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Sinead O'Connor - Release (Edit) 06 05:32 Massive Attack - Inertia Creeps 07 04:48 Natalie Imbruglia - Identify 08 03:16 Billy Corgan & Mike Garson - Identify (Dust) / 1,000,000 Voices 09 03:18 Billy Corgan & Mike Garson - Pop Pop / Await / Reflect (Pretty) 10 03:04 Billy Corgan & Mike Garson - Reflect (Clouds) / Truth 11 04:21 Billy Corgan & Mike Garson - Of Square Waves / Random Thought 12 02:51 Billy Corgan & Mike Garson - Reflection / Possession 13 02:13 Billy Corgan & Mike Garson - Reflect (Gray) / Of Sine Waves 14 04:31 Billy Corgan, Royal Berlin Knife & Phorchestra - Distrbnce (After Sckhausen) / Reflect (Pause) / Orah 15 03:56 Billy Corgan & Mike Garson - Sustain / Identify (Affectation) 16 03:03 Billy Corgan & Mike Garson - All Answers Revealed / Reflect (Devotion) 17 06:00 Billy Corgan & Mike Garson - Purge / 10,000,000 Voices / Reflect (Purity) / Identify (Peace) 18 03:51 Billy Corgan & Mike Garson - Reflect (Time) / Tree Whispers Total time: 74:04 min ─ Release notes ─────────────────────────────────────── ─── ─ ─ It's too bad that the soundtrack for the much-delayed supernatural religious horror film Stigmata opens with an industrial-metal remix of Chumbawamba's "Mary Mary," since it gives the misleading impression that the record will be a dark, gloomy noise-fest. Well, the album may be dark and gloomy, but it's not always noisy -- at it's best, it's eerily evocative. And it's at its best on the second half of the album, which is devoted to Billy Corgan and Mike Garson's rich, disquieting score. This is mood music of the highest order, seamlessly flowing between orchestral moments, electronic soundscapes, dissonance, and light. It's unfortunate that the entire album wasn't entirely instrumental, since it would have been a more satisfying listen. That's not to say that the first half of the album is terrible -- there's quite a few good songs there, actually, highlighted by Bjork's "All is Full of Love" (from Homogenic), Afro Celt Sound System & Sinead O'Connor's "Release," and the Corgan-Garson written/Natalie Imbruglia sung "Identify." ("The Pretty Things are Going to Hell," a sneak preview of David Bowie's upcoming hours..., is an embarrassing excursion into post-NIN industrial-metal schlock, and the only truly weak selection on the record.) However, it doesn't fit with the second half, which feels more like the film and is a more satisfying listen on its own terms. - Stephen Thomas Erlewine ─ Contact ───────────────────────────────────────────── ─── ─ ─ Remember, if you like the album, support these artists and buy it. That way, it keeps both them in business and keeps the RIAA from bitching. Contact us @ : #eos (efnet) █▀▀ ▀ ▀ ▀▀█ ▀█▀▓▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▓▀█▀ ▀▀▀▀▀▀ ▀ RIPPING AT ITS FINEST -- ECONOMY OF SOUND ▀ ▀▀▀▀▀▀