Genre | Latin |
---|---|
Date (CEST) | 2004-12-27 10:57:40 |
Group | OSC |
Size | None MB |
Files | 8 |
M3U / SFV / NFO |
Cheo_Feliciano-Pinceladas_Navidenas-SP-1998-OSC
Infos
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Tracklist (M3U)
# | Filename | Artist | Songname | Bitrate | BPM |
---|---|---|---|---|---|
1 | 01-cheo_feliciano-que_dichoso_soy-osc.mp3 | Cheo Feliciano | Que Dichoso Soy | 224 | Unknown |
2 | 02-cheo_feliciano-como_to_no_hay_nada-osc.mp3 | Cheo Feliciano | Como Tú No Hay Nada | 219 | Unknown |
3 | 03-cheo_feliciano-la_florecita-osc.mp3 | Cheo Feliciano | La Florecita | 217 | Unknown |
4 | 04-cheo_feliciano-no_seas_dormilon-osc.mp3 | Cheo Feliciano | No Seas Dormilón | 216 | Unknown |
5 | 05-cheo_feliciano-pinceladas_navidenas-osc.mp3 | Cheo Feliciano | Pinceladas Navideñas | 220 | Unknown |
6 | 06-cheo_feliciano-por_nuestra_felicidad-osc.mp3 | Cheo Feliciano | Por Nuestra Felicidad | 223 | Unknown |
7 | 07-cheo_feliciano-pa_que_echen_un_pie-osc.mp3 | Cheo Feliciano | Pa' Que Echen Un Pie | 225 | Unknown |
8 | 08-cheo_feliciano-viejo_amigo_viejo_ano-osc.mp3 | Cheo Feliciano | Viejo Amigo, Viejo Año | 221 | Unknown |
NFO
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Presents:
Cheo Feliciano - Pinceladas Navide±as
RiPPER..: -=Team OSC=- GENRE......: Latin
LABEL...: CDT Records SCENE DATE.: 12/21/2004
bITRATE.: VBR/44.1Hz STORE DATE.: 00/00/1998
ENCODER.: Lame 3.903 APS TRACKS.....: 08
SiZE....: 61,7 MB SOURCE.....: CDDA
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- TRACKLIST
01 Cheo Feliciano - Que Dichoso Soy 05:38
02 Cheo Feliciano - Como T· No Hay Nada 05:05
03 Cheo Feliciano - La Florecita 04:57
04 Cheo Feliciano - No Seas Dormil≤n 05:02
05 Cheo Feliciano - Pinceladas Navide±as 04:45
06 Cheo Feliciano - Por Nuestra Felicidad 04:25
07 Cheo Feliciano - Pa' Que Echen Un Pie 04:10
08 Cheo Feliciano - Viejo Amigo, Viejo A±o 04:56
Total Playtime: 38:58
- NOTES
Here some christmas spanish music. :)
Jose "Cheo" Feliciano was born on 3 July, 1935 and took
his first formal steps into the field of music as a
student Free Music School in his native Ponce, Puerto
Rico. At the age of 17, he moved with his family to New
York where he began his professional career as a
percussionist with a band known as "Ciro Rimac's Review".
He went on to work as a "bandboy" in Tito Rodriguez'
orchestra and as a conguero with Conjunto Marianaxi led by
maestro Luis Cruz, and as a percussionist with the
orquestra of "Kako y su Trabuco". On the recommendation of
Tito Rodriguez, Feliciano auditioned for and won a job
with the Joe Cuba Sextet as a vocalist. With Joe Cuba, he
had his first success on the radio. Songs such as "A la
seis", "El rat≤n", "Como rφen" and "El pito", marked his
years with the famous Cuban combo; a time when he briefly
appeared with the orchestra of Eddie Palmieri.
At the end of 60's, Feliciano decided to halt his career
in protest against the United States' undeclared war
against Vietnam. After three years, he reactivated his
career with a historic recording entitled Cheo. Breaking
all sales records, for the Vaya record label, he had hits
with songs such as "Anacaona", "Mi triste problema", "Pa'
que afinquen" and "Si por mφ llueve". He received numerous
awards for his efforts, including the Front Page award
from the New York Daily News.
His years recording under the Fania label produced hits
such as "Juguete", "SalomΘ", "Los entierros de mi gente
pobre" y "Juan Alba±il". His works were also featured in
the first salsa opera "Hommy". In the 80's, Feliciano
launched his own independent record production company:
Coche Records. At the start of the 90's he completed
several important projects including two albums with the
Rondalla Venezolana and his work in Cuba, where he edited
the CD recording: "Cheo en Cuba".
Another Quality Release from OSC!!
Enjoy!!
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-NEWS
OSC is still holding it down after more than 2 years in
tha scene. Our dedication to bringing you the best in
ol skool classics is, and always will be, our driving
force. Quality over quantity.
"It's all about the music, fuck the other ish." - OSC
Because of this motto we strive to continue bringing you
releases in the highest possible quality, whether it be
urban, house, latin or any other genre.