| Genre | Unknown |
|---|---|
| Date (CEST) | 2005-10-25 14:26:21 |
| Group | Wyse |
| Size | 109 MB |
| Files | 13 |
| M3U / SFV / NFO | |
Deep_Purple-Deep_Purple-ReMastered-2000-Wyse
Infos
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Tracklist (M3U)
| # | Filename | Artist | Songname | Bitrate | BPM |
|---|---|---|---|---|---|
| 1 | 01-deep_purple-chasing_shadows-wyse.mp3 | Deep Purple | Chasing Shadows | Unknown | Unknown |
| 2 | 02-deep_purple-blind-wyse.mp3 | Deep Purple | Blind | Unknown | Unknown |
| 3 | 03-deep_purple-lalena-wyse.mp3 | Deep Purple | Lalena | Unknown | Unknown |
| 4 | 04-deep_purple-fault_line-wyse.mp3 | Deep Purple | Fault Line | Unknown | Unknown |
| 5 | 05-deep_purple-the_painter-wyse.mp3 | Deep Purple | The Painter | Unknown | Unknown |
| 6 | 06-deep_purple-why_didnt_rosemary-wyse.mp3 | Deep Purple | Why Didn't Rosemary | Unknown | Unknown |
| 7 | 07-deep_purple-bird_has_flown-wyse.mp3 | Deep Purple | Bird Has Flown | Unknown | Unknown |
| 8 | 08-deep_purple-april-wyse.mp3 | Deep Purple | April | Unknown | Unknown |
| 9 | 09-deep_purple-the_bird_has_flown-(alternate_a-side_vsn.)-wyse.mp3 | Deep Purple | The Bird Has Flown-(Alternate A-Side vsn.) | Unknown | Unknown |
| 10 | 10-deep_purple-emmaretta-(studio_b-side)-wyse.mp3 | Deep Purple | Emmaretta-(Studio B-Side) | Unknown | Unknown |
| 11 | 11-deep_purple-emmaretta-(bbc_top_gear_session)-wyse.mp3 | Deep Purple | Emmaretta-(BBC Top Gear Session) | Unknown | Unknown |
| 12 | 12-deep_purple-lalena-(bbc_radio_session)-wyse.mp3 | Deep Purple | Lalena-(BBC Radio Session) | Unknown | Unknown |
| 13 | 13-deep_purple-the_painter-(bbc_radio_session)-wyse.mp3 | Deep Purple | The Painter-(BBC Radio Session) | Unknown | Unknown |
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Release Info
Artist : Deep Purple
Album : Deep Purple-ReMastered
Tracks : 13
genre : Hard Rock
Time : 59:27 min
Frequancy : 44.1KHz
Bitrate : 256kbps
Mode : Full Stereo
Size : 109,0 MB
Label : Spitfire
Catalog# : 15064
Str.date : 000-00-2000
Rip.date : Aug-01-2005
URL : http://www.allmusic.com
Ripper : AoW: SuperWyse
______________________________________________________________________________________________________________________________________________________
Artist and Album Notes
Deep Purple Formed in 1968 in Hertford, England
Years Active: 1960s-2000s
Group Members
* Tommy Bolin
* Ian Gillan
* Steve Morse
* Joe Satriani
* Ritchie Blackmore
* Roger Glover
* Glenn Hughes
* Jon Lord
* David Coverdale
* Rod Evans
* Ian Paice
* Nick Simper
* Joe Lynn Turner
Biography
Deep Purple survived a seemingly endless series of lineup changes and a dramatic mid-career shift from grandiose
progressive rock to ear-shattering heavy metal to emerge as a true institution of the British hard rock community; once
credited in the Guinness Book of World Records as the globe's loudest band, their revolving-door roster launched the
careers of performers including Ritchie Blackmore, David Coverdale, and Ian Gillan. Deep Purple was formed in Hertford,
England, in 1968, with an inaugural lineup that featured guitarist Blackmore, vocalist Rod Evans, bassist Nick Simper,
keyboardist Jon Lord, and drummer Ian Paice. Initially dubbed Roundabout, the group was first assembled as a session
band for ex-Searchers drummer Chris Curtis but quickly went their own way, touring Scandinavia before beginning work on
their debut LP, Shades of Deep Purple. The most pop-oriented release of their career, the album generated a Top Five
American hit with its reading of Joe South's "Hush" but otherwise went unnoticed at home. The Book of Taliesyn followed
(in the U.S. only) in 1969, again cracking the U.S. Top 40 with a cover of Neil Diamond's "Kentucky Woman." With their
self-titled third LP, Deep Purple's ambitions grew, however; the songs reflecting a new complexity and density as Lord's
classically influenced keyboards assumed a much greater focus. Soon after the album's release, their American label
Tetragrammaton folded, and with the dismissals of Evans and Simper, the band started fresh, recruiting singer Ian Gillan
and bassist Roger Glover from the ranks of the pop group Episode Six. The revamped Deep Purple's first album, 1970's
Concerto for Group and Orchestra, further sought to fuse rock and classical music. When the project, which was recorded
with the Royal Philharmonic Orchestra, was poorly received, Blackmore took creative control of the band, steering it
towards a heavier, guitar-dominated approach which took full advantage of Gillan's powerful vocals. The gambit worked;
1970's Deep Purple in Rock heralded the beginning of the group's most creatively and commercially successful period. At
home, the album sold over a million copies, with the subsequent non-LP single "Black Night" falling just shy of topping
the U.K. pop charts. 1971's Fireball was also a smash, scoring a hit with "Strange Kind of Woman." Plans to record the
follow-up at the Casino in Montreux, Switzerland, were derailed after the venue burned down during a live appearance by
Frank Zappa, but the experience inspired Deep Purple's most enduring hit, the AOR staple "Smoke on the Water." The song,
featured on the multi-platinum classic Machine Head, reached the U.S. Top Five in mid-1972 and positioned Deep Purple
among rock's elite; the band consolidated its status with the 1973 studio follow-up Who Do We Think We Are and the hit
"Woman From Tokyo." However, long-simmering creative differences between Blackmore and Gillan pushed the latter out of
the group that same year, with Glover soon exiting as well; singer David Coverdale and bassist/singer Glenn Hughes were
recruited for 1974's Burn, and Gillan meanwhile formed a band bearing his own name. After completing 1974's
Stormbringer, Blackmore left Deep Purple to form Rainbow with vocalist Ronnie James Dio; his replacement was ex-James
Gang guitarist Tommy Bolin, who made his debut on Come Taste the Band. All the changes clearly took their toll, however,
and following a farewell tour, the group dissolved in 1976 with Coverdale going on to form Whitesnake; Bolin died of a
drug overdose later in the year. The classic lineup of Blackmore, Gillan, Lord, Glover, and Paice reunited Deep Purple
in 1984 for a new album, the platinum smash Perfect Strangers; The House of Blue Light followed three years later, but
as past tensions resurfaced, Gillan again exited in mid-1989. Onetime Rainbow vocalist Joe Lynn Turner was recruited for
1990's Slaves and Masters before Gillan again rejoined to record The Battle Rages On..., an apt title as Blackmore quit
the group midway through the supporting tour, to be temporarily replaced by Joe Satriani.
In 1994, Steve Morse took over the guitar slot, fresh from a stint in Kansas; the revitalized group returned to the
studio for 1996's Purpendicular, which proved a success among the Purple faithful. 1998's Abandon followed, as well as a
1999 orchestral performance released the following year as Live at the Royal Albert Hall. Deep Purple was given the box
set treatment the same year with the four-disc set Shades: 1968-1998, which collected hits, demos, live takes, and
unreleased tracks from throughout the years (touching upon all of Purple's different lineups). The late '90s/early 2000s
saw the release of several other archival releases and collections (Machine Head 25th Anniversary, Friends & Relatives,
Rhino's The Very Best Of, and Days May Come and Days May Go: The 1975 California Rehearsals), as well as a slew of DVDs
(Total Abandon: Live Australia 1999, In Concert with the London Symphony Orchestra, Bombay Calling, and New Live &
Rare). Former member Blackmore also kept himself busy after leaving the band by issuing a single album with his briefly
resuscitated outfit Rainbow (1998's Stranger in Us All), before forming the Renaissance-inspired Blackmore's Night with
fiancΘe/vocalist Candice Night. Despite numerous lineup upheavals during their career, Deep Purple remains alive and
well in the 21st century.
AMG Rating: 4.5
AMG Review
This is a record that this reviewer can listen to two or three times in one sitting, and he's not even much of a Deep
Purple fan -- but then, Deep Purple wasn't much like any other album that the group ever issued. Actually, Deep Purple
was highly prized for many years by fans of progressive rock, and for good reason. The group was going through a
transition -- original lead singer Rod Evans and bassist Nick Simper would be voted out of the lineup soon after the
album was finished (although they weren't told about it until three months later), organist Jon Lord and guitarist
Ritchie Blackmore having perceived limitations in their work in terms of where each wanted to take the band. And between
Lord's ever-greater ambitions toward fusing classical and rock and Blackmore's ever-bolder guitar attack, both of which
began to coalesce with the session for Deep Purple in early 1969, the group managed to create an LP that combined heavy
metal's early, raw excitement, intensity, and boldness with progressive rock's complexity and intellectual scope, and
virtuosity on both levels. On "The Painter," "Why Didn't Rosemary," and, especially, "Bird Has Blown," they strike a
spellbinding balance between all of those elements, and Evans' work on the latter is one of the landmark vocal
performances in progressive rock. "April," a three-part suite with orchestral accompaniment, is overall a match for such
similar efforts by the Nice as the "Five Bridges Suite," and gets extra points for crediting its audience with the
patience for a relatively long, moody developmental section and for including a serious orchestral interlude that does
more than feature a pretty tune, exploiting the timbre of various instruments as well as the characteristics of the full
ensemble. Additionally, the band turns in a very successful stripped-down, hard rock version of Donovan's "Lalena," with
an organ break that shows Lord's debt to modern jazz as well as classical training. In all, amid all of those elements
-- the orchestral accompaniment, harpsichord embellishments, and backward organ and drum tracks -- Deep Purple holds
together astonishingly well as a great body of music; this is one of the most bracing progressive rock albums ever --
and a successful vision of a musical path that the group might have taken but didn't. Ironically, the group's American
label, Tetragrammaton Records, which was rapidly approaching bankruptcy, released this album a lot sooner than EMI did
in England, but ran into trouble over the use of the Heironymus Bosch painting "The Garden of Earthly Delights" on the
cover; though it has been on display at the Vatican, the work was wrongly perceived as containing profane images and
never stocked as widely in stores as it might've been. The 2000 remastered edition on the Spitfire label, by way of EMI,
sounds magnificent and offers five bonus tracks: a killer hard rock B-side, "Emmaretta," showcasing a slashing Ritchie
Blackmore guitar break, and a looser, more flowing BBC-recorded version of the latter song, plus "Lalena" and "The
Painter" and a harder alternate take of "The Bird Has Flown."
Credz
Barry Ainsworth Engineer
Ritchie Blackmore Guitar
Rod Evans Vocals
Ian Gillan
Roger Glover Synthesizer, Bass
Derek Lawrence Producer
Jon Lord Keyboards
Ian Paice Drums
Simon Robinson Design, Project Coordinator, Sleeve Notes
Nick Simper Bass, Vocals
Slackjaw Performer
_____________________________________________________________________________________________________________________________________________________
Track Listing
01 Chasing Shadows [05:34]
02 Blind [05:26]
03 Lalena [05:05]
04 Fault Line [01:46]
05 The Painter [03:51]
06 Why Didn't Rosemary [05:04]
07 Bird Has Flown [05:36]
08 April [12:10]
09 The Bird Has Flown-(Alternate A-Side vsn.) [02:54]
10 Emmaretta-(Studio B-Side) [03:01]
11 Emmaretta-(BBC Top Gear Session) [03:09]
12 Lalena-(BBC Radio Session) [03:33]
13 The Painter-(BBC Radio Session) [02:18]
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