| Genre | Unknown |
|---|---|
| Date (CEST) | 2012-03-08 16:41:04 |
| Group | CRN |
| Size | 31 MB |
| Files | 4 |
| M3U / SFV / NFO | |
Pascal_Savy-Receding-(TTL044)-2012-CRN
Infos
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Tracklist (M3U)
| # | Filename | Artist | Songname | Bitrate | BPM |
|---|---|---|---|---|---|
| 1 | 01-pascal_savy-if_time_allows.mp3 | Pascal Savy | If Time Allows | Unknown | Unknown |
| 2 | 02-pascal_savy-separate.mp3 | Pascal Savy | Separate | Unknown | Unknown |
| 3 | 03-pascal_savy-receding.mp3 | Pascal Savy | Receding | Unknown | Unknown |
| 4 | 04-pascal_savy-throughout.mp3 | Pascal Savy | Throughout | Unknown | Unknown |
NFO
▄▄ [ INFORMATION ] ▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄
█ █
█ ARTIST: Pascal Savy █
█ TITLE: receding █
█ LABEL: Twisted Tree Line █
█ GENRE: Ambient █
█ BITRATE: 210kbps avg █
█ PLAYTIME: 0h 20min total █
█ RELEASE DATE: 2012-00-00 █
█ RIP DATE: 2012-03-08 █
█ URL: █
█ █
█▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄█
▄▄ [ TRACKLIST ] ▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄
█ █
█ 01. If Time Allows 3:12 █
█ 02. Separate 6:40 █
█ 03. Receding 5:03 █
█ 04. Throughout 5:39 █
█ █
█ █
█ █
█▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄█
▄▄ [ NOTES ] ▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄
█ █
█ When is a piano EP not a piano EP? When the piano is recorded, then █
█ partially removed, leaving an ôempty shellö where the notes one █
█ shuddered. The recording operates as a sonic illusion, as the notes █
█ heard are not fully there. Some wander between the boundaries of tracks █
█ like sheep through busted fences. Others simply wait for company û the █
█ sweeps and crystalline tones that fall around the piano like dust from █
█ the arms of the abandoned windmill in which it was recorded. In one █
█ sense, the organic sounds are receding to expose the inorganic, but in █
█ another, the natural is receding to expose the supernatural, the █
█ physical to expose the spiritual. In the end, the EP sounds more like █
█ an electronic work, as hums and bright chords are accompanied by happy █
█ crackle and digital bells. The pops and bings turn out to have more of █
█ a presence than the identifiable elements, producing a sense of wonder. █
█ As the electric guitar makes an appearance on the title track, █
█ surrounded by the buzzing of pixies and sprites, itÆs as if heaven and █
█ earth were meeting in a sunny glen. Only four tracks dance on this █
█ postcard, but enough to allure: a seeming mirage that turns out to be an █
█ oasis. (Richard Allen) █
█ █
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