| Genre | Unknown |
|---|---|
| Date (CEST) | 2020-11-20 18:34:19 |
| Group | MARR |
| Size | 71 MB |
| Files | 8 |
| M3U / SFV / NFO | |
Fuzz-III-WEB-2020-MARR
Infos
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Tracklist (M3U)
| # | Filename | Artist | Songname | Bitrate | BPM |
|---|---|---|---|---|---|
| 1 | 01-fuzz-returning-marr.mp3 | Fuzz | Returning | Unknown | Unknown |
| 2 | 02-fuzz-nothing_people-marr.mp3 | Fuzz | Nothing People | Unknown | Unknown |
| 3 | 03-fuzz-spit-marr.mp3 | Fuzz | Spit | Unknown | Unknown |
| 4 | 04-fuzz-time_collapse-marr.mp3 | Fuzz | Time Collapse | Unknown | Unknown |
| 5 | 05-fuzz-mirror-marr.mp3 | Fuzz | Mirror | Unknown | Unknown |
| 6 | 06-fuzz-close_your_eyes-marr.mp3 | Fuzz | Close Your Eyes | Unknown | Unknown |
| 7 | 07-fuzz-blind_to_vines-marr.mp3 | Fuzz | Blind To Vines | Unknown | Unknown |
| 8 | 08-fuzz-end_returning-marr.mp3 | Fuzz | End Returning | Unknown | Unknown |
NFO
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█▒ Artist - Fuzz ▒█
█▒ Title - III ▒█
█▒ ▒█
█▒ Genre - Rock Year - 2020 ▒█
█▒ Format - Album Time - 35:57 ▒█
█▒ Label - In The Red Records Source - Web Store ▒█
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▌░ ▄▄▄┌─────────────┐▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄ ░▐
▌░ ▒▒▒│ tracklist │▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒▒ ░▐
▌░ └─────────────┘ ░▐
▌░ ░▐
▌░ 01. Returning 3:02 ░▐
▌░ 02. Nothing People 3:28 ░▐
▌░ 03. Spit 2:44 ░▐
▌░ 04. Time Collapse 6:12 ░▐
▌░ 05. Mirror 2:55 ░▐
▌░ 06. Close Your Eyes 4:40 ░▐
▌░ 07. Blind To Vines 5:11 ░▐
▌░ 08. End Returning 7:45 ░▐
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▌░ ▄▄▄┌─────────────┐▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄ ░▐
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▌░ └─────────────┘ ░▐
▌░ ░▐
▌░ One only knows one. Two is balanced therefore stagnant. III ░▐
▌░ both active and reactive. Charles Moothart, Ty Segall and ░▐
▌░ Chad Ubovich are FUZZ. FUZZ is three. And III has returned. ░▐
▌░ Songs for all, and music for one. ░▐
▌░ ░▐
▌░ III was recorded and mixed at United Recording under the ░▐
▌░ sonic lordship of Steve Albini. Keeping the focus on the live ░▐
▌░ sounds of the band, the use of overdubs and studio tricks ░▐
▌░ were kept to a minimum. AlbiniÆs mastery in capturing sound ░▐
▌░ gave FUZZ the ability to focus entirely on the playing while ░▐
▌░ knowing the natural sounds would land. It takes the essential ░▐
▌░ ingredients of ôguitar based musicö and ôrock and roll power ░▐
▌░ trioö and puts them right out on the chopping block. It was a ░▐
▌░ much more honest approach for FUZZ -- three humans getting ░▐
▌░ primitive, staying primitive. The goal was never to reinvent ░▐
▌░ the wheel. Sometimes itÆs just about seeing how long you can ░▐
▌░ hold on before youÆre thrown off. ░▐
▌░ ░▐
▌░ Album opener ôReturningö serves as a sort of mission ░▐
▌░ statement for the album. ItÆs an auditory meditation on the ░▐
▌░ power of one and the different perspectives of one, whether ░▐
▌░ it is the singular person looking inward, or a group of ░▐
▌░ people coming together as a single unit. Not only is it an ░▐
▌░ echo of the return of FUZZ, but also a broader return to form ░▐
▌░ - raw and empowered through vulnerability. ░▐
▌░ ░▐
▌░ ôNothing Peopleö and ôSpitö served as a launching point into ░▐
▌░ the new sphere that would become III. They were written ░▐
▌░ around the same time, and felt like they opened two different ░▐
▌░ doorways -- familiar in some ways and new in others. ôTime ░▐
▌░ Collapse,ö a rogue cut from the days of FUZZÆs II, landed ░▐
▌░ soundly on the scorched surface of side A to round things ░▐
▌░ out. ░▐
▌░ ░▐
▌░ ôMirrorö opens up the B side and the collective ░▐
▌░ consciousness. Mirroring the call to arms of ôReturning,ö the ░▐
▌░ song asks the listener to link arms with the band, march to ░▐
▌░ the same drum of love, and create a space of equality among ░▐
▌░ the freaks. The pummeling rhythm demands the request to crush ░▐
▌░ the mirror that feeds you lies. In the end, itÆs a ballad for ░▐
▌░ the unique, twisted, and natural self that should be exalted ░▐
▌░ before any falsehood. ░▐
▌░ ░▐
▌░ The stomping back half of III serves as a self aware call out ░▐
▌░ to the lineage in which this record calls home -- both ░▐
▌░ personal and general in the historical context of raw power ░▐
▌░ trio records. ôBlind to Vinesö and ôEnd Returningö accentuate ░▐
▌░ the meditative qualities of FUZZ. While coming from opposite ░▐
▌░ ends of the spectrum, they balance restraint and compulsion. ░▐
▌░ FUZZ will ultimately cave to compulsion. That is without ░▐
▌░ question. But what good is a freak out without an initial ░▐
▌░ glance inward? ôEnd Returningö takes that look inward and ░▐
▌░ scrambles the timeline. It finds peace and challenges it in ░▐
▌░ the next breath. Arguably, it brutalizes this peace to test ░▐
▌░ the foundations on which it rests, inevitably bringing the ░▐
▌░ origin back into focus. ░▐
▌░ ░▐
▌░ Three points reflected in three Mirrors; a pyramid of sonic ░▐
▌░ destruction and psychic creation. Nothing People feed the ░▐
▌░ roots while the freaks fly free in the treetops - Blind to ░▐
▌░ Vines, Eyes Closed, Stuck in Spit, triumphing the Returning ░▐
▌░ of beginnings and Ends Returning while beginning to see the ░▐
▌░ Time Collapse. Love is the only way to annihilate hate, and ░▐
▌░ Sketchy freaks live to bleed. All shades of color, truth and ░▐
▌░ lies, III is the pillar of unity and singularity. All is ░▐
▌░ nothing, and only nothing can generate everything. Log out, ░▐
▌░ drop thought, turn up. ░▐
▌░ ░▐
▌░ wav -> mp3 scene standards ░▐
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▌░ └─────────────┘ ░▐
▌░ ░▐
▌░ indie . pop . rock . shoegaze . dream . jangle . twee ░▐
▌░ chamber . noise . c-86 . college . goth . post . kraut ░▐
▌░ darkwave . alternative . lo-fi . country . americana ░▐
▌░ folk . folk/rock . psychedelic . progressive . metal ░▐
▌░ heavy . hair . math . grunge . classic . southern . aor ░▐
▌░ west coast . punk . garage . avantgarde . classical ░▐
▌░ electronic . ambient ░▐
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https://fuzz-band.bandcamp.com/album/iii