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I Talk To The Wind (2019 Mix) 6:03 3. Epitaph (Including March For No Reason And Tomorrow And Tomorrow) 8:46 (2019 Mix) 4. Moonchild (Including The Dream And The Illusion) (2019 Mix) 12:11 5. The Court Of The Crimson King (2019 Mix) 9:23 6. 21st Century Schizoid Man (2019 Instrumental Mix) 7:24 7. I Talk To The Wind (2019 Instrumental Mix) 6:07 8. Epitaph (2019 Instrumental Mix) 8:56 9. Moonchild (Edit) (2019 Instrumental Mix) 2:28 10. The Court Of The Crimson King (2019 Instrumental Mix) 9:21 Disc 2/3 1. Wind Session (2019 Stereo Mix) 4:27 2. 21st Century Schizoid Man (With Overdubs, Morgan Studios 1969) 6:46 3. I Talk To The Wind (Alternate 2019 Mix) 6:34 4. I Talk To The Wind (Duo Version, Full Length Master, 2019 Mix) 7:17 5. Epitaph (Isolated Vocal, 2019 Mix) 5:44 6. Epitaph (Alternate Take, 2019 Mix) 9:29 7. Moonchild (Take 1, 2019 Mix) 2:20 8. The Court Of The Crimson King (June 1969 Take, 2019 Mix) 7:09 9. 21st Century Schizoid Man (Trio Version, 2019 Mix) 7:05 Disc 3/3 1. 21st Century Schizoid Man 7:22 2. I Talk To The Wind 6:04 3. Epitaph 8:48 4. Moonchild 12:12 5. The Court Of The Crimson King 9:27 6. 21st Century Schizoid Man (Morgan Studios Instrumental Take, 6:45 1969) 7. I Talk To The Wind (Studio Run Through, 2019 Mix) 4:14 8. Epitaph (Backing Track, 2019 Mix) 9:05 9. The Court Of The Crimson King (Part 1) (Single A Side) 3:23 10. The Court Of The Crimson King (Part 2) (Single B Side) 4:29 [Notes] Disc 1: The Steven Wilson Mixes Disc 2: Alternate Expanded Album Disc 3: Original Mastered Expanded Album The group's definitive album, and one of the most daring debut albums ever recorded by anybody. At the time, it blew all of the progressive/psychedelic competition (the Moody Blues, the Nice, etc.) out of the running, although it was almost too good for the band's own good -- it took King Crimson nearly four years to come up with a record as strong or concise. Ian McDonald's Mellotron is the dominant instrument, along with his saxes and Fripp's guitar, making this a somewhat different-sounding record from everything else they ever did. And even though that Mellotron sound is muted and toned down compared to their concert work of the era (e.g., Epitaph), it is still fierce and overpowering, on an album highlighted by strong songwriting (most of it filled with dark and doom-laden visions), the strongest singing of Greg Lake's entire career, and Fripp's guitar playing that strangely mixed elegant classical, Hendrix-like rock explosions, and jazz noodling. Lineup changes commenced immediately upon the album's release, and Fripp would ultimately be the only survivor on later King Crimson records.