.___________________ __________________|_ | /______________|_ .__________\ | | | | | | | | ______/_ ______ | ._______\_____ | _|_ ___\ __/________\ /________| __\ _ )__ | ((___\ \\ \___ . __ . | . . /___ __|_ | | l | \/ | l | l // /____)) |_ | | | | | | | __ / |_____,------|_____,------|____.------|____|------' | \\/ / | | | /_ .... | | ..... | | : | `-----:---------------------------' `-----------------------:----' : design.by.ant1k :.............: __ ____ _______ ................... _(_/_( _ /_( _/ _ /_ ................... : : : \_ | | | |_ | | : : : : | : | | | | _/ | | : : : : | : | .--+ | | | | | +----------------------------------------------+--+--+---. | | | | | | | | r e l e a s e i n f o : . : | `--+ | | | | | +----------------------------------------------+--+--+---' | | | | | | | . :.................: : : | | | |__|__|__|__|_____| : : :.................: : | : :... : _______________/_ ..... \ / : : _\ rippers /____. : : release no ( 11074 ) \ rating | : : \_____. | : : artist (Sam Binga ) | .---. | : : title (AYO / Freezy ) | 0 |%%%| | : : record label (Modulations (MODULE016) ) | 9 |%%%| | : : genre (Drum & Bass ) | 8 |%%%| | : : release date (2013/11/08) | 7 |%%%| | : : street date (2013/10/07) | 6 |%%%| | : : | 5 |%%%| | : : media type vinyl (x) tape ( ) cd ( ) radio ( ) | 4 |%%%| | : : cover sfv m3u cover (x) sfv (x) m3u (x) cue ( ) | 3 |%%%| | : : | 2 |%%%| | :.. :..... ... | 1 |%%%| | : : :.: (02 tracks) (07:06 min) ( 13,2 mb) | `---' | : ...:.... `----------' :...:..: : :: :......: _. ____ ____ ____ __ .............. .( |_ .\ _ )_\__ )_( __/.__/ / .......... : : : | __/_| _ _/ _ | | | /_ /_ : : : : | . : | | | | | | | | | | | : : : : | | | .--| | | | | | | | | | |----------------------------------+--+--+---. | | | | | | | | | | | | t r a c k l i s t i n g : . : | `--| | | | | | | | | | |----------------------------------+--+--+---' | | | | | | | | | | | : :........: : : | | | |_____|__|__|_____|_____|__|__| :.. . :............: . | : :... : nr times track titles .----^-------^----------------------------------------------------------------. | A 3:38 Sam Binga - AYO (feat. Redders) | | AA 3:28 Sam Binga - Freezy | `----^-------^--------------------------------------------/ | ...... /____________________| : . ...:.. : : :..........: :....: :: ____ ____ __. ____ ____ ____ ____ ... .\ _ )_( _ /_\ |___( _ /_\__ )_( __/_( _ /_ : ........... : | _ _/ /___/ | / /___/ _ |___ / /___/ ........ : : | : | | | | | | | | | | | | | | | : : : : | : | .--| | | | | | | | | | | | | | |------------------------+--+--+-. | | | | | | | | | | | | | | | | r e l e a s e n o t e : . : | `--| | | | | | | | | | | | | | |------------------------+--+--+-' | | | | | | | | | | | | | | | :......: : : | | | |__|__|_____|_____|_____|_____|_____|_____| :.........: | : :.. : : : | | .-------+ -+-------. | | | | | | Next up on the Critical Music Modulations | | | | imprint comes a showcase from one of the most | | | | talked about names in UK hybrid bass music | | | | right now. Heavily supported by the likes of | | | | Kasra, Shy FX, dBridge, Mark Pritchard, | | | | Rockwell, DJ Die and many more, Sam Binga | | | | talks us through this dance floor fire | | | | release in his own wordsà | | | | | | | | "I guess the main idea behind AYO! was to | | | | make something crunchy and lo-fi, but still | | | | heavy enough for the floor. I think I was | | | | listening to a lot of Timbaland beats around | | | | the time I built this one û I have always | | | | loved the massive kicks and weird squashy | | | | snares he uses, so I wanted to try something | | | | along those lines at DnB speed. The rest | | | | seemed to flow quite organically and Redders | | | | brought his usual charisma and animation to | | | | the vocal. Like the man says, everyone knows | | | | he mashes up the show... | | | | | | | | "Freezy" is a bit more straightforward û | | | | something like a tribute to classic | | | | bouncing-subs jungle, but with added southern | | | | crunk vibes and a chunky halfstep beat. If I | | | | remember rightly, there is a gun being cocked | | | | over each snare, and I brought the hardware | | | | sampler out to get the pads and synths | | | | sounding suitably 1995." | | | | | | | | For the first time in Critical:Modulations | | | | history, the 10-inch vinyl is available in | | | | "Hot Pink"! | | | | | | `-------+- +-------` : : __. ____ _____ ____ __. .............. \ |___( _ /_\ _/_\__ )_\ |___ .......... : : : / | / /___/ | / _ | | / : : : : | . : | | | | | | | | | | | : : : : | | | .--| | | | | | | | | | |----------------------------------+--+--+---. | | | | | | | | | | | | d i s c l a i m e r : . : | `--| | | | | | | | | | |----------------------------------+--+--+---' | | | | | | | | | | | : :........: : : | | | |__|__|_____|_____|_____|_____| :.. . :............: . | : :... : .-----------------------------------------------------------------------------. | | | This release may contain copyrighted material, however SOUR guarantees | | that this material was at least available to one person "on the street" | | and that the possession of this material is in no way privileged. | | | | SOUR has been releasing good quality drum'n'bass, jungle & oldskool rips to | | the internet drum'n'bass public since summer 1999. Originally a small | | operation, we have now reached levels of international acclaim. | | | | SOUR is dedicated to both the availability and promotion of music to the | | public, and our rips are intended to reflect these ideals. Specifically: | | | | . SOUR is dedicated to the promotion of new music that is currently | | available to buy. If you like something you hear, you are obliged to | | attempt to purchase an original copy. | | | | . SOUR is dedicated to the promotion of old music that may no longer be | | available to buy. | | | | . SOUR is dedicated to the expansion and infiltration of drum'n'bass | | worldwide! We provide a service where none is available, specifically in | | many remote countries where traditional distributors can not afford to | | target. Also, the availability of drum'n'bass in an easily accessible | | form expands the potential for real world sales to people who may not | | otherwise have considered buying drum'n'bass. | | | | . SOUR is dedicated to the expansion of the online and offline real world | | scenes. With more listeners enjoying what they hear, clubs and venues can | | only expect MORE people to attend events; DJ's can only expect MORE | | people to pay to see THEM. | | | | By accident of today's current real world distribution arrangements, many | | artists will find that SOUR releases IMPROVE their real world sales; | | especially for items only on vinyl. This is the basis upon which SOUR | | operates. | | | `---------------------------------------------------------/ | ...... /____________________| : . ...:.. : : :..........: :....: :: [ sour productions(c) 1999-2013 ]