| Genre | Unknown |
|---|---|
| Date (CEST) | 2003-09-03 00:32:39 |
| Group | RNS |
| Size | 93 MB |
| Files | 11 |
| M3U / SFV / NFO | |
Iron_Maiden-Dance_Of_Death-2003-RNS
Infos
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Tracklist (M3U)
| # | Filename | Artist | Songname | Bitrate | BPM |
|---|---|---|---|---|---|
| 1 | 01-iron_maiden-wildest_dreams-rns.mp3 | Iron Maiden | Wildest Dreams | Unknown | Unknown |
| 2 | 02-iron_maiden-rainmaker-rns.mp3 | Iron Maiden | Rainmaker | Unknown | Unknown |
| 3 | 03-iron_maiden-no_more_lies-rns.mp3 | Iron Maiden | No More Lies | Unknown | Unknown |
| 4 | 04-iron_maiden-montsegur-rns.mp3 | Iron Maiden | Montsegur | Unknown | Unknown |
| 5 | 05-iron_maiden-dance_of_death-rns.mp3 | Iron Maiden | Dance Of Death | Unknown | Unknown |
| 6 | 06-iron_maiden-gates_of_tomorrow-rns.mp3 | Iron Maiden | Gates Of Tomorrow | Unknown | Unknown |
| 7 | 07-iron_maiden-new_frontier-rns.mp3 | Iron Maiden | New Frontier | Unknown | Unknown |
| 8 | 08-iron_maiden-paschendale-rns.mp3 | Iron Maiden | Paschendale | Unknown | Unknown |
| 9 | 09-iron_maiden-face_in_the_sand-rns.mp3 | Iron Maiden | Face In The Sand | Unknown | Unknown |
| 10 | 10-iron_maiden-age_of_innocence-rns.mp3 | Iron Maiden | Age Of Innocence | Unknown | Unknown |
| 11 | 11-iron_maiden-journeyman-rns.mp3 | Iron Maiden | Journeyman | Unknown | Unknown |
NFO
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▄▓▀▀ ▀████▓▄█▓▓▓███▓█▓▀▀▀ TEAM RNS PRESENTS ▄■ ▐█▄▓██
▀ ▀██░▐██▀▀ ▐█▄ ▄██▌ ▄██▌░█▌
▀ ▄▄ ▀█▄▀██▄▄████▌ARTIST: Iron Maiden ▐████▄███▀▄█▀ ▄▄
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█████▄ ▐█▌▐███▄ TITLE: Dance Of Death ▄███▌▐█▌ ▄█████
███████▄▄▄▓░ ▓█████ ██████▄░▓▄▄▄███████
▀█████▓▄▄▄█▐▓█████▌ LABEL: EMI ▐█████▓▌█▄▄▄▓█████▀
▀▀████▀▀▄██████▀ ▀██████▄▀▀████▀▀
▄▄▀▀ ▄██████▀ RIPPER: Team RNS ▀██████▄
▄ ▀ ▄██████▀ ▀██████▄
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██▌ ▐██████▌ ▐██████▌
▀██▄ ▐██████ 192kbps - Metal ▐▓█████▌
▀██▄ ▀█████▌ 1hr 07min total- 98.0mb ██████▀
▄▄▀▀███▄▄▀▀███▄ ███▓▀▀
█▓ ▀▀██▄ ▀██▄ RELEASE DATE: 2003-09-08 ██▀
▀▓▄ ▐██▌ ▐██▓▄ RIP DATE: 2003-09-02 ▄██▌
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█████▌ ▄█▓█ ▐███ ▐█████
▀█████▄ ▄▓██▓ ▓██▓ ▄█████▀
▀▀███████▀ track list ▀███████▀▓▄▄▄
▄▄▄ ▀▀██▄ ---------- ▄██▀▀■ ▀████▄
▄████▀▀▀▄ ▐██▓ 01 Wildest Dreams 3:52 ▓██▌ ▐▌ ▐████
▐████▌ ▄▄▓▓█▓▌ 02 Rainmaker 3:48 ▐▓█▓▓▄ ▀█▄▄▄███▀
▀████▄▄▄▄███████▀ 03 No More Lies 7:21 ▀█████▄ ▀▀▀
▀▀███▀▄█████▀ 04 Montsegur 5:50 ▀█████▄
▄█████▀ ▀▄▄ 05 Dance Of Death 8:36 ▄▄▀ ▀█████▄
▐█████ ▐█▓ 06 Gates Of Tomorrow 5:12 ▓█▌ █████▌
█████▌ ███▌ 07 New Frontier 5:04 ▐███ ▐█████
▀█████▄ ▓██▓ 08 Paschendale 8:28 ▓██▓ ▄█████▀
▀▀███████▀ 09 Face In The Sand 6:31 ▀█████████
▀▀██▄ 10 Age Of Innocence 6:10 ▄██▀▀███ ▀ ▄
▄▄▄▄▄ ▐██▓ 11 Journeyman 7:07 ▓██▌ ████▄ ▄█▌
▀ ▀▀███▄ ▄▓▓█▓▌ ▐▓█▓▓▄ ▀███████▀
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▄▄▄ ▀▀██▄ release notes ▄██▀▀■ ▀████▄
▄████▀▀▀▄ ▐██▓ ▓██▌ ▐▌ ▐████
▐████▌ ▄▄▓▓█▓▌ Formed in London, England, in 1976, ▐▓█▓▓▄ ▀█▄▄▄███▀
▀████▄▄▄▄███████▀ Iron Maiden was from the start the ▀█████▄ ▀▀▀
▀▀███▀▄█████▀ brainchild of Steve Harris (b. 12 March ▀█████▄
▄█████▀ ▀▄▄ 1957, Leytonstone, London, England; ▄▄▀ ▀█████▄
▐█████ ▐█▓ bass), formerly a member of pub rockers ▓█▌ █████▌
█████▌ ███▌ Smiler. Named after a medieval torture ▐███ ▐█████
▀█████▄ ▓██▓ device, the music was suitably heavy ▓██▓ ▄█████▀
▀▀███████▀ and hard on the senses. The heavy metal ▀█████████
▀▀██▄ scene of the late 70s was widely regarded ▄██▀▀███ ▀ ▄
▄▄▄▄▄ ▐██▓ as stagnant, with only a handful of ▓██▌ ████▄ ▄█▌
▀ ▀▀███▄ ▄▓▓█▓▌ bands proving their ability to survive ▐▓█▓▓▄ ▀███████▀
▐███▌▄█████▀ and produce music of quality. It was at ▀█████▄ ▀▀▀
▄ ▄███▄█████▀ this time that a new breed of young ▀█████▄
▀▀███▀██████▀ ▀▄▄ British bands began to emerge. This ▄▄▀ ▀█████▄
▐█████ ▐█▓ movement, which began to break cover in ▓█▌ █████▌
█████▌ ███▌ 1979 and 1980, was known as the New ▐███ ▐█████
▀█████▄ ▓██▓ Wave Of British Heavy Metal, or NWOBHM. ▓██▓ ▄█████▀
▀▀███████▀ Iron Maiden was one of the foremost ▀███████▀▓▄▄▄
▄▄▄ ▀▀██▄ bands in the genre, and many would say ▄██▀▀■ ▀████▄
▄████▀▀▀▄ ▐██▓ its definitive example. Younger and ▓██▌ ▐▌ ▐████
▐████▌ ▄▄▓▓█▓▌ meaner, the NWOBHM bands dealt in ▐▓█▓▓▄ ▀█▄▄▄███▀
▀████▄▄▄▄███████▀ faster, more energetic heavy metal than ▀█████▄ ▀▀▀
▀▀███▀▄█████▀ any of their forefathers (punk being an ▀█████▄
▄█████▀ ▀▄▄ obvious influence). ▄▄▀ ▀█████▄
▐█████ ▐█▓ There were several line-up changes in ▓█▌ █████▌
█████▌ ███▌ the Iron Maiden ranks in the very ▐███ ▐█████
▀█████▄ ▓██▓ early days, and come the release of ▓██▓ ▄█████▀
▀▀███████▀ their debut EP, the band featured ▀█████████
▀▀██▄ Harris, Dave Murray (b. 23 December 1958, ▄██▀▀███ ▀ ▄
▄▄▄▄▄ ▐██▓ London, England; guitar), Paul Di'Anno ▓██▌ ████▄ ▄█▌
▀ ▀▀███▄ ▄▓▓█▓▌ (b. 17 May 1959, Chingford, London, ▐▓█▓▓▄ ▀███████▀
▐███▌▄█████▀ England; vocals) and Doug Sampson ▀█████▄ ▀▀▀
▄ ▄███▄█████▀ (drums). The band made its live debut at ▀█████▄
▀▀███▀██████▀ ▀▄▄ the Cart & Horses Pub in Stratford, east ▄▄▀ ▀█████▄
▐█████ ▐█▓ London, in 1977, before honing its ▓█▌ █████▌
█████▌ ███▌ sound on the local pub circuit over ▐███ ▐█████
▀█████▄ ▓██▓ the ensuing two years. Unable to ▓██▓ ▄█████▀
▀▀███████▀ solicit a response from record ▀███████▀▓▄▄▄
▄▄▄ ▀▀██▄ companies, the band sent a three-track ▄██▀▀■ ▀████▄
▄████▀▀▀▄ ▐██▓ tape, featuring "Iron Maiden", "Prowler" ▓██▌ ▐▌ ▐████
▐████▌ ▄▄▓▓█▓▌ and "Strange World", to Neal Kay, DJ at ▐▓█▓▓▄ ▀█▄▄▄███▀
▀████▄▄▄▄███████▀ north London's hard rock disco, the ▀█████▄ ▀▀▀
▀▀███▀▄█████▀ Kingsbury Bandwagon Soundhouse. Kay's ▀█████▄
▄█████▀ ▀▄▄ patronage of Iron Maiden won them an ▄▄▀ ▀█████▄
▐█████ ▐█▓ instant welcome, which prompted the ▓█▌ █████▌
█████▌ ███▌ release of The Soundhouse Tapes on the ▐███ ▐█████
▀█████▄ ▓██▓ band's own label. ▓██▓ ▄█████▀
▀▀███████▀ ▀█████████
▀▀██▄ In November 1979, the band added second ▄██▀▀███ ▀ ▄
▄▄▄▄▄ ▐██▓ guitarist Tony Parsons to the line-up ▓██▌ ████▄ ▄█▌
▀ ▀▀███▄ ▄▓▓█▓▌ for two tracks on the Metal For Muthas ▐▓█▓▓▄ ▀███████▀
▐███▌▄█████▀ compilation, but by the time the band ▀█████▄ ▀▀▀
▄ ▄███▄█████▀ embarked on sessions for their debut ▀█████▄
▀▀███▀██████▀ ▀▄▄ album, he had been replaced by Dennis ▄▄▀ ▀█████▄
▐█████ ▐█▓ Stratton (b. 9 November 1954, London, ▓█▌ █████▌
█████▌ ███▌ England), and Sampson by Clive Burr ▐███ ▐█████
▀█████▄ ▓██▓ (b. 8 March 1957; drums, ex-Samson). A ▓██▓ ▄█████▀
▀▀███████▀ promotional single, "Running Free", ▀███████▀▓▄▄▄
▄▄▄ ▀▀██▄ reached number 34 on the UK charts and ▄██▀▀■ ▀████▄
▄████▀▀▀▄ ▐██▓ brought an appearance on BBC ▓██▌ ▐▌ ▐████
▐████▌ ▄▄▓▓█▓▌ Television's Top Of The Pops. Refusing ▐▓█▓▓▄ ▀█▄▄▄███▀
▀████▄▄▄▄███████▀ to mime, they became the first band ▀█████▄ ▀▀▀
▀▀███▀▄█████▀ since the Who in 1973 to play live on the ▀█████▄
▄█████▀ ▀▄▄ show. Iron Maiden was a roughly produced ▄▄▀ ▀█████▄
▐█████ ▐█▓ album, but reached number 4 in the UK ▓█▌ █████▌
█████▌ ███▌ album listings on the back of touring ▐███ ▐█████
▀█████▄ ▓██▓ stints with Judas Priest and enduringly ▓██▓ ▄█████▀
▀▀███████▀ popular material such as "Phantom Of The ▀█████████
▀▀██▄ Opera". Killers boasted production ▄██▀▀███ ▀ ▄
▄▄▄▄▄ ▐██▓ superior to that of the first album, and ▓██▌ ████▄ ▄█▌
▀ ▀▀███▄ ▄▓▓█▓▌ saw Dennis Stratton replaced by ▐▓█▓▓▄ ▀███████▀
▐███▌▄█████▀ guitarist Adrian Smith (b. 27 February ▀█████▄ ▀▀▀
▄ ▄███▄█████▀ 1957). In its wake, Iron Maiden became ▀█████▄
▀▀███▀██████▀ ▀▄▄ immensely popular among heavy metal ▄▄▀ ▀█████▄
▐█████ ▐█▓ fans, inspiring fanatical devotion, ▓█▌ █████▌
█████▌ ███▌ aided by blustering manager Rod ▐███ ▐█████
▀█████▄ ▓██▓ Smallwood and apocalyptic mascot Eddie ▓██▓ ▄█████▀
▀▀███████▀ (the latter had been depicted on the ▀███████▀▓▄▄▄
▄▄▄ ▀▀██▄ cover of "Sanctuary" standing over Prime ▄██▀▀■ ▀████▄
▄████▀▀▀▄ ▐██▓ Minister Margaret Thatcher's decapitated ▓██▌ ▐▌ ▐████
▐████▌ ▄▄▓▓█▓▌ body). ▐▓█▓▓▄ ▀█▄▄▄███▀
▀████▄▄▄▄███████▀ ▀█████▄ ▀▀▀
▀▀███▀▄█████▀ The release of Number Of The Beast was ▀█████▄
▄█████▀ ▀▄▄ crucial to the development of the band. ▄▄▀ ▀█████▄
▐█████ ▐█▓ Without it, Iron Maiden might never ▓█▌ █████▌
█████▌ ███▌ have gone on to be such a force in the ▐███ ▐█████
▀█████▄ ▓██▓ heavy metal arena. The album was a ▓██▓ ▄█████▀
▀▀███████▀ spectacular success, the sound of a band ▀█████████
▀▀██▄ on the crest of a wave. It was also the ▄██▀▀███ ▀ ▄
▄▄▄▄▄ ▐██▓ debut of former infantryman and new ▓██▌ ████▄ ▄█▌
▀ ▀▀███▄ ▄▓▓█▓▌ vocalist Bruce Dickinson (b. Paul Bruce ▐▓█▓▓▄ ▀███████▀
▐███▌▄█████▀ Dickinson, 7 August 1958, Worksop, ▀█████▄ ▀▀▀
▄ ▄███▄█████▀ Nottinghamshire, England), replacing Paul ▀█████▄
▀▀███▀██████▀ ▀▄▄ Di'Anno (who went on to front Dianno, ▄▄▀ ▀█████▄
▐█████ ▐█▓ Paul Di'Anno's Battlezone and Killers). ▓█▌ █████▌
█████▌ ███▌ Formerly of Samson, history graduate ▐███ ▐█████
▀█████▄ ▓██▓ Dickinson made his live debut with Iron ▓██▓ ▄█████▀
▀▀███████▀ Maiden on 15 November 1981. Singles such ▀███████▀▓▄▄▄
▄▄▄ ▀▀██▄ as "Run To The Hills" and "The Number Of ▄██▀▀■ ▀████▄
▄████▀▀▀▄ ▐██▓ The Beast" were big UK chart hits, Iron ▓██▌ ▐▌ ▐████
▐████▌ ▄▄▓▓█▓▌ Maiden leaving behind their NWOBHM ▐▓█▓▓▄ ▀█▄▄▄███▀
▀████▄▄▄▄███████▀ counterparts in terms of success, just ▀█████▄ ▀▀▀
▀▀███▀▄█████▀ as the movement itself was beginning to ▀█████▄
▄█████▀ ▀▄▄ peter out. Piece Of Mind continued their ▄▄▀ ▀█████▄
▐█████ ▐█▓ success and was a major hit in the UK ▓█▌ █████▌
█████▌ ███▌ (number 3) and USA (number 14). Clive ▐███ ▐█████
▀█████▄ ▓██▓ Burr was replaced by Nicko McBrain (b. ▓██▓ ▄█████▀
▀▀███████▀ 5 June 1954) on the sessions, formerly ▀█████████
▀▀██▄ drummer with French metal band Trust, who ▄██▀▀███ ▀ ▄
▄▄▄▄▄ ▐██▓ had supported Iron Maiden on their 1981 ▓██▌ ████▄ ▄█▌
▀ ▀▀███▄ ▄▓▓█▓▌ UK tour (he had also played in ▐▓█▓▓▄ ▀███████▀
▐███▌▄█████▀ Streetwalkers). Piece Of Mind was not ▀█████▄ ▀▀▀
▄ ▄███▄█████▀ dissimilar to the previous album, ▀█████▄
▀▀███▀██████▀ ▀▄▄ showcasing the strong twin-guitar bite ▄▄▀ ▀█████▄
▐█████ ▐█▓ of Murray and Smith, coupled with ▓█▌ █████▌
█████▌ ███▌ memorable vocal lines and a sound that ▐███ ▐█████
▀█████▄ ▓██▓ perfectly suited their air-punching ▓██▓ ▄█████▀
▀▀███████▀ dynamic. Single offerings, "Flight Of ▀███████▀▓▄▄▄
▄▄▄ ▀▀██▄ Icarus" and "The Trooper", were instant ▄██▀▀■ ▀████▄
▄████▀▀▀▄ ▐██▓ hits, as the band undertook two massive ▓██▌ ▐▌ ▐████
▐████▌ ▄▄▓▓█▓▌ tours, the four-month World Piece jaunt ▐▓█▓▓▄ ▀█▄▄▄███▀
▀████▄▄▄▄███████▀ in 1983, and a World Slavery retinue, ▀█████▄ ▀▀▀
▀▀███▀▄█████▀ which included four sell-out dates at ▀█████▄
▄█████▀ ▀▄▄ London's Hammersmith Odeon a year later. ▄▄▀ ▀█████▄
▐█████ ▐█▓ With the arrival of Powerslave in ▓█▌ █████▌
█████▌ ███▌ November, some critics accused Iron ▐███ ▐█████
▀█████▄ ▓██▓ Maiden of conforming to a self-imposed ▓██▓ ▄█████▀
▀▀███████▀ writing formula, and playing safe with ▀█████████
▀▀██▄ tried and tested ideas. Certainly, there ▄██▀▀███ ▀ ▄
▄▄▄▄▄ ▐██▓ was no significant departure from the ▓██▌ ████▄ ▄█▌
▀ ▀▀███▄ ▄▓▓█▓▌ two previous albums, but it was ▐▓█▓▓▄ ▀███████▀
▐███▌▄█████▀ nonetheless happily consumed by the ▀█████▄ ▀▀▀
▄ ▄███▄█████▀ band's core supporters, who also purchased ▀█████▄
▀▀███▀██████▀ ▀▄▄ in sufficient quantities to ensure UK ▄▄▀ ▀█████▄
▐█████ ▐█▓ chart hits for "Aces High" and "Two ▓█▌ █████▌
█████▌ ███▌ Minutes To Midnight". Live After Death ▐███ ▐█████
▀█████▄ ▓██▓ was a double-album package of all their ▓██▓ ▄█████▀
▀▀███████▀ best-loved material, recorded live on ▀███████▀▓▄▄▄
▄▄▄ ▀▀██▄ their gargantuan 11-month world tour. By ▄██▀▀■ ▀████▄
▄████▀▀▀▄ ▐██▓ this time, Iron Maiden had secured ▓██▌ ▐▌ ▐████
▐████▌ ▄▄▓▓█▓▌ themselves an unassailable position ▐▓█▓▓▄ ▀█▄▄▄███▀
▀████▄▄▄▄███████▀ within the metal hierarchy, their vast ▀█████▄ ▀▀▀
▀▀███▀▄█████▀ popularity spanning all continents. ▀█████▄
▄█████▀ ▀▄▄ ▄▄▀ ▀█████▄
▐█████ ▐█▓ Somewhere In Time was a slight ▓█▌ █████▌
█████▌ ███▌ departure: it featured more melody ▐███ ▐█████
▀█████▄ ▓██▓ than previously, and heralded the use ▓██▓ ▄█████▀
▀▀███████▀ of guitar synthesizers. Their ▀█████████
▀▀██▄ songwriting still shone through and the ▄██▀▀███ ▀ ▄
▄▄▄▄▄ ▐██▓ now obligatory hit singles were easily ▓██▌ ████▄ ▄█▌
▀ ▀▀███▄ ▄▓▓█▓▌ attained in the shape of "Wasted Years" ▐▓█▓▓▄ ▀███████▀
▐███▌▄█████▀ and "Stranger In A Strange Land". ▀█████▄ ▀▀▀
▄ ▄███▄█████▀ Reaching number 11 in the USA, this was ▀█████▄
▀▀███▀██████▀ ▀▄▄ another million-plus seller. Since the ▄▄▀ ▀█████▄
▐█████ ▐█▓ mid-80s Iron Maiden had been staging ▓█▌ █████▌
█████▌ ███▌ increasingly spectacular live shows, ▐███ ▐█████
▀█████▄ ▓██▓ with elaborate lighting effects and ▓██▓ ▄█████▀
▀▀███████▀ stage sets. The Somewhere In Time tour ▀███████▀▓▄▄▄
▄▄▄ ▀▀██▄ (seven months) was no exception, ensuring ▄██▀▀■ ▀████▄
▄████▀▀▀▄ ▐██▓ their continued fame as a live band, ▓██▌ ▐▌ ▐████
▐████▌ ▄▄▓▓█▓▌ which had been the basis for much of ▐▓█▓▓▄ ▀█▄▄▄███▀
▀████▄▄▄▄███████▀ their success. A period of comparative ▀█████▄ ▀▀▀
▀▀███▀▄█████▀ inactivity preceded the release of Seventh ▀█████▄
▄█████▀ ▀▄▄ Son Of A Seventh Son, which was very ▄▄▀ ▀█████▄
▐█████ ▐█▓ much in the same vein as its ▓█▌ █████▌
█████▌ ███▌ predecessor. A concept album, it ▐███ ▐█████
▀█████▄ ▓██▓ retained its commercial edge (giving ▓██▓ ▄█████▀
▀▀███████▀ the band their second UK number 1 album) ▀█████████
▀▀██▄ and yielded hit singles in "Can I Play ▄██▀▀███ ▀ ▄
▄▄▄▄▄ ▐██▓ With Madness", the surprisingly ▓██▌ ████▄ ▄█▌
▀ ▀▀███▄ ▄▓▓█▓▌ sensitive "The Evil That Men Do" and ▐▓█▓▓▄ ▀███████▀
▐███▌▄█████▀ "The Clairvoyant". After another ▀█████▄ ▀▀▀
▄ ▄███▄█████▀ exhausting mammoth world trek, the band ▀█████▄
▀▀███▀██████▀ ▀▄▄ announced their intention to take a ▄▄▀ ▀█████▄
▐█████ ▐█▓ well-earned break of at least a year. ▓█▌ █████▌
█████▌ ███▌ Speculation abounded that this ▐███ ▐█████
▀█████▄ ▓██▓ signalled the dissolution of the band, ▓██▓ ▄█████▀
▀▀███████▀ exacerbated by Dickinson's solo project, ▀███████▀▓▄▄▄
▄▄▄ ▀▀██▄ Tattooed Millionaire, his book, The ▄██▀▀■ ▀████▄
▄████▀▀▀▄ ▐██▓ Adventures Of Lord Iffy Boatrace, and ▓██▌ ▐▌ ▐████
▐████▌ ▄▄▓▓█▓▌ EMI Records' policy of re-releasing ▐▓█▓▓▄ ▀█▄▄▄███▀
▀████▄▄▄▄███████▀ Iron Maiden's single catalogue in its ▀█████▄ ▀▀▀
▀▀███▀▄█████▀ entirety (on 12-inch). ▀█████▄
▄█████▀ ▀▄▄ ▄▄▀ ▀█████▄
▐█████ ▐█▓ After a considerable hiatus, news of ▓█▌ █████▌
█████▌ ███▌ the band surfaced again. Steve Harris ▐███ ▐█████
▀█████▄ ▓██▓ felt that the direction pursued on the ▓██▓ ▄█████▀
▀▀███████▀ last two albums had been taken as far as ▀█████████
▀▀██▄ possible, and a return to the style of ▄██▀▀███ ▀ ▄
▄▄▄▄▄ ▐██▓ old was planned. Unhappy with this game ▓██▌ ████▄ ▄█▌
▀ ▀▀███▄ ▄▓▓█▓▌ plan, Adrian Smith left to be replaced ▐▓█▓▓▄ ▀███████▀
▐███▌▄█████▀ by Janick Gers (b. Hartlepool, Teeside, ▀█████▄ ▀▀▀
▄ ▄███▄█████▀ England), previously guitarist with White ▀█████▄
▀▀███▀██████▀ ▀▄▄ Spirit and Ian Gillan (he had also ▄▄▀ ▀█████▄
▐█████ ▐█▓ contributed to Dickinson's solo ▓█▌ █████▌
█████▌ ███▌ release). The live show was also ▐███ ▐█████
▀█████▄ ▓██▓ scaled down in a return to smaller ▓██▓ ▄█████▀
▀▀███████▀ venues. No Prayer For The Dying was ▀███████▀▓▄▄▄
▄▄▄ ▀▀██▄ indeed much more like mid-period Iron ▄██▀▀■ ▀████▄
▄████▀▀▀▄ ▐██▓ Maiden, and was predictably ▓██▌ ▐▌ ▐████
▐████▌ ▄▄▓▓█▓▌ well-received, bringing enormous UK hit ▐▓█▓▓▄ ▀█▄▄▄███▀
▀████▄▄▄▄███████▀ singles with "Holy Smoke" and "Bring ▀█████▄ ▀▀▀
▀▀███▀▄█████▀ Your Daughter To The Slaughter". The ▀█████▄
▄█████▀ ▀▄▄ latter, previously released in 1989 on ▄▄▀ ▀█████▄
▐█████ ▐█▓ the soundtrack to A Nightmare On Elm ▓█▌ █████▌
█████▌ ███▌ Street 5, had already been awarded the ▐███ ▐█████
▀█████▄ ▓██▓ Golden Raspberry Award for Worst Song ▓██▓ ▄█████▀
▀▀███████▀ that year. Nevertheless, it gave Iron ▀█████████
▀▀██▄ Maiden their first ever UK number 1. The ▄██▀▀███ ▀ ▄
▄▄▄▄▄ ▐██▓ obligatory world tour followed. Despite ▓██▌ ████▄ ▄█▌
▀ ▀▀███▄ ▄▓▓█▓▌ being denounced as "Satanists" in ▐▓█▓▓▄ ▀███████▀
▐███▌▄█████▀ Chile, 1992 also saw the band debut at ▀█████▄ ▀▀▀
▄ ▄███▄█████▀ number 1 in the UK charts with Fear Of The ▀█████▄
▀▀███▀██████▀ ▀▄▄ Dark, which housed another major single ▄▄▀ ▀█████▄
▐█████ ▐█▓ success in "Be Quick Or Be Dead" ▓█▌ █████▌
█████▌ ███▌ (number 2). However, it was ▐███ ▐█████
▀█████▄ ▓██▓ Dickinson's swansong with the band, who ▓██▓ ▄█████▀
▀▀███████▀ invited demo tapes from new vocalists ▀███████▀▓▄▄▄
▄▄▄ ▀▀██▄ following the lead singer's announcement ▄██▀▀■ ▀████▄
▄████▀▀▀▄ ▐██▓ that he would depart following current ▓██▌ ▐▌ ▐████
▐████▌ ▄▄▓▓█▓▌ touring engagements. His eventual ▐▓█▓▓▄ ▀█▄▄▄███▀
▀████▄▄▄▄███████▀ replacement was Blaze Bayley (b. 1963, ▀█████▄ ▀▀▀
▀▀███▀▄█████▀ Birmingham, West Midlands, England) from ▀█████▄
▄█████▀ ▀▄▄ Wolfsbane. His debut album was The ▄▄▀ ▀█████▄
▐█████ ▐█▓ X-Factor, and on this and at live gigs ▓█▌ █████▌
█████▌ ███▌ (which they only resumed in November ▐███ ▐█████
▀█████▄ ▓██▓ 1995), he easily proved his worth. This ▓██▓ ▄█████▀
▀▀███████▀ was a daunting task, having had to learn ▀█████████
▀▀██▄ Iron Maiden's whole catalogue and win ▄██▀▀███ ▀ ▄
▄▄▄▄▄ ▐██▓ over patriotic Dickinson followers. In ▓██▌ ████▄ ▄█▌
▀ ▀▀███▄ ▄▓▓█▓▌ February 1999 it was announced that ▐▓█▓▓▄ ▀███████▀
▐███▌▄█████▀ Dickinson and Smith (who had formed ▀█████▄ ▀▀▀
▄ ▄███▄█████▀ Psycho Motel in the interim) had rejoined ▀█████▄
▀▀███▀██████▀ ▀▄▄ the band, restoring the classic 80s ▄▄▀ ▀█████▄
▐█████ ▐█▓ line-up. To the great delight of their ▓█▌ █████▌
█████▌ ███▌ loyal fans, an excellent new studio ▐███ ▐█████
▀█████▄ ▓██▓ album, Brave New World, was not long in ▓██▓ ▄█████▀
▀▀███████▀ following. ▀███████▀▓▄▄▄
▄▄▄ ▀▀██▄ ▄██▀▀■ ▀████▄
▄████▀▀▀▄ ▐██▓ ▓██▌ ▐▌ ▐████
▐████▌ ▄▄▓▓█▓▌ Dance Of Death, the hugely anticipated ▐▓█▓▓▄ ▀█▄▄▄███▀
▀████▄▄▄▄███████▀ new album by Iron Maiden, is released on ▀█████▄ ▀▀▀
▀▀███▀▄█████▀ 8th September 2003, preceded by the single ▀█████▄
▄█████▀ ▀▄▄ Wildest Dreams on 1st September. ▄▄▀ ▀█████▄
▐█████ ▐█▓ ▓█▌ █████▌
█████▌ ███▌ 2003 has already proved a massive year ▐███ ▐█████
▀█████▄ ▓██▓ for the band. Their recent DVD 'Visions ▓██▓ ▄█████▀
▀▀███████▀ Of The Beast' achieved Top 5 Chart ▀█████████
▀▀██▄ positions worldwide and the band have ▄██▀▀███ ▀ ▄
▄▄▄▄▄ ▐██▓ just completed their most successful ▓██▌ ████▄ ▄█▌
▀ ▀▀███▄ ▄▓▓█▓▌ European tour ever, headlining ▐▓█▓▓▄ ▀███████▀
▐███▌▄█████▀ virtually every rock festival around and ▀█████▄ ▀▀▀
▄ ▄███▄█████▀ playing to 700,000 fans in just 26 shows ▀█████▄
▀▀███▀██████▀ ▀▄▄ over the summer. ▄▄▀ ▀█████▄
▐█████ ▐█▓ ▓█▌ █████▌
█████▌ ███▌ Hailed as a massive influence by ▐███ ▐█████
▀█████▄ ▓██▓ everyone from established acts such as ▓██▓ ▄█████▀
▀▀███████▀ Marilyn Manson to rising heroes Funeral ▀███████▀▓▄▄▄
▄▄▄ ▀▀██▄ For A Friend, interest in the band is ▄██▀▀■ ▀████▄
▄████▀▀▀▄ ▐██▓ exploding in all sections of the media. ▓██▌ ▐▌ ▐████
▐████▌ ▄▄▓▓█▓▌ ▐▓█▓▓▄ ▀█▄▄▄███▀
▀████▄▄▄▄███████▀ Not bad for an act who have already sold ▀█████▄ ▀▀▀
▀▀███▀▄█████▀ over 50 million albums and had more than ▀█████▄
▄█████▀ ▀▄▄ 30 hit singles. ▄▄▀ ▀█████▄
▐█████ ▐█▓ ▓█▌ █████▌
█████▌ ███▌ The next chapter of their remarkable ▐███ ▐█████
▀█████▄ ▓██▓ career has only just begun... ▓██▓ ▄█████▀
▀▀███████▀ ▀█████████
▀▀██▄ ▄██▀▀███ ▀ ▄
▄▄▄▄▄ ▐██▓ ▓██▌ ████▄ ▄█▌
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