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This Means War 3:46 2. Lost Generation 3:35 3. The Reason I Live 4:34 4. Skip To The Good Bit 3:52 5. Jive 3:44 6. Don't Bring Me Down 3:23 7. Lunatic 3:40 8. Everything Will Be Better In The Morning / Interlude 1:02 9. Me Around You 4:13 10. Wind Up 3:38 11. Jam Yourself 3:50 12. Put Your Two's Up 3:24 13. I Love Your More Than You Think 3:57 14. That's Classic 3:44 15. Biscuits 3:45 16. Fine With Me 4:36 17. Keep It Up 3:26 [Notes] ôEstate war!ö is the ominous opening phrase of British hip-hop duo Rizzle KicksÆs second album. But before your gut clenches at the prospect of another grim depiction of inner-city conflict, This Means War launches with a rush of energy into a deadpan rap about a preteen egg fight. ôItÆs not just life that remains raw,ö snaps Harley Alexander-Sule as he recalls cadging 50p from his mum for a box of eggs to toss at a rival gang, while his musical partner, Jordan Stephens, weighs in with a sing-song, ôso let the games begin!ö ItÆs a fresh, funny gambit, acknowledging both the childish roots of gang life and its potential consequences: ôIt was pleasant if you were below the age of eight/ Only God knows if it was the catalyst for something less blasΘ.ö It proves a bold opening to a rip-roaring set of smart, catchy hip-hop pop with a swaggeringly confident British flavour. There was a time when Brit-hop seemed hampered by parochialism, unable to compete with the life-and-death stakes of American gangsta rappers. Yet the best of our 21st-century home-grown talent have turned that around, both musically (plugging into British dance trends rather than slavishly following US formats) and lyrically, by addressing everyday realities with a brand of humour that, crucially, respects the seriousness of the issues addressed (at least to the people facing them) by not (pardon the pun) over-egging them. Dizzee Rascal, Tinie Tempah and Plan B all mine this vein in distinctive ways. Having already notched up a million single sales, Rizzle Kicks push it somewhere potentially even more universally appealing, connecting to the music hall chirpiness and socially observant lyricism of classic, kitchen-sink British pop from the Kinks to Blur, with a hefty debt to the two-tone ska of Madness and the Specials.