| Genre | Unknown |
|---|---|
| Date (CEST) | 2023-09-16 13:33:55 |
| Group | AMOK |
| Size | 182 MB |
| Files | 10 |
| M3U / SFV / NFO | |
Himukalt-Come_October-Expanded_Edition-WEB-2023-AMOK
Infos
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Tracklist (M3U)
| # | Filename | Artist | Songname | Bitrate | BPM |
|---|---|---|---|---|---|
| 1 | 01-himukalt-ruined-raped.mp3 | Himukalt | Ruined-Raped | Unknown | Unknown |
| 2 | 02-himukalt-basically.mp3 | Himukalt | Basically | Unknown | Unknown |
| 3 | 03-himukalt-again_and_again.mp3 | Himukalt | Again+Again | Unknown | Unknown |
| 4 | 04-himukalt-apology.mp3 | Himukalt | Apology | Unknown | Unknown |
| 5 | 05-himukalt-no_longer_her_dominant.mp3 | Himukalt | No Longer Her Dominant | Unknown | Unknown |
| 6 | 06-himukalt-her.mp3 | Himukalt | Her | Unknown | Unknown |
| 7 | 07-himukalt-basic_cunt.mp3 | Himukalt | Basic Cunt | Unknown | Unknown |
| 8 | 08-himukalt-confession.mp3 | Himukalt | Confession | Unknown | Unknown |
| 9 | 09-himukalt-another_girl_gone_missing.mp3 | Himukalt | Another Girl Gone Missing | Unknown | Unknown |
| 10 | 10-himukalt-two_women.mp3 | Himukalt | Two Women | Unknown | Unknown |
NFO
Himukalt - Come October
(c) 2023 Tesco Organisation
Artist....: Himukalt
Album.....: Come October
Source....: WEB/MP3
Tracks....: 10
Genre.....: Industrial
Label.....: Tesco Organisation
Encoder...: LAME 3.100
Quality...: 320 kbps / 441kHz / Full Stereo
URL.......: http://deezer.com/album/486825115
Tracklist:
----------
1. Ruined-Raped 5:03
2. Basically 6:57
3. Again+Again 7:42
4. Apology 6:14
5. No Longer Her Dominant 10:18
6. Her 3:42
7. Basic Cunt 12:24
8. Confession 7:53
9. Another Girl Gone Missing 7:36
10.Two Women 11:12
-----------------------------------------------------------------------
79:01
Total:190.78MB / 79:01
Release Notes:
--------------
Come October is the sixth release since 2016 from Himukalt, which is the solo
project of Nevada based Ester KΣrkkΣinen.
Originally recorded at Rommel 2016-2019, additional material completed at the
Air Ranch in 2023.
//---//
With a sound that is rough and decidedly gritty, the analogue derived tones are
soot and rust infused, while the vocals feature as emotional and bile drenched
(aka echo distorted/ treated). minimal structure is employed throughout, based
around crude abstracted rhythmic programming, choppy static, shuddering
distortion and occasional tonal blasts, but the end result is an industrial
noise æpost-mortemÆ style than anything typically of a harsh noise variety. The
minimalist approach to sound and composition gives a clear nod to the likes of
the psychological and death obsessed sounds atrax morgue, while the sonic
treatment of vocals renders them for tonal impact rather than decipherable
intent. Yet based on their at times pained delivery, i gather their lyrical
content functions for a degree of personalized catharsis that anything
resembling a role for externalized æentertainmentÆ.
Opening track ôRuined-Rapedö is an absolute stormer and functions to illustrate
EsterÆs command of compositional restraint, as well as the perfect execution of
controlled tension in building it to a liberating release. ôAgain And Againö is
another standout track, structured around a rhythmic percussive junk metal loop,
upon which fluttering textures, distortion smears and treated agonized vocals
are laid, where all elements are gradually elevated in intensity over its
elongated length. apology uses composed minimalism in the best way possible,
where wavering tonal elements, needling drones and apathetic but heavily treated
vocals gradually makes way for throbbing beat before abruptly concluding. for
the late track ôNo Longer Her Dominantö, a pathological atmosphere pervades
proceedings,which carefully balances the minimalism of its tonally droning
sonics, where it is also the only track where the spoken vocals are (partially)
decipherable.
In a relatively short space of time Ester has clearly garnered positive
attention within the underground, which is solely down to the strength and
intensity of her output.
(- noise receptor)