| Genre | Unknown |
|---|---|
| Date (CEST) | 2017-04-13 17:12:26 |
| Group | GCP |
| Size | 65 MB |
| Files | 10 |
| M3U / SFV / NFO | |
Nadia_Reid-Preservation-2017-GCP
Infos
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Tracklist (M3U)
| # | Filename | Artist | Songname | Bitrate | BPM |
|---|---|---|---|---|---|
| 1 | 01-nadia_reid-preservation-gcp.mp3 | Nadia Reid | Preservation | Unknown | Unknown |
| 2 | 02-nadia_reid-the_arrow_and_the_aim-gcp.mp3 | Nadia Reid | The Arrow And The Aim | Unknown | Unknown |
| 3 | 03-nadia_reid-richard-gcp.mp3 | Nadia Reid | Richard | Unknown | Unknown |
| 4 | 04-nadia_reid-i_come_home_to_you-gcp.mp3 | Nadia Reid | I Come Home To You | Unknown | Unknown |
| 5 | 05-nadia_reid-hanson_st_part_2_(a_river)-gcp.mp3 | Nadia Reid | Hanson St Part 2 (A River) | Unknown | Unknown |
| 6 | 06-nadia_reid-right_on_time-gcp.mp3 | Nadia Reid | Right On Time | Unknown | Unknown |
| 7 | 07-nadia_reid-reach_my_destination-gcp.mp3 | Nadia Reid | Reach My Destination | Unknown | Unknown |
| 8 | 08-nadia_reid-te_aro-gcp.mp3 | Nadia Reid | Te Aro | Unknown | Unknown |
| 9 | 09-nadia_reid-the_way_it_goes-gcp.mp3 | Nadia Reid | The Way It Goes | Unknown | Unknown |
| 10 | 10-nadia_reid-aint_got_you-gcp.mp3 | Nadia Reid | Ain't Got You | Unknown | Unknown |
NFO
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p r o u d l y p r e s e n t s ..::
░ Artist | Nadia Reid
Title | Preservation
Genre | Indie
Source | CDDA
Format | Album
Label | Basin Rock Records
Catalog | BR002
Released | 2017
Ripped | 2017
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Quality | 225 kbps avg at 44.1 kHz ▄▄███▀▀
Encoder | Lame 3.98.4 V0 ▄▄██▀▀ ░
Size | 68.03 MB ▄▄█████▀ ░░░
Playtime | 40:09 ▄███▄▄▄▄▄ ▄█▀ ▓█▄ ░░
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░ R E L E A S E I N F O R M A T I O N
New Zealander Nadia Reid's debut, "Listen To Formation, Look For The
Signs", was released in 2015 to widespread critical acclaim. Reid
was born in 1991 and grew up in Port Chalmers, a suburb of the city
of Dunedin on the South Island of the country. She first picked up a
guitar at the age of 14, but a career in music was far from her
mind, and when she left school in 2009 she worked as a nanny and a
waitress. In addition, Reid was making music, and at 17, she
released her debut EP, "Letters I Wrote But Never Sent", in 2011.
She didn't rush to produce a follow-up, and consequently her debut
long-player didn't arrive for some time. After a six-year gestation,
"Listen To Formation, Look For The Signs" was self-released in 2014,
but in early 2015, Spunk Records picked up the album and released it
in Australia.
Reid's debut record arrived late in 2015, and despite being warmly
received it did seem to suffer slightly from the swathe of best-of
lists that tend to dominate the music press at the end of the year.
Nevertheless, it was an excellent debut from the then 24-year-old,
especially given that some of the songs on the record were written
by Reid at a remarkably young age. "Listen To Formation, Look For
The Signs" displayed an impressively assured approach to the kind of
new folk that artists like Laura Marling have had such success with.
Lyrically, it often exhibited maturity beyond her years, but also
frequently found her wrestling with uncertainties about
relationships and exposed a suspicious attitude toward love.
Whereas her debut found her stumbling into the world confused,
startled, and not yet fully formed (albeit articulating it rather
brilliantly), "Preservation" finds Reid less reactive and more
reflective. Much like "Formation", this record is often dusted
lightly with melancholy, but the overall feel is far more positive,
the atmosphere less claustrophobic. On Formation's "Ruby", she sang,
'Bittersweet I am when it comes to young love', yet Preservation's
meditative title track optimistically muses, 'I know I will find the
one to hold onto'. While some of Formation's tracks had a few
moments of mild oversensitivity, these ruminations feel more
seasoned and are all the more insightful for it.
Here, the earnestness of her debut is swapped for wryness on tracks
like "Richard", who is gently mocked for liking 'the sound of his
own voice in the kitchen by the mirror'. Harsher, yet even more
amusing, is her takedown of an oppressively small town in "Reach My
Destination": 'There were two little words that I used/one was fuck,
the other was you'. And musically this record is a little looser and
more playful, with some of the songs trading in quiet folk for more
of a dustbowl country swagger. Still, she's not afraid of space and
sparsity when the song calls for it. "Hanson St Pt. 1" benefits
greatly from the minimalist yet lush marriage of simple
fingerpicking and her vocals.
It's a record in perpetual motion, and the following track picks up
the pace with the wonderful, Fleetwood Mac-esque "Right On Time",
which is served captivatingly by the cascading notes that Reid
delivers. Much like "Seasons Change" stood out on "Formation", "I
Come Home To You" is undoubtedly the star of the show here. Here she
exhibits her artistry most successfully by matching the quiet
theatricality of the music with tensions between settling for warm
familiarities versus embarking on adventures. As she sings, 'We see
things in a different light/ I'm looking outward into the night/I
wanted to be like you/take me home smoke me out', her yearning
melody is served by the drama of the drum fills, and the steel
guitar's unabashed play for the heartstrings.
All in all, "Preservation" is a fine record that finds this young
artist really hitting her stride.
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::t r a c k l i s t ::: ▀██████▀▀
::: . ▀▀
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01. Preservation 4:22
02. The Arrow And The Aim 3:06
03. Richard 3:39
04. I Come Home To You 4:12
05. Hanson St Part 2 (A River) 4:23
06. Right On Time 4:22
07. Reach My Destination 3:04
08. Te Aro 5:21
09. The Way It Goes 3:59
10. Ain't Got You 3:41
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40:09
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