░ ░ ░ ▄▄▄██ ░░ ░ ░░ ██▄▄▄ ░ ▄▄▄▄███ ░ ▄███░░░█▄ ▒░░░▒▒ █▒▒░████ █▄▄ ░░ ▄▄▄█████▓▒▒░▓██ ░ █░░░░░▒█ ▓▒░░▒▓ ██░░░░▓█ ▄███ ░░░ ▄▄ ▄▄▄████▓▒▒░░░░░░░▒▒▓█ ░░ ▀█░░▒░░█ ▓▒░▓▓ █▓░░░▒██ ▒░█ ░░░ █████▄▄ ▀██▓▒▒░░░░░░░░░░░▒░░▒▒██ ░░░░ █▒▒░▒▒██ ▓▓▒▓▀ █▒░▒░▓█ ▄░░█ ░░░░ █░░▒▓▓██▀ ██▒▒░▒░░░░▒▒▓██████▀▀▀ ░░░░░░░ ▀█▓▒▒▒▓█▄ ▓██ ██▒▒▒░█▀ █░▒█ ░░▒ █░░░▒▓█▀ █▓░░░▒░███▀▀▀AyL.cRO ▄▄▄ ░░░░░ █░▄ ▀▒██ ▀▀▀ █▒▒░▒██ █▒░▒█ ░░▒ ██▒░░▒▓█ ▀█▒▒░▒▒▒█ ░ ▄▄▄█████ ░░▒▒░ ▀ ███▄▄▄ ▀ ▀██▒▒▒██ ▄█░░██ ▒▒▓ █░░▒░▒█▀ █▓▒▒▒▒▒██ ▒ ▀██▓▒░▒▓█░ ▒░▒▒▒░░░ █░░░░████▄ ▒▒▓██ ▄█▒░▒█ ▄▓▓█ █▒░▒░▒█ ██▒░▒░▒▓█ ▓█ ▀▀▀▀▀░▒█▒ ▒▒▒▒▒▒░░ █▒░░░░░█▀ ▄▒▓██ ▄█▒▒░░█▄▄ ▀▀ █░▒░▒▒█ █▒▒▒▒▒▓█ ▄▄▄███▄▐░█▓ ▒▒▓▓▓▒░░ █▒░▒░▒█▀ ▓▒▒█▀ █▓▒▓░▒▒▒██████▒▒▒░██ █▒▒▒▒▒▒████▓▒▒▒▓█▌▒██ ▓▓█▓▓▓ ▄█▒░░▒▒█ ▓▒▒▓█ █ █▒▓▓▒▒▒▒▒▒▓▓▒░░▒░▒█ █▓▒▒▓▒▓▓▓▓▓▒▓▒▓▓█▐░░██ ▓▀▀▀█▓ █▒░▒▒▒█ ▄▓▓▒▒█ ▀ █▒▓▒▓▓▓▒▒▒▒▒▒░▒▒▒▒█ ██▒▓▒▒▒▓▒▓▓▓▓▓▒███▌░██ █ █▄ ▀ █▒▒▒▓██ █▒▒▒▒██ ██▒▒▓▒█████▓▒▒▒▓▒▒▓█ █▓▒▓▒▓▓████▀▀▀▀▀▐▄▒░█ ▀ ███▄ █▒▓▒▒█ █▓▓▒▒▓█ █▒▒▓▓▓█ ▄ ▀▀█▓▒▒▓▒██ █▓▒▒▓▓▓█ ▄▄▄ ▀█▒▒▓▒▒█ ██▓█▄ █▓▒▓▒█ ██▓▓▓▒█ ▀█▓▓▓▓█ ██▓ █▓▒▓▒▓█ █▓▒▓▓▒▓█ █▓▓ █▒▒▒▓▒██▄█▓▓██▄█▓▒▓██ ▄ █▓▒▓▓██ █▓▓▓██ ▓▓▓ █▓▓▓▓▓█ █▓▓▓▓▓▓██ ▓▒▒ ▀█▒▓▓▓▓█▓▓▓█▓▓█▓▓▓▓█ ▄█ █▓▓▓▓▓█▄ █▓▓█ ▒▓ █▓▓▓▓▓█▄ █▓▓▓▒▓▓▓█ ▒░░░ █▓▓▓▓▓▓▓▓███▓▓▓▓▒▓█ ▓▓ █▓▓▓▒▓▓█ ▀▓▓█ ▒░▓ ██▓▓▓▓▓▓█ █▓▓▓▓▓▓▓█ ░░░ ██▓▓▓▓▓▓█▀ ██▓▓▓▓██ ▒ █▓▓▓▓▓▓██▄ ▓█ ░░▒ █▓▓▓▓▓▓▓█ ██▓▓▓▓▓▓▓██ ░░ █▓▓▓▓▓█▀ ▄ █▓▓▓▓█ ░ ██▓████▀▀ ▄▄██ ░▒ █▓▓▓▓▓▓▓█ █▓▓▓█████▀▀▀ ░░ ██▓▓▓█▀ ██ ▀█▓▓▓█ ░ ▄██▀▀ ▄▄▄█▄▄ ▀▀▀ ░░ ████▓▓▓▓█▄ ██▀▀▀▀ ▄▄▄▄█▓▒ ░░ █▓▓██ ▓█▓▓ █▓▓██ ░ ▄ ▄▄█▀▀ ▀▀▀ ▀ ░░▄▄▄ ▀▀▀████ ▄▄▄██████▓▒░░ ░░ ██▓█ ▓▓░▒ ▀███ ░▒▓█████▄▄▄▄▄ ▀▀███████▓▒░ Ripped ░ ███ ▒▓░░░▒ ██ FUCK WHAT YOU HEARD! ░▒▓███████▀▀ ░████▓▒░ by TEAM ░░ ██ ▒░░ ░░ ██ PRESENTS ░▒▓████░ ▓███▒ FWYH ░░ █ ▒░ ░ ▀ ▒███▓ ███▓ ▓███ ▒███░ ARTiST....[ Diaphane ░███▒ ███▒ TiTLE.....[ Lifeforms ▒███ ▓██▓ GENRE.....[ Electronic ▓██▓ ███ LABEL.....[ Ant-Zen ███ ▓██░ KHZ.......[ 44,1 ░██▓ ▒██▒ MODE......[ avgkbps / Joint-Stereo ▒██▒ ░██▒ ENCODER...[ Lame 3.98.4 ▒██░ ▀▄ ▒██▓ REL.DATE..[ 11.13.2013 ▓██▒ ▄▀ ░ ▀██▄██▓ ▓██▄██▀ ░ ░ ▀█▓▓█▄ ▄▄█▓▓█▀ ░ ▄ ▓▒░███▓▄▄▄▄▄ ▄ ▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄ ▄ ▄▄▄▄▄▓███░▒▓ ▄ █▄▄▄▄▄▓▒▀▀▀▀▀▀ [TRACKLiST] ▀▀▀▀▀▀▒▓▄▄▄▄█ ▓█▓▀ Nr. TRACK ∙∙∙∙∙∙∙∙∙ TiME: ▀▓█▓ ░█▒ ________________________________________________________________ ▒█░ ░█▒ 01│ L'eau Vive │ 05:35 ▒█░ ░█▒ 02│ Iridium │ 06:24 ▒█░ ░█▒ 03│ Fracture │ 05:34 ▒█░ ░█▒ 04│ Sources │ 06:52 ▒█░ ░█▒ 05│ Interstice │ 07:12 ▒█░ ░█▒ 06│ Rhizomes │ 06:58 ▒█░ ░█▒ 07│ Microline │ 03:42 ▒█░ ░█▒ 08│ Lifeforms │ 06:34 ▒█░ ░█▒ 09│ Metastable │ 04:52 ▒█░ ░█▒ 10│ Opalescence │ 06:07 ▒█░ ░█▒ │ │ _____ ▒█░ ░█▓ │ TOTAL PLAYTiME (MiN):│ 59:50 ▓█░ ▒██▄ ▄██▒ ▄▓▓█▓▒░█▓▄▄▄ ▄ ▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄ ▄ ▄▄▄▓█░▒▓█▓▓▄ ▀▓█▓▀ [RELEASENOTES] ▀▓█▓▀ ▒█▓ ∙∙∙∙∙∙∙∙∙ ▓█▒ ░█▒ ▒█░ ░█▒ ThereÆs never really been an adequate descriptor for the kind of ▒█░ ░█▒ music Diaphane makes, at least insofar as genre goes. Various ▒█░ ░█▒ projects and labels (notably M-Tronic, Tympanik and Ant-Zen ▒█░ ░█▒ sublabel Hymen) have explored the potent mixture of deep ▒█░ ░█▒ composition, technoid rhythms, and rich sound design that Ab Ovo ▒█░ ░█▒ member RΘgis Baillet is now plying in his solo project, but as a ▒█░ ░█▒ style itÆs always felt too rarified and multifaceted to pin to ▒█░ ░█▒ one genus. It could also be that by their very nature producers ▒█░ ░█▒ like Diaphane are too fluid to accurately categorize; as ▒█░ ░█▒ evidenced by his new albumÆs rapidly cycling form, Baillet is in ▒█░ ░█▒ no hurry to settle into doing any one thing. ▒█░ ░█▒ ▒█░ ░█▒ In a field where intellectual concerns like sound design are ▒█░ ░█▒ paramount, the music on Lifeforms makes a strong case for ▒█░ ░█▒ analysis from a more impressionistic standpoint. A song like ▒█░ ░█▒ ôIntersticeö shows deep complexity in its mix of natural piano ▒█░ ░█▒ tones, subtly evolving pads and skittering drum sounds, but what ▒█░ ░█▒ makes more of an impact are the microbuilds of tension and ▒█░ ░█▒ release as those elements bounce off one another, taking on new ▒█░ ░█▒ significance and meaning as they interact. ôFractureö takes on ▒█░ ░█▒ some of the now familiar subbass and syncopated rhythms of ▒█░ ░█▒ dubstep, sounds weÆre accustomed to hearing everywhere from ▒█░ ░█▒ clubs to car commercials, but deploys them cleverly, teasing the ▒█░ ░█▒ listener with hints until hearing them fully emerge feels ▒█░ ░█▒ cathartic in a way they rarely are allowed to be. ▒█░ ░█▒ ▒█░ ░█▒ Despite being very traditionally musical (very few moments pass ▒█░ ░█▒ without some recognizable melody and songs often seem to shift ▒█░ ░█▒ in movements like a classical piece) I find myself thinking ▒█░ ░█▒ about what Diaphane does in terms of shapes and movement rather ▒█░ ░█▒ than specific sounds. While I certainly wouldnÆt take anything ▒█░ ░█▒ away from Baillet as a technician and designer, IÆm more carried ▒█░ ░█▒ away by Lifeforms when I stop zeroing in on individual elements ▒█░ ░█▒ and start paying attention to the greater whole. Like a camera ▒█░ ░█▒ coming into focus, the disparate sounds of the title track ▒█░ ░█▒ coalesce in ways that its deeply vocoded vocal sample, ratchetty ▒█░ ░█▒ bass and coatings of digital reverb donÆt suggest when taken on ▒█░ ░█▒ their own. Similarly, the rhythmic noise elements of the busy ▒█░ ░█▒ ôMetastableö seem impassable until you allow your ears to adjust ▒█░ ░█▒ to the aggression and hear small washes of sound slide between ▒█░ ░█▒ the cracks, tiny tendrils that end up dictating several shifts ▒█░ ░█▒ in tempo and structure. ▒█░ ░█▒ ▒█░ ░█▒ I often find it hard to gauge how much I actually enjoy a record ▒█░ ░█▒ like Lifeforms, as opposed to how much I appreciate the ▒█░ ░█▒ intricateness and expertise of its construction. Even for an ▒█░ ░█▒ album that tricks the ear into listening differently and makes ▒█░ ░█▒ excellent use of space and timing, thereÆs an impassive quality ▒█░ ░█▒ to many of these songs that can lull the listener into a state ▒█░ ░█▒ where they arenÆt fully paying attention. The upshot of this is ▒█░ ░█▒ that it makes bursts of energy like the dense climax of sting ▒█░ ░█▒ sounds and warbling bass on ôLÆeau Viveö all the more gripping. ▒█░ ░█▒ The obvious downside is that itÆs sometimes too easy to let the ▒█░ ░█▒ mind wander, and not really appreciate the work beyond its ▒█░ ░█▒ various peaks. At the very least itÆs a complex and expert piece ▒█░ ░█▒ of work that speaks to DiaphaneÆs abilities in numerous arenas; ▒█░ ░█▒ like whatever hybrid genre might eventually claim it Diaphane ▒█░ ░█▒ has many sides and each has the capacity to engage the audience ▒█░ ░█▒ in different and interesting ways. ▒█░ ▒██▄ ▄██▒ ▄██▓█▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄ ▄ ▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄ ▄ ▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄█▓██▄ ▄▀ ▓▒█▓▓█▒▀▀▀▀▀▀ [GROUPNOTES] ▀▀▀▀▀▀▒█▓▓█▒▓ ▀▄ ░ ▄████▓░ ∙∙∙∙∙∙∙∙∙∙ ░▓████▄ ░ ░ ▄██▒██░░ ░░██▒██▄ ░ ▄▀ ▓█▒░ FWYH : FUCK WHAT YOU HEARD, We're all about Family ░▒█▓ ▀▄ ▓█▓░ Dedication, Quality, Respect & LOVE for the music! ░▓█▓ ▓█▓░ As the years pass, all our motives and objectives ░▓█▓ ▓█▓░ remain,we want to give the best of dark electronic ░▓█▓ ▓█▓░ genres,with the quality deserved for the only true ░▓█▓ ▓█▓░ underground scene, the Future is these genres!!!!! ░▓█▓ ▓█▓░ ░▓█▓ ▓█▓░ To all the artists that we release, some newcomers ░▓█▓ ▓█▓░ & other established acts: We are sorry if you dont ░▓█▓ ▓█▓░ understand the promotion we do, of your own work, ░▓█▓ ▓█▓░ but if you make quality music, we are pretty sure ░▓█▓ ▓█▓░ that a lot of people will spend their own money on ░▓█▓ ▓█▓░ your art. Our intention isn't to spread for the ░▓█▓ ▓█▓░ masses, but just to promote good music, so all we ░▓█▓ ▓█▓░ can ask is an apologize for any misunderstanding!! ░▓█▓ ▓█▓░ You People deserve all our respect and attention!! ░▓█▓ ▓█▓░ ░▓█▓ ▓█▓░ Alternately to all the Xdcc & p2p lamerz that one ░▓█▓ ▓█▓░ day will probably destroy us all, our releases are ░▓█▓ ▓█▓░ not supposed to be spread around, but to be where ░▓█▓ ▓█▓░ they are meant to stay! Behind Doors & Locked Away ░▓█▓ ▓█▓░ ░▓█▓ ▓█▓░ __________________________________________________ ░▓█▓ ▓█▓░ ∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙ [GREETS] ∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙ ░▓█▓ ▓█▓░ ░▓█▓ ▓█▓░ To our competition: AMOK, CMG, D2H, radial, SEVER ░▓█▓ ▓█▓░ for all the good "fights", may you lose more than ░▓█▓ ▓█▓░ win,there's no room for second place in this bizz ░▓█▓ ▓█▓░ ░▓█▓ ▓█▓░ To all the crews that have been an example for us ░▓█▓ ▓█▓░ trough this years, many to enumerate, but we all ░▓█▓ ▓█▓░ know "Who is Who", Props go to "WHO" deserves it! ░▓█▓ ▓█▓░ ░▓█▓ ▓█▓░ And finally, greets to all FWYH guys and their own ░▓█▓ ▓█▓░ families, takes time and patience to go along with ░▓█▓ ▓█▓░ all of this, so the warmest greets are to them!!!! ░▓█▓ ▓█▓░ ░▓█▓ ▄░▓███▄ ▄████▓░▄ ░▀ ▄▄███▒░███▄▄▄ ▄ ▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄ ▄ ▄▄▄███░▒███▄▄ ▀░ ▄███▀▀█▓▒▒██▀▀▀ ▀▀▀██▒▒▓█▀▀███▄ ▀█▓██ ASCii By AyLieN OF CHEMICAL REACTiON 2oo2! ██▓█▀ ████ Updated on 12-2006 ████ ████ ████ ███ FWYH : in Joint-Stereo forces ███ ██▄ with Lame 3.98.4 ▄██ ██ Alive since 2001 ██ █▄ ▄█