Powell-Sport-Special_Edition-2CD-2016-D2H

Tracklist (M3U)
# Filename Artist Songname Bitrate BPM
1 101-powell-fit_17.mp3 Powell Fit_17 Unknown Unknown
2 102-powell-fuck_you_oscar.mp3 Powell Fuck You, Oscar Unknown Unknown
3 103-powell-frankie_feat._frankie.mp3 Powell Frankie [Feat. Frankie] Unknown Unknown
4 104-powell-big_keith_ok_ok_mix.mp3 Powell Big Keith ['Ok Ok' Mix] Unknown Unknown
5 105-powell-skype.mp3 Powell Skype Unknown Unknown
6 106-powell-junk.mp3 Powell Junk Unknown Unknown
7 107-powell-jonny_feat._jonny.mp3 Powell Jonny [Feat. Jonny] Unknown Unknown
8 108-powell-beat_20_194r.mp3 Powell Beat 20_194r Unknown Unknown
9 109-powell-gettin_paid_to_be_yourself_als_kick_ass_mix.mp3 Powell Gettin' Paid To Be Yourself [Al's 'Kick Ass' Mix] Unknown Unknown
10 110-powell-do_you_rotate_feat._dale_cornish.mp3 Powell Do You Rotate? [Feat. Dale Cornish] Unknown Unknown
11 111-powell-her_face.mp3 Powell Her Face Unknown Unknown
12 112-powell-gone_a_bit_bendy_nts_chatroom_version.mp3 Powell Gone A Bit Bendy [NTS Chatroom Version] Unknown Unknown
13 113-powell-plastic.mp3 Powell Plastic Unknown Unknown
14 114-powell-mad_love_feat._loke_rahbek.mp3 Powell Mad Love [Feat. Loke Rahbek] Unknown Unknown
15 201-powell-sylvester_stallone.mp3 Powell Sylvester Stallone Unknown Unknown
16 202-powell-smut.mp3 Powell Smut Unknown Unknown
17 203-powell-insomniac.mp3 Powell Insomniac Unknown Unknown
18 204-powell-shouldve_been_a_drummer.mp3 Powell Should've Been A Drummer Unknown Unknown
19 205-powell-vega.mp3 Powell Vega Unknown Unknown
NFO
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Number : XLCD776 ▓███ ███▓ Street Date : 2016-10-14 ▓███ ███▓ Rip Date : 2017-01-24 ▓███ ███▓ Encoder : LAME 3.98.4 -V0 ▓███ ███▓ Quality : 250kbps / 44.1KHz / Joint Stereo ▓███ ███▓ Tracks : 19 ▓███ ███▓ Playtime : 01:18:25 (151.8MB) ▓███ ███▓ URL : http://xlrecordings.com ▓███ ███▓ ▓███ ███▓█▄▄ ▄▄█▓███ ███████▓███▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄███▓███████ ██▀▀▀▀███▓████ ▄▄▄▄▄ ▄▄▄▄ ▀ ▄▄▄ ▀ ▄▄▄▄ ▄ ▄ ▄ ███ ▄ ▄▄▄▄ ▄▄▄▄▄ █████▓███▀▀▀▀██ █ ▓▓▓▓ ███████▄▄ █ ▄ █ █ █ █ █ ▄▄▄ █▄▀ █ ███ █ ▀▄▄▄ ▄ █ ▄▄████████ ▓▓▓▓ █ █ ▓▓▓▓ █████████ █ █ █ ▀▀▄ █▀▀▀█ ▀▄▄▄▄ █ ▀▄ █▄▄▄▄ █ ▄▄▄▄▀ █ █ ██████████ ▓▓▓▓ █ ██▄▄▄▄███▓██████▄▄▄█▄▄▄█▄▄▄▄▄█▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄██▄▄▄███████▓███▄▄▄▄██ ████████▀▀▀ ▀▀▀████████ ███▓▀ ▀▓███ ███▓ ▓███ ███▓ Disc 1 / 2 ▓███ ███▓ -------- ▓███ ███▓ ▓███ ███▓ 01 Fit_17 0:34 ▓███ ███▓ 02 Fuck You, Oscar 4:25 ▓███ ███▓ 03 Frankie [Feat. Frankie] 4:59 ▓███ ███▓ 04 Big Keith ['Ok Ok' Mix] 3:07 ▓███ ███▓ 05 Skype 2:08 ▓███ ███▓ 06 Junk 4:31 ▓███ ███▓ 07 Jonny [Feat. Jonny] 5:25 ▓███ ███▓ 08 Beat 20_194r 0:55 ▓███ ███▓ 09 Gettin' Paid To Be Yourself [Al's 'Kick Ass' Mix] 3:29 ▓███ ███▓ 10 Do You Rotate? [Feat. Dale Cornish] 4:49 ▓███ ███▓ 11 Her Face 3:00 ▓███ ███▓ 12 Gone A Bit Bendy [NTS Chatroom Version] 0:54 ▓███ ███▓ 13 Plastic 3:50 ▓███ ███▓ 14 Mad Love [Feat. Loke Rahbek] 4:29 ▓███ ███▓ ▓███ ███▓ ▓███ ███▓ Disc 2 / 2 ▓███ ███▓ -------- ▓███ ███▓ ▓███ ███▓ 01 Sylvester Stallone 7:17 ▓███ ███▓ 02 Smut 7:22 ▓███ ███▓ 03 Insomniac 6:58 ▓███ ███▓ 04 Should've Been A Drummer 7:03 ▓███ ███▓ 05 Vega 3:10 ▓███ ███▓ ▓███ ███▓ ▓███ ███▓ ▓███ ███▓ 78:25 min ▓███ ███▓ ▓███ ███▓█▄▄ ▄▄█▓███ ███████▓███▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄███▓███████ ██▀▀▀▀███▓█████ ▄▄▄▄ ▄▄▄▄▄ ▄ █████████████ ▄ ▄▄▄▄ ▄▄▄▄▄ ▄▄▄ ▀█████▓███▀▀▀▀██ █ ▓▓▓▓ ████████ █ █ █▄▄ ▄ █ █████ ▄▄▄▄▄ █ █ █ ▄ █ █ █ ▄ █ ████████ ▓▓▓▓ █ █ ▓▓▓▓ ████████ █ ▀▀▄ █▄▄▄▄ █▄▄▄▄ █▄▄▄▄▄▄▄█ █ █ █ █ █▀▀▀ ▀▄▄▄▀ ████████ ▓▓▓▓ █ ██▄▄▄▄███▓█████▄▄▄█▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄█████████▄▄▄▄▄█▄▄▄▄▄████▄▄▄▄▄██████▓███▄▄▄▄██ ████████▀▀▀ ▀▀▀████████ ███▓▀ ▀▓███ ███▓ ▓███ ███▓ Special 2CD edition of album with the bonus disc that is entitled ▓███ ███▓ "Thank You Rough Trade For Letting Me Use Your Loo For So Many ▓███ ███▓ Years" - bonus disc is packaged in a custom cardboard sleeve ▓███ ███▓ with no catalog number or ID. It contains all the tracks from the ▓███ ███▓ Sylvester Stallone and Insomniac 12" singles as well as non-album ▓███ ███▓ track "Vega". The "main" CD is otherwise exactly identical to the ▓███ ███▓ standard UK release. ▓███ ███▓ ▓███ ███▓ This is what thelineofbestfit.com writes about this release: ▓███ ███▓ ▓███ ███▓ There is balletic precision to be found in the sport of Greco-Roman ▓███ ███▓ wrestling. As the two men grapple upon the mat, each successful ▓███ ███▓ move is conceived through prudent planning and then subsequently ▓███ ███▓ executed with burly dynamism. On Sport, Powell grapples with ▓███ ███▓ genres, live samples and mutated electronics before finally pinning ▓███ ███▓ to the floor a tumultuous and mind-bending cacophony. ▓███ ███▓ ▓███ ███▓ On an hysterical promotional timeline found on PowellÆs website, ▓███ ███▓ one can find the quotation, ôpicks up first Shellac recordàwishes ▓███ ███▓ he could sound like a bandö. Whilst there are references to ▓███ ███▓ PowellÆs musical pupilage throughout the timeline, it is that ▓███ ███▓ unrelenting desire to ôsound like a bandö that courses through the ▓███ ███▓ athletic veins of Sport. It allows Powell to transcend zeitgeist, ▓███ ███▓ to create a precise and unique tapestry - of live ▓███ ███▓ hardcore/punk/rock samples; modular synthetic squeals and crawling ▓███ ███▓ low ends - that exudes a dumbfounding vitality and dynamism. ▓███ ███▓ ▓███ ███▓ In order ôto sound like a bandö, Powell has undertaken a ▓███ ███▓ commendable level of work to unearth and weave an assortment of ▓███ ███▓ ôliveö samples into a dense meshwork of industrial beats and ▓███ ███▓ howling modular synthesisers. ôBig Keith [æOk OkÆ MixÆ]ö, for ▓███ ███▓ example, sprinkles clicks of a drummer counting four and a ▓███ ███▓ curtly-cut strummed bass line amongst anxious strings and a ▓███ ███▓ plethora of alien sound-bites that come and go as they please. ▓███ ███▓ Similarly, ôJonnyö features a memorable looping guitar riff ▓███ ███▓ alongside an achingly-cool vocal couplet, ôtapped into some ▓███ ███▓ untapped energy/walking the high streets parallelö. ▓███ ███▓ ▓███ ███▓ SportÆs aforementioned dynamism comes not only from PowellÆs use of ▓███ ███▓ live samples but from the structures and arrangements found on the ▓███ ███▓ record. ôFuck You, Oscarö bleeds patchwork vibrancy, whilst album ▓███ ███▓ highlight and centrepiece ôJunkö showcases many of the sonic motifs ▓███ ███▓ found on the record. Opening with a blistering arpeggiated ▓███ ███▓ sequence, ôJunkö is interspersed with audience claps and French ▓███ ███▓ dialogue before spiralling into an irresistible rhythm. There is an ▓███ ███▓ almost recalcitrant nature to PowellÆs arrangements, to such a ▓███ ███▓ point where Sport, at times, plays like an unsettled radio, ▓███ ███▓ battling to find a singular frequency. ▓███ ███▓ ▓███ ███▓ This unruly quality is no negative, but is actually what makes ▓███ ███▓ Sport fun, exciting and if anything slightly dangerous. Sport ▓███ ███▓ prowls at its own pace, accelerating and decelerating dramatically ▓███ ███▓ (often dragging synth lines behind), as demonstrated in ôGone A Bit ▓███ ███▓ Bendy [NTS Chatroom Version]ö. It is a record that revels in toying ▓███ ███▓ with the listener with its constant shifts in tempo and tone. ▓███ ███▓ ▓███ ███▓ Whilst there are a few tenuous segments littered about the record, ▓███ ███▓ with ôGettinÆ Paid To Be Yourself [AlÆs æKick AssÆ Mix]ö and ôMad ▓███ ███▓ Loveö acting as the primary culprits, Sport predominantly thrills ▓███ ███▓ with its clash of genres and sonic motifs. The deranged pop of lead ▓███ ███▓ single ôFrankieö is counterposed against the white-noise of ▓███ ███▓ ôFiT_17ö; the chopped-up bass stomp of ôLunchö; the agitated spoken ▓███ ███▓ word of ôDo You Rotate?ö; and the lurking low ends of ôHer Faceö - ▓███ ███▓ a distant sibling to 2013Æs excellent ôOh No New York [The Death Of ▓███ ███▓ Rave 2013]ö. Yet found amongst this collision of styles is an ▓███ ███▓ implacable focus on penetrating hooks. The clever lyrical word-play ▓███ ███▓ of ôFrankieö (ôYou encounter me/[in/en]counter cultureö) highlights ▓███ ███▓ how, on Sport, avant-garde sensibilities have successfully teamed ▓███ ███▓ up with pop structures to lace the record with a series of ▓███ ███▓ indelible moments. ▓███ ███▓ ▓███ ███▓ In the wrong, fumbling hands Sport may have become a perverse, ▓███ ███▓ academic exercise into sampling. Samples are used with purpose on ▓███ ███▓ Sport, to create PowellÆs simulacrum of live music. His wish to ▓███ ███▓ sound like a band has become a startling reality and on his debut ▓███ ███▓ record, Powell has created a lean adonis to boisterously spar with ▓███ ███▓ the listener. Although wrestling with Sport, at first, may prove to ▓███ ███▓ be a challenging affair, it rapidly becomes a wholly rewarding and ▓███ ███▓ thorough sonic work-out. ▓███ ███▓ ▓███ ███▓█▄▄ ▄▄█▓███ ███████▓███▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄███▓███████ ██▀▀▀▀███▓█████▀ ▄▄▄▄ ▄▄▄▄ ▄▄▄▄ ▀█████████ ▄ ▄▄▄▄ ▄▄▄▄▄ ▄▄▄ ▀█████▓███▀▀▀▀██ █ ▓▓▓▓ ████████ █ ▄▄▄ █ █ █ █ █ ▄▄▄▄▄ █ █ █ ▄ █ █ █ ▄ █ ████████ ▓▓▓▓ █ █ ▓▓▓▓ ████████ █▄▄▄█ █▀▀▀▄ █ ▀▀ ▄█▄▄▄▄▄▄▄█ █ █ █ █ █▀▀▀ ▀▄▄▄▀ ████████ ▓▓▓▓ █ ██▄▄▄▄███▓█████▄▄▄▄▄▄▄▄▄█▄▄▄▄▄█████████████▄▄▄▄▄█▄▄▄▄▄████▄▄▄▄▄██████▓███▄▄▄▄██ ████████▀▀▀ ▀▀▀████████ ███▓▀ ▀▓███ ███▓ ▓███ ███▓ "LOVE AND RESPECT YOUR FRIENDS AND LET YOUR ENEMIES DIE!!!" ▓███ ███▓ ▓███ ███▓▄▄▄ ▄▄▄▓███ ██████████▄▄ ▄▄██████████ ██▀ ▄▄▄ ▀▀███▄ ▄███▀▀ ▄▄▄ ▀██ █ ▄▀▀████▄ ▀███▄ ▄███▀ ▄████▀▀▄ █ █▄▄▄▄ █▓▀██▄ ▀███ ███▀ ▄██▀▓█ ▄▄▄▄█ ████ ▄█▓ ▀██ ▀███ ███▀ ██▀ ▓█▄ ▀███ ███ ███ ▓███ ▀███ ███▀ ███▓ ███ ▀██ ██ ██▀ ▓███▓ ████▄ ▄████ ▓███▓ ▀██ ▀█ █ █▀ ▄██▓ ███████▄▄▄ ▄▄██████▄ ▓██▄ ▀█ █ ██ ▄███▓ ███████████████▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄██████████████ ▓███▄ ██ ██▓ ▓██▀ ▄███████████████▀▀▀▀▀▀▀█▀▀▀▀▀▀▀▀▀█▀▀▀▀▀▀██████████████▄ ▀██▓ ▓██ ██▓ ▓███▄ ▀ ▄▄▄▄ ▀▀█▀▀▀▀ ▄█████▄ ▄█▀▀▀▀▀█▄ ▄████▄ ▀▀▀█▀▀ ▄▄▄▄ ▀ ▄███▓ ▓██ ▓██▓ ▀███████████▄ ▄██▓██▀ ▀███▄ ▄█▀ ▀██▓██▄ ▄████████████▀ ▓██▓ ▓██▓ ▀▀▀▀ ▀██ ▓▓██▓ ▀██ ▄██▀ ▓██▓▓ ███▀ ▀▀▀▀ ▓██▓ █ ▓██▓ ▓██ ▓█▓ ▓██ ██▀ ▓█▓ ██▓ ▓██▓ █ ██ ▓██▄▄ ▓██ ▓█ ▓███▓ █▓ ██▓ ▄▄██▓ ██ ███▄ ▀████▄▄▄ ▄██ ▓█▄ ██▓ █▓ ██▄ ▄▄▄████▀ ▄▄██ █████▄▄ ▀███████▓████▀ ▀██ ██ █▓ ▄█ ██▀ ▀████▓███████▀▀ ▄█████ ██████▀ ▄█▓█▓█▓▓▓█▓ ▀████ ▓ ████▀ ▓█▓▓▓█▓█▓█▄ ▀██████ ████▀ ▄██▓▓█▓▓█▓█▓ ▄▄ ▀██▓ ▓██▀ ▄▄ ▓█▓▓█▓█▓▓██▄ ▀████ ██▀ ▄██▓▓█▓█▓▓█▓██▓ ▓██ ██▄ ▓██ ██▓ ▓██▓█▓▓█▓█▓▓██▄ ▀██ █▀ ███▓█▓█▓▓█▓██▓▀█▓ ▓████▄ ███▄▄ ▄▄██ ▄████▓ ▓█▀▓▓█▓█▓▓█▓█▓███ ▀█ █ ██▓█▓█▓▓█▓██▓█▓ ██ ▓███████▄ ▀█████ █████▀ ▄███████▓ ██ ▓█▓██▓█▓▓█▓█▓██ █ ▓█▓█▓█▓█▓▓█▓▓█▓█ ██ ▓████████▄ ▀██ ██▀ ▄████████▓ ██ █▓▓█▓█▓▓█▓█▓█▓██ ▓█▓▓▓█▓█▓█▓▓█▓██ ██ ▓█████████▄▄ █ █ ▄▄█████████▓ ██ ██▓█▓▓█▓▓██▓▓██▓ ███▓█▓█▓█▓███▀ ▓█▓ ▀▀█████████ █ █ █████████▀▀ ▓█▓ ▀███▓███▓▓█▓▓█ █▓██▓█▓█▓██▀ ▄█ ▓█▄▄ ▀▀▀▀▀ ▀▀▀▀▀ ▄▄█▓ █▄ ▀██▓█▓█▓▓█▓█ █▓▓████▓██ ▄███▄▄ ▀████▄ ▄███ ██ ███▄ ▄████▀ ███▄ ██▓█▓███▓█ █▓▓█▓████ ▄███████▄▄ ▀▀██ ████▄▄▄ ████████ ▄▄▄████ ██▀▀ ▄▄██████▄ ▀███▓█▓▓█ ▓█▓▓█▓█▓ ▄███████████ █ ███▓ ▓██████ ▀▀▀▀ ██████▓ ▓███ █ ███████████ ▓█▓█▓▓█▓ ▓██████▓ ████████████ █ █▓ ▄ █▓█▓█▓▓████████▓▓█▓█▓█ ▄ ▓█ █ ███████████ ▓██▓███▓ ▓█▓█▓█ ▄████████████▄ █ █ ██ █ ▄ ███ ▓█ ███ ▄ █ ██ █ █ ▄███████████▄ █▓█▓█▓ ▓███▓ ▀█████████████▄ █ █▄▀█ ███ █ █ ▀▓ █ █ ███ █▀▄█ █ ▄████████████▀ ▓███▓ ▓███▓ ▀█████████████▄ █ ██▄▓ ▀██ ███ ▀ ██ █▀▀ ▓▄██ █ ▄████████████▀ ▓███▓ ▓████▄ ▀████████████▄ █ ▀████▄▄▓▄ ▀ ▓ ▀ ▓▄█████▀ █ ▄███████████▀ ▄████▓ ▀▀▓███▄▄ ▀▀█████████▄ █▄ ▀▀████████████▀▀ ▄█ ▄████████▀▀ ▄▄███▓▀▀ ▀▀▀▀▀ ▀▀▀▀█████▄ ██▄▄ ▄▄██ ▄████▀▀▀▀ ▀▀▀▀▀ ▀████▄▄▄ ▄▄▄████▀ ▀▀████████████▀▀ ▀▀▀▀▀▀

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