| Genre | Unknown |
|---|---|
| Date (CEST) | 2012-04-28 06:56:24 |
| Group | 404 |
| Size | 82 MB |
| Files | 10 |
| M3U / SFV / NFO | |
Gravenhurst-The_Ghost_In_Daylight-2012-404
Infos
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Tracklist (M3U)
| # | Filename | Artist | Songname | Bitrate | BPM |
|---|---|---|---|---|---|
| 1 | 01-gravenhurst-circadian.mp3 | Gravenhurst | Circadian | Unknown | Unknown |
| 2 | 02-gravenhurst-the_prize.mp3 | Gravenhurst | The Prize | Unknown | Unknown |
| 3 | 03-gravenhurst-fitzrovia.mp3 | Gravenhurst | Fitzrovia | Unknown | Unknown |
| 4 | 04-gravenhurst-in_miniature.mp3 | Gravenhurst | In Miniature | Unknown | Unknown |
| 5 | 05-gravenhurst-carousel.mp3 | Gravenhurst | Carousel | Unknown | Unknown |
| 6 | 06-gravenhurst-islands.mp3 | Gravenhurst | Islands | Unknown | Unknown |
| 7 | 07-gravenhurst-the_foundry.mp3 | Gravenhurst | The Foundry | Unknown | Unknown |
| 8 | 08-gravenhurst-peacock.mp3 | Gravenhurst | Peacock | Unknown | Unknown |
| 9 | 09-gravenhurst-the_ghost_of_saint_paul.mp3 | Gravenhurst | The Ghost Of Saint Paul | Unknown | Unknown |
| 10 | 10-gravenhurst-three_fires.mp3 | Gravenhurst | Three Fires | Unknown | Unknown |
NFO
Artist: Gravenhurst
Album: The Ghost In Daylight
Bitrate: 222kbps avg
Quality: EAC Secure Mode / LAME 3.98.4 / -V0 / 44.100Khz
Label: Warp
Genre: Indie
Size: 85.48 megs
PlayTime: 0h 50min 22sec total
Rip Date: 2012-04-28
Store Date: 2012-04-27
Track List:
--------
01. Circadian 4:10
02. The Prize 6:38
03. Fitzrovia 8:08
04. In Miniature 4:32
05. Carousel 1:28
06. Islands 8:05
07. The Foundry 4:21
08. Peacock 2:43
09. The Ghost Of Saint Paul 6:02
10. Three Fires 4:15
Release Notes:
--------
Bristol songwriter and multi-instrumentalist Nick Talbot's fourth album for Warp
is a gorgeously hallucinatory affair, marking a slight shift towards
late-80s/early-90s psychedelia. The Ghost à occasionally conjures up the Stone
Roses's gentler moments, the hymnal sections of Spacemen 3's Playing With Fire
and the Church's hazy masterpiece, Priest = Aura. And yet, for all the
melancholy beauty, there's an atmosphere of quiet disturbance which makes it
chime eerily with our times. The sense of creeping unease is typified by The
Foundry, which begins with a plangent electronic intro like something off the
Eno-led Roxy Music debut, but veers into an essay on the everyday origins of
evil, crystallized in the malevolent main character. These are terrific,
understated songs with a church-like serenity, but hooks that reel you in, too:
the endlessly repeated guitar motif on Circadian; the way the sublime The Prize
gathers momentum towards a frazzled climax. It adds up to a beautifully haunting
set, and the sense that Talbot is surely among music's best-kept secrets.