| Genre | Unknown |
|---|---|
| Date (CEST) | 2012-03-10 11:56:56 |
| Group | 404 |
| Size | 74 MB |
| Files | 9 |
| M3U / SFV / NFO | |
Rose_Hill_Drive-Americana-2012-404
Infos
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Tracklist (M3U)
| # | Filename | Artist | Songname | Bitrate | BPM |
|---|---|---|---|---|---|
| 1 | 01-rose_hill_drive-americana.mp3 | Rose Hill Drive | Americana | Unknown | Unknown |
| 2 | 02-rose_hill_drive-telepathic.mp3 | Rose Hill Drive | Telepathic | Unknown | Unknown |
| 3 | 03-rose_hill_drive-baby_doncha_know_your_man.mp3 | Rose Hill Drive | Baby Doncha Know Your Man? | Unknown | Unknown |
| 4 | 04-rose_hill_drive-pictures_of_you.mp3 | Rose Hill Drive | Pictures Of You | Unknown | Unknown |
| 5 | 05-rose_hill_drive-speed_dial.mp3 | Rose Hill Drive | Speed Dial | Unknown | Unknown |
| 6 | 06-rose_hill_drive-psychoanalyst.mp3 | Rose Hill Drive | Psychoanalyst | Unknown | Unknown |
| 7 | 07-rose_hill_drive-your_mothers_jam.mp3 | Rose Hill Drive | Your Mother's Jam | Unknown | Unknown |
| 8 | 08-rose_hill_drive-birds_against_the_glass.mp3 | Rose Hill Drive | Birds Against The Glass | Unknown | Unknown |
| 9 | 09-rose_hill_drive-birthdays_and_breakups.mp3 | Rose Hill Drive | Birthdays And Breakups | Unknown | Unknown |
NFO
Artist: Rose Hill Drive
Album: Americana
Bitrate: 260kbps avg
Quality: EAC Secure Mode / LAME 3.98.4 / -V0 / 44.100Khz
Label: The Organisation
Genre: Rock
Size: 77.73 megs
PlayTime: 0h 39min 54sec total
Rip Date: 2012-03-10
Store Date: 2012-03-09
Track List:
--------
01. Americana 3:41
02. Telepathic 4:33
03. Baby Doncha Know Your Man? 2:36
04. Pictures Of You 4:03
05. Speed Dial 3:08
06. Psychoanalyst 4:19
07. Your Mother's Jam 5:01
08. Birds Against The Glass 3:50
09. Birthdays And Breakups 8:43
Release Notes:
--------
I shall not join the big group of music reviewers who compare Rose Hill Drive to
older rock bands from the æ70s. It is not just because of the fact that the
young American band themselves are tired of being described as sounding like
other bands, but also because the Colorado quartet deserves some merit for
crafting an original sound for themselves. Chocked full of groovy guitar riffing
that is well complemented by a driving bass line, drowsy singing, dreamy synths,
pounding industrial beats and gunshot drumbeats, this third studio album is not
terribly groundbreaking, but decent enough to audition for a slot in your CD
rack.
On the first and title track ôAmericanaö, they kick the album right off with a
series of their trademark psychedelic riffs, layered on top of the ever
consistent bass line and moderate drumming. Vocalist and bassist Jacob Sproul
soon joins in with his drugged-like singing and the second guitar invites itself
in shortly after him, completing the recipe for a decent start to the album.
Nothing superbly special here yet. ôIs it gonna be another one of those
run-of-the-mill albums in a genre?ö, an impatient listener might wonder. Well,
this observation seems to appear increasingly valid after all, with the second
track ôTelepathicö following in a similar style and not sounding very much
different.
But then the third track ôBaby Doncha Know Your Manö comes in, and thatÆs when
the album starts sounding fresh. The infectious chorus that goes ôBaby doncha
know ya man, baby doncha know ya manö is reminiscent of JetÆs similarly styled
choruses, but throw in fuzzy guitar riffs that accompany clean blues rock guitar
melodies and you get a unique sound that is hookish in an old school way, but
modern in its execution of fuzzbox usage. Hang on tight people, this is still
merely an appetizer of what is to come.
Other tracks on the album that showcase the bandÆs modern yet nostalgic take on
psychedelic rock include ôPictures Of Youöùa dreamy song full of repetitive
psychedelic synths and fuzzy guitar riffs that creatively imitate the rhythm
pattern of JacobÆs vocals right after heÆs done belting them out, resulting in a
funky sort of tuneùand ôSpeed Dialö, a slow and surreal number that starts off
being dominated by an ascending-descending staccato keyboard pattern and which
contains whimsical lyrics like, ôYou used to be number one, then you were number
two. YouÆve never met three, but four said she knows you.ö It soon culminates in
a swelling climax full of hard-hitting industrial beats and wailing guitar
licks, providing a great lead-in to the next track.
ôPsychoanalystö is another fun song; it starts off with fuzzbox-processed riffs
and eventually starts abusing a syncopated motif in the bass line that goes
ôdum-dum dum-duumö, once again showcasing the juxtaposition of nostalgic old
school rock elements against the modern backdrop of electronic music effects.
Even the softest track boasts prominent electronic effects. ôBirds Against The
Glassö is the only track that is almost entirely acoustic, yet it has haunting
synths and relentless industrial beats revving up the sonic serenity after the
midway mark, and just as suddenly, they disappear for another moment of peace,
building up the tension, before they reappear again, this time with a solid
rhythm pattern that anchors their presence.
Departing from the more dominantly traditional hard rock/blues rock sound on
their earlier two albums, Rose Hill Drive have crafted an original record that
skillfully melds their tributary intention together with the contemporary usage
of electronic music effects. Overall, this is an impressive effort that
perfectly demonstrates what it means to have psychedelic rock updated with the
times.