| Genre | Unknown |
|---|---|
| Date (CEST) | 2022-01-29 13:40:39 |
| Group | BIGLOVE |
| Size | 65 MB |
| Files | 12 |
| M3U / SFV / NFO | |
High_Tension-Bully-2015-BIGLOVE
Infos
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Tracklist (M3U)
| # | Filename | Artist | Songname | Bitrate | BPM |
|---|---|---|---|---|---|
| 1 | 01-high_tension-bully.mp3 | High Tension | Bully | Unknown | Unknown |
| 2 | 02-high_tension-guillotine.mp3 | High Tension | Guillotine | Unknown | Unknown |
| 3 | 03-high_tension-sports.mp3 | High Tension | Sports | Unknown | Unknown |
| 4 | 04-high_tension-killed_by_life.mp3 | High Tension | Killed by Life | Unknown | Unknown |
| 5 | 05-high_tension-iceman.mp3 | High Tension | Iceman | Unknown | Unknown |
| 6 | 06-high_tension-lapindo.mp3 | High Tension | Lapindo | Unknown | Unknown |
| 7 | 07-high_tension-hell_repeat.mp3 | High Tension | Hell, Repeat | Unknown | Unknown |
| 8 | 08-high_tension-take_control.mp3 | High Tension | Take Control | Unknown | Unknown |
| 9 | 09-high_tension-mass_grave.mp3 | High Tension | Mass Grave | Unknown | Unknown |
| 10 | 10-high_tension-static_screens.mp3 | High Tension | Static Screens | Unknown | Unknown |
| 11 | 11-high_tension-lucky_country_(pt._2).mp3 | High Tension | Lucky Country (Pt. 2) | Unknown | Unknown |
| 12 | 12-high_tension-whats_left.mp3 | High Tension | What's Left? | Unknown | Unknown |
NFO
Artist: High Tension
Title: Bully
Label: Double Cross Records / Cooking Vinyl
Catnr: CVCD030
Genre: Hardcore
Encoder: LAME 3.100 V0 VBR
Quality: 258 Kbps Avg / 44100 Hz
Time: 35:00
Size: 68.05 MB
Rip Date: 2022-01-29
Str Date: 2015-06-10
URL: http://hightensionband.bandcamp.com/
----------------------------------------------------------
Tracklist:
1. Bully 3:41
2. Guillotine 3:38
3. Sports 3:04
4. Killed by Life 2:09
5. Iceman 1:16
6. Lapindo 3:47
7. Hell, Repeat 2:44
8. Take Control 5:17
9. Mass Grave 1:37
10. Static Screens 3:12
11. Lucky Country (Pt. 2) 2:34
12. What's Left? 2:01
----------------------------------------------------------
Note:
Having previously released an ARIA-nominated album, it should come as no
surprise that Melbourne four-piece High Tension have been facing anticipation
for a new record from their dedicated local following. Sophomore follow-up
í«Bullyí» suits up and satisfies, being equally good, if not better, than its
predecessor. A rock-solid offering from top to bottom, it acts as a refined,
admirable work that expands High Tensioní»s territory while alternatively
twisting hardcore and punk, resulting in a fun, furious ride.
The whole album disperses an intense aggression throughout each song, with
eponymous starter í«Bullyí» kicking it off. Even from its beginning, the release
has the capacity to make its instrumentals sound like theyí»re having a nervous
breakdown, crashing into each other to intentionally construct a listenable
chaos. Likewise, apoplectic í«Icemaní» posits rapid guitars that play together
in a blur. í«Sportsí» provides reinforcements with its razor-sharp rhythms and
the ability of frontwoman Karina Utomoí»s vocals to dance between clean emotions
that draw parallels to other locals Mere Women and the bite of any good screamer
you can note out of the scene. Speaking of the scene, High Tension roped in both
Matt Young of King Parrot and Adalita for this recording and for fans of those
acts, ití»s definitely worth a listen.
Even though ití»s likely that the band got a production upgrade on this LP, rest
assured that these songs still sound raw and real, like theyí»re being performed
in the same room as you. To High Tensioní»s credit, the sincere quality of a
live show is retained in the recording of í«Bullyí». The most effective
exhibition of that is on í«Take Controlí». It captures the bandí»s more
experimental dynamic unquestionably well. With drums more amplified than its
vocals as the song winds up, it sounds like Utomo is intending to play it as
quietly as possible, creating a suspense thick enough to slice through with a
blade. The power-relinquishing and vulnerable tune eventually explodes, and
ití»s a fire-cracker.
Interestingly, two-minute closer í«Whatí»s Leftí» shuts the albumí»s door by
toying with melodic components that prompt subtle pop recollections and a
high-gear angst. Though short, it encompasses what this whole album actually
does; it genuinely tosses genre techniques in a blender to produce a body of
believable Australian punk and hardcore. Tasty.