| Genre | Unknown |
|---|---|
| Date (CEST) | 2013-11-29 07:24:59 |
| Group | GCP |
| Size | 88 MB |
| Files | 13 |
| M3U / SFV / NFO | |
Omar-The_Man-2013-GCP
Infos
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Tracklist (M3U)
| # | Filename | Artist | Songname | Bitrate | BPM |
|---|---|---|---|---|---|
| 1 | 01-omar-simplify-gcp.mp3 | Omar | Simplify | Unknown | Unknown |
| 2 | 02-omar-the_man-gcp.mp3 | Omar | The Man | Unknown | Unknown |
| 3 | 03-omar-come_on_speak_to_me-gcp.mp3 | Omar | Come On Speak To Me | Unknown | Unknown |
| 4 | 04-omar-i_can_listen-gcp.mp3 | Omar | I Can Listen | Unknown | Unknown |
| 5 | 05-omar-bully_(feat._scratch_professer)-gcp.mp3 | Omar | Bully (Feat. Scratch Professer) | Unknown | Unknown |
| 6 | 06-omar-treat_you_(feat._caron_wheeler)-gcp.mp3 | Omar | Treat You (Feat. Caron Wheeler) | Unknown | Unknown |
| 7 | 07-omar-fuck_war_make_love-gcp.mp3 | Omar | Fuck War, Make Love | Unknown | Unknown |
| 8 | 08-omar-high_heels_(feat._hidden_jazz_quartett)-gcp.mp3 | Omar | High Heels (Feat. Hidden Jazz Quartett) | Unknown | Unknown |
| 9 | 09-omar-i_love_being_with_you-gcp.mp3 | Omar | I Love Being With You | Unknown | Unknown |
| 10 | 10-omar-theres_nothing_like_this_(feat._pino_palladino)-gcp.mp3 | Omar | There's Nothing Like This (Feat. Pino Palladino) | Unknown | Unknown |
| 11 | 11-omar-eeni_meeni_myni_mo-gcp.mp3 | Omar | Eeni Meeni Myni Mo | Unknown | Unknown |
| 12 | 12-omar-when_you_touch_we_touch-gcp.mp3 | Omar | When You Touch We Touch | Unknown | Unknown |
| 13 | 13-omar-ordinary_day_(feat._stuart_zender)-gcp.mp3 | Omar | Ordinary Day (Feat. Stuart Zender) | Unknown | Unknown |
NFO
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. ▀▀ :..
p r o u d l y p r e s e n t s ..::
░ Artist | Omar
Title | The Man
Genre | R&B
Source | CDDA
Format | Album
Label | Freestyle Records
Catalog | FSRCD099
Released | 2013
Ripped | 2013
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Quality | 236 kbps avg at 44.1 kHz ▄▄███▀▀
Encoder | Lame 3.98.4 V0 ▄▄██▀▀ ░
Size | 92.04 MB ▄▄█████▀ ░░░
Playtime | 52min 17s ▄███▄▄▄▄▄ ▄█▀ ▓█▄ ░░
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░ R E L E A S E I N F O R M A T I O N
Designated by many as the father of British neo-soul (though his
impact extends over to US shores as well),
singer/songwriter/producer Omar began as one of the UK's most
promising R&B hopefuls with his early-90s international hit "There's
Nothing Like This". However, unintentionally avoiding pop stardom,
he chose never to compromise his artistic credibility, and because
of that, people like India.Arie, Erykah Badu, Angie Stone, Gilles
Peterson, and his biggest idol, Stevie Wonder, have all endorsed him
as personal fans (with the prior three naming him as an influence).
Although he gets thrown into the R&B category, Omar has no real
definitive boundaries. In interesting new ways with each album, he
has molded soul and urban music to fit his wide variety of
influences, including ragga, hip-hop, funk, jazz-pop, rock, and
Latin/Caribbean dance. Despite the lack of chart success, his
original techniques have garnered him a strong legion of followers
in the UK and a devoted fan base in diverse regions across the
world..
The gap between "Sing (If You Want It)" and "The Man" amounts to the
longest wait between Omar albums yet, but the always creative R&B
veteran's seventh full-length is not the result of being pressed
into action. In more than one sense, this is a relaxed continuation
of the 2006 set. The seeds were planted back then. "Lift Off", the
two-minute instrumental intro of "Sing (If You Want It)", is
developed here into a full-blown song - a warm, romantic duet with
the great Caron Wheeler, who contributed background vocals to some
of Omar's earliest Kongo Dance output. Omar also goes way back to
update his first album's title song, "There's Nothing Like This",
with Pino Palladino on bass and lively interplay between Ben
Edwards' trumpet and Richard Beesley's tenor sax.
Omar, as usual, can't help but incorporate decades-old elements that
have inspired him. At various points, the material recalls anything
from The Meters to upbeat Terry Callier - with the funk as hard as
the folk-soul is elegant - and Latin and Jamaican accents weave in
and out with a natural touch. On a majority of the tracks, Omar is
assisted by a band, yet the songs on which he receives little or no
help - such as "I Love Being With You", keenly embellished with a
brilliant mix of piano, clavinet, synthesizer, and synthetic strings
- are just as rich. It's all fresh and vigorous, very much in the
present and built to last.
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ooh ye.. ░ ▀██████████████▄░▀███████▀
▀▀████████████▄▄▄▄ ▀
::t r a c k l i s t ::: ▀██████▀▀
::: . ▀▀
------------------------------------------------------------------------------
01. Simplify 3:19
02. The Man 4:12
03. Come On Speak To Me 3:22
04. I Can Listen 3:22
05. Bully (Feat. Scratch Professer) 4:01
06. Treat You (Feat. Caron Wheeler) 3:42
07. Fuck War, Make Love 3:28
08. High Heels (Feat. Hidden Jazz Quartett) 4:43
09. I Love Being With You 3:33
10. There's Nothing Like This (Feat. Pino Palladino) 5:23
11. Eeni Meeni Myni Mo 4:20
12. When You Touch We Touch 4:26
13. Ordinary Day (Feat. Stuart Zender) 4:26
-----
52:17
------------------------------------------------------------------------------
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