▄██████▄ ████ ██████ ████████████▄ ██ █████ ████▀ ▀███ ▄ ██ █████ ████▄ ▀ ▄█████▄ ██ █████ ████████▄ ▄████████▄ █████ L I F E I S T O O S H O R T █████████▄ ▄███ ██▄ █████ ████▄ ████████████■ ███████ F O R B O R I N G M U S I C ▄ ████ ███████████▀ █████ ██ ███▄ ▄████ ▀███ █████ ██ ████████████ ▀█████████▀ █████ ██ ▀██████▀ ▀█████▀ ██████ ████ ████ ████████ ████████ ███████████ ███ ███ ███ ████ ▄▄▄████ ███ ███ ███ ███ ▄████▄ ██████ ███ ████ ██████████ ███ ███ ██████████ ██████████ ██████ ▄▄ ███ ███ ███ █ ███ ███ ███ ███ █████ ███ ███▄███ ███ ███ ███ ███ ███ ███ ███ ████████▄ ███ █████ ███ ███ ███ ███ ███ ███ ███ ███████ ███ ████ ██████████ ███ ███ ▄███ ████ ▄███ ████▄ ████ ██████████ ████████ ███ ██████████ █████ ███ █████████ ▀▀▀ ▀▀▀▀▀▀ ███ ▀▀▀▀▀ Sex & Drugs & Rock'n'roll ███████████ █████ ████ ████████ ███ ████████ ██████████ ███ ███ ███ ███ ▀███ ▄██▄ ▄███▄ ███ ▄████■ ██████ ███ ███ ▄███████▄ █████████ ███ ████ ██████ ▄▄ ██████████ ██ ███ ███ █ ████████ ███ ███▄███ ████████ ███ ███ ███▀ ███████ ' N ' ROLL ███ █████ ███ ███ ███ ███ ███▄ ████ ███ ███ ████ ███ ███ ███ ▄███ ███▄ ▄███ ███ ███ ██████████ ███ ████ ████████ █████████ ███ ██▄ ▀▀▀ ▀▀▀▀ ▀▀▀▀▀ ┌──────────────────────────────────────────────────────────────────────────────┐ │ Chesterfield Kings - Lets Go Get Stoned │ ├══════════════════════════════════════════════════════════════════════════════┤ │ Upstate New York's Chesterfield Kings landed upon the growing punk/new wave │ │ scene in the late '70s with an unbelievably raw '60s rhythm & blues sound │ │ that borrowed heavily from pre-1966 Rolling Stones. The group, so unlike any │ │ other underground sensations of the period, arguably kickstarted the entire │ │ '80s garage rock revival, which flourished in small circles until the end of │ │ the decade. │ │ │ │ Although the Chesterfield Kings promised that the group would never sound │ │ like anything after The Rolling Stones' Aftermath, Let's Go Get Stoned is a │ │ tribute to the post-Aftermath Stones, replete with Stones covers ("Street │ │ Fighting Man" and "Can't Believe It"), songs The Stones covered (Merle │ │ Haggard's "Sing Me Back Home"), and Kings originals that mimic The Stones. │ │ Mick Taylor even guests on "I'm Not Talking." Singer Greg Provost has always │ │ worshipped at Mick Jagger's altar, but here, the attempt is deliberate. │ │ Musically, the results are different, of course, but The Chesterfield Kings │ │ go beyond mere ripoff or idolatry. │ │ │ │ allmusic.com │ ├──────────────────────────────────────────────────────────────────────────────┤ │ Date : 10-31-2002 │ │ Ripper : Rollmops │ │ Genre : Rock & Roll │ │ Label : Mirror │ │ Size : 55,9 MB │ │ Bitrate : 192/44,1 │ ├──────────────────────────────────────────────────────────────────────────────┤ │ 01 Johnny Volume 02:15│ │ 02 Street Fighting Man 03:25│ │ 03 Drunkhouse 02:55│ │ 04 Its Getting Harder 03:32│ │ 05 Id Rather Be Dead 03:39│ │ 06 Cant Believe It 03:01│ │ 07 Rock And Roll Murder 02:52│ │ 08 Sing Me Back Home 03:25│ │ 09 Long Ago Far Away 03:49│ │ 10 Im Not Talking 02:31│ │ 11 One Foot In The Graveyard 03:27│ │ 12 Im So Confused Baby 04:28│ │ 13 Cannonballs For Christmas 01:16│ ├══════════════════════════════════════════════════════════════════════════════┤ │ Join us today on EFnet in #SDR key assbag │ └──────────────────────────────────────────────────────────────────────────────┘