█████████████████████████████████████████████████ ░ ▓▓ ██████████████████████████████████████████████████ ░ ▒▒ ████████████████████████████████████████████ ░ ▒▓ █████████████████████████████████████████ ░▒ ▒▒ ░██████████████████████████████████████▒▒▓ ▓ ███████████████████████████████████████ ▒░ ████████████████████████████████████ █ ██████████████████████████████████▒ █ ▓█████████████████████████████████ ▒ ████████████████████████████████ ▒▒ ▒██████████████████████████████ ▒█ █████████████████████████████ ▒█▓▒ ████████████████████████████ ░██░ ░█░ ███████████████████████████ ████ ██████████████████████████▒ ▓████ █████████████████████████▓ █████░ █████████████████████████▓ ██████░ ████████████████████████▓ ███████ ███████████████████████▓ ████████▒ ▓█████████████████████▒ ▓█████████ ████████████████████░ ░███████████▒ █████████░██████▓░ ▒█████████████▒ ██████▓ ██ ▒▒█████████████████▒ ░█████ ███ ░ ░▒████████████████████▒▒ ██████▒░█▒██░█ █▒ ████████████████████████▒ ████████▒ ▓███ ████▓█ ██████████████████████░ ███████ ▒ ░██░ █ ███ ▒███████████████████████ ███████░ ▒ ███ █ ░██████████████████████████ ████████▓ ▓█░ ▒██████████████████████████████▒ ████████░▒██▒██████████████████████████████████ ████████████ █████████████████████████████████▒ ████████████ ████████████████████████████████ ████████████▓░██████████████████████████████▒ ████ ██ ██ █████████████ █████████████████████████████▒ ██ ██ ██████████████████████████████████████████ ████ ██ ████ █████ ████ █████████████████████████████████████████ ██ ██ ██ ██ ██ ██ ██ ███████████████████████████████████████▓ ██████ ██ ██ ██ ██████ ██████████████████████████████████████ ██ ██ ██ ██ █ ██ ████████████████████████████████████▒ █████ ██████ ██████ ███ █████ ███████████████████████████████████▒ ▒ █████████████████████████████████ ▒▒░ ELITE RECORD PLAYERS ███████████████████████████████ ▒▒ █████████████████████████████ ▒ ▒▒ ██████████████████████████▓ ▒▒▒ ████████████████████████ ░▒ ████████████████████ ░▒▓▒ ░ ███████████████▒▒░░▒░█░ ░ ┌────────┐ ────┤ Info ├───────────────────────────────────────────────────────────────── └────────┘ Artist | Daniel Lanois & Rocco Deluca Title | Goodbye To Language Genre | Ambient Format | Album Source | CDDA Time | 36:42 Label | Anti- Store | 2016 Catalog | 87471-2 Rip | 2016 Bitrate | 221 kbps Size | 61.39 MB Freq | 44.1 kHz Encoder | Lame 3.98.4 ┌────────┐ ────┤ Tracks ├───────────────────────────────────────────────────────────────── └────────┘ 01. Low Sudden 2:38 02. Time On 5:07 03. Falling Stanley 2:21 04. Deconstruction 3:50 05. Satie 4:10 06. Three Hills 2:52 07. Heavy Sun 2:35 08. The Cave 1:36 09. East Side 1:53 10. Later That Night 4:52 11. Suspended 1:27 12. Blue Diamond 3:21 ┌────────┐ ────┤ Notes ├───────────────────────────────────────────────────────────────── └────────┘ One of the most distinctive and celebrated producers of his time, Daniel Lanois was also a gifted composer and solo artist; whether performing his own material or helming records for the likes of U2, Bob Dylan, and Peter Gabriel, the hallmarks of his singular aesthetic remained the same. Noted for his unparalleled atmospheric sensibilities, Lanois pursued emotional honesty over technical perfection, relying on vintage equipment and unorthodox studio methods to achieve a signature sound both viscerally powerful and intricately beautiful. On 2016's "Goodbye To Language", veteran producer Daniel Lanois and frequent collaborator Rocco DeLuca team up for an album of shifting experimental soundscapes created with lapsteel guitars. The album is far closer to Lanois' pioneering ambient works with Brian Eno, Harold Budd, and Michael Brook from the 1980s than his subsequent, more rootsy singer/songwriter albums. As the album's title suggests, there are no lyrics here, and the feelings evoked by this music can't accurately be expressed by words anyway. As simple as the idea of an ambient steel guitar album sounds, there's a lot going on here, and it never feels like mere background music. The guitar playing itself tends to be gentle, but it's filtered through a wide array of effects and subtle manipulations, resulting in a surreal hallucination of Americana. The album brings to mind any number of recordings featuring B.J. Cole, as well as Evil Graham Lee's steel guitar playing on the KLF's Chill Out, and while it evokes a spiritual journey similar to that iconic album, it feels far more fragmented and abstract. There are numerous moments where the guitars rapidly cut out, cluster, or change timbre as if they've been edited musique concrΦte-style. It's very disjointed, and there's no way to mistake the sudden, jarring shifts, but somehow it still manages to flow smoothly, even (for the most part) peacefully. Only one piece on this album ('Deconstruction') was recorded by Lanois solo, and it's easily the darkest, eeriest cut, with strange rifts bubbling under the desolate melodies and waves of abrasive distortion rivaling Fennesz or Tim Hecker. "Goodbye To Language" is a powerful, intoxicating album and one of Lanois' best works in at least a decade. ┌────────┐ ────┤ Group ├───────────────────────────────────────────────────────────────── └────────┘