Mariusz_Duda-Claustrophobic_Universe-CD-2021-D2H

NFO
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Number : MYST 337CD ▓███ ███▓ Street Date : 2021-00-00 ▓███ ███▓ Rip Date : 2026-05-11 ▓███ ███▓ Encoder : LAME 64bits version 3.100 (http://lame.sf.net) -V0 ▓███ ███▓ Quality : 255kbps / 44.1KHz / Joint Stereo ▓███ ███▓ Tracks : 9 ▓███ ███▓ Playtime : 00:42:00 (80.8MB) ▓███ ███▓ URL : http://mariuszduda.bandcamp.com/album/claustrophobic-u ▓███ ███▓ ▓███ ███▓█▄▄ ▄▄█▓███ ███████▓███▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄███▓███████ ██▀▀▀▀███▓████ ▄▄▄▄▄ ▄▄▄▄ ▀ ▄▄▄ ▀ ▄▄▄▄ ▄ ▄ ▄ ███ ▄ ▄▄▄▄ ▄▄▄▄▄ █████▓███▀▀▀▀██ █ ▓▓▓▓ ███████▄▄ █ ▄ █ █ █ █ █ ▄▄▄ █▄▀ █ ███ █ ▀▄▄▄ ▄ █ ▄▄████████ ▓▓▓▓ █ █ ▓▓▓▓ █████████ █ █ █ ▀▀▄ █▀▀▀█ ▀▄▄▄▄ █ ▀▄ █▄▄▄▄ █ ▄▄▄▄▀ █ █ ██████████ ▓▓▓▓ █ ██▄▄▄▄███▓██████▄▄▄█▄▄▄█▄▄▄▄▄█▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄██▄▄▄███████▓███▄▄▄▄██ ████████▀▀▀ ▀▀▀████████ ███▓▀ ▀▓███ ███▓ ▓███ ███▓ ▓███ ███▓ ▓███ ███▓ 01 Knock Lock 3:58 ▓███ ███▓ 02 Planets in a Milk Bowl 4:12 ▓███ ███▓ 03 I Landed on Mars 2:50 ▓███ ███▓ 04 Waves from a Flat Earth 3:52 ▓███ ███▓ 05 2084 4:40 ▓███ ███▓ 06 Escape Pod 6:52 ▓███ ███▓ 07 Lemon Flavoured Stars 4:17 ▓███ ███▓ 08 Claustrophobic Universe 5:59 ▓███ ███▓ 09 Numbers and Denials 5:20 ▓███ ███▓ ▓███ ███▓ ▓███ ███▓ ▓███ ███▓ 42:00 min ▓███ ███▓ ▓███ ███▓█▄▄ ▄▄█▓███ ███████▓███▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄███▓███████ ██▀▀▀▀███▓█████ ▄▄▄▄ ▄▄▄▄▄ ▄ █████████████ ▄ ▄▄▄▄ ▄▄▄▄▄ ▄▄▄ ▀█████▓███▀▀▀▀██ █ ▓▓▓▓ ████████ █ █ █▄▄ ▄ █ █████ ▄▄▄▄▄ █ █ █ ▄ █ █ █ ▄ █ ████████ ▓▓▓▓ █ █ ▓▓▓▓ ████████ █ ▀▀▄ █▄▄▄▄ █▄▄▄▄ █▄▄▄▄▄▄▄█ █ █ █ █ █▀▀▀ ▀▄▄▄▀ ████████ ▓▓▓▓ █ ██▄▄▄▄███▓█████▄▄▄█▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄█████████▄▄▄▄▄█▄▄▄▄▄████▄▄▄▄▄██████▓███▄▄▄▄██ ████████▀▀▀ ▀▀▀████████ ███▓▀ ▀▓███ ███▓ ▓███ ███▓ Mariusz Duda has been highly productive during the COVID-19 ▓███ ███▓ pandemic. I wish I could say the same about my own writing ▓███ ███▓ ventures. Anyways, Mariusz is back with the second album of the ▓███ ███▓ ôLockdown Trilogyö. This one is called ôClaustrophobic Universeö, ▓███ ███▓ and it releases on April 23rd. ▓███ ███▓ You should know Mariusz from his work with Riverside and Lunatic ▓███ ███▓ Soul. If you donÆt, shame on you: Go listen to those projects. If ▓███ ███▓ you do know MariuszÆs other work, you should be familiar with the ▓███ ███▓ influence progressive electronic music has had on his style. ▓███ ███▓ Riverside even released an electronic compilation album at one ▓███ ███▓ point. This isnÆt unknown territory for Mariusz or his fans, and ▓███ ███▓ what IÆve learned from the last two releases is that Mariusz is ▓███ ███▓ very, very good at this genre of music. ▓███ ███▓ ôClaustrophobic Universeö is different both conceptually and ▓███ ███▓ musically from last yearÆs ôLockdown Spacesö. Conceptually, that ▓███ ███▓ album dealt with the tight, constricting nature of being restricted ▓███ ███▓ to a certain space. It was about existing in smaller spaces and ▓███ ███▓ being hyper-aware of every brick, every screen, and every noise in ▓███ ███▓ that enclosed area. The music, naturally, felt stark, ▓███ ███▓ strangulating, and dark. ▓███ ███▓ This album is not only different, but it is also the logical ▓███ ███▓ continuation of the former one. ôClaustrophobic Universeö ▓███ ███▓ represents the creative and imaginative space that Mariusz ▓███ ███▓ constructed once he learned to cope with lockdown itself, once he ▓███ ███▓ learned to deal with the sudden changes in social interaction and ▓███ ███▓ his creative process. Because of this, the music is more upbeat. ▓███ ███▓ Focusing less on eerie electronic loops or shadowy keyboards, and ▓███ ███▓ more on crazy percussive beats and bubbling atmospheres. It feels ▓███ ███▓ more whimsical, colorful, and even playful. ▓███ ███▓ Observing both the music and the song titles, you can imagine ▓███ ███▓ Mariusz blasting off for other planets and galaxies, trying bold ▓███ ███▓ new flavor combinations, or envisioning fantastical places and ▓███ ███▓ times. All of this is within his own head, though; all of this is ▓███ ███▓ a universe unto itself within his own mind, like a universe inside ▓███ ███▓ a petri dish. This is the place where creatives are forced to ▓███ ███▓ operate; and, because of this, the album ends up being an ode to ▓███ ███▓ those who can persevere and create within any space, no matter how ▓███ ███▓ compressed or monotonous. ▓███ ███▓ I really enjoy this record. As good and beautiful as ôLockdown ▓███ ███▓ Spacesö was, it isnÆt an album that I want to revisit often because ▓███ ███▓ of the stifling nature of the music. With this new album, IÆve ▓███ ███▓ found that I want to revisit it again and again, and it expands my ▓███ ███▓ thoughts well when IÆm creating something of my own. It feels ▓███ ███▓ spunky, slippery, and even silly at times, and thatÆs exactly what ▓███ ███▓ I wanted. ▓███ ███▓ The tracks generally fall under one of two types. Some are more ▓███ ███▓ about bonkers beats or rhythms, such as ôKnock Lockö with its vocal ▓███ ███▓ samples and staccato beat or ô2084ö with its interesting beat ▓███ ███▓ paired with ethereal melody. Some tracks are more about a ▓███ ███▓ slithering, building rhythms, and I tend to like those the best. ▓███ ███▓ Examples of this would be ôPlanets in a Milk Bowlö with its ▓███ ███▓ imaginative, almost transformative vibe, ôI Landed on Marsö with ▓███ ███▓ its utter ambienceö, and ôWaves From a Flat Earthö with its catchy ▓███ ███▓ melody and sweet distortions. ▓███ ███▓ The second half of the album is my favorite overall. ôEscape Podö ▓███ ███▓ is a dreamy track with an echoing piano loop that I really like. ▓███ ███▓ ôLemon Flavoured Starsö starts out an ambient song but transitions ▓███ ███▓ into an electronic, edgy loop that wouldnÆt have been out of placed ▓███ ███▓ on Lunatic SoulÆs ôFracturedö. And then the single, which is the ▓███ ███▓ title track, is a delicate, hushed exploration of the universe, but ▓███ ███▓ from my perspective it is a universe that still feels enclosed, ▓███ ███▓ however, big it might feel. The winding electronic melody feels so ▓███ ███▓ good and so does the way it collides with the crescendo near the ▓███ ███▓ end. Finally, ôNumbers and Denialsö is a plucky, optimistic ▓███ ███▓ closer, at least at first. It ends up in a floating void, almost ▓███ ███▓ like simultaneously crashing back to a locked down earth and also ▓███ ███▓ being lost within oneÆs own cerebral universe. Either way, it is a ▓███ ███▓ fitting ending. ▓███ ███▓ Mariusz Duda is a creative force, and he is showing us that he can ▓███ ███▓ continue this trend even in difficult places. ▓███ ███▓ ôClaustrophobic Universeö visits Jean-Michel Jarre or Tangerine ▓███ ███▓ DreamÆs livelier output more than the ultra-seriousness of ▓███ ███▓ Vangelis, and it is a great change of pace. This will certainly be ▓███ ███▓ one of the best electronic albums of the year. ▓███ ███▓ ▓███ ███▓█▄▄ ▄▄█▓███ ███████▓███▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄███▓███████ ██▀▀▀▀███▓█████▀ ▄▄▄▄ ▄▄▄▄ ▄▄▄▄ ▀█████████ ▄ ▄▄▄▄ ▄▄▄▄▄ ▄▄▄ ▀█████▓███▀▀▀▀██ █ ▓▓▓▓ ████████ █ ▄▄▄ █ █ █ █ █ ▄▄▄▄▄ █ █ █ ▄ █ █ █ ▄ █ ████████ ▓▓▓▓ █ █ ▓▓▓▓ ████████ █▄▄▄█ █▀▀▀▄ █ ▀▀ ▄█▄▄▄▄▄▄▄█ █ █ █ █ █▀▀▀ ▀▄▄▄▀ ████████ ▓▓▓▓ █ ██▄▄▄▄███▓█████▄▄▄▄▄▄▄▄▄█▄▄▄▄▄█████████████▄▄▄▄▄█▄▄▄▄▄████▄▄▄▄▄██████▓███▄▄▄▄██ ████████▀▀▀ ▀▀▀████████ ███▓▀ ▀▓███ ███▓ ▓███ ███▓ "LOVE AND RESPECT YOUR FRIENDS AND LET YOUR ENEMIES DIE!!!" ▓███ ███▓ ▓███ ███▓▄▄▄ ▄▄▄▓███ ██████████▄▄ ▄▄██████████ ██▀ ▄▄▄ ▀▀███▄ ▄███▀▀ ▄▄▄ ▀██ █ ▄▀▀████▄ ▀███▄ ▄███▀ ▄████▀▀▄ █ █▄▄▄▄ █▓▀██▄ ▀███ ███▀ ▄██▀▓█ ▄▄▄▄█ ████ ▄█▓ ▀██ ▀███ ███▀ ██▀ ▓█▄ ▀███ ███ ███ ▓███ ▀███ ███▀ ███▓ ███ ▀██ ██ ██▀ ▓███▓ ████▄ ▄████ ▓███▓ ▀██ ▀█ █ █▀ ▄██▓ ███████▄▄▄ ▄▄██████▄ ▓██▄ ▀█ █ ██ ▄███▓ ███████████████▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄██████████████ ▓███▄ ██ ██▓ ▓██▀ ▄███████████████▀▀▀▀▀▀▀█▀▀▀▀▀▀▀▀▀█▀▀▀▀▀▀██████████████▄ ▀██▓ ▓██ ██▓ ▓███▄ ▀ ▄▄▄▄ ▀▀█▀▀▀▀ ▄█████▄ ▄█▀▀▀▀▀█▄ ▄████▄ ▀▀▀█▀▀ ▄▄▄▄ ▀ ▄███▓ ▓██ ▓██▓ ▀███████████▄ ▄██▓██▀ ▀███▄ ▄█▀ ▀██▓██▄ ▄████████████▀ ▓██▓ ▓██▓ ▀▀▀▀ ▀██ ▓▓██▓ ▀██ ▄██▀ ▓██▓▓ ███▀ ▀▀▀▀ ▓██▓ █ ▓██▓ ▓██ ▓█▓ ▓██ ██▀ ▓█▓ ██▓ ▓██▓ █ ██ ▓██▄▄ ▓██ ▓█ ▓███▓ █▓ ██▓ ▄▄██▓ ██ ███▄ ▀████▄▄▄ ▄██ ▓█▄ ██▓ █▓ ██▄ ▄▄▄████▀ ▄▄██ █████▄▄ ▀███████▓████▀ ▀██ ██ █▓ ▄█ ██▀ ▀████▓███████▀▀ ▄█████ ██████▀ ▄█▓█▓█▓▓▓█▓ ▀████ ▓ ████▀ ▓█▓▓▓█▓█▓█▄ ▀██████ ████▀ ▄██▓▓█▓▓█▓█▓ ▄▄ ▀██▓ ▓██▀ ▄▄ ▓█▓▓█▓█▓▓██▄ ▀████ ██▀ ▄██▓▓█▓█▓▓█▓██▓ ▓██ ██▄ ▓██ ██▓ ▓██▓█▓▓█▓█▓▓██▄ ▀██ █▀ ███▓█▓█▓▓█▓██▓▀█▓ ▓████▄ ███▄▄ ▄▄██ ▄████▓ ▓█▀▓▓█▓█▓▓█▓█▓███ ▀█ █ ██▓█▓█▓▓█▓██▓█▓ ██ ▓███████▄ ▀█████ █████▀ ▄███████▓ ██ ▓█▓██▓█▓▓█▓█▓██ █ ▓█▓█▓█▓█▓▓█▓▓█▓█ ██ ▓████████▄ ▀██ ██▀ ▄████████▓ ██ █▓▓█▓█▓▓█▓█▓█▓██ ▓█▓▓▓█▓█▓█▓▓█▓██ ██ ▓█████████▄▄ █ █ ▄▄█████████▓ ██ ██▓█▓▓█▓▓██▓▓██▓ ███▓█▓█▓█▓███▀ ▓█▓ ▀▀█████████ █ █ █████████▀▀ ▓█▓ ▀███▓███▓▓█▓▓█ █▓██▓█▓█▓██▀ ▄█ ▓█▄▄ ▀▀▀▀▀ ▀▀▀▀▀ ▄▄█▓ █▄ ▀██▓█▓█▓▓█▓█ █▓▓████▓██ ▄███▄▄ ▀████▄ ▄███ ██ ███▄ ▄████▀ ███▄ ██▓█▓███▓█ █▓▓█▓████ ▄███████▄▄ ▀▀██ ████▄▄▄ ████████ ▄▄▄████ ██▀▀ ▄▄██████▄ ▀███▓█▓▓█ ▓█▓▓█▓█▓ ▄███████████ █ ███▓ ▓██████ ▀▀▀▀ ██████▓ ▓███ █ ███████████ ▓█▓█▓▓█▓ ▓██████▓ ████████████ █ █▓ ▄ █▓█▓█▓▓████████▓▓█▓█▓█ ▄ ▓█ █ ███████████ ▓██▓███▓ ▓█▓█▓█ ▄████████████▄ █ █ ██ █ ▄ ███ ▓█ ███ ▄ █ ██ █ █ ▄███████████▄ █▓█▓█▓ ▓███▓ ▀█████████████▄ █ █▄▀█ ███ █ █ ▀▓ █ █ ███ █▀▄█ █ ▄████████████▀ ▓███▓ ▓███▓ ▀█████████████▄ █ ██▄▓ ▀██ ███ ▀ ██ █▀▀ ▓▄██ █ ▄████████████▀ ▓███▓ ▓████▄ ▀████████████▄ █ ▀████▄▄▓▄ ▀ ▓ ▀ ▓▄█████▀ █ ▄███████████▀ ▄████▓ ▀▀▓███▄▄ ▀▀█████████▄ █▄ ▀▀████████████▀▀ ▄█ ▄████████▀▀ ▄▄███▓▀▀ ▀▀▀▀▀ ▀▀▀▀█████▄ ██▄▄ ▄▄██ ▄████▀▀▀▀ ▀▀▀▀▀ ▀████▄▄▄ ▄▄▄████▀ ▀▀████████████▀▀ ▀▀▀▀▀▀

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