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Ilumina Vos [ 2:51] ███ ███ 2. Lentamente [ 4:06] ███ ███ 3. Dance Ghost [ 5:59] ███ ███ 4. U Heard [ 3:48] ███ ███ 5. Catastrophe [ 4:45] ███ ███ 6. Arboles [ 2:17] ███ ███ 7. Relatives [ 5:15] ███ ███ 8. Junes [ 4:26] ███ ███ 9. Cuantas [ 6:29] ███ ███ 10. Catch The Pain [ 3:37] ███ ███ ███ ███ ------- ███ ███ 00:43:33 ███ ▓██▌ ▐██▓ ▓██ ██▓ ░ ▀▀▓▄▄▄ ▄███▄▄ ▄▄███▄ ▄▄▄▓▀▀ ░ ░ ▀▀▓█▄ ▄▓ ▀▓█▌ ▀▄ ▄▀ ▐█▓▀ ▓▄ ▄█▓▀▀ ░ ▀▀▄▄ ░██▒ █▌ ▄█▓ ▀▒▓▄ ▄▓▒▀ ▓█▄ ▐█ ▒██░ ▄▄▀▀ ██▓▄▓██ ▀ ▄█▀▄▒██▀▀▀▀▀▀▀█▄▀█▄▄█▀▄█▀▀▀▀▀▀▀▀██▒▄▀█▄ ▀ ██▓▄▓██ ███░ ▀█▄ ▄▓▀ ▀▀▄ ▀▀ ▄▀▀ ▀▓▄ ▄█▀ ░███ ▄█▓▀ ░ ▀░ ▓▀▄▄▀▀▄ R E L E A S E N O T E S ▄▀▀▄▄▀▓ ░▀ ░ ▀▓█▄ ▄██▀ █▀ ░ ░ ▀█ ▀██▄ ███ ██▓ ███ http://asthmatickitty.com/artists/helado-negro/ ███ ███ http://soundcloud.com/heladonegro ███ ███ https://www.facebook.com/HeladoNegro/ ███ ███ ███ ███ ACMX065 ███ ███ ███ ███ It's tempting to claim that the Helado Negro of 2009's Awe Owe ███ ███ is unrecognizable in the Helado Negro of Invisible Life. The ███ ███ former was a softly warped, pastoral record with Spanish lyrics ███ ███ and prominent Latin guitar; the latter is a more urbane ███ ███ electronic pop record with lyrics in English and Spanish. But in ███ ███ every style Roberto Carlos Lange develops, a sultry, dreamy ███ ███ temperament remains apparent, from the shimmying cadences and ███ ███ simmered arrangements to his just-woken-up voice. Invisible Life ███ ███ is the clearest and most dynamic Helado Negro record to date. ███ ███ ███ ███ His transition from acoustic to electronic took place on 2011's ███ ███ Canta Lechuza, which was lively but sometimes drifted through ███ ███ embryonic learning passages. Helado Negro generally deals in ███ ███ smart sounds rather than memorable songs (outside of maybe "El ███ ███ Oeste") but that changes with Invisible Life. Lange has ███ ███ committed to his MPC game and tightened it up, knotting his ███ ███ signature atmospheres into immersive, highly musical beats ███ ███ scrawled with unstable sub-rhythms. The glass-brick chords and ███ ███ deeply pumping bass of "Dance Ghost" are solidly constructed but ███ ███ hairline-cracked by jittery, stereo-panned clicks, and Lange's ███ ███ shivery falsetto halfway through lifts the whole arrangement up ███ ███ a level, breaking it free from its foundations. There are many ███ ███ patient, considered payoffs, as when, late in "Arboles", a ███ ███ staccato synth begins skipping atop the leisurely Latin rhythm. ███ ███ ███ ███ A nostalgic feel lightly creeps in to Invisible Life, from the ███ ███ cartoonish snake rattles and bird whistles shot through the bass ███ ███ arpeggios of "Lentamente" to the gear-shifting 8-bit theme of ███ ███ "Catastrophe". Other songs are rooted in Caribbean music or ███ ███ techno. But Lange's most compelling moments come when he ███ ███ circumvents cultural references, exhuming mysterious but vibrant ███ ███ sound-worlds from the ocean floor of his imagination. He's never ███ ███ before ventured anything as formally distinctive and effectively ███ ███ delightful as "U Heard", which feels densely compacted even as ███ ███ its varied timbres peel off in every direction-- rubbery plucks ███ ███ bouncing around a low octave, bubble-like blips rising and ███ ███ sinking, and percussion threshing straight ahead. ███ ███ ███ ███ A couple tracks don't measure up to this standard of invention. ███ ███ The rather thin "Relatives", for instance, plops Helado's pal ███ ███ Jon Philpot (Bear in Heaven) atop a rocksteady template of ███ ███ knobby bass and skating backbeats and then calls it a day. There ███ ███ are other guests lurking around, including Devendra Banhart ███ ███ supposedly playing guitar on "Arboles", which isn't prominent. ███ ███ Helado Negro actually seems to have begun as a more ███ ███ collaborative project. Lange has previously worked with Julianna ███ ███ Barwick and Guillermo Scott Herren. But there's always been ███ ███ something solitary about it, and the most subtly bewitching ███ ███ tracks on Invisible Life feel like the internal weather of a ███ ███ mind billowing and clearing. His once noticeable traces of ███ ███ tentativeness around electronic tools have disappeared. At the ███ ███ time, Canta Lechuza seemed like Lange dabbling in electronic ███ ███ music, but in the retroactive light of Invisible Life, it sounds ███ ███ more like him finding his voice. ███ ███ ███ ███ By Brian Howe [http://pitchfork.com/] ███ ███ ███ ███ Enjoy => ███ ███ ███ ▓██▌ ▐██▓ ▓██ ██▓ ░ ▀▀▓▄▄▄ ▄███▄▄ ▄▄███▄ ▄▄▄▓▀▀ ░ ░ ▀▀▓█▄ ▄▓ ▀▓█▌ ▀▄ ▄▀ ▐█▓▀ ▓▄ ▄█▓▀▀ ░ ▀▀▄▄ ░██▒ █▌ ▄█▓ ▀▒▓▄ ▄▓▒▀ ▓█▄ ▐█ ▒██░ ▄▄▀▀ ██▓▄▓██ ▀ ▄█▀▄▒██▀▀▀▀▀▀▀█▄▀█▄▄█▀▄█▀▀▀▀▀▀▀▀██▒▄▀█▄ ▀ ██▓▄▓██ ███░ ▀█▄ ▄▓▀ ▀▀▄ ▀▀ ▄▀▀ ▀▓▄ ▄█▀ ░███ ▄█▓▀ ░ ▀░ ▓▀▄▄▀▀▄ G R E E T I N G S T O ▄▀▀▄▄▀▓ ░▀ ░ ▀▓█▄ ▄██▀ █▀ ░ ░ ▀█ ▀▓█▄ ▓██ ▒█▓ ▓██ All electronic music groups and our friends who support us. ▓██ ▓██ ░ ██▌ ▓██ ▓ ▐██▐ ▓██ ▄▄▄▄▀▀▀ █ ▀▀▀▄▄▄▄▄ ▓█▌█ ▓██ ▄██ ░ o7 ▐█▌ o9 ░ ▀▓▒██▐▓ ▓██ ▄█▀▀ ▓▄ ███ ▄▓ █▀▀ ▓██ Contact: [email protected] ██ ██▄▄ ▐█▌ ▄▄██ ▐ ▓██ ██▌ ░ ▀▀▓█▄▀▄█▓▀▀ ░ ▄█ ▓█▓██▄▄ ▐█▓ █▄▄ ▄▄▓▒▓▄▄ ▄▄█ ▀█ ▓█▓ ▀██ ▄▄▄▄▄▄▄▄██ ▀▓███▀▀▐▒▌▀▀███▓▀ ▐ ▓█▀▓▄▄▓██▄▄▄▄▄▄▄▄▄███████████████████▓▀▀▀▀▀▀▀ ▄█▀░▀█▄ ascii ▓▄███████████▓▀▀▀▀▀▀▀▀▀▀▀ ▀▀ ▒ ▀▀ korma[67] ▓█▓▀▀▀▀ ▓ █ ▄▄▄▄ ▄▓██▀▀▀██▄ ▄▄▓▓▄ ▐▓░▄███▄▄▓▌ ▄▄▄▄▒▒▒▓▓▓███▓▄ ▀▓▓▓██▓▒░ ▄▄▓▀▀▀▀ ▄▀█▓▓▓███████▌ ▓░ ░░ ▀▄▐███████▓▀ Advertisement: ▓░ ░ █▄██▓▀▀▀ ▀▓░ ▄▄▀▀▀ ▀▀▒▄▓▀▀ ...wE WaNT s3x!