Genre | Jazz |
---|---|
Date (CEST) | 2018-12-17 13:56:43 |
Group | D2H |
Size | 69 MB |
Files | 8 |
M3U / SFV / NFO |
Azimuth-Azimuth_85-CD-1985-D2H
Infos
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Tracklist (M3U)
# | Filename | Artist | Songname | Bitrate | BPM |
---|---|---|---|---|---|
1 | 01-azimuth-adios_iony.mp3 | Azimuth | Adios Iony | 224 | Unknown |
2 | 02-azimuth-dream_-_lost_song.mp3 | Azimuth | Dream / Lost Song | 209 | Unknown |
3 | 03-azimuth-who_are_you.mp3 | Azimuth | Who Are You? | 210 | Unknown |
4 | 04-azimuth-breathtaking.mp3 | Azimuth | Breathtaking | 212 | Unknown |
5 | 05-azimuth-potion_1.mp3 | Azimuth | Potion 1 | 211 | Unknown |
6 | 06-azimuth-february_daze.mp3 | Azimuth | February Daze | 218 | Unknown |
7 | 07-azimuth-til_bakeblikk.mp3 | Azimuth | Til Bakeblikk | 218 | Unknown |
8 | 08-azimuth-potion_2.mp3 | Azimuth | Potion 2 | 214 | Unknown |
NFO
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██ ▒ Artist : Azimuth ░ █░ ▓███
██ ░ Album : Azimuth '85 ░ ▓▒ ▓███
██▄▄ Genre : Jazz ░ ▓ ▓███
███▓ Source : CD ░ ▒ ▓███
███▓ Label : ECM Records ░ ▓███
███▓ Cat. Number : ECM 1298 / 827 520-2 ▓███
███▓ Street Date : 1985-00-00 ▓███
███▓ Rip Date : 2018-12-16 ▓███
███▓ Encoder : LAME 32bits version 3.98.4 (http://www.mp3dev.org/) ▓███
███▓ Quality : 214kbps / 44.1KHz / Joint Stereo ▓███
███▓ Tracks : 8 ▓███
███▓ Playtime : 00:44:21 (71.9MB) ▓███
███▓ URL : http://ecmreviews.com/2011/12/21/azimuth-85 ▓███
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███▓ 01 Adios Iony 6:21 ▓███
███▓ 02 Dream / Lost Song 5:55 ▓███
███▓ 03 Who Are You? 3:42 ▓███
███▓ 04 Breathtaking 7:00 ▓███
███▓ 05 Potion 1 2:18 ▓███
███▓ 06 February Daze 6:24 ▓███
███▓ 07 Til Bakeblikk 9:05 ▓███
███▓ 08 Potion 2 3:36 ▓███
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███▓ 44:21 min ▓███
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███▓ The equivocal trio known as Azimuth will forever be one of ECMÆs ▓███
███▓ most profound. The combination of John TaylorÆs pianism and Norma ▓███
███▓ WinstoneÆs vocals alongside Kenny WheelerÆs soulful trumpeting was ▓███
███▓ just what the 1980s needed to find solace in sound. TaylorÆs heart ▓███
███▓ is sure to still yours in ôAdios Iony,ö from which Wheeler and ▓███
███▓ Winstone draw parallel threads before the slow persuasion of words ▓███
███▓ begins to make itself heard: ▓███
███▓ ▓███
███▓ àa boat rounds the bendàbearing downà ▓███
███▓ breathtakingà ▓███
███▓ three herons stand their groundàswayingà ▓███
███▓ did you see them land? ▓███
███▓ moon behind branchesà ▓███
███▓ suddenly bright, clear, frosty ▓███
███▓ ▓███
███▓ Winstone paints her poetry in talk-singing before leaping into a ▓███
███▓ pool of organ as Wheeler plays us out. ôDreamö sleeps peacefully in ▓███
███▓ loving vocal arms. ▓███
███▓ ▓███
███▓ you and I in a vast deserted square ▓███
███▓ everything crumbles to the ground ▓███
███▓ facing you, I slowly slide into the chasm of your smileà ▓███
███▓ ▓███
███▓ We feel blissfully lost, somehow grounded by love yet pushed ever ▓███
███▓ forward beyond our wildest desires and into humbler shelters. The ▓███
███▓ piano of ôLost Songö then looks us in the eye as if to speak the ▓███
███▓ next title: ôWho Are You?ö The trumpeting here is liquid mercury. ▓███
███▓ Like SiegfriedÆs bird, it is a floating commentator, hanging from ▓███
███▓ the thinnest of threads pinched in forested fingers. ▓███
███▓ ▓███
███▓ àfunny to think of the children we were ▓███
███▓ memories we walked right through ▓███
███▓ but now you ask, ▓███
███▓ IÆd have to guess that you feel lonely tooà ▓███
███▓ ▓███
███▓ Music and song walk hand in hand into the slow dance that follows. ▓███
███▓ In ôBreathtaking,ö Winstone touches glaring heights with her vast ▓███
███▓ internal power, drawing her throat into the refractions of a ▓███
███▓ ôFebruary Daze.ö The Steve Reichian consistency in the keys lends ▓███
███▓ unusual urgency to the groupÆs ethereal sound, which only further ▓███
███▓ blurs the snapshot rendered in ôTil Bakeblikk.ö The albumÆs elixir ▓███
███▓ is made complete with two ôPotions,ö the second of which sits ▓███
███▓ perched on the softly swinging bar of its aural cage, forever ▓███
███▓ singing, forever wanting, and finding flight only in the concluding ▓███
███▓ silence. ▓███
███▓ ▓███
███▓ This is AzimuthÆs zenith and another significant chapter of ECMÆs ▓███
███▓ backstory. ItÆs easy to see why this album never made it on to the ▓███
███▓ 3-disc retrospective, for to do so would have risked diluting its ▓███
███▓ value as a standalone artifact. Essential for many reasons, not ▓███
███▓ least of all for Taylor, who plays as if he were holding an ▓███
███▓ inanimate body in his hands, tracing its every contour until it ▓███
███▓ comes back to life. ▓███
███▓ ▓███
███▓ John Taylor - piano, organ ▓███
███▓ Norma Winstone - vocal ▓███
███▓ Kenny Wheeler - trumpet, fluegelhorn ▓███
███▓ ▓███
███▓ Recorded March 1985 @ Rainbow Studio, Oslo ▓███
███▓ Engineer: Jan Erik Kongshaug ▓███
███▓ Produced by Manfred Eicher ▓███
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███▓ "LOVE AND RESPECT YOUR FRIENDS AND LET YOUR ENEMIES DIE!!!" ▓███
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