█▓▓▓ ░░░░░░░░ ▓▓▓▓▓▓▓▓▓▓▓░░▄█▀▀▀▀▀▀█▄░░░ ▒▒▒▒▒▒▒░░▓ █▓░░▓░░░░░░░░░░░█▀ ▄▄▄▄ █ ░░▓▓█ ▒▓▒▒░░▀▀▀▀▀▀░░▒▄▄ █▓▓░░░▄▄█▀▀▀▀▀▀▀█▄█ █████ █▄ ░░░▓█▓ ▓▓▓▒▒░░░█▀ ▄▄ ▀███▓▓ . █ █▓▓░░ ▄█▀ ▄▄▄▄▄ ███████ █ ░░░▓▓▓▓▓░░░░▓▓░░░░░░█▀ ████ ▀█▀▀▄▓▄▓▓▓▓ █▓▓░ ▄█▀ ▄▓██████████ ▀▓█████ ▀█ ░░░░▓▓░ ▄█▀▀▀▀▀█▄░█▀ ██████ ▀░░▒▀ ▓▓▓▓█ ▓░░ ▄█ ▄▓▓██▀ ▀███████ ▀▓█████ ▀█▄ ░░░ ▄█▀ ▄▄▄ █ █ ██▓█████ █░▀▓ ██ █ ░░ █▀ ▓▓▓████▄███▓█████ █▓█████▄ ▀█▄▄▄█▀▀ ▄████ ██▀ █▓██████ █░░.▀ ████ ░ ▄█ █▓▓████ ▓▓█████ █▓██████▄ ▀▀ ▄▄██████ ██ █▓▓██████ ▀█░▒▓.████ ░ █ █▓▓███ ▓▓▓ ▓▓███ ▀▓▓███████▄▄▄▄██████▓███ █▀ ▓▓██ █▓███ █░▒▓ ████ ░ █ ▓▓▓██ ▓░▓██░▓ ▓▓██ █▓▓███████████████▓███ ▄█ ▓▓▓█ ▓▓██ █░░▒ ████ ░ █ ▓▓▓██ ░█████░▓ ▓▓██ █▓▓███ ▀▓██████▀ ▓▓███ █▀ ▓▓██ ▓▓██ ▀█░░ ████ █ █ ▓▓▓██ ▓░████░▓ ▓▓██ ▀█▓▓██ ▓████ ▓▓████ ▀ ▓▓██ █▓██ ▀█░ ████ █ █ ██▓███ ░░████ ▄▓▓█▀ █▓▓██ ▄ ▓██ ▓▓███▀ ▓▓██ █▓██ ▀█ ███ █ █ █▓▓███ ░░░▓ ▄▓▓██ ▄ █▓██ █ ▀ ▄ ▓▓███ █▓▓████████████▓██ ▀█ ██ █ ▀█ █▓▓███ ▄█▓███ ██ █▓██ █ █▀ ▓████▄██▓████████████▀ ▀███ ▀█ ██ ██ ▀█ █▓▓███████████▀ ██ ████ █ █ ▓▓███ ██▓███▀▀▀▀▀▀▀▀▀▀█▄█████ █ ██ ██. ▀█ ▀██████████▀ ▄██ ████▀ ▄█ ▓ █ ▓███ ▀███ ▄▄▄▄▄▄▄▄ ██████ █ ██ ██ ■ ▀█▄ ▀▀▀▀▀▀ ▄█▀ █ ▀▀▀ █ ▒ █ ▀▀▀ ▄▄ ▄█ █▄ ▀▀▀▀ ▄█ ██ ██.   ▀▀▀█▄▄▄▄▄▄▄▄▄▄█▀   ▀█▄▄▄▄▄█▀▀ ▒▒ ▀█▄▄▄▄▄█▀▀▀▀▀▀▀▀ ▀▀█▄▄▄▄▄▄█▀ ██ █ ▄                            .  █▒▒  ▄█▒▒▒████▀ ▀▄  .   ███ █ ▀▓▀                          ■ █▒▒  █▀▀ ▄█ ▄▄▄█▒▒▒▒▒░░▄  ■ ████ █ ■ .   MUSiC iS LiFE!!!         █▒░  █ ▄▀ ▄▄██████████▒▒▒▒░▄  .████ █.  .                ▄      .  █▒░░ █ ▀ ▄▀▀██████▒███████▒▒░▄  ████ █  ▄ ▄▓▓▄  .   ■  ▀▓▀  ■    ██▒▒░ █ ▄▀ ▄▀ ████████████▒▒▒▒░ ████ █. ▀▓▀ ▀▀     .  ▄        ███▓▓▒░ █ ███ ▄███▄ ███████▒█████▒▒▒▄ ████ █   ▄▒▄ ▄▓▓▄ ■ ▀▓▀  ████▓▓▓▒░░ █ ██▀██ █▀▀ ▀██▄ ██████████▒████▒▒ ████ █ █   ▀.  ▀▀  .   ████▓▓▓▓▓▒░░ █▀ █ ████ ███ ████████████▒█▒▒▒ ████ █ █ ■   ▄▓▄ .   ████▓▓▒▒▒▒░░░░░ █▄▀ ███ ███ ██████████████▒▒▒ ████ ███    ▄▄▀  ■ ███▓▒▒▒░░░░░░░░▓ █▀ ▄▓███ ▄██ ████████████████▒▒ ████ ████  ██▓▓ ████▓▒░░░░░ █ ▄▀ ███ ▒███████████████▒▀ ████ ████   ▀▀ ███▓▒░░░ ▄▄▄████████ █ ███ ▒▒██████████████▒▒  ████ ████ . ██▓▒░░ ▄▄████████▀▀ █ █▀█ ███ ▒▒███████████████▒▀  ████ ████  ■  ██▒░░ ▄█████████▀ ▄██ ██▄ ▀▄ ▄██▀ ▒▒▒████████████████ █ ████ ████.   ██▓░ ▄█████████▀▄▒▒██ █████ ▀▀█████▀▀ ░▒▒██▒██████████████  █ ████ ████ . ██▒░ ██████████ ░▒▒██▀ ███████ ░░ ▄▒▒░▒▒██▒████████████  ▓█ ████ ████  ██▓░ █████████▒ ▒░░███ ▄███████░░░░░▒░░▒░▒░▒▒░▒▒███▒█████████  ▒█▀ ████ ████ █▒░ ██▒██████▒ ▒░▒▒░██ ███████▀▒ ░ ▒▄▄▄▄▄▒▀░▒▒▒░▒████▒█████▀  ░▒█ ████ ████ ██░ ██▒█████▒▒ ▒▒▒░▒▒█░█ █████▀░▄███████████ █░░▒░▒▒██████▀ ░░▒█▀. ████ ████ █▒░ ░█░█████▒░ ▒▒██▒░▒███ ██▀ ███████████████▒ █░▒▒░▒▒██▀ ░░▒▓█▀   ████ ████ █░ █░▒████▒░░ ▒█▒▒███▒▒▒██ █▄██████████████████ ▀░░▒█▒▒ ░░░░▒█▄ ■ ████ ████ █ ██░████▒▒░ ▒████▒█████▒█▄ ████████████████████▒░▀▀ ██ ▄ ░░██   ████ ████ ▒ ██░▒██▒▒▒░ █▒█████▒████ █ █████████▀▀ █████░░░░ ░██ █▒█ ▄░█▄ ████ ████ █░▒███▒▒░░ ████▒█████▒█ ███ ██████▀ ██████ ███ ░░░░ █████▒██ ▒██ ████ ████ ██░███▒▒░░ ███████████ █████ ████▀ ██████████ ▓ █░░ █████████▒ ▓█ ████ ████ █░░███▒░░░ ██████████ ███████ ███ ███████████████░█ ██████████ ▓█ ████ ████ █░▒███▒░░░ ██████████ ████████ ██ ▄██████████████████ ███████▒ ▒▓█ ████ ████ ██░████▒░░ ████████▀ ████████ ██ ▄████████▒██▀▀█▀▀▀███ █████▒ ▒▓▓█ ████ ████ █░░████▒░▒ ████▀▀ ████████ ███▄██████████▒░█ ▀ █ ▀▀██ ███▒ ░▒▓██ ████ ████ █░░█████▒▒ ████▄▒▒░ ████████ ███ █████████▒█▒ ██ ██ █ █▀▀███ ░▒▓██ ████ ████ █░░██████▒ █████▒░ ████████ ███ ███████████░▒ ▒█░░░░█░█ █ █ ░▒▓▓█   ████ ████ █░░██████▒ ████▒░█████████ ███ ▒████████████░ ░████░█░██ █ ░░▒▓█ .  ████ ████ █░░███████▒ █████████████ ███ ▒▒█████████▒█▒░░ ▒███████░█░ ░▒▒▓█ . ████ ████ █░░░█▒█████ ████████████ ███ ▒▒███████████░▒░ █ ▓█████████ ░░▒▓█   ████ ████  █░░▒███████ ██████████▀███ ░▒█████████▒███░ ███ █████████ ░░▒▓█   ■ ████ ████  █░░░████████ ░████████ █ ░░▒███████████░▒░░ ███ ███████░ ░▒▓█     ████ ████  █░░░░█▒█████░ ▀████▀ ■ ░▒▒█████████▒███▒░ ███ ░ ███████░ ░▒▓█      ████ ████ . █░░▒░████████░ ░░░ ████████████░▒▒░░ ██ ░ ██████▓ ░▓█   ■ . ████ ████  ■ ░░░░░▒████████▒░░░░░▒░░ █████████▒██▒░░ ██ ░░░ ██████▒ ▒▓█       ████ ████ .  ██░░░░█▒██████████████░░ █████████░▒░░ █▒ ░▒▒░ ███████ ▒█ .   ▄ ████ ████  ▄   ▒▒░░░░███████████████░█ █████▒███▒░░█░ ░▒▒▒▒ ▀██████ ▓   . ▀▓▀████ ████ ▀▓▀  ▒▒░░░█████████████████ █████▒█░░░░░ ░▒▒▓▓▒▒ █▓███▒ █   ▄▓▓▄ ████ ████ ■ . ■ █▒░░░▒█████████████████ ██▒██▒░░░▒ ░▒▓▓ ▓▓▒ ▀▀▀▀ ▄▀ ■   ▀▀ .████ ████.     ▄ ░░░░▒██▒████████████ ███▒▒░░ ░▒█ █▓▓▒ ▀▓▀  ▄  ■ ████ ████  ■  ▀▓▀ . █▒▒░░▒████████████ ██▓░░░░ ▄░█ ▄ █▓▓ ■ ■ ▀▓▀ . ████ ████.        ░██░░▒███░░░░░█ ░░░░░ ▄ ▀  ■ ▀▓▀ ▀▀█▄      ■████ ████     ▄▀▀███▓▄ ▀▀▀▀▀▀▀▀▀▀░░▄░ ■ . ■ . ▄▓███▀▀▄  ■  ████ ████ ■ ███▓█ █▓███ ■ ████ ████ · ▄▓███▓ OPEN MUSiC ASSOCiATiON ▓███▓▄ · ████ █████ ▄▄▓█▀▀▀│ ▓ .···. P R E S E N T S .···. ▓ │▀▀▀█▓▄▄ █████ ██████▓▀ ▀ ▀ ▀▓██████ █████▀ Frankie Cosmos - Different Talking ▀█████ ████▀ ▀████ ███▀ ▀███ █▓▓▓▓ ARTiST..[ Frankie Cosmos ▓▓▓▓█ █▓▓▓▓ TiTLE...[ Different Talking ▓▓▓▓█ ████ GENRE...[ Rock CAT#....[ SP1675 ████ ████ LABEL...[ Sub Pop Records ENCODER.[ Lame 3.100 ████ ████ YEAR....[ 2025 QUALiTY.[ 320kbps ████ ████ SOURCE..[ WEB (FLAC) MODE....[ Joint Stereo ████ ████ PLAYTIME[ 38:10 REL.DATE[ 06.27.2025 ████ ████ TRACKS..[ 17 RiPPER..[ TEAM OMA ████ ████ SiZE....[ 87,75 MB SUPPLiER[ TEAM OMA ████ ████ ████ ████ ████ ████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████ ████ ■ ███▓█ .···. T R A C K L i S T .···. █▓███ ■ ████ ████ · ▄▓███▓ ▓███▓▄ · ████ █████ ▄▄▓█▀▀▀│ ▓ ▓ │▀▀▀█▓▄▄ █████ ██████▓▀ ▀ ▀ ▀▓██████ █████▀ ▀█████ ████▀ ▀████ ███▀ NR. TRACK. TiME. ▀███ █▓▓▓▓ ∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙ ▓▓▓▓█ █▓▓▓▓ ▓▓▓▓█ ████ 01 Pressed Flower 01:59 ████ ████ 02 One of Each 01:57 ████ ████ 03 Against the Grain 02:26 ████ ████ 04 Bitch Heart 02:26 ████ ████ 05 Porcelain 02:44 ████ ████ 06 One! Grey! Hair! 02:02 ████ ████ 07 Vanity 02:34 ████ ████ 08 Not Long 01:37 ████ ████ 09 Margareta 02:09 ████ ████ 10 Your Take On 02:01 ████ ████ 11 High Five Handshake 02:48 ████ ████ 12 You Become 02:47 ████ ████ 13 Joyride 02:28 ████ ████ 14 Tomorrow 02:29 ████ ████ 15 Wonderland 02:07 ████ ████ 16 Life Back 01:39 ████ ████ 17 Pothole 01:57 ████ ████ ∙∙∙∙∙∙∙∙∙∙∙∙ ████ ████ TOTAL: 38:10 ████ ████ ████ ████ ████ ████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████ ████ ■ ███▓█ .···. R E L E A S E N O T E S .···. █▓███ ■ ████ ████ · ▄▓███▓ ▓███▓▄ · ████ █████ ▄▄▓█▀▀▀│ ▓ ▓ │▀▀▀█▓▄▄ █████ ██████▓▀ ▀ ▀ ▀▓██████ █████▀ ▀█████ ████▀ ▀████ ███▀ ▀███ █▓▓▓▓ ▓▓▓▓█ █▓▓▓▓ ▓▓▓▓█ ████ https://ingridsuperstar.bandcamp.com/album/diff ████ ████ erent-talking ████ ████ ████ ████ ████ ████ ████ ████ Different Talking, the sixth and, so far, best ████ ████ album by NYC indie-rock four-piece Frankie ████ ████ Cosmos, seems to exist across time and space, ████ ████ as we all kind of do. ItÆs a collection of ████ ████ fragments and memories, remembered places, and ████ ████ reinterpreted feelings that adds up to a ████ ████ lucent, humming whole: a sturdy, worldly ████ ████ indie-rock record about aging and the passage ████ ████ of time that nonetheless manages to feel ████ ████ sharply current. ████ ████ ████ ████ Frankie Cosmos lead singer, guitarist, and ████ ████ songwriter Greta Kline has long been heralded ████ ████ as one of contemporary indie musicÆs most deft ████ ████ and most necessary writers, but on Different ████ ████ Talking, her lyrics soften out slightly, the ████ ████ wry cynicism that defined recent records now ████ ████ giving way to an acknowledgment of the awesome, ████ ████ and necessary, fallibility of the human brain ████ ████ and heart. ████ ████ ████ ████ To classify Different Talking as a return to ████ ████ form, or at least a return to the lush ████ ████ directness of earlier Frankie Cosmos records, ████ ████ would be rude but also wholly incorrect: as ████ ████ Different Talking makes clear, you can never ████ ████ return to the comfort and bravery of your early ████ ████ twenties, but that person always kind of lives ████ ████ inside you, no matter how much you change. ████ ████ Different Talking is about finding that person, ████ ████ honoring them, and learning from them. ôA lot ████ ████ of the album is about being grown up and ████ ████ figuring out how to know yourself û like, æWhat ████ ████ is moving on?Æö says Kline. ôHow do we move on ████ ████ when weÆre addicted to a cycle of haunting our ████ ████ own past? Writing songs is just the way through ████ ████ that.ö ████ ████ ████ ████ Kline has been a fixture of the American indie ████ ████ underground since her late teens when her ████ ████ prolific Bandcamp releases and 2014 indie-label ████ ████ debut Zentropy led her to be dubbed ôthe poet ████ ████ laureate of New York City DIY.ö A tag like that ████ ████ is a lot for young shoulders to take on, but ████ ████ itÆs hard to deny the singular influence she ████ ████ has had on contemporary pop music. If the idea ████ ████ of a young woman picking up a synth in her ████ ████ bedroom, putting a couple of songs on the ████ ████ internet, and quickly becoming a superstar is ████ ████ now de rigeur, itÆs because Kline û along with ████ ████ a handful of other artists and writers û ████ ████ normalized and exalted ideas of (female) DIY ████ ████ genius long before they were pinned to ████ ████ moodboards in major-label marketing offices. ████ ████ ████ ████ A lot has changed since then: after going ████ ████ through a handful of different permutations ████ ████ over the past decade, Frankie Cosmos is now a ████ ████ four-piece featuring Kline, Alex Bailey, Katie ████ ████ Von Schleicher, and Hugo Stanley. Kline is the ████ ████ only constant, but Stanley, Bailey, and Von ████ ████ Schleicher are crucial collaborators, and to ████ ████ use the names ôGreta Klineö and ôFrankie ████ ████ Cosmosö interchangeably would be incorrect. ████ ████ Kline remains the primary songwriter, and the ████ ████ music on Different Talking is arranged by the ████ ████ band as a whole, but this is the first album to ████ ████ be self-tracked by the unit with no external ████ ████ studio producers. ████ ████ ████ ████ Setting up camp at a house in upstate New York ████ ████ for a month-and-a-half to work on Different ████ ████ Talking, Frankie Cosmos developed the kind of ████ ████ rapport you can only build from living and ████ ████ breathing your art for a long period; they ████ ████ smoothed out kinks in production together and ████ ████ watched films in the evenings, cooked for each ████ ████ other while one member ironed out their parts ████ ████ alone, and took trips into town when they ████ ████ needed a matcha or a breather. Learning each ████ ████ othersÆ rhythms meant that, with each ████ ████ successive day, they were becoming more of a ████ ████ living, breathing organism as a band, less a ████ ████ collection of musicians building out KlineÆs ████ ████ songs than a unit devoted to finding a shared ████ ████ world within each track. This is Frankie ████ ████ CosmosÆs first entirely self-produced album ████ ████ (aside from KlineÆs early demos), and, not ████ ████ coincidentally, it feels like a purer, more ████ ████ distilled take on the band. ôIt does feel like ████ ████ the best version of what IÆve wanted to make ████ ████ since I was a teenager,ö says Kline. ôAlthough ████ ████ this was recorded in a living room, itÆs as ████ ████ high fidelity as anything weÆve made in the ████ ████ studio.ö ████ ████ ████ ████ This sense of locked-in-ness is clear when you ████ ████ listen to Different Talking, which could only ████ ████ be the work of four accomplished, ambitious ████ ████ musicians working in perfect harmony. BaileyÆs ████ ████ antic bass line interlocks seamlessly with ████ ████ StanleyÆs syncopated rhythm on ôBitch Heartö; ████ ████ Von SchleicherÆs keys perfectly gild KlineÆs ████ ████ vocal melody on ôOne! Gray! Hair!ö. Throughout ████ ████ the album, it feels like nothing is extraneous ████ ████ or out of place, everything being controlled ████ ████ from one shared central nervous system. ████ ████ Lyrically, Different Talking may be some of ████ ████ KlineÆs most insular work, but musically, itÆs ████ ████ the most varied and richly textured Frankie ████ ████ Cosmos album, filled with country-fried ████ ████ noodling and tassels of synth and imposing ████ ████ walls of sound. ôWeÆd go to any length to get ████ ████ GretaÆs songs right, and sheÆs generous with ████ ████ songs, so we have a lot of freedom to arrange ████ ████ them,ö says Von Schleicher. ôItÆs a rare talent ████ ████ to have, with rare freedom given, and the ████ ████ course hasnÆt changed.ö ████ ████ ████ ████ Lead single ôVanityö exemplifies this ████ ████ perfectionistÆs approach to production and ████ ████ songwriting: Von Schleicher correctly describes ████ ████ it as ôa fucking pop anthemö, but does a pop ████ ████ anthem ever contain this much attention to ████ ████ detail? ôVanityö is spare and busy at the same ████ ████ time, its second-album-Strokes chorus ████ ████ blossoming between passages of minimalist ████ ████ curiosity that recall the earliest Frankie ████ ████ Cosmos tapes. ItÆs one of the songs on ████ ████ Different Talking that doesnÆt have a clear ████ ████ object, perhaps a result of its genesis: ôI ████ ████ started writing it one evening while I walked ████ ████ (~6.5 miles) from Tompkins Square Park to ████ ████ Sunset Park, speaking directly to the universe ████ ████ and pleading to be considered by it,ö says ████ ████ Kline. ôIt feels like it encompasses this push ████ ████ and pull between adult and kid, government and ████ ████ governed, planet and blade of grass.ö ████ ████ ████ ████ Different Talking opens with ôPressed Flower,ö ████ ████ a kind of Rosetta Stone for the rest of the ████ ████ record that touches on gentrification and ████ ████ rebirth, the passage of time, and the idea of ████ ████ ômemories being present in the physical world,ö ████ ████ says Kline. Wistful but resolute, it perfectly ████ ████ encapsulates KlineÆs writing at this moment: ████ ████ Hopeful and world-weary at the same time, ████ ████ looking back on painful older memories with a ████ ████ new sense of resignation and understanding. ████ ████ ôIÆm constantly both shedding old feelings and ████ ████ reactivating them through the same process of ████ ████ reflection,ö says Kline. ôIÆm looking back at ████ ████ my younger self and feeling both connected and ████ ████ disconnected from her in new ways.ö ████ ████ ████ ████ Sometimes, that sense of connection comes in ████ ████ the ability to make a joke about something ████ ████ traumatic, like when Kline sings ôMy wonderland ████ ████ keeps the scoreö on ôWonderlandö; you can feel ████ ████ a sense of relief on ôLife Backö when she sings ████ ████ that ôYesterday I felt like I would never have ████ ████ my life back/Today I donÆt remember ever ████ ████ feeling like that.ö Although dissociation is a ████ ████ theme of Different Talking (ôTrick my body, ████ ████ near constantly,ö sings Kline on ôPorcelainö), ████ ████ so is the uncomfortable euphoria of feeling ████ ████ totally embodied. Being aware of yourself ████ ████ becomes an insistent hook on ôBitch Heartö: ████ ████ ôIÆm watching the goosebumps retract/Watch the ████ ████ hair fall flat against my skin.ö ôSo much of ████ ████ aging for me has involved this growing ████ ████ awareness and learning to be in my body and ████ ████ feel grounded,ö says Kline. ôI want to try and ████ ████ take in each moment with more focus and ████ ████ thoughtfulness û sometimes that means focusing ████ ████ on a physical body sensation.ö ████ ████ ████ ████ Different Talking ends with ôPothole,ö a ████ ████ jaunty, dryly funny obliteration of ego that ████ ████ ends on the kind of ambiguous, optimistic note ████ ████ thatÆs defined many a Frankie Cosmos song over ████ ████ the years: ôItÆs sunset here/WhatÆs it for ████ ████ you?/HowÆd they get the pink light to come out ████ ████ like that?ö ItÆs an invitation and an ████ ████ acknowledgment that the world is just the way ████ ████ that it is, and itÆs our job to find meaning ████ ████ within that, as opposed to waiting for meaning ████ ████ to come find us. ôItÆs kind of like, okay, the ████ ████ world is big and can be beautiful,ö says Kline. ████ ████ ôLetÆs ask questions about it.ö ████ ████ ████ ████ ████ ████ ████ ████ ████ ████ ████ ████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████ ████ ■ ███▓█ .···. G R O U P .···. █▓███ ■ ████ ████ · ▄▓███▓ ▓███▓▄ · ████ █████ ▄▄▓█▀▀▀│ ▓ MAiL: [email protected] ▓ │▀▀▀█▓▄▄ █████ █▀ ▀██▓▀ ▀ ▀ ▀▓██▀ ▀█ ██▄██▀ ▀██▄██ ████▀ The only thing that really matters is music!!! ▀████ ▀██▓ ▓██▀ ▀██▓▄ ▄▓██▀ .▀ │ ▀▀██▄▓▄ .···. G R E E T S .···. ▄▓▄██▀▀ │ ▀ . ▄▓▓▄ │ ▀▀▀█▄▄ ▄▄█▀▀▀ │ ▄▓▓▄ . ▀▀ ▀▀▄ FRiENDS / SiTEOPS / NUKENET ▄▀▀ ▀▀ ▀ . ▄ ▄▓▓▄ ▀▄ RIP kHz ▄▀ ▄▓▓▄ ▄ . ▀ ▀ ▀▓▀ ▀▀ ▀ . ▄.···. !kb^faa 08.MARCH 2009 .···.▄ . ▀ ▀▀ ▀▓▀ ▀ .