█▓▓▓ ░░░░░░░░ ▓▓▓▓▓▓▓▓▓▓▓░░▄█▀▀▀▀▀▀█▄░░░ ▒▒▒▒▒▒▒░░▓ █▓░░▓░░░░░░░░░░░█▀ ▄▄▄▄ █ ░░▓▓█ ▒▓▒▒░░▀▀▀▀▀▀░░▒▄▄ █▓▓░░░▄▄█▀▀▀▀▀▀▀█▄█ █████ █▄ ░░░▓█▓ ▓▓▓▒▒░░░█▀ ▄▄ ▀███▓▓ . █ █▓▓░░ ▄█▀ ▄▄▄▄▄ ███████ █ ░░░▓▓▓▓▓░░░░▓▓░░░░░░█▀ ████ ▀█▀▀▄▓▄▓▓▓▓ █▓▓░ ▄█▀ ▄▓██████████ ▀▓█████ ▀█ ░░░░▓▓░ ▄█▀▀▀▀▀█▄░█▀ ██████ ▀░░▒▀ ▓▓▓▓█ ▓░░ ▄█ ▄▓▓██▀ ▀███████ ▀▓█████ ▀█▄ ░░░ ▄█▀ ▄▄▄ █ █ ██▓█████ █░▀▓ ██ █ ░░ █▀ ▓▓▓████▄███▓█████ █▓█████▄ ▀█▄▄▄█▀▀ ▄████ ██▀ █▓██████ █░░.▀ ████ ░ ▄█ █▓▓████ ▓▓█████ █▓██████▄ ▀▀ ▄▄██████ ██ █▓▓██████ ▀█░▒▓.████ ░ █ █▓▓███ ▓▓▓ ▓▓███ ▀▓▓███████▄▄▄▄██████▓███ █▀ ▓▓██ █▓███ █░▒▓ ████ ░ █ ▓▓▓██ ▓░▓██░▓ ▓▓██ █▓▓███████████████▓███ ▄█ ▓▓▓█ ▓▓██ █░░▒ ████ ░ █ ▓▓▓██ ░█████░▓ ▓▓██ █▓▓███ ▀▓██████▀ ▓▓███ █▀ ▓▓██ ▓▓██ ▀█░░ ████ █ █ ▓▓▓██ ▓░████░▓ ▓▓██ ▀█▓▓██ ▓████ ▓▓████ ▀ ▓▓██ █▓██ ▀█░ ████ █ █ ██▓███ ░░████ ▄▓▓█▀ █▓▓██ ▄ ▓██ ▓▓███▀ ▓▓██ █▓██ ▀█ ███ █ █ █▓▓███ ░░░▓ ▄▓▓██ ▄ █▓██ █ ▀ ▄ ▓▓███ █▓▓████████████▓██ ▀█ ██ █ ▀█ █▓▓███ ▄█▓███ ██ █▓██ █ █▀ ▓████▄██▓████████████▀ ▀███ ▀█ ██ ██ ▀█ █▓▓███████████▀ ██ ████ █ █ ▓▓███ ██▓███▀▀▀▀▀▀▀▀▀▀█▄█████ █ ██ ██. ▀█ ▀██████████▀ ▄██ ████▀ ▄█ ▓ █ ▓███ ▀███ ▄▄▄▄▄▄▄▄ ██████ █ ██ ██ ■ ▀█▄ ▀▀▀▀▀▀ ▄█▀ █ ▀▀▀ █ ▒ █ ▀▀▀ ▄▄ ▄█ █▄ ▀▀▀▀ ▄█ ██ ██.   ▀▀▀█▄▄▄▄▄▄▄▄▄▄█▀   ▀█▄▄▄▄▄█▀▀ ▒▒ ▀█▄▄▄▄▄█▀▀▀▀▀▀▀▀ ▀▀█▄▄▄▄▄▄█▀ ██ █ ▄                            .  █▒▒  ▄█▒▒▒████▀ ▀▄  .   ███ █ ▀▓▀                          ■ █▒▒  █▀▀ ▄█ ▄▄▄█▒▒▒▒▒░░▄  ■ ████ █ ■ .   MUSiC iS LiFE!!!         █▒░  █ ▄▀ ▄▄██████████▒▒▒▒░▄  .████ █.  .                ▄      .  █▒░░ █ ▀ ▄▀▀██████▒███████▒▒░▄  ████ █  ▄ ▄▓▓▄  .   ■  ▀▓▀  ■    ██▒▒░ █ ▄▀ ▄▀ ████████████▒▒▒▒░ ████ █. ▀▓▀ ▀▀     .  ▄        ███▓▓▒░ █ ███ ▄███▄ ███████▒█████▒▒▒▄ ████ █   ▄▒▄ ▄▓▓▄ ■ ▀▓▀  ████▓▓▓▒░░ █ ██▀██ █▀▀ ▀██▄ ██████████▒████▒▒ ████ █ █   ▀.  ▀▀  .   ████▓▓▓▓▓▒░░ █▀ █ ████ ███ ████████████▒█▒▒▒ ████ █ █ ■   ▄▓▄ .   ████▓▓▒▒▒▒░░░░░ █▄▀ ███ ███ ██████████████▒▒▒ ████ ███    ▄▄▀  ■ ███▓▒▒▒░░░░░░░░▓ █▀ ▄▓███ ▄██ ████████████████▒▒ ████ ████  ██▓▓ ████▓▒░░░░░ █ ▄▀ ███ ▒███████████████▒▀ ████ ████   ▀▀ ███▓▒░░░ ▄▄▄████████ █ ███ ▒▒██████████████▒▒  ████ ████ . ██▓▒░░ ▄▄████████▀▀ █ █▀█ ███ ▒▒███████████████▒▀  ████ ████  ■  ██▒░░ ▄█████████▀ ▄██ ██▄ ▀▄ ▄██▀ ▒▒▒████████████████ █ ████ ████.   ██▓░ ▄█████████▀▄▒▒██ █████ ▀▀█████▀▀ ░▒▒██▒██████████████  █ ████ ████ . ██▒░ ██████████ ░▒▒██▀ ███████ ░░ ▄▒▒░▒▒██▒████████████  ▓█ ████ ████  ██▓░ █████████▒ ▒░░███ ▄███████░░░░░▒░░▒░▒░▒▒░▒▒███▒█████████  ▒█▀ ████ ████ █▒░ ██▒██████▒ ▒░▒▒░██ ███████▀▒ ░ ▒▄▄▄▄▄▒▀░▒▒▒░▒████▒█████▀  ░▒█ ████ ████ ██░ ██▒█████▒▒ ▒▒▒░▒▒█░█ █████▀░▄███████████ █░░▒░▒▒██████▀ ░░▒█▀. ████ ████ █▒░ ░█░█████▒░ ▒▒██▒░▒███ ██▀ ███████████████▒ █░▒▒░▒▒██▀ ░░▒▓█▀   ████ ████ █░ █░▒████▒░░ ▒█▒▒███▒▒▒██ █▄██████████████████ ▀░░▒█▒▒ ░░░░▒█▄ ■ ████ ████ █ ██░████▒▒░ ▒████▒█████▒█▄ ████████████████████▒░▀▀ ██ ▄ ░░██   ████ ████ ▒ ██░▒██▒▒▒░ █▒█████▒████ █ █████████▀▀ █████░░░░ ░██ █▒█ ▄░█▄ ████ ████ █░▒███▒▒░░ ████▒█████▒█ ███ ██████▀ ██████ ███ ░░░░ █████▒██ ▒██ ████ ████ ██░███▒▒░░ ███████████ █████ ████▀ ██████████ ▓ █░░ █████████▒ ▓█ ████ ████ █░░███▒░░░ ██████████ ███████ ███ ███████████████░█ ██████████ ▓█ ████ ████ █░▒███▒░░░ ██████████ ████████ ██ ▄██████████████████ ███████▒ ▒▓█ ████ ████ ██░████▒░░ ████████▀ ████████ ██ ▄████████▒██▀▀█▀▀▀███ █████▒ ▒▓▓█ ████ ████ █░░████▒░▒ ████▀▀ ████████ ███▄██████████▒░█ ▀ █ ▀▀██ ███▒ ░▒▓██ ████ ████ █░░█████▒▒ ████▄▒▒░ ████████ ███ █████████▒█▒ ██ ██ █ █▀▀███ ░▒▓██ ████ ████ █░░██████▒ █████▒░ ████████ ███ ███████████░▒ ▒█░░░░█░█ █ █ ░▒▓▓█   ████ ████ █░░██████▒ ████▒░█████████ ███ ▒████████████░ ░████░█░██ █ ░░▒▓█ .  ████ ████ █░░███████▒ █████████████ ███ ▒▒█████████▒█▒░░ ▒███████░█░ ░▒▒▓█ . ████ ████ █░░░█▒█████ ████████████ ███ ▒▒███████████░▒░ █ ▓█████████ ░░▒▓█   ████ ████  █░░▒███████ ██████████▀███ ░▒█████████▒███░ ███ █████████ ░░▒▓█   ■ ████ ████  █░░░████████ ░████████ █ ░░▒███████████░▒░░ ███ ███████░ ░▒▓█     ████ ████  █░░░░█▒█████░ ▀████▀ ■ ░▒▒█████████▒███▒░ ███ ░ ███████░ ░▒▓█      ████ ████ . █░░▒░████████░ ░░░ ████████████░▒▒░░ ██ ░ ██████▓ ░▓█   ■ . ████ ████  ■ ░░░░░▒████████▒░░░░░▒░░ █████████▒██▒░░ ██ ░░░ ██████▒ ▒▓█       ████ ████ .  ██░░░░█▒██████████████░░ █████████░▒░░ █▒ ░▒▒░ ███████ ▒█ .   ▄ ████ ████  ▄   ▒▒░░░░███████████████░█ █████▒███▒░░█░ ░▒▒▒▒ ▀██████ ▓   . ▀▓▀████ ████ ▀▓▀  ▒▒░░░█████████████████ █████▒█░░░░░ ░▒▒▓▓▒▒ █▓███▒ █   ▄▓▓▄ ████ ████ ■ . ■ █▒░░░▒█████████████████ ██▒██▒░░░▒ ░▒▓▓ ▓▓▒ ▀▀▀▀ ▄▀ ■   ▀▀ .████ ████.     ▄ ░░░░▒██▒████████████ ███▒▒░░ ░▒█ █▓▓▒ ▀▓▀  ▄  ■ ████ ████  ■  ▀▓▀ . █▒▒░░▒████████████ ██▓░░░░ ▄░█ ▄ █▓▓ ■ ■ ▀▓▀ . ████ ████.        ░██░░▒███░░░░░█ ░░░░░ ▄ ▀  ■ ▀▓▀ ▀▀█▄      ■████ ████     ▄▀▀███▓▄ ▀▀▀▀▀▀▀▀▀▀░░▄░ ■ . ■ . ▄▓███▀▀▄  ■  ████ ████ ■ ███▓█ █▓███ ■ ████ ████ · ▄▓███▓ OPEN MUSiC ASSOCiATiON ▓███▓▄ · ████ █████ ▄▄▓█▀▀▀│ ▓ .···. P R E S E N T S .···. ▓ │▀▀▀█▓▄▄ █████ ██████▓▀ ▀ ▀ ▀▓██████ █████▀ Linnea Talp - Arch of Motion ▀█████ ████▀ ▀████ ███▀ ▀███ █▓▓▓▓ ARTiST..[ Linnea Talp ▓▓▓▓█ █▓▓▓▓ TiTLE...[ Arch of Motion ▓▓▓▓█ ████ GENRE...[ Alternative CAT#....[ ████ ████ LABEL...[ Thanatosis Produktion ENCODER.[ Lame 3.100 ████ ████ YEAR....[ 2022 QUALiTY.[ 320kbps ████ ████ SOURCE..[ WEB (FLAC) MODE....[ Joint Stereo ████ ████ PLAYTIME[ 31:32 REL.DATE[ 05.01.2022 ████ ████ TRACKS..[ 08 RiPPER..[ TEAM OMA ████ ████ SiZE....[ 72,34 MB SUPPLiER[ TEAM OMA ████ ████ ████ ████ ████ ████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████ ████ ■ ███▓█ .···. T R A C K L i S T .···. █▓███ ■ ████ ████ · ▄▓███▓ ▓███▓▄ · ████ █████ ▄▄▓█▀▀▀│ ▓ ▓ │▀▀▀█▓▄▄ █████ ██████▓▀ ▀ ▀ ▀▓██████ █████▀ ▀█████ ████▀ ▀████ ███▀ NR. TRACK. TiME. ▀███ █▓▓▓▓ ∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙ ▓▓▓▓█ █▓▓▓▓ ▓▓▓▓█ ████ 01 To Whom 02:00 ████ ████ 02 Arch of Motion 04:43 ████ ████ 03 Going Nowhere 03:47 ████ ████ 04 Mending (Light Pressure) 03:54 ████ ████ 05 Conversation 03:28 ████ ████ 06 Inhale 03:15 ████ ████ 07 Rσsunda Kyrka (Exhale) 05:23 ████ ████ 08 The Continuation 05:02 ████ ████ ∙∙∙∙∙∙∙∙∙∙∙∙ ████ ████ TOTAL: 31:32 ████ ████ ████ ████ ████ ████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████ ████ ■ ███▓█ .···. R E L E A S E N O T E S .···. █▓███ ■ ████ ████ · ▄▓███▓ ▓███▓▄ · ████ █████ ▄▄▓█▀▀▀│ ▓ ▓ │▀▀▀█▓▄▄ █████ ██████▓▀ ▀ ▀ ▀▓██████ █████▀ ▀█████ ████▀ ▀████ ███▀ ▀███ █▓▓▓▓ ▓▓▓▓█ █▓▓▓▓ ▓▓▓▓█ ████ https://linneatalp.bandcamp.com/album/arch-of- ████ ████ motion ████ ████ ████ ████ In recent years Swedish musician Linnea Talp ████ ████ has grown interested in liminal spaces of ████ ████ sound, increasingly searching for her breath ████ ████ deep within passages of a song when instruments ████ ████ gently and patiently bridge the verses. In 2020 ████ ████ she released COCHLEA, a brooding pop-rock ████ ████ record made under the name DEEREST. ôIÆve been ████ ████ trying to work with my body, my breath and my ████ ████ listening,ö she says of her work since ████ ████ finishing that release. ôI wanted to integrate ████ ████ a sense of slow and simple movement into the ████ ████ musicùpush/release, forward/backward, ████ ████ inhale/exhaleùeverything centered around being ████ ████ present, translated into sounding.ö That ████ ████ transformation is evidenced on her remarkable ████ ████ new album Arch of Motion, a recording marked by ████ ████ exquisite patience and space. ████ ████ ████ ████ While the recording explores similar terrain ████ ████ traversed by Stockholm composers like Ellen ████ ████ Arkbro and Kali Malone, Talp has carved out her ████ ████ own sonic space, masterfully blending ████ ████ unmediated experimentation with meticulously ████ ████ placed contributions by some of the countryÆs ████ ████ most accomplished improvisers, including singer ████ ████ Mariam Wallentin, trombonist Mats Aeleklint, and ████ ████ reedists Martin Kuechen and Christer Bothen. ████ ████ ████ ████ This transformation was enabled in part by her ████ ████ first encounters with the Buchla synthesizer in ████ ████ a composition course she was taking several ████ ████ years ago. She approached the instrument with ████ ████ child-like openness, allowing herself to be ████ ████ surprised and proceeding without a plan. She ████ ████ trusted her instincts and let things happen, ████ ████ abandoning the desire to control the elements ████ ████ that went into her pop music. Talp then applied ████ ████ the same sense of wonder to the pipe organ. ████ ████ ████ ████ Further inspired by the ideas of John Cage and ████ ████ non-intention, she says, ôWhen I started to ████ ████ work with my organ pieces, I tried to be open ████ ████ for whatever.ö The organ parts on the album ████ ████ were recorded at several churches in the summer ████ ████ and fall of 2020, including Hoerkens Kyrka, ████ ████ where the project started thanks to a ████ ████ compositional residency at Staellbergs gruva. ████ ████ ôTo be in a tone or a chord for a long time ████ ████ enables subtle details to appear and to expand, ████ ████ which is so fascinating,ö she explains. ôThe ████ ████ organ is very suitable for this. There are so ████ ████ many possibilitiesùto work with vibrations, ████ ████ changes of timbre, microtonality, and to work ████ ████ with the sound of air, especially when slowly ████ ████ changing the registrations.ö ████ ████ ████ ████ The pieces on the album are concise, but very ████ ████ little editing was applied to those initial ████ ████ recordings. ôMy sense is that these pieces ████ ████ capture small amounts time, of me being ████ ████ present, sounding,ö says Talp. Yet the relative ████ ████ brevity doesnÆt hinder their revelatory power. ████ ████ After making these recordings she invited a ████ ████ handful of musicians to complement her solo ████ ████ excursions by adding complementary ████ ████ improvisations. ôI wanted to add some color ████ ████ into the material, some additional movement, ████ ████ small changes in timbre and so on. The ████ ████ instructions that I gave the musicians was ████ ████ simply to do some quite free, but minimalistic ████ ████ improvisations. I told them to experiment with ████ ████ the timbre, with the octave, with small ████ ████ dissonances, with more or less air in the ████ ████ toneàthings like that.ö Working with producer ████ ████ Alex Zethson, she carefully selected passages ████ ████ from these improvisations, building out ████ ████ gorgeous harmonies and sympathetic shadings to ████ ████ enrich her playing without changing its ████ ████ essential nature. ████ ████ ████ ████ These extra sounds are deployed with great ████ ████ subtlety, but careful listening reveals how ████ ████ these contributions add richness and almost ████ ████ inaudible counterpoint to the organ parts. On ████ ████ the short ôTo Whomö the wordless murmur of ████ ████ Wallentin vibrates alongside the pulse of the ████ ████ organ, with KuechenÆs strident flute enhancing ████ ████ the upper register stop of the pipe organ, ████ ████ creating a single, extended gesture, while in ████ ████ ôThe Continuationö the organ sounds seem to ████ ████ blossom from the introductory bass clarinet ████ ████ long tones by Bothen, and the flute of Kuechen ████ ████ later emerges like a rime upon TalpÆs frosty ████ ████ chords. The title piece feels almost maximalist ████ ████ in context, with a cycling descending sequence ████ ████ out of which a low-end rumble, echoed in ████ ████ AeleklintÆs almost imperceptible shadowing, and ████ ████ ethereal, fragmented tendrils of terse melody ████ ████ blossom. ████ ████ ████ ████ On first glance these pieces suggest sonic ████ ████ inhalations and exhalationsùitÆs no surprise ████ ████ that Talp used words associated with breathing ████ ████ in the titlesùbut once the listener surrenders ████ ████ to these sounds, they notice that thereÆs much ████ ████ more happening. There is a simultaneous focus ████ ████ and release in TalpÆs creative vision that can ████ ████ be deceptive in that way, but certain ████ ████ weightlessness of these pieces belies the rich ████ ████ detail and striations with each whoosh of ████ ████ sound. Talp demonstrates an acceptance and ████ ████ embrace in these small gestures as real ████ ████ building blocks of deep listening. TheyÆre ████ ████ waiting for you to jump in. ████ ████ ████ ████ ████ ████ ████ ████ ████ ████ ████ ████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████ ████ ■ ███▓█ .···. G R O U P .···. █▓███ ■ ████ ████ · ▄▓███▓ ▓███▓▄ · ████ █████ ▄▄▓█▀▀▀│ ▓ MAiL: [email protected] ▓ │▀▀▀█▓▄▄ █████ █▀ ▀██▓▀ ▀ ▀ ▀▓██▀ ▀█ ██▄██▀ ▀██▄██ ████▀ The only thing that really matters is music!!! ▀████ ▀██▓ ▓██▀ ▀██▓▄ ▄▓██▀ .▀ │ ▀▀██▄▓▄ .···. G R E E T S .···. ▄▓▄██▀▀ │ ▀ . ▄▓▓▄ │ ▀▀▀█▄▄ ▄▄█▀▀▀ │ ▄▓▓▄ . ▀▀ ▀▀▄ FRiENDS / SiTEOPS / NUKENET ▄▀▀ ▀▀ ▀ . ▄ ▄▓▓▄ ▀▄ RIP kHz ▄▀ ▄▓▓▄ ▄ . ▀ ▀ ▀▓▀ ▀▀ ▀ . ▄.···. !kb^faa 08.MARCH 2009 .···.▄ . ▀ ▀▀ ▀▓▀ ▀ .