Baden_Powell-Fresh_Winds-LP-1969-UTB

Tracklist (M3U)
# Filename Artist Songname Bitrate BPM
1 01-baden_powell-deve_ser_amor-utb.mp3 Baden Powell Deve Ser Amor 204 Unknown
2 02-baden_powell-choro_para_metronome-utb.mp3 Baden Powell Choro Para Metronome 204 Unknown
3 03-baden_powell-adagio-utb.mp3 Baden Powell Adagio 199 Unknown
4 04-baden_powell-berimbau-utb.mp3 Baden Powell Berimbau 212 Unknown
5 05-baden_powell-samba_en_preludio-utb.mp3 Baden Powell Samba En Preludio 203 Unknown
6 06-baden_powell-chanson_d_hiver-utb.mp3 Baden Powell Chanson D' Hiver 196 Unknown
7 07-baden_powell-samba_triste-utb.mp3 Baden Powell Samba Triste 216 Unknown
8 08-baden_powell-berceuse_a_jussara-utb.mp3 Baden Powell Berceuse A Jussara 193 Unknown
9 09-baden_powell-prelude_de_bach-utb.mp3 Baden Powell Prelude De Bach 209 Unknown
10 10-baden_powell-euridice-utb.mp3 Baden Powell Euridice 196 Unknown
11 11-baden_powell-bachiana-utb.mp3 Baden Powell Bachiana 203 Unknown
NFO
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The family moved to ██ ██ Rio when the child was four months old and Baden then became ██ ██ a carioca from the Sao Cristovao borough. The boy grew up ██ ██ listening to music: his father, a shoe maker by trade and a ██ ██ violinist by calling, held regular get-togethers at home, at ██ ██ which Pixinguinha and Donga, two of Brazil's popular music ██ ██ icons, were always present. ██ ██ ██ ██ At the age of eight, after much insistence from Baden, his ██ ██ father arranged for him study guitar with Jaime Florence ██ ██ ("Meira"), violinist from the group "Regional do Canhoto". ██ ██ Florence introduced Baden to Brazilian popular music and the ██ ██ classics, especially the Spanish masters Francisco Tarrega ██ ██ and Andres Segovia. The boy proved to be a prodigy on the ██ ██ instrument and the following year at age nine, performed in ██ ██ the program Papel Carbono, produced by Renato Murce at the ██ ██ Radio Nacional, winning first place as a guitar soloist. By ██ ██ thirteen Baden was practically playing as a professional ██ ██ musician, earning small cachets for performances in balls ██ ██ and parties in the suburbs. ██ ██ ██ ██ After finishing junior-high school, Baden Powell worked as a ██ ██ musician for the Radio Nacional and toured the country ██ ██ performing in small towns. Around 1955 he joined the trio of ██ ██ pianist Ed Lincoln which performed in the Bar Plaza, in ██ ██ Copacabana. At that time jazz had marked its presence in ██ ██ Brazil not only by the possibilities of improvisation and ██ ██ the technique required, but also by the presence of jazz ██ ██ greats such as Benny Goodman, Louis Armstrong, Ella ██ ██ Fitzgerald, etc. And the Plaza was the place to be for music ██ ██ lovers, including one of Powell's admirers: Antonio Carlos ██ ██ Jobim. ██ ██ ██ ██ That is when Baden started to compose and, all by himself, ██ ██ produced Deve Ser Amor (It Must Be Love), Encontro Com a ██ ██ Saudade (Date with Loneliness), Nao e Bem Assim (Not Quite ██ ██ Like That). In 1956 came his first big success Samba Triste ██ ██ (Sad Samba), with lyrics by Billy Blanco. Other ██ ██ collaborators are: Aloysio de Oliveira (Vou por Ai - ██ ██ Wandering), Geraldo Vandre (Rosa Flor - Rose), Ruy Guerra ██ ██ (Cansao a Minha Amada - A Song to My Love), etc. ██ ██ ██ ██ In 1960, during a performance by Tom Jobim at Arpege, a ██ ██ nightclub in Copacabana, Baden met Vinicius de Moraes, who ██ ██ would become his most frequent collaborator and who was ██ ██ responsible for Baden's integration into the bossa-nova ██ ██ movement. Canca o de Ninar Meu Bem (Lullaby for My Love) was ██ ██ the duo's first composition and was an immediate success. ██ ██ The new greats of modern music were practically in house ██ ██ arrest for three months. Samba em Preludio (Samba in ██ ██ Prelude), So por Amor (Only for Love), Bom Dia Amigo (Good ██ ██ Morning, Friend), Labareda (Blaze), Astronauta (Astronaut) ██ ██ were from that vintage and remained in the charts for months ██ ██ on end. ██ ██ ██ ██ Baden, now part of the bossa-nova movement, participated in ██ ██ shows and television programs. As an interpreter he ██ ██ highlighted his versatility, his refined technique coupled ██ ██ with unique musicality, conquering the highest applause for ██ ██ his absolute command of the instrument, virtuosity and ██ ██ personalized interpretations. As a composer he contributed ██ ██ with his songs to the development of popular music. The ██ ██ composer's inspiration is of unsurpassed richness and new, ██ ██ successful songs with lyrics by Vinicius de Moraes were ██ ██ introduced shortly; among these Alem do Amor (Besides Love), ██ ██ Valsa Sem Nome (No-name Waltz), Deve Ser Amor (It Must Be ██ ██ Love), Cansao do Amor Ausente (Song to an Absent Love), ██ ██ Consolacao (Solace), Deixa (Let It Be), Amei Tanto (Too Much ██ ██ Loving), Tempo Feliz (Happy Times), Apelo (Appeal), etc., ██ ██ etc. The Candomble theme which had been attracting Baden for ██ ██ some time, generated a new flood of compositions by the duo ██ ██ called Afro-sambas. The first songs of the new genre were ██ ██ Berimbau and Samba da Bencao. The latter was part of ██ ██ director Claude Lelouch movie Un Homme et Une Femme, ██ ██ re-titled Samba Saravah. ██ ██ ██ ██ In his declarations about Baden Powell, Vinicius de Moraes ██ ██ said: "Before Berimbau and Samba da Bencao, Baden had ██ ██ already chosen me to write Canto do Caboclo Pedra Preta ██ ██ (Black Rock's Chant). That song was composed 'right there ██ ██ and then' - that is, music and lyrics for the second part ██ ██ searching for a meaning for the original caboclo's chant. ██ ██ From that same period is Canto de Yemanja in which, it is my ██ ██ opinion, Baden reached a beauty rarely attained." Vinicius ██ ██ went on: "Baden's musical antennae to Bahia and, in a final ██ ██ stretch, to Africa, allowed him to put together this new ██ ██ syncretism, adding a 'carioca' taste, within the spirit of ██ ██ modern samba, to the Afro-Brazilian candomble, giving it a ██ ██ more universal dimension." Other Afro compositions include ██ ██ Canto de Ossanha (Ossanha's Chant), Canto Xango (Xango's ██ ██ Chant), Lamento de Exu (Exu's Lament), Bocoche (Secret) and ██ ██ Tristeza e Solidao (Sadness and Solitude). ██ ██ ██ ██ In the Sixties, Baden went to the United States to meet and ██ ██ play with Stan Getz. In 1966, Baden went to Europe and ██ ██ became well known with the song Samba de Bencao which was ██ ██ part of the original soundtrack of French filmmaker Claude ██ ██ Lelouch's Un Homme et Une Femme. One year later, he received ██ ██ his first Golden Record in Paris. In the Seventies Baden ██ ██ discovered Japan. ██ ██ ██ ██ Baden Powell died on 2000. As an acoustic guitar virtuoso, ██ ██ he never forgot his Brazilian musical roots. Baden bridged ██ ██ the gap between classical and modern music. ██ ██ ██ ██ ██ ██ Love and Respect! ██ ██ /stm ██ ██ ██ ██ ██ ██ ██ ██ ██ ██ ██ ██ If you enjoyed this REC, BUY IT! otherwise delete it please ██ ██ because the Artist deserves your support! ██ ██ ██ ██ ▄ ▄ ■■ ▄ ▄ ██ ██ ▄▄▄▄▄▄▓▓▓▀▀ ▀ ▀■ ■▀ ▀■ ■▀ ▀ ▀▀▓▓▓▄▄▄▄▄▄ ██ ▀▀▀▀▀▀▓█▓█▓▓▀█▓▄■ TRACK LISTING ■▄▓█▀▓▓█▓█▓▀▀▀▀▀▀ ░░ ▀▓▀ ▀▓▀ ░░ ▒▒ ▒▒ ▓▓ ▓▓ ██ 01.Deve Ser Amor 03:47 ██ ██ 02.Choro Para Metronome 02:55 ██ ██ 03.Adagio 03:03 ██ ██ 04.Berimbau 03:00 ██ ██ 05.Samba En Preludio 03:27 ██ ██ 06.Chanson D' Hiver 02:22 ██ ██ 07.Samba Triste 03:29 ██ ██ 08.Berceuse A Jussara 02:33 ██ ██ 09.Prelude De Bach 02:51 ██ ██ 10.Euridice 03:02 ██ ██ 11.Bachiana 04:09 ██ ██ ██ ██ ██ ██ ██ ██ ▄ ▄ ■■ ▄ ▄ TOTAL: 34:38 mins ██ ██ ▄▄▄▄▄▄▓▓▓▀▀ ▀ ▀■ ■▀ ▀■ ■▀ ▀ ▀▀▓▓▓▄▄▄▄▄▄ ██ ▀▀▀▀▀▀▓█▓█▓▓▀█▓▄■ TEAM INFORMATION ■▄▓█▀▓▓█▓█▓▀▀▀▀▀▀ ░░ ▀▓▀ ▀▓▀ ░░ ▒▒ ▒▒ ▓▓ * We are always looking for: ▓▓ ██ - Talented Music Rippers (allyear, allgenre, promo, vinyl ██ ██ and radio livesets) ██ ██ - prefered 100Mbits affiliated sites (NO! 10mbit bbb!!) ██ ██ ██ ██ * We are currently looking for: ██ ██ - A Dump site ██ ██ - iRC BNC Supplier ██ ██ ██ ██ ██ ██ And if you think that U can help us to make a better group ██ ██ don't hesitate, contact us! I hope you know how do that =) ██ ██ since we are a closed group so... ██ ██ - we DON'T have any contact detail here ██ ██ - we DON'T have a public irc channel ██ ██ - we DON'T offer releases ██ ██ - we DON'T have a web page (try http://www.utb.de) ██ ██ - we ARE UNTOUCHABLE... ██ ██ ██ ██ ▄ ▄ ■■ ▄ ▄ ██ ██ ▄▄▄▄▄▄▓▓▓▀▀ ▀ ▀■ ■▀ ▀■ ■▀ ▀ ▀▀▓▓▓▄▄▄▄▄▄ ██ ▀▀▀▀▀▀▓█▓█▓▓▀█▓▄■ About us: ■▄▓█▀▓▓█▓█▓▀▀▀▀▀▀ ░░ ▀▓▀ ▀▓▀ ░░ ▒▒ ▒▒ ▓▓ ▓▓ ██ Well, now here is a small update of our nfo...blablabla ██ ██ 1. Yes we thought about makin a "secure" nfo like other big groups ██ ██ but we thought there still should be that flair for our friends ██ ██ (And yes we like to look at other nice and creative nfos) ██ ██ 2. We are 3 years in this formation in scene now, it's a fucked ██ ██ situation in here, but we still love it :) ██ ██ 3. We thank everyone who supported and supports us(Rippers, Ops,..)██ ██ 4. We hope u enjoyed any of our over !4000! rips ;) ██ ██ 5. We will still going on, ever and ever and ever ............... ██ ██ 6. Still watch out for UTBDVD for some nice Music-DVDs ██ ██ 7. and last -> We love you all! Now go out and listen to our music!██ ██ ██ ██ Greetz fly out to: ██ ██ ██ ██ to all ppl and groups ██ ██ that support the scene and us ██ ██ ██ ██ ██ ██ and to our friends at: ██ ▓██▄▄▄▄█████▄▄ ▄▄█████▄▄▄▄██▓ ▐███▀▀▀ ▀▀▀██▄▄:TR::DRUM::JUST::BOSS::KrbZ:uC:::RpM:::▄▄██▀▀▀ ▀▀▀███▌ ▀▄ ▄▄▄▄█▓▓██▀▀▀▀:UBE::mbs:YARDVID:CMC:F4G:CK::hbZ:▀▀▀▀██▓▓█▄▄▄▄ ▄▀ ▄███▓▓▓▀▀ ----------------------------------------- ▀▀▓▓▓███▄ ▐███▓▓▌ ------COPYING KILLS MUSIC - SO BUY THE SHIT----- ▐▓▓███▌ ████▓▓▄ ------------------------------------------------ ▄▓▓███▓ ▀▀██▓▓▓▄ ascii by lord maxxtro.cro|udated 18-01-06 ▄▓▓▓██▀▀ ▀▓▓▓ ▓▓▓▀ ▄▀▀▀ ▀▀▀▄

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