Shaarimoth-Devildom-WEB-2024-BLEEDiNG

Tracklist (M3U)
# Filename Artist Songname Bitrate BPM
1 01-shaarimoth-call_to_prayer.mp3 Shaarimoth Call to Prayer Unknown Unknown
2 02-shaarimoth-the_midnight_sentinel.mp3 Shaarimoth The Midnight Sentinel Unknown Unknown
3 03-shaarimoth-blood_covenant.mp3 Shaarimoth Blood Covenant Unknown Unknown
4 04-shaarimoth-into_everlasting_darkness.mp3 Shaarimoth Into Everlasting Darkness Unknown Unknown
5 05-shaarimoth-the_voiceless_call.mp3 Shaarimoth The Voiceless Call Unknown Unknown
6 06-shaarimoth-apotheosis.mp3 Shaarimoth Apotheosis Unknown Unknown
7 07-shaarimoth-blade_of_malediction.mp3 Shaarimoth Blade of Malediction Unknown Unknown
8 08-shaarimoth-the_impulse_of_rebellion.mp3 Shaarimoth The Impulse of Rebellion Unknown Unknown
9 09-shaarimoth-when_blood_becomes_fire.mp3 Shaarimoth When Blood Becomes Fire Unknown Unknown
10 10-shaarimoth-for_his_eyes_of_judgement_are_forever_upon_you.mp3 Shaarimoth For His Eyes of Judgement Are Forever Upon You Unknown Unknown
NFO
__________.____ ______________________________ .__ _______ ________ \______ \ | \_ _____/\_ _____/\______ \ |__|\ \ / _____/ | | _/ | | __)_ | __)_ | | \| |/ | \/ \ ___ | | \ |___ | \ | \ | ` \ / | \ \_\ \ |______ /_______ \/_______ //_______ //_______ /__\____|__ /\______ / \/ \/ \/ \/ \/ \/ \/ artist: Shaarimoth title: Devildom year: 2024 genre: Death Metal type: Album label: W.T.C. Production language: English rel. date: 2024-10-31 source: WEB/MP3 quality: CBR 320kbps / 44.1 kHz / Full Stereo runtime: 00:41:57 size: 101.02MB rip date: 2024-11-02 source url: https://www.deezer.com/album/663414601 tracklist: 1. Call to Prayer 2:58 2. The Midnight Sentinel 4:18 3. Blood Covenant 5:37 4. Into Everlasting Darkness 0:49 5. The Voiceless Call 6:42 6. Apotheosis 1:18 7. Blade of Malediction 5:18 8. The Impulse of Rebellion 4:41 9. When Blood Becomes Fire 2:21 10. For His Eyes of Judgement Are Forever Upon You 7:55 release notes: Shaarimoth hails from Norway. Ritualistic Sumerian / Mesopotamian Death Metal. A great mixture of NILE, MORBID ANGEL and MELECHESH. "To me, music is a powerful form of magic, connecting me to my highest goals. Yes, there is a cost, but the reward far exceeds any mundane expectations. The ultimate reward lies in connecting to something greater - a catalyst for change and a fulfilment that cannot be measured by record sales or ticket numbers. It's about the transformation that occurs within and the impact we can have on others, creating a ripple effect that transcends the physical realm." "The concept of 'evil' in 'Devildom' is far more complex than traditional views suggest. We reject the simplistic binaries of good and evil, recognizing them as reflections of shifting societal norms that have changed dramatically over time. What is seen as 'evil' today may have been celebrated in a different era, and we have moved beyond those narrow definitions. Moral law, a construct of humanity, seeks to uplift the weak against the powerful, yet throughout history, actual laws have often undermined this moral vision. In the end, morality is hard to define and can't be proven easily, it goes beyond clear judgments, leading us to reconsider what we believe." "I see no separation between magic and art. Ultimately, our exploration aims to open a nexion through which primordial energies can flow, and in the devil we find expression and manifestation of our darkest desires. We seek to channel ancient forces and connect with the primal energies that resonate with our higher selves, transcending our definitions of existence. It's not about a simplistic view of evil; instead, we celebrate a rich tapestry of spiritual and acosmic elements that shape our music and art. In this light, 'Devildom' becomes a ritualistic expression that defies easy categorization, inviting listeners to reflect deeply on the nature of existence and the mysteries that lie beyond." "Is the day of reckoning approaching for humanity? The signs are unmistakable, and through our music, we attempt to usher in the inevitable. As we embrace the darkness, we do so not just as observers, but as participants and heralds of the hungry end."

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