Genre | Progressive Rock |
---|---|
Date (CEST) | 2025-08-05 22:47:12 |
Group | GRAVEWISH |
Size | 150 MB |
Files | 10 |
M3U / SFV / NFO |
Mostly_Autumn-Seawater-CD-2025-GRAVEWISH
Infos
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Tracklist (M3U)
# | Filename | Artist | Songname | Bitrate | BPM |
---|---|---|---|---|---|
1 | 01-mostly_autumn-lets_take_a_walk.mp3 | Mostly Autumn | Let's Take a Walk | 273 | 120 |
2 | 02-mostly_autumn-why_do_we_remember_the_rain.mp3 | Mostly Autumn | Why do We Remember the Rain | 288 | 115 |
3 | 03-mostly_autumn-be_something.mp3 | Mostly Autumn | Be Something | 277 | 122 |
4 | 04-mostly_autumn-when_we_ran.mp3 | Mostly Autumn | When We Ran | 273 | 132 |
5 | 05-mostly_autumn-if_only_for_a_day.mp3 | Mostly Autumn | If Only For a Day | 277 | 129 |
6 | 06-mostly_autumn-when_nations_collide.mp3 | Mostly Autumn | When Nations Collide | 268 | 130 |
7 | 07-mostly_autumn-my_home.mp3 | Mostly Autumn | My Home | 281 | 117 |
8 | 08-mostly_autumn-mars.mp3 | Mostly Autumn | Mars | 267 | 113 |
9 | 09-mostly_autumn-future_is_a_child.mp3 | Mostly Autumn | Future is a Child | 277 | 147 |
10 | 10-mostly_autumn-seawater.mp3 | Mostly Autumn | Seawater | 266 | 136 |
NFO
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██▌ Artist...: Mostly Autumn ░▐██▌
░▐██ Album....: Seawater ░██▌░
▓▐██ Year.....: 2025 ▓▐██▓
▓▐██ Rel. Date: 2025-08-05 ░▐██▓
▐██ Genre....: Progressive Rock ██▌░
░ ██▌ Label....: Mostly Autumn Records ██▌
▐██ Source...: CD ▐██
░▐██▌ Type.....: Album ▐██▌░
▓▄████ Quality..: VBR, 44.1kHz, Joint Stereo ████▌░
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1. Let's Take a Walk 9:08
2. Why do We Remember the Rain 4:52
3. Be Something 4:42
4. When We Ran 9:16
5. If Only For a Day 6:36
6. When Nations Collide 5:51
7. My Home 4:29
8. Mars 5:03
9. Future is a Child 7:18
10. Seawater 19:08
76:23
Some bands have been around so long that they basically just make music
for their established fanbase, and thatÆs fine. It means that you know
exactly what youÆll get whenever they release a new album. Mostly Autumn
launched Seawater on February 28th, and if you like the bandÆs past
albums, youÆll like this, too.
Mostly Autumn comes to us from the UK; they are well-known for their
ensemble progressive folk demeanor. The lineup on this album, I believe,
is Bryan Josh on guitars, Olivia Sparnenn on vocals, Iain Jennings on
keys, Chris Johnson on guitars, Andy Smith on bass, Angela Gordon on
flute and keys, and Henry Rogers on drums. Troy Donockly guests on
uilleann pipes and low whistle.
If you are familiar with the band, you already know what this album
sounds like, essentially. Their music is classy, homey, mildly Floydian
prog rock with lots of warm feelings, uplifting lyrics, and epic guitar
solos. YouÆll also know that a major highlight of their sound is the
OliviaÆs vocal performance, which is through the roof again this time.
I will say that Bryan sings more often on this release, which feels a
little odd, but itÆs still good. Also, the drumming from Henry Rogers is
exceptionalùI loved his work with DeeExpus and his style is always a
highlight.
Seawater is yet another love song to the bandÆs fans. In my view, the
current era of the band started back in 2018 with the masterpiece White
Rainbow, and 2021Æs Graveyard Star felt like a lesser version of it.
Seawater falls somewhere in the middle, still feeling like an extension
of White Rainbow but having enough of its own character to get me
interested. They give the fans what they want, and they make the music
they enjoy. I canÆt fault them for that.
Now, the record is technically a double album, but IÆve only heard the
first disc, the album proper. The second disc is a bonus album which I
hear is quite good. The first disc runs 76 minutes, though, so there is
more than enough Mostly Autumn here. It has ten songs, and I feel like
each half ends with the best tracks on the album.
The first half starts with ôLetÆs Take a Walkö, a welcoming piece with
terrific guitar work. The rest of this part of the album is quite
whimsical and nostalgic; songs like ôRemember All the Rainö feel like
earnest exhortations, and I like that. Songs like ôWhen We Ranö seem
like someone looking back on their life, and on their current
relationships, and feeling thankful. ItÆs the kind of thing we need. The
final track in this half is ôIf Only For a Dayö, the big vocal track for
Olivia; this one really delivers in that towering singer-songwriter
style that she does so well, but IÆll say that the subtle keys really
enhance the experience, and the huge guitar solo at the end is amazing.
The second half of the album is somewhat darker, I think. ôWhen Nations
Collideö is a little apprehensive, and ôMarsö feels like a wish to leave
this planet. ôMy Homeö, though, is warm and fuzzy, and I really like it;
the song is catchier than I realized on first listen. ôFuture Is a
Childö is a hopeful and pretty epic itself, but the closer ôSeawaterö is
basically worth the price of admission by itself. This piece is twenty
minutes long and has some of the darkest shades IÆve heard from the band
since The Ghost Moon Orchestra. I love the slight spine-tingling, almost
Halloween vibes that rise after a few minutes, and it feels troubled and
tumultuous; the eerie organ and cinematic shadows work so well to
communicate this. ItÆs easily one of the best songs theyÆve ever
produced.
Seawater is, perhaps, more of the same, but thatÆs basically what a band
thirty years old does, usually. Their physical edition already sold out
and the fans are eating it up, so what more could they want? The album
has some major highlights and will leave you with a storm of feelings,
and so Mostly Autumn appears to be as effective as ever.
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