Simon_Phillips-Protocol_V-CD-2022-D2H

Tracklist (M3U)
# Filename Artist Songname Bitrate BPM
1 01-simon_phillips-jagganath.mp3 Simon Phillips Jagganath Unknown Unknown
2 02-simon_phillips-isosceles.mp3 Simon Phillips Isosceles Unknown Unknown
3 03-simon_phillips-nyanga.mp3 Simon Phillips Nyanga Unknown Unknown
4 04-simon_phillips-undeviginti.mp3 Simon Phillips Undeviginti Unknown Unknown
5 05-simon_phillips-when_the_cats_away.mp3 Simon Phillips When the Cat's Away Unknown Unknown
6 06-simon_phillips-dark_star.mp3 Simon Phillips Dark Star Unknown Unknown
7 07-simon_phillips-the_long_road_home.mp3 Simon Phillips The Long Road Home Unknown Unknown
NFO
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Number : none ▓███ ███▓ Street Date : 2022-02-04 ▓███ ███▓ Rip Date : 2022-05-15 ▓███ ███▓ Encoder : LAME 64bits version 3.100 (http://lame.sf.net) -V0 ▓███ ███▓ Quality : 278kbps / 44.1KHz / Joint Stereo ▓███ ███▓ Tracks : 7 ▓███ ███▓ Playtime : 00:52:27 (109.MB) ▓███ ███▓ URL : http://www.simon-phillips.com/music/protocol-v ▓███ ███▓ ▓███ ███▓█▄▄ ▄▄█▓███ ███████▓███▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄███▓███████ ██▀▀▀▀███▓████ ▄▄▄▄▄ ▄▄▄▄ ▀ ▄▄▄ ▀ ▄▄▄▄ ▄ ▄ ▄ ███ ▄ ▄▄▄▄ ▄▄▄▄▄ █████▓███▀▀▀▀██ █ ▓▓▓▓ ███████▄▄ █ ▄ █ █ █ █ █ ▄▄▄ █▄▀ █ ███ █ ▀▄▄▄ ▄ █ ▄▄████████ ▓▓▓▓ █ █ ▓▓▓▓ █████████ █ █ █ ▀▀▄ █▀▀▀█ ▀▄▄▄▄ █ ▀▄ █▄▄▄▄ █ ▄▄▄▄▀ █ █ ██████████ ▓▓▓▓ █ ██▄▄▄▄███▓██████▄▄▄█▄▄▄█▄▄▄▄▄█▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄██▄▄▄███████▓███▄▄▄▄██ ████████▀▀▀ ▀▀▀████████ ███▓▀ ▀▓███ ███▓ ▓███ ███▓ ▓███ ███▓ ▓███ ███▓ 01 Jagganath 6:50 ▓███ ███▓ 02 Isosceles 6:43 ▓███ ███▓ 03 Nyanga 7:47 ▓███ ███▓ 04 Undeviginti 6:48 ▓███ ███▓ 05 When the Cat's Away 6:12 ▓███ ███▓ 06 Dark Star 6:43 ▓███ ███▓ 07 The Long Road Home 11:24 ▓███ ███▓ ▓███ ███▓ ▓███ ███▓ ▓███ ███▓ 52:27 min ▓███ ███▓ ▓███ ███▓█▄▄ ▄▄█▓███ ███████▓███▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄███▓███████ ██▀▀▀▀███▓█████ ▄▄▄▄ ▄▄▄▄▄ ▄ █████████████ ▄ ▄▄▄▄ ▄▄▄▄▄ ▄▄▄ ▀█████▓███▀▀▀▀██ █ ▓▓▓▓ ████████ █ █ █▄▄ ▄ █ █████ ▄▄▄▄▄ █ █ █ ▄ █ █ █ ▄ █ ████████ ▓▓▓▓ █ █ ▓▓▓▓ ████████ █ ▀▀▄ █▄▄▄▄ █▄▄▄▄ █▄▄▄▄▄▄▄█ █ █ █ █ █▀▀▀ ▀▄▄▄▀ ████████ ▓▓▓▓ █ ██▄▄▄▄███▓█████▄▄▄█▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄█████████▄▄▄▄▄█▄▄▄▄▄████▄▄▄▄▄██████▓███▄▄▄▄██ ████████▀▀▀ ▀▀▀████████ ███▓▀ ▀▓███ ███▓ ▓███ ███▓ An entirely self-taught composer, Phillips debuted the solo ▓███ ███▓ Protocol project in 1989, then revived it in quartet form on ▓███ ███▓ Protocol II(2013), Protocol III (2015) and Protocol IV (2017). ▓███ ███▓ Throughout, Phillips has grown his vision for an instrumental music ▓███ ███▓ with pop sensibility and lyrical, almost singable melody, all over ▓███ ███▓ a complex and elusive harmonic foundation. Of the original members ▓███ ███▓ (guitarist Andy Timmons, keyboardist Steve Weingart, bassist Ernest ▓███ ███▓ Tibbs), Tibbs remains in the fold; he joined keyboardist Dennis ▓███ ███▓ Hamm(Thundercat) and guitar virtuoso Greg Howe for Protocol IV. He ▓███ ███▓ is gamely on board again for Protocol V, partnering with the ▓███ ███▓ groupÆs newest members: veteran keyboard magician Otmaro Ruiz and ▓███ ███▓ two prodigiously gifted young players that Tibbs himself ▓███ ███▓ recommended, guitarist Alex Sill and saxophonist Jacob Scesney. ▓███ ███▓ As tasteful as he is technically brilliant (hear his solo on the ▓███ ███▓ closing epic ôThe Long Way Homeö), Tibbs stands in a long line of ▓███ ███▓ bassists whoÆve experienced firsthand the power and creativity of ▓███ ███▓ PhillipsÆ drumming, among them Jack Bruce, Stanley Clarke, Anthony ▓███ ███▓ Jackson, Herbie Flowers, Brian Odgers and more. ôWith Ernest, itÆs ▓███ ███▓ always grooving no matter how tricky the music is,ö Phillips says. ▓███ ███▓ ôThatÆs so important to me.ö Ruiz, a Venezuelan native with credits ▓███ ███▓ including John McLaughlin, Dianne Reeves and Frank Gambale, adds ▓███ ███▓ endless sonic capabilities and an advanced harmonic palette ù an ▓███ ███▓ environment in which Sill and Scesney thrive as they execute ▓███ ███▓ PhillipsÆ tricky unison and contrapuntal themes and challenging ▓███ ███▓ rhythms and forms. ▓███ ███▓ With the new lineup in place, Phillips set about writing new ▓███ ███▓ material that would harness its full potential. He leads off with ▓███ ███▓ the full-tilt energy of ôJagganathö and crushing funk of ▓███ ███▓ ôIsosceles,ö venturing into more mysterious waters with ôNyangaö ▓███ ███▓ before launching into the 19/16 burner ôUndevigintiö (Latin for 19, ▓███ ███▓ literally ô20 less oneö). ôWhatever meter IÆm in, I always try to ▓███ ███▓ make it grooveable and play it the simplest way possible,ö says ▓███ ███▓ Phillips. ôWhen we were learning this one, Otmaro asked me, æWhat ▓███ ███▓ is the clave?Æ Once I clapped out the pseudo-clave for 19, he got ▓███ ███▓ it right away. And when youÆve got it you donÆt need to count ▓███ ███▓ anymore.ö ▓███ ███▓ ▓███ ███▓ --- ▓███ ███▓ ▓███ ███▓ New album, new Protocol: For the fifth release from his ▓███ ███▓ long-running project, journeyman drummer Simon Phillips, whoÆs ▓███ ███▓ fueled the music of everyone from jazz pianist Hiromi to classic ▓███ ███▓ rockers the Who, has revamped the lineup. This time, he and ▓███ ███▓ longtime bass-guitar collaborator Ernest Tibbs are joined by ▓███ ███▓ keyboardist Otmaro Ruiz (Dianne Reeves, Alex Acuna) and two ▓███ ███▓ firebrand musicians Tibbs recruited, guitarist Alex Sill and ▓███ ███▓ saxophonist Jacob Scesney. The result: more high-flying fusion ▓███ ███▓ melodies and shredding, with sax textures now injected into the mix ▓███ ███▓ and the rhythm section again driving home pulverizing rock and funk ▓███ ███▓ grooves. ▓███ ███▓ ôJagannathö launches the album with a blast of high energy as ▓███ ███▓ careening riffs alternate with patches of sticky comping, later ▓███ ███▓ opening up for RuizÆs electric-piano solo, some blistering ▓███ ███▓ back-and-forth trading between Sill and Scesney, and an extended ▓███ ███▓ drum feature. But there are other flavors here too. ôUndeviginti,ö ▓███ ███▓ frontloaded with clavinet-like keys and featuring metallic guitar ▓███ ███▓ and soprano sax, thrives on a 19/16 meter, while ôIsoscelesö is ▓███ ███▓ built on TibbsÆ deep-grind popping and slapping and SillÆs bendy ▓███ ███▓ six-string explorations, and the laidback ôNyangaö brings in some ▓███ ███▓ world-music colors and rhythms. ▓███ ███▓ RuizÆs Fender Rhodes takes center stage on the twisting ôWhen the ▓███ ███▓ CatÆs Away,ö the moody ôDark Starö benefits from atmospheric washes ▓███ ███▓ of keys and guitar chords, and closer ôThe Long Road Homeö thrives ▓███ ███▓ on flickering guitars, soprano, a too-brief Tibbs solo, and ▓███ ███▓ acoustic piano. Yes, PhillipsÆ music occasionally hints at the ▓███ ███▓ likes of Pat Metheny and old-school fusion stalwarts like Return to ▓███ ███▓ Forever and the Mahavishnu Orchestra. But heÆs up to his own thing, ▓███ ███▓ an engaging concoction that offers plenty of pleasures and ▓███ ███▓ surprising twists. ▓███ ███▓ ▓███ ███▓█▄▄ ▄▄█▓███ ███████▓███▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄███▓███████ ██▀▀▀▀███▓█████▀ ▄▄▄▄ ▄▄▄▄ ▄▄▄▄ ▀█████████ ▄ ▄▄▄▄ ▄▄▄▄▄ ▄▄▄ ▀█████▓███▀▀▀▀██ █ ▓▓▓▓ ████████ █ ▄▄▄ █ █ █ █ █ ▄▄▄▄▄ █ █ █ ▄ █ █ █ ▄ █ ████████ ▓▓▓▓ █ █ ▓▓▓▓ ████████ █▄▄▄█ █▀▀▀▄ █ ▀▀ ▄█▄▄▄▄▄▄▄█ █ █ █ █ █▀▀▀ ▀▄▄▄▀ ████████ ▓▓▓▓ █ ██▄▄▄▄███▓█████▄▄▄▄▄▄▄▄▄█▄▄▄▄▄█████████████▄▄▄▄▄█▄▄▄▄▄████▄▄▄▄▄██████▓███▄▄▄▄██ ████████▀▀▀ ▀▀▀████████ ███▓▀ ▀▓███ ███▓ ▓███ ███▓ "LOVE AND RESPECT YOUR FRIENDS AND LET YOUR ENEMIES DIE!!!" ▓███ ███▓ ▓███ ███▓▄▄▄ ▄▄▄▓███ ██████████▄▄ ▄▄██████████ ██▀ ▄▄▄ ▀▀███▄ ▄███▀▀ ▄▄▄ ▀██ █ ▄▀▀████▄ ▀███▄ ▄███▀ ▄████▀▀▄ █ █▄▄▄▄ █▓▀██▄ ▀███ ███▀ ▄██▀▓█ ▄▄▄▄█ ████ ▄█▓ ▀██ ▀███ ███▀ ██▀ ▓█▄ ▀███ ███ ███ ▓███ ▀███ ███▀ ███▓ ███ ▀██ ██ ██▀ ▓███▓ ████▄ ▄████ ▓███▓ ▀██ ▀█ █ █▀ ▄██▓ ███████▄▄▄ ▄▄██████▄ ▓██▄ ▀█ █ ██ ▄███▓ ███████████████▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄██████████████ ▓███▄ ██ ██▓ ▓██▀ ▄███████████████▀▀▀▀▀▀▀█▀▀▀▀▀▀▀▀▀█▀▀▀▀▀▀██████████████▄ ▀██▓ ▓██ ██▓ ▓███▄ ▀ ▄▄▄▄ ▀▀█▀▀▀▀ ▄█████▄ ▄█▀▀▀▀▀█▄ ▄████▄ ▀▀▀█▀▀ ▄▄▄▄ ▀ ▄███▓ ▓██ ▓██▓ ▀███████████▄ ▄██▓██▀ ▀███▄ ▄█▀ ▀██▓██▄ ▄████████████▀ ▓██▓ ▓██▓ ▀▀▀▀ ▀██ ▓▓██▓ ▀██ ▄██▀ ▓██▓▓ ███▀ ▀▀▀▀ ▓██▓ █ ▓██▓ ▓██ ▓█▓ ▓██ ██▀ ▓█▓ ██▓ ▓██▓ █ ██ ▓██▄▄ ▓██ ▓█ ▓███▓ █▓ ██▓ ▄▄██▓ ██ ███▄ ▀████▄▄▄ ▄██ ▓█▄ ██▓ █▓ ██▄ ▄▄▄████▀ ▄▄██ █████▄▄ ▀███████▓████▀ ▀██ ██ █▓ ▄█ ██▀ ▀████▓███████▀▀ ▄█████ ██████▀ ▄█▓█▓█▓▓▓█▓ ▀████ ▓ ████▀ ▓█▓▓▓█▓█▓█▄ ▀██████ ████▀ ▄██▓▓█▓▓█▓█▓ ▄▄ ▀██▓ ▓██▀ ▄▄ ▓█▓▓█▓█▓▓██▄ ▀████ ██▀ ▄██▓▓█▓█▓▓█▓██▓ ▓██ ██▄ ▓██ ██▓ ▓██▓█▓▓█▓█▓▓██▄ ▀██ █▀ ███▓█▓█▓▓█▓██▓▀█▓ ▓████▄ ███▄▄ ▄▄██ ▄████▓ ▓█▀▓▓█▓█▓▓█▓█▓███ ▀█ █ ██▓█▓█▓▓█▓██▓█▓ ██ ▓███████▄ ▀█████ █████▀ ▄███████▓ ██ ▓█▓██▓█▓▓█▓█▓██ █ ▓█▓█▓█▓█▓▓█▓▓█▓█ ██ ▓████████▄ ▀██ ██▀ ▄████████▓ ██ █▓▓█▓█▓▓█▓█▓█▓██ ▓█▓▓▓█▓█▓█▓▓█▓██ ██ ▓█████████▄▄ █ █ ▄▄█████████▓ ██ ██▓█▓▓█▓▓██▓▓██▓ ███▓█▓█▓█▓███▀ ▓█▓ ▀▀█████████ █ █ █████████▀▀ ▓█▓ ▀███▓███▓▓█▓▓█ █▓██▓█▓█▓██▀ ▄█ ▓█▄▄ ▀▀▀▀▀ ▀▀▀▀▀ ▄▄█▓ █▄ ▀██▓█▓█▓▓█▓█ █▓▓████▓██ ▄███▄▄ ▀████▄ ▄███ ██ ███▄ ▄████▀ ███▄ ██▓█▓███▓█ █▓▓█▓████ ▄███████▄▄ ▀▀██ ████▄▄▄ ████████ ▄▄▄████ ██▀▀ ▄▄██████▄ ▀███▓█▓▓█ ▓█▓▓█▓█▓ ▄███████████ █ ███▓ ▓██████ ▀▀▀▀ ██████▓ ▓███ █ ███████████ ▓█▓█▓▓█▓ ▓██████▓ ████████████ █ █▓ ▄ █▓█▓█▓▓████████▓▓█▓█▓█ ▄ ▓█ █ ███████████ ▓██▓███▓ ▓█▓█▓█ ▄████████████▄ █ █ ██ █ ▄ ███ ▓█ ███ ▄ █ ██ █ █ ▄███████████▄ █▓█▓█▓ ▓███▓ ▀█████████████▄ █ █▄▀█ ███ █ █ ▀▓ █ █ ███ █▀▄█ █ ▄████████████▀ ▓███▓ ▓███▓ ▀█████████████▄ █ ██▄▓ ▀██ ███ ▀ ██ █▀▀ ▓▄██ █ ▄████████████▀ ▓███▓ ▓████▄ ▀████████████▄ █ ▀████▄▄▓▄ ▀ ▓ ▀ ▓▄█████▀ █ ▄███████████▀ ▄████▓ ▀▀▓███▄▄ ▀▀█████████▄ █▄ ▀▀████████████▀▀ ▄█ ▄████████▀▀ ▄▄███▓▀▀ ▀▀▀▀▀ ▀▀▀▀█████▄ ██▄▄ ▄▄██ ▄████▀▀▀▀ ▀▀▀▀▀ ▀████▄▄▄ ▄▄▄████▀ ▀▀████████████▀▀ ▀▀▀▀▀▀

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