal ▓███ ███▓ Kenny Wheeler - trumpet, fluegelhorn ▓███ ███▓ ▓███ ███▓ Recorded March 1985 @ Rainbow Studio, Oslo ▓███ ███▓ Engineer: Jan Erik Kongshaug ▓███ ███▓ Produced by Manfred Eicher ▓███ ███▓ ▓███ ███▓█▄▄ ▄▄█▓███ ███████▓███▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄███▓███████ ██▀▀▀▀███▓█████▀ ▄▄▄▄ ▄▄▄▄ ▄▄▄▄ ▀█████████ ▄ ▄▄▄▄ ▄▄▄▄▄ ▄▄▄ ▀█████▓███▀▀▀▀██ █ ▓▓▓▓ ████████ █ ▄▄▄ █ █ █ █ █ ▄▄▄▄▄ █ █ █ ▄ █ █ █ ▄ █ ████████ ▓▓▓▓ █ █ ▓▓▓▓ ████████ █▄▄▄█ █▀▀▀▄ █ ▀▀ ▄█▄▄▄▄▄▄▄█ █ █ █ █ █▀▀▀ ▀▄▄▄▀ ████████ ▓▓▓▓ █ ██▄▄▄▄███▓█████▄▄▄▄▄▄▄▄▄█▄▄▄▄▄█████████████▄▄▄▄▄█▄▄▄▄▄████▄▄▄▄▄██████▓███▄▄▄▄██ ████████▀▀▀ ▀▀▀████████ ███▓▀ ▀▓███ ███▓ ▓███ ███▓ "LOVE AND RESPECT YOUR FRIENDS AND LET YOUR ENEMIES DIE!!!" ▓███ ███▓ ▓███ ███▓▄▄▄ ▄▄▄▓███ ██████████▄▄ ▄▄██████████ ██▀ ▄▄▄ ▀▀███▄ ▄███▀▀ ▄▄▄ ▀██ █ ▄▀▀████▄ ▀███▄ ▄███▀ ▄████▀▀▄ █ █▄▄▄▄ █▓▀██▄ ▀███ ███▀ ▄██▀▓█ ▄▄▄▄█ ████ ▄█▓ ▀██ ▀███ ███▀ ██▀ ▓█▄ ▀███ ███ ███ ▓███ ▀███ ███▀ ███▓ ███ ▀██ ██ ██▀ ▓███▓ ████▄ ▄████ ▓███▓ ▀██ ▀█ █ █▀ ▄██▓ ███████▄▄▄ ▄▄██████▄ ▓██▄ ▀█ █ ██ ▄███▓ ███████████████▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄██████████████ ▓███▄ ██ ██▓ ▓██▀ ▄███████████████▀▀▀▀▀▀▀█▀▀▀▀▀▀▀▀▀█▀▀▀▀▀▀██████████████▄ ▀██▓ ▓██ ██▓ ▓███▄ ▀ ▄▄▄▄ ▀▀█▀▀▀▀ ▄█████▄ ▄█▀▀▀▀▀█▄ ▄████▄ ▀▀▀█▀▀ ▄▄▄▄ ▀ ▄███▓ ▓██ ▓██▓ ▀███████████▄ ▄██▓██▀ ▀███▄ ▄█▀ ▀██▓██▄ ▄████████████▀ ▓██▓ ▓██▓ ▀▀▀▀ ▀██ ▓▓██▓ ▀██ ▄██▀ ▓██▓▓ ███▀ ▀▀▀▀ ▓██▓ █ ▓██▓ ▓██ ▓█▓ ▓██ ██▀ ▓█▓ ██▓ ▓██▓ █ ██ ▓██▄▄ ▓██ ▓█ ▓███▓ █▓ ██▓ ▄▄██▓ ██ ███▄ ▀████▄▄▄ ▄██ ▓█▄ ██▓ █▓ ██▄ ▄▄▄████▀ ▄▄██ █████▄▄ ▀███████▓████▀ ▀██ ██ █▓ ▄█ ██▀ ▀████▓███████▀▀ ▄█████ ██████▀ ▄█▓█▓█▓▓▓█▓ ▀████ ▓ ████▀ ▓█▓▓▓█▓█▓█▄ ▀██████ ████▀ ▄██▓▓█▓▓█▓█▓ ▄▄ ▀██▓ ▓██▀ ▄▄ ▓█▓▓█▓█▓▓██▄ ▀████ ██▀ ▄██▓▓█▓█▓▓█▓██▓ ▓██ ██▄ ▓██ ██▓ ▓██▓█▓▓█▓█▓▓██▄ ▀██ █▀ ███▓█▓█▓▓█▓██▓▀█▓ ▓████▄ ███▄▄ ▄▄██ ▄████▓ ▓█▀▓▓█▓█▓▓█▓█▓███ ▀█ █ ██▓█▓█▓▓█▓██▓█▓ ██ ▓███████▄ ▀█████ █████▀ ▄███████▓ ██ ▓█▓██▓█▓▓█▓█▓██ █ ▓█▓█▓█▓█▓▓█▓▓█▓█ ██ ▓████████▄ ▀██ ██▀ ▄████████▓ ██ █▓▓█▓█▓▓█▓█▓█▓██ ▓█▓▓▓█▓█▓█▓▓█▓██ ██ ▓█████████▄▄ █ █ ▄▄█████████▓ ██ ██▓█▓▓█▓▓██▓▓██▓ ███▓█▓█▓█▓███▀ ▓█▓ ▀▀█████████ █ █ █████████▀▀ ▓█▓ ▀███▓███▓▓█▓▓█ █▓██▓█▓█▓██▀ ▄█ ▓█▄▄ ▀▀▀▀▀ ▀▀▀▀▀ ▄▄█▓ █▄ ▀██▓█▓█▓▓█▓█ █▓▓████▓██ ▄███▄▄ ▀████▄ ▄███ ██ ███▄ ▄████▀ ███▄ ██▓█▓███▓█ █▓▓█▓████ ▄███████▄▄ ▀▀██ ████▄▄▄ ████████ ▄▄▄████ ██▀▀ ▄▄██████▄ ▀███▓█▓▓█ ▓█▓▓█▓█▓ ▄███████████ █ ███▓ ▓██████ ▀▀▀▀ ██████▓ ▓███ █ ███████████ ▓█▓█▓▓█▓ ▓██████▓ ████████████ █ █▓ ▄ █▓█▓█▓▓████████▓▓█▓█▓█ ▄ ▓█ █ ███████████ ▓██▓███▓ ▓█▓█▓█ ▄████████████▄ █ █ ██ █ ▄ ███ ▓█ ███ ▄ █ ██ █ █ ▄███████████▄ █▓█▓█▓ ▓███▓ ▀█████████████▄ █ █▄▀█ ███ █ █ ▀▓ █ █ ███ █▀▄█ █ ▄████████████▀ ▓███▓ ▓███▓ ▀█████████████▄ █ ██▄▓ ▀██ ███ ▀ ██ █▀▀ ▓▄██ █ ▄████████████▀ ▓███▓ ▓████▄ ▀████████████▄ █ ▀████▄▄▓▄ ▀ ▓ ▀ ▓▄█████▀ █ ▄███████████▀ ▄████▓ ▀▀▓███▄▄ ▀▀█████████▄ █▄ ▀▀████████████▀▀ ▄█ ▄████████▀▀ ▄▄███▓▀▀ ▀▀▀▀▀ ▀▀▀▀█████▄ ██▄▄ ▄▄██ ▄████▀▀▀▀ ▀▀▀▀▀ ▀████▄▄▄ ▄▄▄████▀ ▀▀████████████▀▀ ▀▀▀▀▀▀

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