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▓██▓████████▓▓█▓▒░▀███▀▒▀▓▀▀▀▀▀▀▀▀▀▀▀▀▀▓██▒█▀▀▀▀▀▀▀▀▀▀▀▀▓▓▀░▄▀▀▓█▀▀▀▀▀▀▀▀ ▒ ▀▀▀ ▄█▓░▒▓ ▀▀ ▀▀▀ ▒ ▀▀▀ ▀█▓▓▀ ░ ░ ███▓▓▓▌ ░ ░░ ▒░ ▄▄▓▓▓▓██▀ ▒░ ▓▒▒▒▒▓▓▓▓▓▓▓▓▓░:░ Release notes ░▒▓▓▓▓▓▒▒░░░░░░░░░░ ░░░░░░░░░░░░░░░░░░▓▒░ ▒▒ ▀▀▀▄▄ ▀▓▓▀ ▒▒ ▒▒ ▀ ▄ ■ ▀ ▒▒ ▒░ ▀ ░▒ ▒░ ░░ ░░ Rel. date .: 09.11.2013 ░░ ░░ ░░ ░░ Artist ....: Louis Armstrong ░░ ░░ Album .....: Mack The Knife ░░ ░░ Genre .....: Jazz ░░ ░░ ░░ ░░ Label .....: Delta ░░ ░░ Catalog # .: 17 197 ░░ ░░ Language ..: English ░░ ░░ ░░ ░░ Source ....: CDDA ░░ ░░ Size ......: 53.77 MB ░░ ░░ ░░ ░░ Louis Armstrong-Mack The Knife-2001 ░░ ░░ ░░ ░░ ----------------------------------------------------------------------- ░░ ░░ ░░ ░░ Louis Armstrong was the first important soloist to emerge in jazz, and ░░ ░░ he became the most influential musician in the music's history. As a ░░ ░░ trumpet virtuoso, his playing, beginning with the 1920s studio ░░ ░░ recordings made with his Hot Five and Hot Seven ensembles, charted a ░░ ░░ future for jazz in highly imaginative, emotionally charged ░░ ░░ improvisation. For this, he is revered by jazz fans. But Armstrong also ░░ ░░ became an enduring figure in popular music, due to his distinctively ░░ ░░ phrased bass singing and engaging personality, which were on display in ░░ ░░ a series of vocal recordings and film roles. ░░ ░░ ░░ ░░ Armstrong had a difficult childhood. William Armstrong, his father, was ░░ ░░ a factory worker who abandoned the family soon after the boy's birth. ░░ ░░ Armstrong was brought up by his mother, Mary (Albert) Armstrong, and his░░ ░░ maternal grandmother. He showed an early interest in music, and a junk ░░ ░░ dealer for whom he worked as a grade-school student helped him buy a ░░ ░░ cornet, which he taught himself to play. He dropped out of school at 11 ░░ ░░ to join an informal group, but on December 31, 1912, he fired a gun ░░ ░░ during a New Year's Eve celebration, for which he was sent to reform ░░ ░░ school. He studied music there and played cornet and bugle in the school░░ ░░ band, eventually becoming its leader. He was released on June 16, 1914, ░░ ░░ and did manual labor while trying to establish himself as a musician. He░░ ░░ was taken under the wing of cornetist Joe "King" Oliver, and when Oliver░░ ░░ moved to Chicago in June 1918, he replaced him in the Kid Ory Band. He ░░ ░░ moved to the Fate Marable band in the spring of 1919, staying with ░░ ░░ Marable until the fall of 1921. ░░ ░░ ░░ ░░ Armstrong moved to Chicago to join Oliver's band in August 1922 and made░░ ░░ his first recordings as a member of the group in the spring of 1923. He ░░ ░░ married Lillian Harden, the pianist in the Oliver band, on February 5, ░░ ░░ 1924. (She was the second of his four wives.) On her encouragement, he ░░ ░░ left Oliver and joined Fletcher Henderson's band in New York, staying ░░ ░░ for a year and then going back to Chicago in November 1925 to join the ░░ ░░ Dreamland Syncopators, his wife's group. During this period, he switched░░ ░░ from cornet to trumpet. ░░ ░░ ░░ ░░ Armstrong had gained sufficient individual notice to make his recording ░░ ░░ debut as a leader on November 12, 1925. Contracted to OKeh Records, he ░░ ░░ began to make a series of recordings with studio-only groups called the ░░ ░░ Hot Fives or the Hot Sevens. For live dates, he appeared with the ░░ ░░ orchestras led by Erskine Tate and Carroll Dickerson. the Hot Fives' ░░ ░░ recording of "Muskrat Ramble" gave Armstrong a Top Ten hit in July 1926,░░ ░░ the band for the track featuring Kid Ory on trombone, Johnny Dodds on ░░ ░░ clarinet, Lillian Harden Armstrong on piano, and Johnny St. Cyr on ░░ ░░ banjo. ░░ ░░ ░░ ░░ By February 1927, Armstrong was well-enough known to front his own ░░ ░░ group, Louis Armstrong & His Stompers, at the Sunset CafΘ in Chicago. ░░ ░░ (Armstrong did not function as a bandleader in the usual sense, but ░░ ░░ instead typically lent his name to established groups.) In April, he ░░ ░░ reached the charts with his first vocal recording, "Big Butter and Egg ░░ ░░ Man," a duet with May Alix. He took a position as star soloist in ░░ ░░ Carroll Dickerson's band at the Savoy Ballroom in Chicago in March 1928,░░ ░░ later taking over as the band's frontman. "Hotter than That" was in the ░░ ░░ Top Ten in May 1928, followed in September by "West End Blues," which ░░ ░░ later became one of the first recordings named to the Grammy Hall of ░░ ░░ Fame. ░░ ░░ ░░ ░░ Armstrong returned to New York with his band for an engagement at ░░ ░░ Connie's Inn in Harlem in May 1929. He also began appearing in the ░░ ░░ orchestra of Hot Chocolates, a Broadway revue, given a featured spot ░░ ░░ singing "Ain't Misbehavin'." In September, his recording of the song ░░ ░░ entered the charts, becoming a Top Ten hit. ░░ ░░ ░░ ░░ Armstrong fronted the Luis Russell Orchestra for a tour of the South in ░░ ░░ February 1930, then in May went to Los Angeles, where he led a band at ░░ ░░ Sebastian's Cotton Club for the next ten months. He made his film debut ░░ ░░ in Ex-Flame, released at the end of 1931. By the start of 1932, he had ░░ ░░ switched from the "race"-oriented OKeh label to its pop-oriented big ░░ ░░ sister Columbia Records, for which he recorded two Top Five hits, ░░ ░░ "Chinatown, My Chinatown" and "You Can Depend on Me" before scoring a ░░ ░░ number one hit with "All of Me" in March 1932; another Top Five hit, ░░ ░░ "Love, You Funny Thing," hit the charts the same month. He returned to ░░ ░░ Chicago in the spring of 1932 to front a band led by Zilner Randolph; ░░ ░░ the group toured around the country. In July, Armstrong sailed to ░░ ░░ England for a tour. He spent the next several years in Europe, his ░░ ░░ American career maintained by a series of archival recordings, including░░ ░░ the Top Ten hits "Sweethearts on Parade" (August 1932; recorded December░░ ░░ 1930) and "Body and Soul" (October 1932; recorded October 1930). His Top░░ ░░ Ten version of "Hobo, You Can't Ride This Train," in the charts in early░░ ░░ 1933, was on Victor Records; when he returned to the U.S. in 1935, he ░░ ░░ signed to recently formed Decca Records and quickly scored a double- ░░ ░░ sided Top Ten hit, "I'm in the Mood for Love"/"You Are My Lucky Star." ░░ ░░ ░░ ░░ Armstrong's new manager, Joe Glaser, organized a big band for him that ░░ ░░ had its premiere in Indianapolis on July 1, 1935; for the next several ░░ ░░ years, he toured regularly. He also took a series of small parts in ░░ ░░ motion pictures, beginning with Pennies From Heaven in December 1936, ░░ ░░ and he continued to record for Decca, resulting in the Top Ten hits ░░ ░░ "Public Melody Number One" (August 1937), "When the Saints Go Marching ░░ ░░ in" (April 1939), and "You Won't Be Satisfied (Until You Break My ░░ ░░ Heart)" (April 1946), the last a duet with Ella Fitzgerald. He returned ░░ ░░ to Broadway in the short-lived musical Swingin' the Dream in November ░░ ░░ 1939. ░░ ░░ ░░ ░░ Satchmo at Symphony Hall With the decline of swing music in the post- ░░ ░░ World War II years, Armstrong broke up his big band and put together a ░░ ░░ small group dubbed the All Stars, which made its debut in Los Angeles on░░ ░░ August 13, 1947. He embarked on his first European tour since 1935 in ░░ ░░ February 1948, and thereafter toured regularly around the world. In June░░ ░░ 1951 he reached the Top Ten of the LP charts with Satchmo at Symphony ░░ ░░ Hall ("Satchmo" being his nickname), and he scored his first Top Ten ░░ ░░ single in five years with "(When We Are Dancing) I Get Ideas" later in ░░ ░░ the year. The single's B-side, and also a chart entry, was "A Kiss to ░░ ░░ Build a Dream On," sung by Armstrong in the film The Strip. In 1993, it ░░ ░░ gained renewed popularity when it was used in the film Sleepless in ░░ ░░ Seattle. ░░ ░░ Satch Plays Fats: The Music of Fats WallerArmstrong completed his ░░ ░░ contract with Decca in 1954, after which his manager made the unusual ░░ ░░ decision not to sign him to another exclusive contract but instead to ░░ ░░ have him freelance for different labels. Satch Plays Fats, a tribute to ░░ ░░ Fats Waller, became a Top Ten LP for Columbia in October 1955, and Verve░░ ░░ Records contracted Armstrong for a series of recordings with Ella ░░ ░░ Fitzgerald, beginning with the chart LP Ella and Louis in 1956. ░░ ░░ Armstrong continued to tour extensively, despite a heart attack in June ░░ ░░ 1959. In 1964, he scored a surprise hit with his recording of the title ░░ ░░ song from the Broadway musical Hello, Dolly!, which reached number one ░░ ░░ in May, followed by a gold-selling album of the same name. It won him a ░░ ░░ Grammy for best vocal performance. This pop success was repeated ░░ ░░ internationally four years later with "What a Wonderful World," which ░░ ░░ hit number one in the U.K. in April 1968. It did not gain as much notice░░ ░░ in the U.S. until 1987 when it was used in the film Good Morning, ░░ ░░ Vietnam, after which it became a Top 40 hit. Armstrong was featured in ░░ ░░ the 1969 film of Hello, Dolly!, performing the title song as a duet with░░ ░░ Barbra Streisand. He performed less frequently in the late '60s and ░░ ░░ early '70s, and died of a heart ailment in 1971 at the age of 69. ░░ ░░ ░░ ░░ As an artist, Armstrong was embraced by two distinctly different ░░ ░░ audiences: jazz fans who revered him for his early innovations as an ░░ ░░ instrumentalist, but were occasionally embarrassed by his lack of ░░ ░░ interest in later developments in jazz and, especially, by his ░░ ░░ willingness to serve as a light entertainer; and pop fans, who delighted░░ ░░ in his joyous performances, particularly as a vocalist, but were largely░░ ░░ unaware of his significance as a jazz musician. Given his popularity, ░░ ░░ his long career, and the extensive label-jumping he did in his later ░░ ░░ years, as well as the differing jazz and pop sides of his work, his ░░ ░░ recordings are extensive and diverse, with parts of his catalog owned by░░ ░░ many different companies. But many of his recorded performances are ░░ ░░ masterpieces, and none are less than entertaining. ░░ ░░ ░░ ░░ ░░ ░░ ░ ░░ ░░ ░░ ▒ ▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▓▒░ ▒▒ ░░ ░░ ▄▓▓▓▄▄▒▓█▄░░░▒▒▒▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄ ░ ░░ █▓▓▓█▀▄▄░▒▓▓ ▄▄▄▄ ▀ ░░░▒▒▒▒▓▓▓▓▓▓▓▓▓▓▓███▓▄ ░░ █▓ ▀▓▓████▄▀ ▄███████▄ ▄ ░░░░▒▒▒▒▓▓▓▓███▓▓▓▓ ▒▒░░░ ░░░░ ░░░ ░ █▓ ▓▓▄ ▀▓▓▓▀ ▄▓ ▐██████████▄ ▀▄ ░░░░░▒█▓▓████▓▓ ░░ █░░ ▀▓▓▄▄▓▀▀ ▀████████████▄▄ ░░▒▒▓ ▒▓▀▀▀█▓▌ ░░ █▓▒░ ▄▄■▀▀▓▀▀▓▄▄ ░ ▀██████████████▄ ■▄▄▓ ░▒▒▓▒ ░░ ░ ░░ █▓▒▒░▀▀ ▓ ▀ ░▓▓ ▐█████████▓▀▓▀ ▀▀ ▒▒▓░ ░░ ░░ ░ ██▓▒░ ▄▄██▓▓▓▄▄▄ ▄▄▒████████▓ ▒ ▄ ░▓▓░ ░▒ ░░ ▒ ██▓▓░▄▓▓▓█████▓███▓▓▓▓▓▓██████████▓ ░ ░▒█░ ▒▒ ▒▒░▒░▒▒▒▓▒░▒░░░ ███▓▒░░▀▀▓▓▓██████████▓███████████▀ ▐▌ ▒▓▓ ▒▒ ▒░ ▒ ███▓▓▒░░ ▀▀▀█▓███████████████▀ ░▓█░░░░░▒░▒▒▓▓▒░░░ ░░ ░ ████▓▓▒░░ ▀▀▀▓██████▓▀▀ █ ▒█▓ ▒▒ ░░ ▓████▓▓▒░░ ▒ ▀ ░▓█░ ▒░ ░░ ▒ ▓█████▓▓▒▒░ ▀██▄ ▄▄▓▀ ▄ ▀ ░▓▓▒ ░░ ░ ▓ ▄▓▓█████▓▓▓▒▒░ ▀██▓▓▄▄▄▄▒▒▄▄▄▓▄▓▓■ ▀▀ ░ ▒█▓░ ░ ▄▓▓▓▒▄▄▓▄▓▓███████▓▓▓▒▒▒░▄▄▓▓▀██▄ ▀▀▀▀▀▀▓ ░░ ▒▓▓░ █▓▓▒ ▀▀▓▓▓▓▓██████▓▓▓▒▒▓▀▀ ▀██▄ ▒ ░░░░ ░▓▓░ ░ ██▓▒▒▒░░░ ▀▀▀▓▓██▓██▓▓▒▒▒▒░░░ ▀▓▓▄ ░ ░░░░░░░ ▒█░ ░ ▀▀▀▓▓▓▓▒▒▒░░░░ ▀▀▀████▓▓▓▒▒▒░▒▒░░░▀▀▀▀ ▓▓▓ ░░ ▀▀▀▀▓▓▓▓▒▒▒░░░ ▀▀▀▀▓▓▓▓▓▓▓▒▒░░░ ░░▓▄▓ ░ ░░░ ▀▀▀▀▓▓▒▒▒░░░░░░ ▀▀▀▀▀▓▓▓▓▓▓▓▓▒▒░░░░░▓▄▓░ ░ ░░░ ▀▀▀▓▓▓▒▒▒░░░░░░░ ▀▀▀▀▓▒▒▒▒▄▓▓ ░ ░░░ ▓▒ ▀▀▀▓▓▓▓▒▒▒░░░░░░ ▓▓▓▓▓▓▓▓ ░▒░ ░░▒▒▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▒░▄▄▄▄▄▓▒▒ ▀▀▀▀▓▓▓▒▒▒▒░░▐████▓▓▀ ░ ░░░▒░░ ░▓▓▄▓ Track ░ list ░▒▄▓▓▓█▓▓▒░░░ ░ ▀▀▀▀▄████▀ ░░░░▒░▒▒▓▒▒░░░ ░░░ ░░ ░ ░▒▓▓▓▒▄▄▄▄▄▄▄▄▄▄▄▓▓▄▄▒▒▒▓▀░▄▓▓▒░░ ░░ ░░░ ░ ░░░▒░ ░ ▒▒▒ ░▒░░▀▀▓▀▓▓▀▀██▓██▀▀▀▓▓▓█▄▓▓▒▒▒▒░▒░░▒░ ░░░░░ ░░ ░░ ░ ░░░░░░░░░░░░ ░░░▓▓▓░░ ░░ ▀ ▀▀▒▓█▓▓▒▓▒░░ ░ ░ ░ ▒▒▒ ░░ ░▒▒░ ░░ ░░░ ░░ ░░░ ░░ ░░░ ░░ THIS IS *NOT* A SUBSTITUTE OF THE ORIGINAL. ░░░ ░░ --------------------------------------------------------------------- ░░░ ░░ ░░░ ░░ NB TRACKNAMES: LENGHT: ░░░ ░░ ░░░ ░░ 01. Hello Dolly 02:31 ░░░ ░░ 02. Mack The Knife 03:25 ░░░ ░░ 03. Muskrat Ramble 02:00 ░░░ ░░ 04. Blueberry Hill 03:18 ░░░ ░░ 05. When It's Sleepy Time Down South 02:44 ░░░ ░░ 06. A Kiss To Build A Dream On 02:58 ░░░ ░░ 07. Just A Gigolo 03:10 ░░░ ░░ 08. La Vie En Rose 03:51 ░░░ ░░ 09. That's My Desire 02:51 ░░░ ░░ 10. Indiana 04:21 ░░░ ░░ 31:09 ░░░ ░░ --------------------------------------------------------------------- ░░░ ░░ TO THE INVOLVED ARTIST(S), CONSIDER THIS AS A FREE WORLDWIDE PROMO ░░░ ░░ CAMPAIGN. TO THE END (L)USERS, SUPPORT HE ARTIST(S) OR DEL! ░░░ ░░ ░░░ ░░ ▄▄▄▄▄▄▄ ░░░ ░░ ▄▓▓▒▒░░ ▀▓▄ ░░░ ░░ ░▄▓▓▒▒░░ ▄▓▀▄ ▒▓ ░░░ ░░ ▓▓▓▄░▒▒▒▄▀▀▀▀ ░▒▓ ░░░ ░░ ▐▓▀░░░░░▒▒▀▄░░░▒▓▓▓▓▄ ░░░ ░▒▒░▒░░░░░ ▄▀░░ ▄▄▄▄█▓░▒▒▒▒▒▒▒▒▒▒▒▓▄ ░░░░░░░░░░░░░░░ ░░░░ ░░░░░░░░░░▒▒▒░░ ░░ ▓░ ▄▓███████▓▒▒▓█░░░ ░░░▒▒▒▓▄ ░░░ ░░ ▓▄▓▀▀▀▀▓▄▄▄███████░░░░ ░░░▒▓▄▄ ░░▒ ░░ ▒ ▀▀▓██▓▓▓█▄ ░░░░░░ ░░░▒▓▄▄ ░▒▓ ░░ ░ ▀███▓▒▓██▄▄░░░░░░░░░░░░░░░░▀█▄ ▄▄▄▓█ ▐▓ ░░ ░▀██▓▓▒▒▓▓███▄▄▓░░░░░░░▄▄▄████▄ ▄▄██▓▓▒▒▓ ░▒▒ ░░ ▀███▓▓▓▒▒▒▒▓██████████▓█▒▓▓███▄▄▄▄██▓▓▓▒▒▒▓▓█ ░▒ ░░ ▀███▓▓▓▓▓▓▓▓▒▒▒▒▒▒▒▒▒▒▒▓▓▓▓███████████▓▓▓█▀ ░░░ ░░ ▀▀██████▓▓▓▓██▓▒▒▒▒▒▓▓███████▀▀▀▀▓░ ░ ░░░ ░░░ ░░▀▀▀▓█████▓████████▀▀▀ ▒ ░ ░░░ ▒▒░░░ ██▌ █▓ ░ ░░ ░░ ░░ ▐█▓ ░█▓ ░░ ░░░ ░░ ░ ░░░ █▓▒ ░█▓ ░░░ ░░▒▒░ ░░ ░░ ░ ░░░░░░░░░ ▐█▓░ ░█▓ ░░ ░░░ ░░ ░▒ ░ ░░░▒▒▒▓▓▓█▒▒▒░░ ░█▓ ░░ ▒░ ░▒ ░ ░ ░░ ░ ▀▀▀▀▓▓▓▓▓▓▓█▒░▀▄ ░░ ░░ ▒▒░░▓░ ░ ░ ▒░ ░░ ░░ ░░ ░ ▀▀▀▀▀█▓▓▓▓▓▓▄▄▄▄▄ ▒░░ ▓▒░▒▓▒░▒▒▒░░░░▒▒░░▒▒░░░░ ░░ ░▒░░░░░░░ ░ ▒▀▀▀▀▓▓▓▓▓██▄▄▄ ░▒░░ █▓▒▒█▓▒▒▓▒▒░░▒▒▒▒▒▓▒▒▒▒▒▒░░▒▒░▒▓▒▒▒▒▒▒▒░░░░▒░░░░ ░░▒▒▒▒▒▒ ▀▀▀▓▓▓▓▓▓▒▒ ▒▓░░ ██▓▓██▓▓█▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▒▒▓▓▓▒▓▀▓▓▓▓▓▓▓▓▓▒▒▓▓▒▒▒▒▓▓▓▓▓▓▓▓▓▄▄▄▄▄▄▄▄▄▓▓▓▓▓▓▓▒░ ██████▀▀▀▀ ▀ ▀ ▒ ░▒▒░ ▓▓▒▒░ ▓█▓▒ ▀▀▀▀▀▀▀▓███████▓▓▓▒▒░░ ▓██▀ "Oi" to: ░▒▒░ ░ ▓▓▒▒░░ ▀▓▓▒▒▒░░░ ▀▀▓██▓▒▒░░ ▓█▌ ░▒▒░░ ▀▓▓▓▒▒▒░░ ▀▀▓▓▓▓▒▒▒▒░░ ░▓█▓▒░ ▒█░▒▓▓▓▒▒▒▒▒▒▒▒▒▒░░░░░░░░░░░ ░░░ ░ ░░▒▒░░ ▀▀▓▓▓▒▒▒▒▒▒▒▒▒▒▒▓▓▓▓▓▄░░░▓▓░░ ▒█ ░░▒▒▒░░░░░▀▀▀▀▀▀▀▀▀▀▓▓▓▄▄▀▀▓▓▄▓▓░░ ▒▓ ░ ▀▀▓▓▄░▀▓▓░░ ░▓ ▀▓▓░░▓░░ ░▓ ADDiCTED TO MUSiC, AGAiNST THE REST, █▓░▓░░ ░▒ CiTADEL CREW MP3 DiViSiON, █▓▓░░ ░▒ DECiBEL COURiERS, dissident, █▓░░ ░▒ EViGHET, ▓░░ ░▒ iMAGiNE, iNTERNET MUSiC PiRATE GUiLD, ▒░░ ░░ LOGOS, ▒░░ ░░ MEN iN PiNK, MiNDSCAPE, MiNDSCAPE_JAZZ, ▒░░ ░░ NEW WORLD ORDER MP3, ░░ ░░ OTAKU, ░░ ░░ PROViDERS OF SOUND, ░░ ░░ SUPERiOR ART CREATiONS, SYNTHESiS MEDiA, ░░ ░░ WALL OF SOUND, WE LOVE WAREZ MP3, ░░ ░░ ░░ ░░ #OpPayBack & ALL OF OUR FRIENDS AND FAMILY HERE AND GONE. ░░ ░░ ░░ ░░ ░░ ░░ ---------------------------------------------------------------------- ░░ ░░ ░░ ░░ "Those who do not remember the past are condemned to repeat it." ░░ ░░ ░░ ░░ George Santayana ░░ ░░ ░░ ░░ ---------------------------------------------------------------------- ░░ ░░ ░░ ░░ ░░ ░░ ▄▄█▓▀ ▄▄ - IF YOU DON'T LIKE THIS RELEASE THEN ░░ ░░ ▄▄▓███▓▓▓░░███▓▓▓▄▄▄ WHO CARES?? ░░ ░░ ▄▓████▀░░▒▒▒▒▒▓▓▒▒▒▒▒▒▓█▄▄ ░░ ░ ▄▀▀▄░░░▒▒▒▓▓▓▓▓▓▓▓▓▓▓▓▒▒▓▓██▄ - WE SHIT ON *ALL* SCENE-IDIOTS: ░░ ░ ▄░░▒▒▓▓▓▓█▀▀▀▀▀▓▓██▀▓▓▓▓▓▒▒▓█ "H8ERS", NUKERS, PUBBERS AND MAYBE ON ░░ ░ █▓▓▓▀██▓▀▀▀▄▓▒░░▄██▌░░ ▓▀▓▓▓▓█ YOU TOO?!? ░░ █▓▓▀▄▓█▓▓░░░░█████▓█▓▄▄▄█▓ ▀▓▀▓▓ ░░ █▀ █▓▀▓███▄▄▄███▓▓▓█████▓█▀▄▐▌ █ - WE ONLY BELIEVE THAT TUESDAY STORE ░░ █ ▐█████▀ ████▓▓█▌▀██▓▓ ▐▓ PICKUPS IS TEH BEST MUSIC EVAAAAAAR! ░░ ░ ███▀ ▐████▓█▓ ▐▓▀ ▀ ░░ ░░ ▓ ███▓███▓ ▀ - WE CONSTANTLY LOOKING FOR ANY 10+GB/S, ░░ ░░ ▐███▓▓██▌ 50+TBS W/ 0SEC ATTITUDE THAT CAN BARELY ACHIEVE ░░ ░░ ██▓▓▓▓█▌ 6 MONTHS OF UPTIME. WHQ SPOT AVAILABLE!! ░░ ░ ▓█▓▒▒▓█ ░░ ░░ ██▒▒▒▓█▌ ░░ ░░ ▐█▌░▒▒▓██ YOUR **TRUE** PSEUDO-FRiENDS. ░░ ░░ ▐█▌░░▒▓█▌ ░░ ░░░ ██▒░▒▓█▌ ▓ ▄■ WASHED UP SCENESTERS ░░ ░▒░ ▐█▌▓▀▓█▌ ▓▄▓ · '13 ░░ ░▒▒ ░██▌▒▒▓█▓▌▓▒█▀·▄■▄ ▄ ▓▓▄▄▄ ░░ ░▒▒▌ ▒▒██▒▒▓▓░█▓▒▒▒▀▒▒▄▄ ▄ ██▓▓███▄▄▄▄▄ ░░ ░░▓▓▄ ░▒▓▓▓██▓▓▓▒▒░▀▓▒▒░▄▒ ▄ ▀ ▄▓▄▄▄██▓▒▒▒▒▒▒▒▒▓▓▓▓▄▄ ░░ ░░░▀▓▒█▓███▓▓▓▓▓██▒▒▒▒░░▒▀░▒░█▄▄▓▓▄▄█████████▓▓▒▒▒▒░░░░░░░▒▒▓▓▓▓▓▓▓▓▄▄ ░░ ░▒▒▒ █▀█████▓▓██▒▒▒▒░░░▓▒▒▒░▀▀▀▀▀▀▀░░░░░░░░░░░░░░░░░░░░░░░░▒▒▒▒▓▓▒▒▓▓▓▒▒▒░░ ░░░░░ ░█░█████▓██▒▒▒░░░▒▒░▒▒░░░░░░░▒▒▒▒▒▒▒▒▒░░░░░░░░▒▒▒ ░░░░░░▒▒▓▓▓▒▒▒▒▒▒▒█░ █▒░░░░░▓█▓███████▒▒▒░░░▒▒▒▒▓▓▓▓▓▒░░▒▓██████▓▓▒▒▒▒▒▒▒▒▓▓▓░░░░▒▒░░░░▒▒▓▓▒▒▒▒▓█░░░ ▓█▒▓▓▓▓████████▓▒▒░░▒▒▒▒▓▓▓▓▓▓▓▒▒▒▒▓█████████▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓░░░░░▒▓▓▓▓██▓▒▒░ ▒▒▒▒▒▒▒▓▓▓▓████▓▒░░░░▒▒▒▒▒▓▓▓▓▒▒▒▒▓█████████████████████▓▓▓▓▓▓▓▓▒░░▒▒▒▒░▒▓▓▓▓▒▒ ▒░░░░░░▒▒▓▓▓██▓▓▒░░░░░░░▓▓▓▒▒▒░▒▒▓█████████████████████████▓▓▓▓▓▓▒▒▒▒▒░░░▒▓▓▓▓▒ ░░ ░░░░▒▓██▓▓▒▒▒░░░░░░▒▒▒▒░░░▓██████████████████████████████▓▓▓▓▒▒▒▒▒▒░▒▒▓▓▓▓ ░ 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