| Genre | Indie |
|---|---|
| Date (CEST) | 2026-05-17 22:46:25 |
| Group | SHGZ |
| Size | 61 MB |
| Files | 10 |
| M3U / SFV / NFO | |
Shany_Kedar-Nihul_Matzavey_Mashber-Limited_Edition-CD-IL-2013-SHGZ
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NFO
-=- SHGZ -=-
* Shoegaze * Indie * Post-Rock * Grunge * Dream Pop * Psych-Rock * Ethereal *
ARTIST..: Shany Kedar
ALBUM...: Nihul Matzavey Mashber
GENRE...: Indie
STYLE...: Indie Rock
YEAR....: 2013
LABEL...: Not On Label / Self-released
COUNTRY.: Israel
PLACE...: Tel Aviv
BORN....: 1982
VOCALS..: Hebrew
ENCODER.: LAME 3.100 -V0
BITRATE.: 252 kbps avg
QUALITY.: 44.1kHz / Joint Stereo
SOURCE..: CD
TRACKS..: 10
SIZE....: 61.26 MB
URL..: https://www.discogs.com/release/19116343-%D7%A9%D7%A0%D7%99-%D7%A7%D7%93%D7%A8-%D7%A0%D7%99%D7%94%D7%95%D7%9C-%D7%9E%D7%A6%D7%91%D7%99-%D7%9E%D7%A9%D7%91%D7%A8
https://rateyourmusic.com/artist/%D7%A9%D7%A0%D7%99-%D7%A7%D7%93%D7%A8
https://he.wikipedia.org/wiki/%D7%A9%D7%A0%D7%99_%D7%A7%D7%93%D7%A8
- TRACKLIST
1 Prologue 2:29
2 Rochak Re'iya 2:53
3 Melet 3:26
4 Chor Ba↓adama 4:20
5 Yesh Targil 4:07
6 Ba'charitz Ha'dak She'notar 4:18
7 Sophie 2:36
8 Avoda Pnimit 2:21
9 Kor 3:53
10 Kol Ha↓orot 3:24
Total Playtime: 33:47
* Crisis Management - 2013 *
1. Prologue
2. Farsighted -or- Visually Distant
3. Cement
4. A Hole In The Ground
5. There Is An Excersie -or- There's A Drill
6. In The Narrow Crack That Remains -or- In The Remaining Thin Slot
7. Sophie
8. Inner Work -or- Internal Work
9. Cold
10. All The Lights
*
During 2012, Kader worked on her third album, "Managing Crisis Situations",
which is entirely in Hebrew. The album was produced in collaboration with
Binyamin Esterlis, recorded in our home studio in the north of Israel and
worked with the participation of the members of the collective We Are Ghosts:
David Peretz, Amir Nir, Uri Dror, Danny Reva, Shir-Ran Yanon, Udi Raz and
Esterlis himself. Album launch in January 2013.
*
"Cold is the first song I wrote in Hebrew. It was written when I was not in
Israel and I was in a bad relationship with a German guy. It was written out
of a longing for my language, and out of a desire to feel close to home in a
distant place. After I returned to Israel, I wrote the rest of the songs in
'Crisis Management', my second album. It's an album that symbolizes for me a
radical change in the way I perceive and experience myself in the world - on
the one hand it's my most personal creation, and on the other hand it
communicates with the outside in ways I couldn't have foreseen or sustained a
few years ago. Music at its best creates connections, intimacy, and I think
and hope that this album has allowed me to get closer to those who listen to
or play with me, and yes, to myself as well.
*
Shany Kedar's name (pronounced: Shah-knee Keh-dahr) was a hot secret passed
through word of mouth in the Israeli indie scene in the last few years.
Although designing numerous memorable album covers for successful indie
artists in the English-singing mini-scene here, Kedar's voice was not heard.
After friend and local indie-mogul Omri Levy encouraged her to compose old
and new lyrics, she teamed up with him on the 24-hours poject "Unlit
Cigarettes", and taking part in a Hebrew tribute project for Leonard Cohen
(where her haunting cover of "Who by fire" was most memorable) and began
refining songs for her debut album, Bloodlines.
She has, in the past, With Israeli multi-talented electro-acoustic artist
Morphlexis as the producer, gone into the studio taking her Low, Cat Power
and Polly Jean Harvey influences, her artfully crafted lyrics, and talented
musicians. Her style sometimes reminds us of Hope Sandoval, early-90's 4AD
sound aesthetics, PJ and some Lisa Germano
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