░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░ ░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░████████████░░░░░░░░░░░░░░░░░░░░░░░░░░░ ░░░░░░░░░░░░░░░░░░░░░░░░░░░░░██████████████████████░░░░░░░░░░░░░░░░░░░░░░░░ ░░░░░░░░░░░░░░░░░░░░░░░░░░███████████████████████████▓░░░░░░░░░░░░░░░░░░░░░░░ ░░░░░░░░░░░░░░░░░░░░░░░░██████████ ███████████░░░░░░░░░░░░░░░░░░░░░░ ░░░░░░░░░░░░░░░░░░░░░░███████░ ████████░░░░░░░░░░░░░░░░░░░░ ░░░░░░░░░░░░░░░░░░░░███████ ████████░░░░░░░░░░░░░░░░░░░ ░░░░░░░░░░░░░░░░░░███████ V E T E R A N S ██████░░░░░░░░░░░░░░░░░░ ░░░░░░░░░░░░░░░░░██████ ██████████ █████████ ██████░░░░░░░░░░░░░░░░░░ ░░░░░░░░░░░░░░░░█████▓ ░░█████████ █████████ █████▓░░░░░░░░░░░░░░░░ ░░░░░░░░░░░░░░░█████ ░██████████ █████████ █████▒░░░░░░░░░░░░░░░ ░░░░░░░░░░░░░░█████ ░░█████████ █████████ █████░░░░░░░░░░░░░░░ ░░░░░░░░░░░░░█████ ░█████████ ████████ █████░░░░░░░░░░░░░░ ░░░░░░░░░░░░░████ U R B A N ░░██████████████████ U N I T E D █████░░░░░░░░░░░░░ ░░░░░░░░░░░░█████ ████ ████ ░░████████████████ █████ █████ ████░░░░░░░░░░░░░ ░░░░░░░░░░░█████ ░████ ████ ░████████████████ ░█████ █████ █████░░░░░░░░░░░░ ░░░░░░░░░░░████ ░████ ████ ░░██████████████ ░█████ █████ ████░░░░░░░░░░░░ ░░░░░░░░░░░████ ░████ ████ ░░████████████ ░█████ █████ ████░░░░░░░░░░░ ░░░░░░░░░░████▒ ░████ ████ ░████████████ ░█████ █████ ████░░░░░░░░░░░ ░░░░░░░░░░████ ░████ ████ ░░██████████ ░█████ █████ ████░░░░░░░░░░░ ░░░░░░░░░░████ ░██████████ ░█████████▓ ░███████████ ████░░░░░░░░░░ ░░░░░░░░░█████ ░█████████ ░░████████ ░█████████ ████░░░░░░░░░░ ░░░░░░░░░█████ ░███████ ░░██████ ░███████ ████░░░░░░░░░░ ░░░░░░░░░░█████ ░██████ █████░░░░░░░░░░ ░░░░░░░░███████ ░░████ ███████░░░░░░░░ ░░░░░░░████████ ░███ ████████░░░░░░░ ░░░░░░█████▓▓██ ░░██ ██▓▓█████░░░░░░ ░░░░░█████▓▓▓██ ╔══════════════════════════════════════════════╗ ██▓▓▓█████░░░░░ ░░░█████▓▓▓█▓██ ║ r e l e a s e i n f o ║ ██▓█▓▓▓█████░░░ ░░▓████▓▓███▓██ ╚══════════════════════════════════════════════╝ ██▓███▓▓█████░░ ░░████▓▓████▓██ ██▓████▓▓████░░ ░█████▓█████▓██ ▌Artist__│ Keith Jarrett ██▓█████▓█████░ ░████▓▓██▒██▓██ ▌Title___│ Solo Concerts: Bremen / Lausanne ██▓█████▓▓████░ ░████▓███▒██▓██ ▌Label___│ ECM Records ██▓██▒███▓████░ ░████▓███▒██▓██ ▌Genre___│ Jazz ██▓██▒███▓████░ ░████▓███▒██▓██ ▌Format__│ Album ██▓██▒███▓████░ ░████▓███▒██▓██ ▌Year____│ 1973 ██▓██▒███▓████░ ░░████▓█████▓██ ▀▀▀▀▀▀▀▀▀╝ ██▓█████▓████░░ ░░████▓█████▓██ ▌Time____│ 128:05 ██▓█████▓████░░ ░░░████▓████▓██ ▌Size____│ 307.66 MB ██▓████▓████░░░ ░░░░███▓▓███▓██ ▀▀▀▀▀▀▀▀▀╝ ██▓███▓▓███░░░░ ░░░░░███▓▓▓█▓██ ▌Source__│ Web Store ██▓█▓▓▓███░░░░░ ░░░░░░████▓▓▓██ ▌Quality_│ 320 kbps ██▓▓▓████░░░░░░ ░░░░░░░░░██████ ▀▀▀▀▀▀▀▀▀╝ ██████░░░░░░░░ ░░░░░░░░░░░░███ ███░░░░░░░░░ ░░░ ░░ ╔═══════════════╗ ░░ ║ T R A C K S ║░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░ ░░ ╚═══════════════╝▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀ ░░ ░░ 01. Bremen, July 12, 1973 Pt. 1 (Live) 18:03 ░░ 02. Bremen, July 12, 1973 Pt. 2 (Live) 45:09 ░░ 03. Lausanne, March 20, 1973 (Live) 64:53 ░░ ░░ ░░ ░░ ╔═══════════════╗ ░░ ║ N O T E S ║░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░ ░░ ╚═══════════════╝▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀ ░░ ░░ In his timeless solo concerts, Jarrett displays the uncanny ability to ░░ drop himself into a piece of improvised music as if it has been playing ░░ invisibly in the ether all along, requiring him only to pick up from ░░ whichever measure he encounters and leave the music to continue on after ░░ he has left the stage. This album predates JarrettÆs K÷ln concert by just ░░ two years and was the one that really put him on the map before that ░░ legendary successor. Yet we cannot simply say that Jarrett is channeling ░░ the cosmos and leave it at that, for he inhabits a melodic space that is ░░ tangible, his own. Though filed under jazz, this music is something far ░░ more than any generic summary could express. Still, I persist in trying. ░░ ░░ The work in Bremen feels to me like travel. In Part I, we run through ░░ many modes of transportation: from air to earth to rail, we are given a ░░ glimpse of new places and spaces (both inner and outer). We donÆt so much ░░ physically as emotionally go there, feeling our way through unfamiliar ░░ territory as if it were our very home. Part II has a more decidedly ░░ gospel feel to it, rushing headlong into an ecstatic communion. For ░░ nearly 45 minutes, Jarrett manages to ride a wave of endless creative ░░ fervor as if every moment were not the last, but the first. Just then, ░░ halfway through, the mood darkens. Until now we have been heading for the ░░ sun when suddenly we are looking back to the earth, thinking of all that ░░ we would miss: the sensation of water trickling through our fingers, ░░ kisses upon our childrenÆs foreheads, the rustling of wind blowing ░░ through our back yards. With a mere gathering of notes, Jarrett manages ░░ to imagine a lifetimeÆs worth of memories, departing at last with an ░░ exultant resignation, perhaps even rebirth. ░░ ░░ Lausanne, on the other hand, crosses the previous series of vertical ░░ strokes with horizontal ones. Every time Jarrett slips into another ░░ intersection, he locks himself into a new idea until its beauty becomes ░░ too much for him and he must move on. ôTranscendentö doesnÆt even begin ░░ to describe the effect, for it is also confrontational, painful, and ░░ transportative. For the latter portion of the Lausanne solo, Jarrett ░░ ventures inside the piano, slapping and plucking his way through a ░░ percussive and surreal call-and-response and, eventually, a frenzied fade ░░ into silence. ░░ ░░ Of all of JarrettÆs solo piano recordings, I love the sound of this piano ░░ over the rest. Whatever instrument he is playing here seems to let go of ░░ any and all inhibitions in his presence and shines steadily like a planet ░░ in its higher regions. Jarrett plays with unparalleled diction. Like any ░░ great orator, he means to ensure that we understand every word through ░░ his delivery, and for that he has chosen the perfect mouthpiece. ░░ ░░ https://play.google.com/store/music/album?id=Bc7fwbqodzmxuqk4xwtninkjqqi ░░ ░░█ ░░███ ░█ ░░░░██ █▓█ ████░ ░░░░░██ y o o v e e y o o █████ █████ ░░░░░░██ g o t t h e ▒████░ ██▒▒██ ░░░░░░░█ ░ ██▓██ ▓█▒██ ░░░░░░░█ ███ ███ ███ ███ ███ ████ ▒▓███ ▒███ ░░░░░░░█ ░█ █░█ █░█ █░█ █░█ ░███████ ████░ ░███ ░░░░░░░█ ░███░███░█ █░███░███ █████████▒ █████ ██ ░░░░░░░█ ░█ ░█ █░█ █░█ ░░░█ ██████████████ █████ █ ░░░░░░██ ░█ ░█ █░█ █░█ ░█ ██████████████████ ████▓ ░░░░░██ ░█ ░█ █░█ █░█ ░█ ████████████████████▒ ░░░░██ ░█ ░█ █░█ █░█ ░█ ▓██████▒▒▒▒███████░ ░░░██ ░█ ░█ █░█ █░█ ░█ ▓█████▒███████████ ░░░█ ░█ ░█ █░█ █░█ ░█ █████▒▒░████████ ░░░█ ░█ ░█ █░█ █░█ ░█ ██▓██▒██▓███▒ ░░░█ ░█ ░█ █░█ █░█ ░░░█ ██████████ ▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄ ░░░█ ░█ ░█ █░███░█ ░███ ▒███████ /─────────────────────────\ ░░░██ ███ ░| shouts 2 all the groups |░ ░░░░██ ████ ░| putting out |░ ░░░░░██ █████ ░| quality music |░ ░░░░░░███ ████▒ \─────────────────────────/ ░░░░░░░▓▓█████████████▒ ▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀