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█▓▓▓▒▒▒░░░░███▀ ░ ████ █░░░░░ ████▀█▄▄░░░ ░ ███░░░░░░▀███▄████▀█▀░░ ▀██▄█▓▓▓▒▒▒▒░░░░▀░ ▄█████ █▄░░░░░░███▄▄▄██▒░░░ ████░░░░▒▒▒██▓▓▓▓▓▓▓▒░░░ ▀████▓▓▓▓▒▒▒▒░░░░░▄▄██████▀ ▀█░░░▒▒▒▒▒▒▒▒▓▓▓▓▒▒░░░░░███░░░▒▒▒▒▒▒▒▓▓▓▓▓▓▓▓▒░░░░████▓▓▓▓▓▒▒▒▒▒▒███████▀ ▀█░▒▒▒▒▒▒▒▒▓▓▓▓▓▓▓▒▒▒▒░▀███░░▒▒▒▒▒▒▒▓▓▓▓▓▓▓▓▓▓▓▒▄▄████▓▓▓▓▓▓▓▓▓▓▓███▀▀ ▀█▒▒▒▒▒▒▓▓▓▓▓▓▓▓▓▓▓▒▒▒▀████▒▒▒▒▒▒▒▒▓▓▓▓▓▓▓▄▄███████▀█▓▓▓▓▄█▄███████▄ ▀▀███▒▒▒▓▓▓▓██▓▓▓▓▓█████████████▄█▄▄█▄▄████████▀▀ ▀█▄█████████▀▀▀ ::: ▀▀████████████████████▀▀▀███████████████▀▀ █████▀▀▀ ... ▀▀▀▀▀ ▀████▀▀▀ ▀▀▀▀▀▀▀▀ ▀ . ▀▀ :.. p r o u d l y p r e s e n t s ..:: ░ Artist | Otis Redding & Jimi Hendrix Title | Historic Performance Genre | Rock Source | Vinyl Format | Album Label | Reprise Records Catalog | MS 2029 Released | 1970 Ripped | 2014 ▄▄ Quality | 270 kbps avg at 48.0 kHz ▄▄███▀▀ Encoder | Lame 3.98.4 V0 ▄▄██▀▀ ░ Size | 84.34 MB ▄▄█████▀ ░░░ Playtime | 41min 24s ▄███▄▄▄▄▄ ▄█▀ ▓█▄ ░░ ██▄░▀▀▀▀▀▀▀████▀ ░░▀██▄ ░░░ ░░ ████▄░░░▄▄▄▄▄▄▄▄▄▄▄▄▄▄▒▒▀█▄ ░░░ ░░░░ ██▄░░ ▓█ ░ ░ ▀▀█▄▓▒▀█▄ ░ ░ ░░░ ▄██▓ ██ ░░░ ▄▓▒░░ █▄ ░ ▄▄██████▀░ ▀████▄▄▄▄▄████▀▀░░ ▄██ ░ ░ ▄▄▄▄▄▄▄▄████▀▀▀▀▀▀▀ ▀ ▀▀▀ ░▄▄▄███ ▄▄▄▄▄▄▄▄▄████████▀▀▀▀▀▀▀▀▀▀ ░ ░ ▄▄██▀▀▀▀ ▄██████▓▓▒▒░░▓ ░ ░░ ▄▄▄▄▄▄▄▄▄▄████▄████▀▀ ▄████▓▓▓▓▒▒▒░▄▄▄▄▄▄██████▄█▄▄▄▄▄▄▄ ░░░░░▒▓█████▀▀ ████▓▓▒▒▒▒░▒▓██▀ ▀ ▀██░░▒▒▒██▀▀ ░░░░░░ ███▓▓▒▒▒▒░░░▒▓█▄ ░░ ░░░░ ░░ █▀▒▒░░░██▄ ░░░░░ ▀███▓▓▓▓▒▒▒▒░░░▒▓██▄▄▄▄▄ ██░░░░░ ░███▄▄ ░ ▀██████▓▓▓▒▒▒░░ ▀▀▀▀▀▀▀▀█▀▀▀▀░ ▀▀▀███▄▄▄▄ ░ ▀▀▀███████░░░ ░ ░ ░ ▀▀▀▀███▄▄▄▄▄ ..::: ▀████████████▄▄▄ ░ ▀▀████▄ ▀▀▀██▀██▀█████████▄▄▄ ░░░ ░░░ ▀▀▀██▄▄ . ▀▀▀▀▀▀▀▀▀▀██████▄▄░░░░░░░░▄▄▄▄▄▄ ▀███▄ ::: ░ ░░░ ▀▀███▒▓▒█▀▀▀▀▀▀▀▀▀▀▀█▄▄ ░▀███▄ eh about this release ░░░░░░░ ▀██████ ░░ ░ ██▀ ░▓███ ░░ ▄▄███▓█████▄▄▄▄▄▄▄▄█▀ ░░███▀ :::.... ▄▄▄█████▀░░░░ ▀▀▀▀▀▀ ░░░▓▓█▀ .. ▄▄▄████████▀█▀▀░ ░ ░░░▓██▀ ████▓▀▀▀░░ ░ ▄▄▄▄▄▄▄▄▄████████████▄████▀▀▀ ▀░░▄▄▄███▀▀▀▀▀▀▀▀▀ ▀▀ ▀▀▀▀ ▀▀███ ░░ ░ R E L E A S E I N F O R M A T I O N In his brief four-year reign as a superstar, JIMI HENDRIX expanded the vocabulary of the electric rock guitar more than anyone before or since. Hendrix was a master at coaxing all manner of unforeseen sonics from his instrument, often with innovative amplification experiments that produced astral-quality feedback and roaring distortion. His frequent hurricane blasts of noise and dazzling showmanship - he could and would play behind his back and with his teeth and set his guitar on fire - has sometimes obscured his considerable gifts as a songwriter, singer, and master of a gamut of blues, R&B, and rock styles... One of the most influential soul singers of the 1960s, OTIS REDDING exemplified to many listeners the power of Southern deep soul - hoarse, gritty vocals, brassy arrangements, and an emotional way with both party tunes and aching ballads. He was also the most consistent exponent of the Stax sound, cutting his records at the Memphis label/studios that did much to update R&B into modern soul. His death at the age of 26 was tragic not just because he seemed on the verge of breaking through to a wide pop audience (which he would indeed do with his posthumous number one single 'Sittin On The Dock Of The Bay'). It was also unfortunate because, as the song demonstrated, he was also at a point of artistic breakthrough in terms of the expression and sophistication of his songwriting and singing... The time was, back in the late 1960s, that no one knew what to do with live rock performances. Record labels (especially the majors) were so wedded to studio perfection that even when they had important and marketable concert recordings on hand, they were usually overlooked when it came time to consider them for release. And in a way, who could blame them - if an executive were to concede that a musician could cut a perfectly viable release in front of an audience, then what good were all of these record labels and the people who worked for them (executives, producers, engineers)? This odd LP was one of three releases from the 1967 Monterey International Pop Festival that actually made it out to the public within a few years of the actual event (the others were the Mamas & the Papas live album, and Ravi Shankar's material). At the time, it made a lot of sense, in that both Otis Redding and Jimi Hendrix had passed on, consequently any concert recordings by either were that much more valuable - but as Otis had not done a long enough set to fill up an LP, he ended up sharing this post-humous release with Hendrix. Both sets have been remastered in superior sound in the decades since, and released as full videos, on VHS tape, laser disc, and DVD, so this album is purely of historic interest as an artifact of the time. But at the time it was a major release for both artists, offering Redding's transcendent performance in front of the largest single audience of his career, and a portion of one of the two best official live recordings of Hendrix's career. It's also interesting, when one finds them, that used copies often reveal the taste of the earlier owners, thanks to the diverging musical orientations of the two performers. There wasn't much overlap between fans of Redding and Hendrix, most listeners of the time confined themselves to one side or the other of the album in terms of going back for multiple plays; Hendrix was probably more widely listened to, and was better known among the college students who bought most rock LPs. But in terms of musical importance, the Otis Redding side now seems far and away the greater moment, as he was gone barely six months after this performance, whereas Hendrix had three years of life and performances ahead of him. ░ ░ █▀▀█▀ ░░░░ ░░░ ██ ██ ░░ ░ ░░░ ░░ ▄▄▄▄ ▄ ▄▄ ░ ▄▄ █ ▀▀ ░ ▄█▀▀█ ▄ ▀█ ▄▄█ ░░░ ▀ ▀███ ░ ████ ░░ ░ ░ ░ ░░░ █ ▄███▀▀▀▀▀▀▀▀▀▄▄▄▄▄ ░░ ░░░ █▄ █▀ ░░ ▄▄██▀▀▀▀██▄▄▄ ░ ▀▀▀▄▄ ░░░ ░▄ ░ ▀▀ █ ░ ▄███▓░ ░░ ▀███▄▄▄ ░░ ▀▀▀▀▄▄▄ ░░ ░░ █░ ░ █ ▄█▀▄██▄▄▄▄▄██████████████▄▄▄ ░ ░░▒██▄ ▄░░░░▒█ ░▒░ ░ ▄▄▄▄▄██████▀████▀███████████████████████▄▄░░░▒▒▓▓██▄ ▀█▒▓▓█ █▓░░░ ▄▄▄▄▀▀▀▀▀░░ ░ ███████▄ ▀▀▀██████████████░░ ▄███████████▀▄▀▀▀▀▀ █▀▀ ▄█▀██▀▒▒▒░░░░ ▀██▄ ▀████▄▄█▀████████▓░░ ░███████████▀░▓█▄▄▄ █ ▄█░ ▀▀█▒▒░░░ ░ ▀██▄▄▄ ██████████▓░░ ░▄██████████▓▀▀▓▓▓▓██ █▀█▄▄▄ ▀▀▄▄░░ ░ ▄ ▀ ▀▀▄▄▄ ▀███████░ ▄██▀██████████▒▒▒▒▓▓▀ ▀ █▄█ ███▄▄░░▀▀▄▄░░ ░ ▀ ░ ▀▀▄▄▀▀▀▀████████████▀███░░░▒▒▓▓██ ▄██████████▄▄ ░░▀█▀▀▄░ ░░▀▀█▄▄ ████▀▀▀▀▀ ░ ░░░░▄██▄▀▀ ██░▓██▄▀████████▀ ▄░░ ▀▄▄▄ ░ ░░▄▄█▀ █▀▀ ░░ ░░▄██▀ ▀▀▄ ▀▓██▄▀▀███▓░ ▀█▄▄▄░░ ▀▀▄▄ ▄▄▄▀███▀ ░ ░░░███ ▀▀▄▄▀███▄▄▀████░████▄▄█▄▄░▀▀▄▄ ▄▀▀░▄▄▀▀ ░ ░░ ░▄▄███ ▄▄███▄█▀▓████▄ ███████████▄░░▀▀▄██▀▀░▄▀▀ ░ ▀ ░ ▄▄██████ ▄████████████▄█▀███▄█▀██████████▄▄▄██▄▄▀▀░░ ▄▄▄▄ ▄ ▄▄██████▄▀ ░ ▀▀██████████░ ▀▀▄█▀▓██▄▄▀▀██████▀ ▄██ ░░ ▄█████▓░▄▄███████▀ ░░ ▀▀███████▄▄░░▀█▄▄█▀▓██▄▄ ▀██▄▄██▀ ░ ▄███████████████▀ ░░░ ░░░ ▀▀████████▄█████▄▄▀▀█████████ ░ ▄▓████████████▀ ░░░░░ ▀▀██████████████▄▄▀▀▓████▄▄▄▄▄▄████▄██████▀▀ ░░░░░ .. ░░░░░ ▀███████████████▄▄█▀▀██████████████▀▀ ░░░░░ ::. ░░░░ ▀▀██████████████████████▀██████▀ ░░░░ ooh ye.. ░ ▀██████████████▄░▀███████▀ ▀▀████████████▄▄▄▄ ▀ ::t r a c k l i s t ::: ▀██████▀▀ ::: . ▀▀ ------------------------------------------------------------------------------ 01. The Jimi Hendrix Experience - Like A Rolling Stone 6:49 02. The Jimi Hendrix Experience - Rock Me, Baby 4:08 03. The Jimi Hendrix Experience - Can You See Me 3:47 04. The Jimi Hendrix Experience - Wild Thing 7:58 05. Otis Redding - Shake 2:59 06. Otis Redding - Respect 2:56 07. Otis Redding - I've Been Loving You Too Long 4:07 08. Otis Redding - (I Can't Get No) Satisfaction 3:32 09. Otis Redding - Try A Little Tenderness 5:08 ----- 41:24 ------------------------------------------------------------------------------ ██ ░ █▀█ ▀███▄▄ ░ █░▀░▓█ ░ ██ ░░░ ██░█ ██▄▄ ░ ██ ░ ░░ █▒▀▀█░▒▓█▄ ▄ ███ ░░░▀▀█▓░ █ █▀████▄▄▄ ░░ ███▄ ░░░ ▀▀█▄░ ▀██▄▀▀████▄ ▄ ▄█████ ░ ░ █▄▄ ░░▒▓███▄▀████▄▄▄▄ ░ ██████▄ ░░ ▄▄▄▄▄▄▄▄▄▄▄▄██▄▄███████████▄▀▓░▀████▄ ▄███████▄ ░ ▄███████▀▀███▓▀░███▀▀███▀██████████░▀█░▀███████████████▄ ▄█ ▄▄▄▄▄█████▓▄▄ ▀██▄▄███▄▄▄▀█▄░░▓█▄░▀▓█▀████████▄▓██████████████████ ▄█████████▓▄▄█████▀▀▀▀▀▀▀▀▀▀██████████████████████████████████▄▄███▀▀ ▄▄██▓▀▄▄▄▄██▀▀▀▀▀ ░░░░░░▒▓ ▄███████ █████████▀▀▀▀▀▄████▓░▀██▄▄▄██▄ ▄██▓▄██▀▀▀ ░ ░░ ▄▄█████▄▄▄███▓██████▀ ▄▄██▀████▄▄▄▄░░ ▀▓██ ▄███▀▀▀ ░ ▄██▓▒▒░░ ██████▀▄█████▀▀░▄▄███▓░ ░▀▀▀█░▄▀██ ███▀▀ ::.. ▄███▀▀▀▀▀▀████░▓█ ▀▀██▀░░▄█▀▀ ▄█████▄▄░░ ▀███▄ ██▀ ░ ███▄█████▄██░████ ██▓▄▄▀▀░▄▄█▀██░ ▀▀▄▄░▓██▀ and then we chill ▄██▓░ ░▄ ▄█▀█ ▓███ ▀███▀░░▄█▀▀▄▄██▀██▄ ░ ▀ ▄██▄ ▄██▄ ▀▀▀▀██ ░███ █▓▀▒░▄▀ ▄█▀▀█▓░ ▀▀█▄░░████ :::: ▄█▓░░▄▄▄██▀░▓██▀ ░░ ██▄█░░▄█▀ ███▄▄ ▀█▄░▓█ G R E E T I N G S ::: ▄██▄█▀▀▀█▀██▄█▀ ░░ ▀█▓▀ █▀ ░▄████ ▀█▄ ▀███ .. ▀█▓▀░░▄██░████ ░░░ ██▄▄░░ ▄▀ ██░ ▀ ░░▀█▀ ██▀▄█▀███▒▓██ ░░ ███▀░▄█ ░ ▄██▓▀█▄ ░ ░▄▄██ ▄███▀░▄█▀█▄██ ░░ █▓░▄█░░ █▀ ██░ ▀█▄▒▓███ . █▓░███░▄███ ████░░ █▀ ██ ░ ▀░ ██ ▄███▀██▄▓█▀ ░ ▀██▓▒▄█ ░ ▄████▄ ░███ ▄█▀░██████ ▀████░░ █▀ ▀█░▀▀▄░░▓██ █▓▄▄█ ██▀ ▀██▓▒░█░ ░▄█▄ ▀▀░▄██ ░ ████▀██▀ ██▄█▀░▄█ ███▄░░░███ ░ ██████▀ ▀██▓▒▄█░░█▓ ▀█▄▒▓█ ░░ ░ ▄█████▀ ██▄█ ░▄██▄░ ▀███▄ ▀░░ ░░ █████ ▀██▓▒▄█░██▀▄░▓███ █▓░░░ ░░░ ▄███▀ ▀▀███▀▄██░▀███ ▀▀▀█▓░░ ░ ░░░ ▄██▀ ▀█▓░█▀█▄░▓██▀ ▀▀▀ ▀ ▀▀ G R O U P N E W S ██▄█░█▓▄▄█▄ ▀██░██▀██▀ ▒█▄▓█ ▀█▓████ ▀████▀ ███ ░ ░ ░ ░ ░ ░ ░░░ ░░░ ░ ░▒█ █▒░ ░ ░▒▓█ █▓▒░ ░░▓█▀ ▀█▓░░ ░ ░░▓█▀ ▀█▓░░ ░ ░ ░░░▄█▀ ▀█▄░░░ ░ ▄ aSC' fairchild o4, 11 ▀ ▀▀▀ ▀▀▀ ▀ ▄▄▄▄▄▄▄▄ ▄▄▀▀▀█▄▄ .dFs. ▄▄▄█▀▀▀▀▀█▀█▄▄▄ ▄██▀▀▀▀ ▀ ▀▀ ██▄ ▄█▀ ▀▀▀▀▀▀██▄ ▄█░░ ▀█▄ ▄█▀ ░ ░░░ ████ ▄█▀ ░ ░░ ▄███▄▄█▄█▄░░ ░░ ▀█▄ ▄█▀▀ ░ ░ ████ ▄█░ ░ ▄█████▓▓▒▒░░░░ ░░ ██ ██░ ▄▄▄▄▄▄▄ ████▄ █▀░░ ▄██ ██████▄▓▒▒▒░░░ ████▄ ░ ███ ██░░░ ▄█████████████▀██▄█░░░░ ▄███ ░ ████▀ █▓▓▒▒▒░░░░ ████ ▄████ █░░░░ ▄████▀▀▀▀▀ ████░░░░ ███████▄█▄▄▄██▀██ █▓▓▓▒▒▒░░░░███▀ ░ ████ █░░░░░ ████▀█▄▄░░░ ░ ███░░░░░░▀███▄████▀█▀░░ ▀██▄█▓▓▓▒▒▒▒░░░░▀░ ▄█████ █▄░░░░░░███▄▄▄██▒░░░ ████░░░░▒▒▒██▓▓▓▓▓▓▓▒░░░ ▀████▓▓▓▓▒▒▒▒░░░░░▄▄██████▀ ▀█░░░▒▒▒▒▒▒▒▒▓▓▓▓▒▒░░░░░███░░░▒▒▒▒▒▒▒▓▓▓▓▓▓▓▓▒░░░░████▓▓▓▓▓▒▒▒▒▒▒███████▀ ▀█░▒▒▒▒▒▒▒▒▓▓▓▓▓▓▓▒▒▒▒░▀███░░▒▒▒▒▒▒▒▓▓▓▓▓▓▓▓▓▓▓▒▄▄████▓▓▓▓▓▓▓▓▓▓▓███▀▀ ▀█▒▒▒▒▒▒▓▓▓▓▓▓▓▓▓▓▓▒▒▒▀████▒▒▒▒▒▒▒▒▓▓▓▓▓▓▓▄▄███████▀█▓▓▓▓▄█▄███████▄ ▀▀███▒▒▒▓▓▓▓██▓▓▓▓▓█████████████▄█▄▄█▄▄████████▀▀ ▀█▄█████████▀▀▀ ▀▀████████████████████▀▀▀███████████████▀▀ █████▀▀▀ ▀▀▀▀▀ ▀████▀▀▀ ▀▀▀▀▀▀▀▀ ▀ ▀▀