| Genre | Unknown |
|---|---|
| Date (CEST) | 2017-04-29 23:27:31 |
| Group | JUST |
| Size | 83 MB |
| Files | 1 |
| M3U / SFV / NFO | |
Dinosaur_Jr-Berlin_Live-DVBS-2016-JUST
Infos
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Tracklist (M3U)
| # | Filename | Artist | Songname | Bitrate | BPM |
|---|---|---|---|---|---|
| 1 | 01-dinosaur_jr-berlin_live.mp3 | Dinosaur Jr | Berlin Live | Unknown | Unknown |
NFO
Artist.......: Dinosaur Jr
Album........: Berlin Live
Label........: n/a
Genre........: Rock
Catnr........: n/a
Source.......: DVBS
Rip.date.....: 2017-04-30
Str.date.....: 2016-11-11
Quality......: 203kbps/48.0kHz/Joint Stereo
Url..........: http://dinosaurjr.com
track title time
1. Berlin Live 57:03
Runtime 57:03
Size 83.06
Release Notes:
SUPPORT LATEST LAME !!
Dinosaur Jr. were largely responsible for returning lead guitar to indie rock
and, along with their peers the Pixies, they injected late-'80s alternative rock
with monumental levels of pure guitar noise. As the group's career progressed,
it turned into a vehicle for J Mascis' songwriting and playing, which had the
ultimate result of turning Dinosaur's albums into largely similar affairs. Over
time, Mascis shed his hardcore punk roots and revealed himself to be a disciple
of Neil Young, crafting simple songs that were delivered at a crushing volume
and spiked with shards of feedback. Consequently, Dinosaur Jr.'s '90s albums --
when the group was essentially a front for Mascis -- don't sound particularly
revolutionary, even with their subtle sonic innovations, yet their original '80s
records for SST were a different matter. On their early records, Dinosaur
lurched forward, taking weird detours into free-form noise and melodic soloing
before the songs are brought back into relief by Mascis' laconic whine.
Dinosaur's SST records laid the foundation for alternative rock's commercial
breakthrough in the early '90s, and while the band's profile was raised
substantially in the wake of Nirvana's success, they never really became much
bigger than highly respected cult figures.
Mascis (born Joseph D. Mascis; guitar, vocal) formed Dinosaur Jr. in Amherst,
Massachusetts after his hardcore punk band Deep Wound broke up in 1983. Hooking
up with fellow high-school student Lou Barlow (bass), Mascis initially played
drums in Dinosaur, but shortly afterward, former All White Jury drummer Murph
(born Emmett "Patrick" Murphy) joined the group and J moved to guitar. Over the
next year the group developed a local following, and in 1985 the trio released
its debut album, Dinosaur, on the Homestead label. The record and the group's
crushingly loud concerts developed a cult following over the next year. By the
end of 1986, a hippie rock group called Dinosaur -- featuring former members of
Jefferson Airplane and Country Joe & the Fish -- sued the band, which changed
its name to Dinosaur Jr.
In 1987, Dinosaur Jr. signed to Black Flag's indie label SST and released You're
Living All Over Me, which became an underground sensation, with groups like
Sonic Youth championing Mascis' wild, feedback-drenched guitar. Early in 1988
they released the seminal single "Freak Scene," a song that captured the feeling
and tone of the emerging American post-punk underground. "Freak Scene" became a
college radio hit, and it led the way for their acclaimed 1988 album, Bug.
Although the band's popularity continued to grow, tensions were developing
between Mascis and Barlow, who rarely talked to each other. In 1989, Mascis told
Barlow that the group was breaking up; the following day, he "re-formed"
Dinosaur Jr., this time without Barlow, who went on to form Sebadoh.
Without Barlow, Dinosaur Jr. relied on a rotating array of guest bassists,
including Don Fleming and the Screaming Trees' Van Connor. In 1989, the group
had an underground hit with its non-LP cover of the Cure's "Just Like Heaven."
The following year, they signed with Sire Records. After "Just Like Heaven,"
Mascis remained quiet for several years as he produced acts like Buffalo Tom and
collaborated with friends like Sonic Youth and Fleming's Velvet Monkeys. Green
Mind, Dinosaur's 1991 major-label debut, was recorded almost entirely alone by
Mascis, and its varied, eclectic sound was received poorly in many alternative
rock circles. Before the Green Mind tour, former Snakepit member Mike Johnson
became the group's full-time bassist. On the subsequent tour, Dinosaur Jr. were
supported by Nirvana, whose success with Nevermind soon overshadowed Dinosaur's.
Instead of capitalizing on the commercial breakthrough of alternative rock,
Dinosaur released an EP, Whatever's Cool with Me, in early 1992 and disappeared
to record their next album. Released early in 1993, Where You Been benefited
greatly from the commercial breakthrough of alternative rock, and many of the
articles surrounding the album's release hailed Mascis as an alternative
godfather. It became the first Dinosaur album to chart, peaking at number 50,
and it generated the modern rock hit "Start Choppin." That summer, the group
played on the third Lollapalooza tour. Mascis recorded the band's next album
without Murph, who unceremoniously left the band; he later joined the
Lemonheads. Dinosaur Jr. released Without a Sound in 1994 to mixed reviews, but
the album was a moderate hit, thanks to the MTV and modern rock hit "Feel the
Pain." In the fall of 1995, Mascis launched his first solo acoustic tour, which
was captured on his first official solo album, Martin & Me, released in the
spring of 1996.
After contributing several Brian Wilson-styled songs to Alison Anders' 1996 film
Grace of My Heart -- he also made an appearance in the movie -- Mascis completed
Dinosaur's next album on his own, leaving Johnson to his solo career. Upon its
spring 1997 release, Hand It Over was hailed as Mascis' best album in years,
although it failed to generate a significant hit. By the late '90s, Mascis
decided to break up Dinosaur Jr. and launch a solo career, resulting in the
release of More Light in 2000 (under the name of J Mascis + the Fog, a group
that also featured former Minutemen bassist Mike Watt). The new group's ensuing
tour was cut short in June of 2001, however, when its tour bus was involved in a
serious accident in Sweden, resulting in Mascis cracking two vertebrae. In the
wake of their breakup, a pair of postmortem Dinosaur Jr. collections saw the
light of day in the early 21st century: 2000's live-in-the-studio BBC Sessions
and 2001's Ear-Bleeding Country: The Best Of. In addition, the history of
Dinosaur Jr.'s original lineup was documented in Michael Azerrad's excellent
2001 book of '80s alt-rock pioneers, Our Band Could Be Your Life.
In 2005 the first three albums were reissued on Merge and Mascis announced that
the original band would be reuniting for a short tour. A year later, Green Mind
and Where You Been were reissued by Sire with bonus tracks, while Rhino released
J Mascis Live at CBGB's, a recording of an acoustic gig from 1993. To coincide
with the 2006 reissues, the reunited band began a worldwide tour and announced
plans to work on material for a new album, which surfaced in 2007 in the form of
Beyond. The reunion stuck, and the original lineup of Dinosaur Jr. eventually
releasing Farm in 2009, followed by I Bet on Sky in 2012. The members of
Dinosaur Jr. spent the next four years pursuing solo projects -- J Mascis
released Tied to a Star in 2014, Lou Barlow released Brace the Wave in 2015 --
and the group then returned in the summer of 2016 with Give a Glimpse of What
Yer Not.
RLS-Crc: 51554245:34F23BC24222