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2021-08-17 ██ ██ Retail Date: 1993-03-01 ██ ██ Source: WEB: FLAC ██ ██ # of Tracks: 4 ██ ██ Play Time: 00:17:51 ██ ██ Size: 31.67 megs ██ ██ Bitrate: 235 kbps avg 44.1kHz Joint Stereo ██ ██ Grabber: N/A ██ ██ Encoder: Lame 3.100 -V0 ██ ██ Location: New Orleans, LA ██ ██ URL: http://store.tidal.com/us/album/107399308 ██ ██ ██ ████████████████████████████████████████████████████████████████████████████████ ▒▒▒▒▒▒▒▒█▓▓▓▓▓▓▓▓▓▓▓▓█▒▒▒▒▒▒▒▒▒▒▒▒█▓▓▓▓▓▓▓▓▓▓▓▓█▒▒▒▒▒▒▒▒▒▒▒▒█▓▓▓▓▓▓▓▓▓▓▓▓█▒▒▒▒▒▒ ▒▒▒▒▒▒▒▒█▓▓▓▓▓▓▓▓▓▓▓▓█▒▒▒▒▒▒▒▒▒▒▒▒█▓▓▓▓▓▓▓▓▓▓▓▓█▒▒▒▒▒▒▒▒▒▒▒▒█▓▓▓▓▓▓▓▓▓▓▓▓█▒▒▒▒▒▒ ▒▒▒▒▒▒▒▒█▓▓▓▓▓▓▓▓▓▓▓▓█▒▒▒▒▒▒▒▒▒▒▒▒█▓▓▓▓▓▓▓▓▓▓▓▓█▒▒▒▒▒▒▒▒▒▒▒▒█▓▓▓▓▓▓▓▓▓▓▓▓█▒▒▒▒▒▒ ████████████████████████████████████████████████████████████████████████████████ ▓▓▓▓█▒▒▒▒▒▒▒▒▒▒▒█ ▄▄▄ ▀▀▀▀▀ ▄▄▄ ▄▄▄ ▀▀▀▀▀▀▀ ▄▄▄ ▀▀ ▄▄▄ █▒▒▒▒▒▒▒▒▒▒▒▒█▓▓▓▓▓▓▓▓▓▓ ▓▓▓▓█▒▒▒▒▒▒▒▒▒▒▒▒▌ ██▀██ ██ ██ ██ ██▀██ ██ ██ ██ ██ ▐▒▒▒▒▒▒▒▒▒▒▒▒█▓▓▓▓▓▓▓▓▓▓ ▓▓▓▓█▒▒▒▒▒▒▒▒▒▒▒▒█ ██ ██ ██ ██ ▄██ ██ ██ ██ ██ ██ ▀▀▀ █▒▒▒▒▒▒▒▒▒▒▒█▓▓▓▓▓▓▓▓▓▓ ▀▀▀▀ ▀▀▀▀█████████ ██ ██ ██ ██ ██ ▀▀▀ ██▄██ ▀██ ▐████████████████▀▀▀▀▀▀▀ ▐▓▓▓▓▓▓▓▓█ ██ ██ ██ ██ ██ ██ ▀██ ██ █▒▒▒█▓▓▓▓▓▓▓▓▓▓▓▓▌ ▐▓▓▓▓▓▓▓▓█ ██ ██ ██ ██ ██ ██ ██▀ ██ ██ █▒▒▒█▓▓▓▓▓▓▓▓▓▓▓▓▌ ▐▓▓▓▓▓▓▓▓█▄▄▄ ▀▀▀ ▀▀▀ ▄▄▄▄ ▀▀▀ ▄▄▄▄▄ ▀▀▀ ▀▀▀ ▄▄█▒▒▒█▓▓▓▓▓▓▓▓▓▓▓▓▌ ████████████████████████████████████████████████████████████████████████████████ █ █ █ Da' Sha Ra' were Dee (Danielle Eugene) and Reero (Rene Porsche). They █ █ started out as a trio which is where the group name originated (Da' from █ █ Danielle, Sha from Shondae and Ra' from Rene). █ █ █ █ The first track is from the "Bootin' Up" 12" and the other 3 are from █ █ the "Still Bootin' Up" 12"/cassette. █ █ █ █ Produced by Kevin "Kidd" McCoy (1 & 4), Earl "E-Jay" Mackie (1), Henry █ █ "The Man" Holden (1), Trini McGee (2) and DJ Blaknificent (3). Features █ █ Mia X and DJ Jubilee. █ █ █ █ What y'all know about Take Fo' Records? █ █ █ █ Take FoÆ Records is a little known (outside of New Orleans) music label █ █ that truly broke ground with its motley roster of artists and █ █ progressive attitude, yet itÆs never received adequate recognition for █ █ its pioneering role in music. Whereas New OrleansÆs other big labels: █ █ Big Boy, Cash Money, Mobo, Parkway PumpinÆ, Untouchable, Tombstone and █ █ No Limit all seemed to consciously project a hard-as-nails image with █ █ tales of slanginÆ, banginÆ, head bussinÆ and wig splittinÆ, Take FoÆ █ █ welcomed gangstas but also ball busters, dancer-cum-rappers, party █ █ starters and probably the first openly gay rapper. Despite the possible █ █ negative associations that might come with being part of this hip hop █ █ Island of Misfit Toys, the rappers on Take FoÆ seemed unbothered and █ █ showed up on each othersÆ albums in a show of courageous support. █ █ █ █ Take FoÆ evolved from the public access show Positive Black Talk that █ █ began in 1990 and was co-hosted by Earl J. Mackie. Their definition of █ █ ôpositiveö wasnÆt necessarily in line with American mores at large, █ █ where violence is pretty much embraced and sexuality is incredibly █ █ repressed. Even in New Orleans, which is largely a lot more open-minded, █ █ not everyone appreciated MackieÆs conception of positivity and he got █ █ grief from his pastor. But all of the showÆs guests conveyed messages of █ █ self-empowerment in their own ways, even if they ruffled some feathers █ █ along the way. █ █ █ █ In 1992, Positive Black Talk lost its grant and Mackie hosted a dance at █ █ a local high school to raise funds for the show. The centerpiece was █ █ meant to be DaÆ Sha RaÆ but a special ed teacher asked if he could warm █ █ up the crowd. After half an hour of captivating the audience, Henry █ █ ôHenry the Manö Holden and Mackie began to formulate a new idea. After █ █ raising more in one night than the show had in two years, they switched █ █ tracks and soon Positive Black Talk Inc. morphed into Take FoÆ Records █ █ and the show was no more. It took a couple months of pressure to get the █ █ warm up act, DJ Jubilee, to sign, as he already was committed to █ █ teaching and coaching, but he ultimately did and became the labelÆs █ █ biggest star. Joined by partner Elden Anderson, the new label operated █ █ in the back of MackieÆs fatherÆs roofing business. Henry the Man and █ █ E-Jay handled the production for the tracks and the labelÆs ranks grew █ █ as more artists signed. █ █ █ █ In the early Æ90s, Take FoÆ quickly became one of the two labels that █ █ most epitomized Bounce music, the other being Mobo. Cash Money and Big █ █ Boy were both then primarily focused on producing a gangstafied Bounce █ █ variant, pioneered by U.N.L.V., who coined the term Gangsta Bounce. No █ █ Limit, having started in Richmond, California, was decidedly straight █ █ gangsta, albeit with a southern flavor courtesy of the second █ █ line-influenced production of Beats By the Pound. JubileeÆs music, on █ █ the other hand, was in the vein of the BounceÆs pioneers, TT Tucker & DJ █ █ Irv, DJ Jimi and Everlasting Hitmanù mixing the triggaman beat, the █ █ brown beat, calling out dance moves and shouting out wards, projects and █ █ occasionally neighboring southern states. ôStop Pause,ö his debut █ █ single, sold 30,000 copies and gave the label its first hit. By the █ █ mid-to-late Æ90s, Take FoÆs New Orleans neighbors had all but completely █ █ dropped the Bounce aspect of their music but Take FoÆ kept wobbling into █ █ the new millennium, ultimately spawning BounceÆs shrill, gay offshoot, █ █ Sissy Rap. █ █ █ █ By the late Æ90s, with the nationwide ascendancy of southern rap, the █ █ increasingly marginalized old record labels carpetbagged it down to N.O. █ █ hoping to exploit the cityÆs East and West coast obliterating scene. █ █ First, Priority signed a deal with No Limit, then Universal signed a █ █ major deal with Cash Money. In 1999, DJ Jubilee signed a deal with Tommy █ █ Boy but they didnÆt allow him to record and eventually freed him. █ █ Meanwhile, Big Easy Distributing, Take FoÆs distributor, went out of █ █ business. That same year, Take FoÆs promoter, the legendary Bobby █ █ Marchan, also passed away. █ █ █ █ Take FoÆ famously ended up going to court several times over the years. █ █ In one case, DJ Jubilee sued Juvenile, alleging that the JuveÆs ôBack █ █ That Azz Upö ripped off JubeÆs ôBack That Ass Upö based on the claim █ █ that heÆd originated the dance at block parties. Mannie Fresh, for his █ █ part, admitted that ôBack That Azz Upö was inspired by JubileeÆs song, █ █ but with significantly varied production and even the lyrical conversion █ █ of what was a dance chant into more sexual territory, the court ruled in █ █ JuvenileÆs favor. A few years later Take FoÆ sued Master P for breach of █ █ contract, alleging that No Limit failed to adequately pay Take FoÆ in █ █ their joint venture with Choppa and settled for an undisclosed sum. █ █ █ █ In 2001, Take FoÆ became The New Take FoÆ. After Katrina, the label █ █ relocated to Houston but returned by 2009, when they celebrated 17 years █ █ in the game. █ █ █ █████▄▄▄▄▄▄▄▄▄▄▄▄ ▄▄▄▄▄▄▄▄▄▄▄▄ ▄▄▄▄▄▄▄▄▄▄▄▄ ▄▄▄▄▄▄▄▄▄▄▄▄ ▄▄▄▄▄▄▄▄▄▄▄▄ ▄▄▄▄▄█████ █▒▒▒▒▒▒▒▒▒▒▒▒█▓▓▓▓▓▓▓▓▓▓▓▓█▒▒▒▒▒▒▒▒▒▒▒▒█▓▓▓▓▓▓▓▓▓▓▓▓█▒▒▒▒▒▒▒▒▒▒▒▒█▓▓▓▓▓▓▓▓▓▓ █▒▒▒▒▒▒▒▒▒▒▒▒█▓▓▓▓▓▓▓▓▓▓▓▓█▒▒▒▒▒▒▒▒▒▒▒▒█▓▓▓▓▓▓▓▓▓▓▓▓█▒▒▒▒▒▒▒▒▒▒▒▒█▓▓▓▓▓▓▓▓▓▓ █▒▒▒▒▒▒▒▒▒▒▒▒█▓▓▓▓▓▓▓▓▓▓▓▓█▒▒▒▒▒▒▒▒▒▒▒▒█▓▓▓▓▓▓▓▓▓▓▓▓█▒▒▒▒▒▒▒▒▒▒▒▒█▓▓▓▓▓▓▓▓▓▓ ████████████████████████████████████████████████████████████████████████████████ ▒▒▒▒▒▒▒▒█▓▓▓▓▓▓▓▓█ ▄▄▄ ▀▀▀▀ ▄▄▄ ▀▀▀ ▄▄▄ ▀▀▀▀ ▄▄▄ ▄ ▀ ▄▄▄ █▒▒█▓▓▓▓▓▓▓▓▓▓▓▓█▒▒▒▒▒▒ ▒▒▒▒▒▒▒▒█▓▓▓▓▓▓▓▓▌ ██ ██▀██ ██▀██ ▄██ ██ ██ ██ ██ ██ ▐▒▒▒█▓▓▓▓▓▓▓▓▓▓▓▓█▒▒▒▒▒▒ ▒▒▒▒▒▒▒▒█▓▓▓▓▓▓▓█ ▄██ ██ ██ ██ ██ ██ ██ ▀▀▀ ██ ██ █▒▒▒█▓▓▓▓▓▓▓▓▓▓▓▓█▒▒▒▒▒▒ █████████████████▄▄▄▄ ██ ▀▀▀ ██ ▀▀▀ ██▀██ ██ ██▀▄▄ ████████████████████████ ▓▓▓▓█▒▒▒▒▒▒▒▒▒▒▒▒█▓▓█ ██ ██ ██ ██ ██ ██▀ ██ ██ █▒▒▒▒▒▒▒▒▒▒▒▒█▓▓▓▓▓▓▓▓▓▓ ▓▓▓▓█▒▒▒▒▒▒▒▒▒▒▒▒█▓▓▌ ██ ██ ██ ██ ██ ██ ██ ██ ▐▒▒▒▒▒▒▒▒▒▒▒▒█▓▓▓▓▓▓▓▓▓▓ ▓▓▓▓█▒▒▒▒▒▒▒▒▒▒▒▒█▓█ ▀▀▀ ▀▀▀ ▀▀▀ ▀ ▀▀▀ ▀▀▀ █▒▒▒▒▒▒▒▒▒▒▒█▓▓▓▓▓▓▓▓▓▓ ██████████████████████▌ ▄▄▄ ▄▄ ▄ ▄▄▄ ▄▄▄ ▐███████████████████████████ ▒▒▒▒▒▒▒▒█▓▓▓▓▓▓▓▓▓▓▓▓██ ██ ██ ██ ██ ██ ██▀██ █▒▒▒▒▒▒▒█▓▓▓▓▓▓▓▓▓▓▓▓█▒▒▒▒▒▒ ▒▒▒▒▒▒▒▒█▓▓▓▓▓▓▓▓▓▓▓▓█▒▌ ██ ██ ██ ▀▀▀▄██ ██ ██ ▐▒▒▒▒▒▒▒█▓▓▓▓▓▓▓▓▓▓▓▓█▒▒▒▒▒▒ ▒▒▒▒▒▒▒▒█▓▓▓▓▓▓▓▓▓▓▓▓█▒█ ██ ██ ▀██ ██ ▀▀▀ █▒▒▒▒▒▒█▓▓▓▓▓▓▓▓▓▓▓▓█▒▒▒▒▒▒ ████████████████████████ ██ ██▀ ██ ▀██ ██ ██ ▐██████████████████████████████ ▓▓█▒▒▒▒▒▒▒▒▒▒▒▒▒▒█▓▓▓▓▓█ ██ ██ ██ ██ ██ ██ █▓▓▓▓▓▓█▒▒▒▒▒▒▒▒▒▒█▓▓▓▓▓▓▓▓▓▓▓▓ ▓▓█▒▒▒▒▒▒▒▒▒▒▒▒▒▒█▓▓▓▓▓█▄▄ ▀▀▀ ▀ ▀▀ ▀▀▀ ▄▄▄▄ ▀▀▀ █▓▓▓▓▓▓█▒▒▒▒▒▒▒▒▒▒█▓▓▓▓▓▓▓▓▓▓▓▓ ▓▓█▒▒▒▒▒▒▒▒▒▒▒▒▒▒█▓▓▓▓▓▓▓▓██████████████▒▒▒██████▓▓▓▓▓▓▓█▒▒▒▒▒▒▒▒▒▒█▓▓▓▓▓▓▓▓▓▓▓▓ ████▀▀▀▀▀▀▀▀▀▀▀▀▀ ▀▀▀▀▀▀▀▀▀▀▀▀ ▀▀▀▀▀▀▀▀▀▀▀▀ ▀▀▀▀▀▀▀▀▀▀▀▀ ▀▀▀▀▀▀▀▀▀▀ ▀▀██████████ █ █ █ 1. Bootin' Up 5:49 █ █ 2. Don't Start No Stuff (feat. Mia X) 3:58 █ █ 3. In da House 4:24 █ █ 4. Yudomelikdat? (feat. DJ Jubilee) 3:40 █ █ █ ████▄▄▄▄▄▄▄▄▄▄▄▄▄▄ ▄▄▄▄▄▄▄▄▄▄▄▄ ▄▄▄▄▄▄▄▄▄▄▄▄ ▄▄▄▄▄▄▄▄▄▄▄▄▄ ▄▄▄▄▄▄▄▄▄▄▄██████████ ▓▓▓▓▓█▒▒▒▒▒▒▒▒▒▒▒▒█▓▓▓▓▓▓▓▓▓▓▓▓█▒▒▒▒▒▒▒▒▒▒▒▒█▓▓▓▓▓▓▓▓▓▓▓▓▓█▒▒▒▒▒▒▒▒▒▒▒▒█▓▓▓▓▓▓▓▓ ▓▓▓▓▓█▒▒▒▒▒▒▒▒▒▒▒▒█▓▓▓▓▓▓▓▓▓▓▓▓█▒▒▒▒▒▒▒▒▒▒▒▒█▓▓▓▓▓▓▓▓▓▓▓▓▓█▒▒▒▒▒▒▒▒▒▒▒▒█▓▓▓▓▓▓▓▓ ▓▓▓▓▓█▒▒▒▒▒▒▒▒▒▒▒▒█▓▓▓▓▓▓▓▓▓▓▓▓█▒▒▒▒▒▒▒▒▒▒▒▒█▓▓▓▓▓▓▓▓▓▓▓▓▓█▒▒▒▒▒▒▒▒▒▒▒▒█▓▓▓▓▓▓▓▓ ████████████████████████████████████████████████████████████████████████████████ ▒▒▒▒█▀▀ ▄▄▄ ▄▄▄ ▀ ▄ ▀ ▄▄▄ ▄▄▄ ▀ ▄ ▄▄▄ ▀▀▀▀▀▀▀ ▄▄▄ ▄▄▄ ▀ ▄ ▄▄▄ ▀▀▀▀▀▀▀ ▄▄▄ █▒▒▒▒▒ ▒▒▒▒█ ██ ██ ██ ██ ██ ██ ██ ██ ██ ██▀██ ██ ██ ██ ██ ██ ██▀██ ██ ██ ▐▒▒▒▒▒ ▒▒▒▒█ ██ ▀▀▀ ██ ██ ██ ██ ██ ██ ▄██ ██ ██ ██ ██ ██ ██ ▄██ ██ ██ ██ ▀▀▀ █▒▒▒▒ ████▌ ▀██ ██ ██ ██ ██ ██ ██ ██ ▀▀▀ ██ ██ ██ ██ ██ ▀▀▀ ▀██ ▐█████ ▓▓▓█ ▀██ ██ ██▀██ ██ ██ ██ ██ ██ ██ ██ ██ ██ ██ ▀██ ██ █▓▓▓▓▓ ▓▓▓▓▌ ██ ██ ██ ██ ██ ██ ██ ██ ██ ██ ██ ██ ██ ██ ██ ██ █▓▓▓▓▓ ▓▓▓▓█ ▀▀▀ ▄▄▄▄▄ ▀▀▀ ▀▀▀ ▄▄▄▄ ▀▀▀ ▄▄ ▀▀▀ ▄▄▄ ▀▀▀ ▄▄▄▄ ▀▀▀ ▄▄ ▀▀▀ ▄▄▄ ▀▀▀ ▄▄█▓▓▓▓▓ ██████████▀▀▀▀▀█████████▀▀▀▀█████▀▀█████▀▀▀█████▀▀▀▀█████▀▀█████▀▀▀█████████████ ▓▓▓▓▌ ▌▓▓▓▓ ▓▓ ▓▓ ▓ Thanks To All The Members Of RAGEMP3, Past & Present ▓ ▓▓ ▓▓ ████▄▄▄▄ ▄▄▄▄▄▄▄▄▄▄▄▄ ▄▄▄▄▄▄▄▄▄▄▄ ▄▄▄▄████ ▒▒▒▒▒▒▒▒█▓▓▓▓▓▓▓▓▓▓▓▓▌ Shouts Go Out To: █▓▓▓▓▓▓▓▓▓▓█▒▒▒▒▒▒▒▒ ▒▒▒▒▒▒▒▒█▓▓▓▓▓▓▓▓▓▓▓▓▌ RAGEFLAC / NOiR / AUDiOFiLE █▓▓▓▓▓▓▓▓▓▓█▒▒▒▒▒▒▒▒ ▒▒▒▒▒▒▒▒█▓▓▓▓▓▓▓▓▓▓▓▓▌ █▓▓▓▓▓▓▓▓▓▓█▒▒▒▒▒▒▒▒ █████████████████████▄▄▄▄▄▄▄▄▄ ▄▄▄▄▄▄▄▄▄▄▄▄ ▄▄▄▄▄▄▄▄▄▄▄▄ ▄▄▄████████████████████ ▓▓▓▓█▒▒▒▒▒▒▒▒▒▒▒▒█▓▓▓▓▓▓▓▓▓▓▓▓█▒▒▒▒▒▒▒▒▒▒▒▒█▓▓▓▓▓▓▓▓▓▓▓▓█▒▒▒▒▒▒▒▒▒▒▒▒▌▓▓▓▓▓▓▓▓▓█ ▓▓▓▓█▒▒▒▒▒▒▒▒▒▒▒▒█▓▓▓▓▓▓▓▓▓▓▓▓█▒▒▒▒▒▒▒▒▒▒▒▒█▓▓▓▓▓▓▓▓▓▓▓▓█▒▒▒▒▒▒▒▒▒▒▒▒▌▓▓▓▓▓▓▓▓▓█ ▓▓▓▓█▒▒▒▒▒▒▒▒▒▒▒▒█▓▓▓▓▓▓▓▓▓▓▓▓█▒▒▒▒▒▒▒▒▒▒▒▒█▓▓▓▓▓▓▓▓▓▓▓▓█▒▒▒▒▒▒▒▒▒▒▒▒▌▓▓▓▓▓▓▓▓▓█ █████████████████████████████████████████████████████████████████████▄▄▄▄ ▄▄▄▄▄▄ █ ▄▄▄ ▀▀▀ ▄▄▄ ▀▀▀▀ ▄▄▄ ▀▀ ▄▄▄ ▄▄▄ ▀ ▄▄▄ ▄▄▄ ▀▀▀ ▄▄▄ ▀▀█▒▒▒▒▒█▓▓▓▓▓▓▓▓▓▓▓▓█▒▒▒▒▒▒ ▒▌ ██▀██ ▄██ ██ ██ ██▄ ██ ██ ██▀██ ██ ██▀██ ▄██ ██ █▒▒▒▒▒█▓▓▓▓▓▓▓▓▓▓▓▓█▒▒▒▒▒▒ ▒█ ██ ██ ██ ██ ██ ██ ██ ██ ██ ██ ██ ██ █▒▒▒▒▒█▓▓▓▓▓▓▓▓▓▓▓▓█▒▒▒▒▒▒ ██ ██ ▀▀▀ ██▀██ ██▄▄▄▄ ██▄██ ██ ██ ██ ██▄██ ▀██ ██▀▀▀▀ ▀▀▀▀▀▀▀▀▀▀▀▀ ▀▀▀▀▀▀ ▓█ ██ ██ ██ ██ ██ ██ ██ ██ ██ ██ ▀██ ██ █▓▌ ASCii artwork done by ▓█ ██ ██ ██ ██ ██ ██ ██▀ ██ ██ ██ ██ ██ ██ █▓▌ `high24[7@HighOnASCii ▓█ ▀▀▀ ▄▄ ▀▀▀ ▄▄▄▄ ▀▀▀ ▄▄ ▀▀▀ ▄▄▄▄▄▄ ▀▀▀ ▀▀▀ ▄▄ ▀▀▀ ▄▄█▓▌ ▀▀█████▀▀█████▀▀▀▀█████▀▀█████▀▀▀▀▀▀█████████▀▀█████▀▀▀▀ last update: 08-05-21