| Genre | Unknown |
|---|---|
| Date (CEST) | 2012-03-27 23:02:35 |
| Group | CRN |
| Size | 68 MB |
| Files | 5 |
| M3U / SFV / NFO | |
Espvall_Jakobsons_Szelag-Improvisations_For_Strings_And_Electronics-2012-CRN
Infos
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Tracklist (M3U)
| # | Filename | Artist | Songname | Bitrate | BPM |
|---|---|---|---|---|---|
| 1 | 01-espvall_jakobsons_szelag-fissure.mp3 | Espvall Jakobsons Szelag | Fissure | Unknown | Unknown |
| 2 | 02-espvall_jakobsons_szelag-arctic_rains.mp3 | Espvall Jakobsons Szelag | Arctic Rains | Unknown | Unknown |
| 3 | 03-espvall_jakobsons_szelag-ice_age.mp3 | Espvall Jakobsons Szelag | Ice Age | Unknown | Unknown |
| 4 | 04-espvall_jakobsons_szelag-lunar_tides.mp3 | Espvall Jakobsons Szelag | Lunar Tides | Unknown | Unknown |
| 5 | 05-espvall_jakobsons_szelag-black_ice.mp3 | Espvall Jakobsons Szelag | Black Ice | Unknown | Unknown |
NFO
▄▄ [ INFORMATION ] ▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄
█ █
█ ARTIST: Espvall Jakobsons Szelag █
█ TITLE: Improvisations for Strings and Electronics █
█ LABEL: Arachnidiscs █
█ GENRE: Avantgarde █
█ BITRATE: 218kbps avg █
█ PLAYTIME: 0h 43min total █
█ RELEASE DATE: 2012-00-00 █
█ RIP DATE: 2012-03-27 █
█ URL: █
█ █
█▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄█
▄▄ [ TRACKLIST ] ▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄
█ █
█ 01. Fissure 7:57 █
█ 02. Arctic Rains 8:04 █
█ 03. Ice Age 13:50 █
█ 04. Lunar Tides 7:47 █
█ 05. Black Ice 5:35 █
█ █
█ █
█ █
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▄▄ [ NOTES ] ▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄
█ █
█ From Textura: █
█ █
█ Given that theyÆre such kindred spirits, it seems only logical that a █
█ collaboration between kindred spirits cellist Helena Espvall (of Espers) █
█ and Myrmyr duo Agnes Szelag (cello) and Marielle Jakobsons (violin) █
█ would have occurred at some point, and now is as good a time as any. █
█ DonÆt let the Improvisations for Strings and Electronics give you the █
█ wrong impression, either. While the forty-four-minute recording is, on █
█ instrumentation grounds, strings and electronics only (all three █
█ credited with the latter), the five settings might more aptly be █
█ characterized as æspontaneous compositions,Æ given the level of █
█ cohesiveness and direction that emerges when the trio interact. █
█ █
█ Recorded in Oakland, CA, the material encompasses a range of moods, from █
█ relatively agitated to ponderous. ItÆs particularly affecting during its █
█ mournful nachtmusik passages, such as during the opener, ôBlack Frost,ö █
█ where the strings etch serpentine pathways as they coil seductively █
█ around one another, and ôArctic Rains,ö where the playing is at times so █
█ restrained it almost retreats altogether into silence. Being almost █
█ fourteen minutes in length, the latter naturally moves through a number █
█ of contrasting episodes, with the aforesaid quieter section followed by █
█ bluesy explorations and a lovely plaintive coda so lovely it verges on █
█ hymnal. Track titles have been well-chosen, too, given how much they █
█ complement the mood of a given piece. ôIce Age,ö for example, offers a █
█ dense and brittle treatment that renders its sound-world rather daunting █
█ and disturbing, while the skeletal ôLunar Horizonö exudes an █
█ appropriately ethereal character. █
█ █
█ This fine set of evocative explorations shows Swedish-born Espvall and █
█ Mills College graduates Szelag and Jakobsons (both received their MFAs █
█ from the esteemed institution in 2006) to be natural bedfellows. Mention █
█ also must be made of the lavish handmade presentation that the █
█ Ontario-based Arachnidiscs Recordings has given the limited-run release █
█ (100 copies), with the disc housed within a multi-layered package that █
█ includes a lino-block printed envelope and transparent outer-sleeve. The █
█ evident care with which the trioÆs work has been presented enhances the █
█ already strong impression imparted by their music-making. █
█ █
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