John_Butler_Trio-Flesh_And_Blood-2014-404

Tracklist (M3U)
# Filename Artist Songname Bitrate BPM
1 01-john_butler_trio-spring_to_come.mp3 John Butler Trio Spring To Come Unknown Unknown
2 02-john_butler_trio-livin_in_the_city.mp3 John Butler Trio Livin' In The City Unknown Unknown
3 03-john_butler_trio-cold_wind.mp3 John Butler Trio Cold Wind Unknown Unknown
4 04-john_butler_trio-bullet_girl.mp3 John Butler Trio Bullet Girl Unknown Unknown
5 05-john_butler_trio-devil_woman.mp3 John Butler Trio Devil Woman Unknown Unknown
6 06-john_butler_trio-blame_it_on_me.mp3 John Butler Trio Blame It On Me Unknown Unknown
7 07-john_butler_trio-only_one.mp3 John Butler Trio Only One Unknown Unknown
8 08-john_butler_trio-young_and_wild.mp3 John Butler Trio Young And Wild Unknown Unknown
9 09-john_butler_trio-wings_are_wide.mp3 John Butler Trio Wings Are Wide Unknown Unknown
10 10-john_butler_trio-how_you_sleep_at_night.mp3 John Butler Trio How You Sleep At Night Unknown Unknown
11 11-john_butler_trio-youre_free.mp3 John Butler Trio You're Free Unknown Unknown
NFO
Artist: John Butler Trio Album: Flesh & Blood Bitrate: 246kbps avg Quality: EAC Secure Mode / LAME 3.98.4 / -V0 / 44.100Khz Label: Jarrah / Because Music Genre: Rock Size: 95.72 megs PlayTime: 0h 51min 54sec total Rip Date: 2014-01-31 Store Date: 2014-01-31 Track List: -------- 01. Spring To Come 4:13 02. Livin' In The City 3:27 03. Cold Wind 4:57 04. Bullet Girl 5:20 05. Devil Woman 2:59 06. Blame It On Me 6:08 07. Only One 3:39 08. Young And Wild 5:35 09. Wings Are Wide 5:50 10. How You Sleep At Night 4:13 11. You're Free 5:33 Release Notes: -------- Aussie roots virtuoso John Butler is known for his masterful lap-steel talent, as well as his unusual preference for playing acoustic guitars through a variety of pedals and distorted Marshall amps. But when it comes to the playing of stringed instruments, he virtually does it all, and extremely well at that, with a rare air of originality. JBT carved a niche in the jam-blues circuit with the success of Sunrise Over Sea in 2004, and has since built a following with accessible songwriting and experimental multi-instrumentalism that includes AustraliaÆs beloved didgeridoo. So it should be no surprise that this album is richly textured, going from clean to feeding-back 12-string fingerstyle excursions, and then to Weissenbornûfueled exclamations (ôLivinÆ in the Cityö and ôDevil Womanö), while the last quarter of the album moves to a mellower, more melodically haunting pace. It may be his best guitar record yet, and the specialness lies in that it isnÆt only that.

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