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P R E S E N T S .···. ▓ │▀▀▀█▓▄▄ █████ ██████▓▀ ▀ ▀ ▀▓██████ █████▀ Lydmor - Capacity ▀█████ ████▀ ▀████ ███▀ ▀███ █▓▓▓▓ ARTiST..[ Lydmor ▓▓▓▓█ █▓▓▓▓ TiTLE...[ Capacity ▓▓▓▓█ ████ GENRE...[ Pop CAT#....[ ████ ████ LABEL...[ HFN Music ENCODER.[ Lame 3.100 ████ ████ YEAR....[ 2021 QUALiTY.[ 320kbps ████ ████ SOURCE..[ WEB MODE....[ Joint Stereo ████ ████ PLAYTIME[ 57:26 REL.DATE[ 03.13.2021 ████ ████ TRACKS..[ 14 RiPPER..[ TEAM OMA ████ ████ SiZE....[ 131,76 MB SUPPLiER[ TEAM OMA ████ ████ ████ ████ ████ ████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████ ████ ■ ███▓█ .···. T R A C K L i S T .···. █▓███ ■ ████ ████ · ▄▓███▓ ▓███▓▄ · ████ █████ ▄▄▓█▀▀▀│ ▓ ▓ │▀▀▀█▓▄▄ █████ ██████▓▀ ▀ ▀ ▀▓██████ █████▀ ▀█████ ████▀ ▀████ ███▀ NR. TRACK. TiME. ▀███ █▓▓▓▓ ∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙ ▓▓▓▓█ █▓▓▓▓ ▓▓▓▓█ ████ 01 Amandas Lullaby 03:36 ████ ████ 02 Nevada feat. Eivoer 03:57 ████ ████ 03 Diamond Breeze 04:11 ████ ████ 04 Labyrinth Faced Man 01:55 ████ ████ 05 Emma Spins 05:19 ████ ████ 06 Someone We Used to Love 04:40 ████ ████ 07 LSD Heart 03:40 ████ ████ 08 Guilty (Kill Me) 04:12 ████ ████ 09 The Gadget Song 04:48 ████ ████ 10 Amandas Dream 03:03 ████ ████ 11 Go Slow but Go 04:26 ████ ████ 12 Heavier in Life feat. Lasse Ziegler 03:19 ████ ████ 13 If You Want Capacity 06:01 ████ ████ 14 Hotel Ads 04:19 ████ ████ ∙∙∙∙∙∙∙∙∙∙∙∙ ████ ████ TOTAL: 57:26 ████ ████ ████ ████ ████ ████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████ ████ ■ ███▓█ .···. R E L E A S E N O T E S .···. █▓███ ■ ████ ████ · ▄▓███▓ ▓███▓▄ · ████ █████ ▄▄▓█▀▀▀│ ▓ ▓ │▀▀▀█▓▄▄ █████ ██████▓▀ ▀ ▀ ▀▓██████ █████▀ ▀█████ ████▀ ▀████ ███▀ ▀███ █▓▓▓▓ ▓▓▓▓█ █▓▓▓▓ ▓▓▓▓█ ████ https://lydmor.bandcamp.com/album/capacity ████ ████ ████ ████ Lydmor's new album 'CAPACITY' is a musical maze ████ ████ full of alluring mysteries. At the same time, ████ ████ it is part of a process of liberation, which is ████ ████ about opening oneself up and discovering one's ████ ████ capacity. ████ ████ ████ ████ For her previous album, Lydmor travelled to ████ ████ Shanghai. But on her new album, Lydmor has ████ ████ mostly travelled deep into herself. 'CAPACITY' ████ ████ is a contrasting musical work where fiction and ████ ████ reality merge into a multifaceted sound ████ ████ universe. It is the electronic pop artist's ████ ████ most personal, complex and conceptual album to ████ ████ date. ████ ████ ████ ████ There is almost a David Lynch'ish cut about ████ ████ 'CAPACITY'. The album is like a winding maze ████ ████ where it is difficult to decipher what is real ████ ████ and what is an illusion. Like a book with ████ ████ countless narratives. Without conclusions. ████ ████ Ambiguous. Full of alluring mysteries, dreams, ████ ████ reflections and messages about gender, ████ ████ identity, love, guilt and liberation. Rich in ████ ████ contrasts: Black/white. Silence/noise. ████ ████ Weakness/strength. Fiction/reality. ████ ████ Labyrinth/compass. ████ ████ ████ ████ ôI am interested in delving into issues where ████ ████ something interesting is happening ████ ████ psychologically, anthropologically and ████ ████ sociologically, where you can see what is ████ ████ happening and how a fight is escalating. The ████ ████ album is a process of liberation, which is very ████ ████ much about romantic liberation and emotional ████ ████ intelligence in the modern world, where I see a ████ ████ new generation that deals with gender, identity ████ ████ and relationships in a different way than in ████ ████ the past. There was the sexual revolution in ████ ████ the 1960s and 1970s, where it seemed that there ████ ████ was little focus on emotional intelligence. ████ ████ When I look around now, I feel that the way ████ ████ people treat their love life, their identity ████ ████ and their gender is much more interesting and ████ ████ responsible. A revolution has happened, and I ████ ████ think this is really exciting.ö explains ████ ████ Lydmor. ████ ████ Lydmor dives fearlessly into the problems of ████ ████ 'CAPACITY', resulting in a myriad of ████ ████ expressions and stories. The insisting and ████ ████ beat-heavy 'LSD Heart' sharply criticizes the ████ ████ dominance of patriarchy in modern art. 'Someone ████ ████ We Used To Love' frames the fragility we ████ ████ experience when confronted by a former lover, ████ ████ who now exhibits feelings for another, and ████ ████ Lydmor looks inward at the self-reflective and ████ ████ thoughtful 'Guilty (Kill Me)'. ████ ████ ████ ████ 'CAPACITY' also features several enigmatic ████ ████ characters and places that seem to be outside ████ ████ of time and space. Who is the strange man with ████ ████ the labyrinth face in 'The Labyrinth Faced ████ ████ Man'? What role does he play in the narrative? ████ ████ What about the two women Amanda and Emma? ████ ████ Amanda, appearing in 'Amanda's Lullaby' and ████ ████ 'Amanda's Dream', is plagued by a terrible ████ ████ nightmare about a terrorist attack in which ████ ████ evil men kill women. Is it related to her fear ████ ████ of patriarchy and her fascination with Chilean ████ ████ author Roberto Bolano's cult novel '2666', in ████ ████ which women are also killed by men? And what ████ ████ about Emma appearing in 'Emma Spins'? What kind ████ ████ of quarrel does 'CAPACITY's narrator have with ████ ████ her? ████ ████ ████ ████ Central to the story of 'CAPACITY' is also the ████ ████ mysterious 'Leopold Hotel', which appears on ████ ████ the song 'Nevada', where Lydmor sings a duet ████ ████ with Faroese artist Eivoer. The hotel is ████ ████ isolated in the middle of the Nevada desert. ████ ████ What's going on here? That remains unsaid, but ████ ████ you sense that something fatal has happened. ████ ████ Heavy drinking has taken place, everything ████ ████ seems foggy and two people have had a violent ████ ████ misunderstanding. But has this misunderstanding ████ ████ been so catastrophic that it has triggered the ████ ████ 'Big Bang' of oppression? A spark from which ████ ████ all sexism, humiliation, all our prejudices and ████ ████ all our shame originated? And why do neon-lit ████ ████ advertisements for this particular hotel appear ████ ████ on the closing song 'Hotel Ads'? Are the ████ ████ commercials, in fact, warning lights? And is ████ ████ 'The Leopold Hotel' perhaps the centre of the ████ ████ labyrinth that everything points back to? The ████ ████ truth lurks just around the corner. Or maybe ████ ████ it's the lie. Maybe it's all a lie. Or maybe ████ ████ everything here is more true than anything ████ ████ you've ever heard before. ████ ████ ████ ████ These are some of the riddles that the album's ████ ████ 14 songs contain. Lydmor presents no easy or ████ ████ single answer to 'CAPACITY'. At the same time, ████ ████ the album contains a message about daring to ████ ████ open up. "The more that we open, the less space ████ ████ they'll get" rings loud and clear on the ████ ████ opening song 'Amanda's Lullaby'. The more we ████ ████ open up and show who we are, the less room ████ ████ there is for the intolerant, the prejudiced and ████ ████ the reactionary and their narrow-minded view of ████ ████ the world. When you open up you discover your ████ ████ capacity. ████ ████ ████ ████ ôCapacity is what I want and am discovering in ████ ████ myself. Mental capacity, emotional capacity, ████ ████ capacity to understand others, the capacity to ████ ████ change, capacity in society. It has become one ████ ████ of the most important things for me: having ████ ████ capacity. Also when I look at how I react in ████ ████ different situations. Do I respond with ████ ████ capacity or respond with a narrow mindset? If ████ ████ you recognize the amount of space that you have ████ ████ inside you, then you can respond in a much more ████ ████ constructive way in the world. And then there's ████ ████ the song where I sing "If you want capacity, ████ ████ you gotta leave it to the love you breathe". ████ ████ It's about the fact that if you want this, then ████ ████ you also have to give it back. It is a movement ████ ████ that opens up.ö sayy Lydmor. ████ ████ ████ ████ Lydmor has never before had so much fun and ████ ████ felt so much clarity during a recording process ████ ████ than she has had while working on 'CAPACITY'. ████ ████ Here she has felt completely free to make the ████ ████ music exactly as pop or experimental as she's ████ ████ felt like. ████ ████ ████ ████ ôI have moved farther out towards the outer ████ ████ poles, rather than constantly searching for a ████ ████ unified sound. Instead, this time I've said: ████ ████ "OK, I have something completely acoustic over ████ ████ here, then I need something tremendously hard ████ ████ and electronic over here". I've just put things ████ ████ as far out on the scales as possible - and in ████ ████ this way, tried to create some kind of balance ████ ████ ö. she explains. ████ ████ ████ ████ On 'CAPACITY', Lydmor has collaborated with ████ ████ several different people. Here too, Lydmor knew ████ ████ exactly who she wanted to work with. Five songs ████ ████ have been produced in collaboration with ████ ████ Christian Vium from Go Go Berlin. Other ████ ████ collaborators on 'CAPACITY' include Norwegian ████ ████ producer Trond Bersu, American producer Joey ████ ████ Verskotzi, Lasse Ziegler, Lasse Lyngbo and the ████ ████ producer duo Pitchifters. The album is mixed in ████ ████ close collaboration with Peter Kjaedegaard ████ ████ (Nephew, Spleen United, The Minds of 99). ████ ████ ████ ████ Behind the artist name "Lydmor" is the Danish ████ ████ singer, songwriter and producer Jenny ████ ████ Rossander. There is an eternal unpredictability ████ ████ connected to Lydmor's work. She is constantly ████ ████ exploring new sides of her artistic endeavour. ████ ████ ████ ████ In 2020 Lydmor started running a weekly radio ████ ████ program on Danish P6 called Mon Amie Complexe. ████ ████ Along with her co-host and weekly guests she ████ ████ explores creativity and creation. ████ ████ ████ ████ In 2021 Lydmor is also involved with composing ████ ████ music for theatre plays (Tine at Aalborg Teater ████ ████ and öMoerkt Forσrö (Dark Spring) at Betty Nansen ████ ████ Teater in Copenhagen). Besides that Lydmor is ████ ████ writing and composing the score for the TV- ████ ████ series Fanton Foelelser (Phantom Feelings) along ████ ████ with her first move score for the movie Venue ████ ████ Effekten (The Venue Effect). ████ ████ ████ ████ Lydmor can also be experienced this year at a ████ ████ number of international concert venues. ████ ████ ████ ████ ████ ████ ████ ████ ████ ████ ████ ████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████ ████ ■ ███▓█ .···. G R O U P .···. █▓███ ■ ████ ████ · ▄▓███▓ ▓███▓▄ · ████ █████ ▄▄▓█▀▀▀│ ▓ MAiL: [email protected] ▓ │▀▀▀█▓▄▄ █████ █▀ ▀██▓▀ ▀ ▀ ▀▓██▀ ▀█ ██▄██▀ ▀██▄██ ████▀ The only thing that really matters is music!!! ▀████ ▀██▓ ▓██▀ ▀██▓▄ ▄▓██▀ .▀ │ ▀▀██▄▓▄ .···. G R E E T S .···. ▄▓▄██▀▀ │ ▀ . ▄▓▓▄ │ ▀▀▀█▄▄ ▄▄█▀▀▀ │ ▄▓▓▄ . ▀▀ ▀▀▄ FRiENDS / SiTEOPS / NUKENET ▄▀▀ ▀▀ ▀ . ▄ ▄▓▓▄ ▀▄ RIP kHz ▄▀ ▄▓▓▄ ▄ . ▀ ▀ ▀▓▀ ▀▀ ▀ . ▄.···. !kb^faa 08.MARCH 2009 .···.▄ . ▀ ▀▀ ▀▓▀ ▀ .