Genre | By '60 Had Formed His Own Group With |
---|---|
Date (CEST) | 2003-02-28 01:37:05 |
Group | om |
Size | None MB |
Files | 14 |
M3U / SFV / NFO |
Lamine.Konte--The.Kora.of.Senegal-vol.2.(Song.and.Poetry.of.Black.Africa)-1989-om
Infos
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Tracklist (M3U)
# | Filename | Artist | Songname | Bitrate | BPM |
---|---|---|---|---|---|
1 | 01-lamine_konte--africa.mp3 | Lamine Konte | Africa | 192 | Unknown |
2 | 02-lamine_konte--yarabi.mp3 | Lamine Konte | Yarabi | 192 | Unknown |
3 | 03-lamine_konte--mama_tamba.mp3 | Lamine Konte | Mama Tamba | 192 | Unknown |
4 | 04-lamine_konte--dioula.mp3 | Lamine Konte | Dioula | 192 | Unknown |
5 | 05-lamine_konte--yobalema.mp3 | Lamine Konte | Yobalema | 192 | Unknown |
6 | 06-lamine_konte--domba.mp3 | Lamine Konte | Domba | 192 | Unknown |
7 | 07-lamine_konte--yasso.mp3 | Lamine Konte | Yasso | 192 | Unknown |
8 | 08-lamine_konte--casa_di_mansa.mp3 | Lamine Konte | Casa Di Mansa | 192 | Unknown |
9 | 09-lamine_konte--negritude.mp3 | Lamine Konte | Negritude | 192 | Unknown |
10 | 10-lamine_konte--femme_noire.mp3 | Lamine Konte | Femme Noire | 192 | Unknown |
11 | 11-lamine_konte--etait-ce_une_nuit_maghrebine.mp3 | Lamine Konte | Etait-Ce Une Nuit Maghrebine | 192 | Unknown |
12 | 12-lamine_konte--la_legende_baoule.mp3 | Lamine Konte | La Legende Baoule | 192 | Unknown |
13 | 13-lamine_konte--hoquet.mp3 | Lamine Konte | Hoquet | 192 | Unknown |
14 | 14-lamine_konte--a_new_york.mp3 | Lamine Konte | A New York | 192 | Unknown |
NFO
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________
openmind
who: Lamine Konte
what: The Kora of Senegal, vol. 2 (Song and Poetry of Black Africa)
when: 000-00-1989
where: Arion - ARN 64070
sound like: Ethnic
and on: Feb-07-2003
resulting in: 14 tracks
which makes: 91,10 MB
using lame at: 192 kB
and some more:
Lamine Konte:
(b Kolda, Senegal) Singer-composer, guitarist, kora
player. From musical family; studied kora with his
father Dialy Keba Konte, then with Souldiou Cissoko, a
kora player of international repute. Studied at the
School of Arts in Dakar, practising every day to create
his own style; by '60 had formed his own group with
friends and had established a national reputation as a
contemporary artist, introducing new infl. while also
maintaining trad. of Senegalese music. He represented
Senegal at the Black Arts Festival in Dakar '65; moved
to Paris '72 but the group broke up, leaving him to
pursue a solo career. He made two LPs '75: La Kora du
Senegal: les Rythmes, les Percussions et la Voix de
Lamine Konte featured solo kora tracks with trad. arr.
and a few Afrocuban tunes; Les Rythmes, les Percussions
et la Voix de Lamine Konte with more adventurous arr.
of kora, balaphon, bass, tam-tam and vocals. Eclectic
Tinque Rinque '77 was a pot-pourri of kora, rock'n'roll
and folk music with both acoustic and electric lineups.
After LP Baara '79 he worked with Bozambo on soundtrack
of film Bako l'Autre Rime. Songs Of The Griots released
'95 on JVC CD. Less commercial than his fellow
Senegalese Toure Kunda and Youssou N'Dour, he is a
musician of outstanding technical ability.
Kora:
West African musical instrument played by a hereditary
caste of male professional musicians, a double harp
made from a large calabash covered in cowhide, with 21
strings originally made of leather but now more usually
of nylon. It is played by Mandinka musicians, who share
a common heritage with other groups of the ancient
Malian empire, and is today mostly found in Senegal and
Gambia. The musician is known as a jali (plural
jaliya), plays for entertainment; he praises notable
individuals, while the repertoire also incl. historical
epics and family lineages. Singing and playing are
strictly organized with a fixed refrain and a fixed
melody, but room is still found for improvisation. In
earlier times the players survived by patronage, but
today, like many musicians, most have alternative ways
of making a living. Best-known contemporary Kora
players are perhaps the Konte family; Alhaji Bai Konte
(b '20s, Jambur), one of Gambia's leading players, was
taught by his father, developed his own style; he was
heard on Alhaji Bai Konte: Kora Melodies From The
Republic Of The Gambia '74 on Rounder. He trained his
son Dembo Konte (b '48), who performed more modern
material and played with the Gambia National Troupe.
Father and son formed a trio late '70s with Malamini
Jaborteh (b '42), who was brought up in Konte household
and has toured North Africa, France, USSR, UK as a
soloist; Jobarteh and Dembo played together on Jaliya
'85 on Stern's. Other notable kora records incl.
Senegal: La Musique des Griots, Babou Diebate's
Folklore du Senegal (Casamance) Vol. 1, Amadu Bansang
Jaborteh's Master Of The Kora. Kora masters have
attracted wider audiences by amplifying the sound,
supporting it with non-trad. instruments, etc; these
incl. Lamine Konte, Nory Konte and Foday Musa Suso.
Dembo Konte and Kasau Kouyate made Simbomba '87, Jali
Roll '90 on Rogue (but a rock beat on some tracks does
nothing for this music); Les Griots were Sourakata
Koite and Diombo Kouyate on Koch International. Tunde
Jegede, born in London, combined the sound of the kora
with classical cello and composition; see his entry,
and entry for Suso.
http://www.musicweb.uk.net/encyclopaedia/
track list:
│ 01 Lamine Konte - Africa
│ 02 Lamine Konte - Yarabi
│ 03 Lamine Konte - Mama Tamba
│ 04 Lamine Konte - Dioula
│ 05 Lamine Konte - Yobalema
│ 06 Lamine Konte - Domba
│ 07 Lamine Konte - Yasso
│ 08 Lamine Konte - Casa Di Mansa
│ 09 Lamine Konte - Negritude
│ 10 Lamine Konte - Femme Noire
│ 11 Lamine Konte - Etait-ce Une Nuit Maghrebine
│ 12 Lamine Konte - La Legende Baoule
│ 13 Lamine Konte - Hoquet
│ 14 Lamine Konte - A New York
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