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Famous for her cropped hair and multi-instrumental ██ ██ skills, she set out to revive the traditional music of her home ██ ██ region of Galicia by writing new songs that echo old styles, and ██ ██ by using traditional instrumentals in a contemporary setting, ██ ██ making extensive use of sampling and electronica, as well as ██ ██ guitar and accordion. She's joined by other musicians, but this ██ ██ is largely a solo recording, in which she plays 20 instruments, ██ ██ building up often dramatic, epic layers of sound around her ██ ██ powerful, no-nonsense vocals. The mood switches constantly, ██ ██ often within the same song, from swirling folk dances to stark, ██ ██ howling vocal passages, or (in Sao Paulo) switching from the ██ ██ echoes of a church service to drifting balladry and then jazz. ██ ██ There are occasional sections in which she sounds too clever for ██ ██ her own good, as with the overused sampling of children's voices ██ ██ on Nana Meus, but her clash of the traditional and experimental ██ ██ is bold and intriguing, from the quirky Babel, with its mix of ██ ██ edgy instrumental work and voices in different languages, to the ██ ██ rousing blend of bagpipes and electronica on Falar Millor. ██ ██ ██ ██ * ██ ██ ██ ██ SOS is the fourth album by Spanish multi-instrumentalist and ██ ██ composer Mercedes Pe≤n. The cover of the album shows àùà, the ██ ██ Morse code for SOS. This is the international distress signal. ██ ██ The Morse code is used by people at sea. Galicia, Mercedes ██ ██ Pe≤nÆs homeland, is a seafaring region of Spain with a large ██ ██ number of sailors, shore fishermen and deep-water fishing ██ ██ fleets. To Mercedes Pe≤n, SOS means music exploration and a ██ ██ desire to share. ██ ██ ██ ██ SOS introduces various musical influences, ranging from wild ██ ██ Galician folk to Afro-Cuban, Balkan sounds, funk, jazz, rock, ██ ██ global electronica, experimental excursions and other elements. ██ ██ Some of her pieces are like musical collages, recombining music ██ ██ from various sources with surprising twists. Mercedes Pe≤n is at ██ ██ ease using electronic and acoustic instruments simultaneously. ██ ██ In addition to a surprising wide range of vocals, Mercedes Pe≤n ██ ██ plays keyboards, bass, samplers, guitar, clarinets, electronic ██ ██ bagpipe, Moroccan reeds, Galician and Berber frame drums, drum ██ ██ kit, various types of percussion (including a paprika can), ██ ██ water and field recordings. ██ ██ ██ ██ On SOS, Mercedes Pe≤n is joined by Nacho Mu±oz on keyboards and ██ ██ samplers; Fernando Abreu on clarinets; Manuel Cebrian on guitar; ██ ██ Manuel Alonso on electric bass; and Fernando Martinez on ██ ██ accordion. ██ ██ ██ ██ The CD version comes in a beautifully packaged limited edition ██ ██ aluminum box. ██ ██ ██ ██ With SOS, Mercedes Pe≤n demonstrates that she is one of the ██ ██ leading exponents of the avant-garde wing of world music. ██ ██ ██ ██ ██ ██ ██ ██ ▄▄▄▄ ██ ██ ▄▀▒▒░ ▀▄ ██ ██ █ ▓▒░ █ ██ ██ ▄▄ ▄▀▀▄ ▐▌▒▒░ ░ ░▐▌ ██ ██ █░ █ █░░ █ ▐▌░░ ░░▐▌ ██ ██ ▀▀ ▀▄▄▀ █ ░ ░░ █ ▀ █▄▄▄▄ █▀▀▀ ▄▄▄▄ █▀ ██ ██ ▀▄ ▄▀ █ █ █ █▀▀ █ █ ▀▀▀▀█ ██ ██ ▀█▓▓▀▀▀▀▀█▓▓▓▄▄▄▄▄▄▄ ▀▀▀▀ ▀ ▀ ▀ ▀▀▀▀ ▀▀▀▀ ██ ██ ▀▓▓▄ ▄▄▄▄▄▄ ▀▀▀▀▓▓▓▄▄▄ ▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄ ██ ██ ▀▓▓▄█▀▀ ▀▀▀▓▓▓▄▄▄▄▓▓▓▀▀ ██ ██ ▀ ▀▓▓▀ ██ ██ ██ ██ WE ALWAYS ADDED SCANS/PHOTOS PROOFS FOR EACH RLZ ██ ██ SINCE DAY 1 !!! ██ ██ enjoy ██ ██ ██ ██ ██ ██ ██ ██ ▄▄█ ██ ██ ▐▀▀ ▐ Support artists and Buy The Music, ██ ██ ▄▐ ▄▐ Merchandise, Concerts ... ██ ██ █▓█ █▓█ ██ ██ ▀ ▀ We Rlz for Sc3ne ONLY! ██ ██ ██ ██ We rlz oNLY from physical sources we bought! ██ ██ no radio livesets, DAB, SBD, CABLE, SAT, DVBS, WEB, etc ██ ██ ██ ██ ▄▄█ ██ ██ U want to contact us find us ▐▀▀ ▐ ██ ██ ▄▐ ▄▐ ██ ██ █▓█ █▓█ ██ ██ ▀ ▀ ██ ██ ██ ██ ██ ██ ██▄▄▄▄ ██ ██ ████▓▓▓▓▓█▄▄▄▄ ▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄██ ██ ███ ▀▀▀▀▀▀▀▀▓▓▓ ██▄▄ ▄▄▄▄▄▄▄▄▓▓▓▓▓▓▓▓▓██████████████████████ ██ ███ ▄▄▄▄▄▓▓█▌ ▄▄▄▄▄▓▓▓▓▓▓▓███████▀▀▀▀▀▀▀▀▀▀▀▀▀▀ ██ ███ ▄▄▄█▓▓▓▀▀▀ ▄▄▄▄▓▓▓▓██████▀▀▀▀▀▀▀ ██ ▓▓▓▄█▓▓▓▀▀▀ ▄▄▄▓▓▓▓████▀▀▀▀▀ ██ ██▀▀▀ ▄▄▄▓▓▓▓▓█▀▀▀▀ ██ ▄▄▄▓▓▓▓▓▓▀▀▀ ███▓▓▓▓▀▀▀ ██▀▀