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▄█████▀██████▄██ ████▄███████ █ ▄█████████▄███▀ ▀██▌ ▐███▀█████████████████ ███████████████████ ████████████▀█ ███████▀███████▄███▌ ▐██▄░▄█████▀ ▀████████▀███████████████████ ██████████████ ███████████████████▌ ▐███████████▄█████████████████████████████▀██████████████▀█████▄█████████████▌ ▐████████▀███████████████████████████████████████████████████████████████████▌ ▐███████████████████████████████████████████████████████████████████▀████████▌ ▐███████████████████▀▀▀▀▀▀▀▀▀▀▀▀▀ ▀▀▀▀▀▀▀▀▀▀▀▀▀███████████████▀░▀█▌ ▐█▀████▓▓█▀█▀▀ ▀▀▀▀▓▓▓███▄██▌ ▐████▓▓▀ █ ▀▓█████▌ ▐███▓▓▌ █ BETTER YOU TAKE THAT IS PROUD TO BRING YOU ▐▓████▌ ▐████▓▓░ ▄ ▓█████▌ ▐█████▓▓▄ Slipknot-Vol. 3 - the Subliminal Verses ▄▓▓█▀███▌ ▐██▀ ▀█▓▓▌ ▐▓▓██████▌ ▐███▄██▓▓▓ ARTiST.... Slipknot ▓▓███████▌ ▐█████▓▓▓▌ TiTLE..... Vol. 3 - the Subliminal Verses ▐▓▓▓███▄█▌ ▐███▓▓▀▀ LABEL..... Roadrummer SOURCE... CDDA ▀▀▓▓▓██▌ ▐█▓▀ GENRE..... Metal QUALiTY.. VBRkbps ▀▓█▌ ▐█▌ ▄■ RiP.DATE.. Nov-29-2004 TRACKS... 14 ■▄ ▐▓▌ ▐█░▄▄▓▌ STOREDATE. May-25-2004 LENGTH... 60:15 min ▐▓▄▄ █▌ ▐███▓▓ SUPPLiER. TEAM BUTT ▓▓███▌ ▐██▓▓▌ ▐▓▓██▌ ▐█▓▓▀ ▀▓▓▓▌ ▐▓▌ NR. TRACKNAME TiME ▐█▌ ▐█ █▌ ▐█ 01 Prelude 3.0 03:57 █▌ ▐█ 02 The Blister Exists 05:19 █▌ ▐█ 03 Three Nil 04:48 █▌ ▐█ 04 Duality 04:13 █▌ ▐█ 05 Opium of the People 03:13 █▌ ▐█ 06 Circle 04:23 █▌ ▐█ 07 Welcome 03:15 █▌ ▐█ 08 Vermilion 05:17 █▌ ▐█ 09 Pulse of the Maggots 04:20 █▌ ▐█ 10 Before I Forget 04:39 █▌ ▐█ 11 Vermilion Pt. 2 03:44 █▌ ▐█ 12 The Nameless 04:28 █▌ ▐█ 13 The Virus of Life 05:25 █▌ ▐█ 14 Danger - Keep Away 03:14 █▌ ▐█ █▌▄ ▐█ TOTAL TiME: 60:15 min █▌▄ ▐█ TOTAL SiZE: 102,4 Mb ▄██ ▐█ ▐█▀ ▐█ █▌▄ ▐█ <──────────────────────────────────────────────────────────────> ▐█▀▓▀ ▐█ █▌ ▐█ RELEASE NOTES: ▐█▌ ▐█ █▌ ▐█ Dedication to craft made Slipknot kings. From the sparks of a █▌ ▐█ collective genesis in the basements of Des Moines, the Iowa █▌ ▐█ collective set dutifully to constructing their metallurgical █▌ ▐█ music flamethrower. But there was also the crafty psy-ops █▌ ▐█ deployed on a nation of malleable young minds, the agit-prop of █▌ ▐█ masks, smocks, and bar codes that helped transform fans into █▌ ▐█ maggots and emphasize Slipknot's larger vision of a black bag █▌ ▐█ revolution over any alluring lull of individual celebrity. The █▌ ▐█ Midwestern origin of all this craziness was genius, as the █▌ ▐█ band's marrow-draining metal and twisted, fibrous mythology was █▌ ▐█ antithetical to the region's milquetoast rep. However, after the █▌ ▐█ gothic nausea of 2001's Iowa, Slipknot dissipated into clouds of █▌ ▐█ gaseous hype, and individual indulgences of varying promise. Had █▌ ▐█ the kings grown fat on their thrones? Probably. But it's the █▌ ▐█ detours and lethargy of the layoff that makes Slipknot's Vol. 3: █▌ ▐█ The Subliminal Verses such a triumph. Working with famously █▌ ▐█ bearded helmer Rick Rubin ù aka He Who Smites Bullsh*t ù the █▌ ▐█ collective has poured the shrill accessibility of Slipknot down █▌ ▐█ Iowa's dark sieve. The flinty, angry, and ù yes ù progressive █▌ ▐█ result is perfect for heavy music in 2004, which has been █▌ ▐█ waiting for a real rain to come and wash the scum off the █▌ ▐█ streets. Vol. 3 does share its lyrical troika of anger, █▌ ▐█ disaffection, and psychosis with most of the (mostly bald) █▌ ▐█ nu-metal pack. Lyrics like "I've screamed until my veins █▌ ▐█ collapsed" and "[Push my fingers into my] eyes/It's the only █▌ ▐█ thing that slowly stops the ache" (from the otherwise strong █▌ ▐█ "Duality") aren't unique to the Slipknot cult, after all. But █▌ ▐█ unlike so many, the band isn't making records to appease label █▌ ▐█ VPs, avenge the deeds of sadistic gym teachers, or needle a █▌ ▐█ formerly amorous gamine. And only rarely does its music █▌ ▐█ disassemble into the genre building blocks ù riff + glowering █▌ ▐█ vocal + throaty chorus = Ozzfest satiety ù that clutter the █▌ ▐█ efforts of their contemporaries. What makes Vol. 3 tick is the █▌ ▐█ dedication made to crafting a Slipknot album, and not just █▌ ▐█ another flashy alt-metal billboard. The seething anger and █▌ ▐█ preoccupation with pain is valid in this context, as it's █▌ ▐█ componential to the group's uniquely branded havoc. "Blister █▌ ▐█ Exists," "Three Nil," and "Opium of the People" are all █▌ ▐█ standouts, strafing soft underbellies with rhythmic █▌ ▐█ (occasionally melodic) vocals, stuttering, quadruple helix █▌ ▐█ percussion, and muted grindcore guitar. Rubin is integral to the █▌ ▐█ album's power ù his cataclysmic vocal filters and arrays of █▌ ▐█ unidentifiable squiggle and squelch unite Vol. 3's various █▌ ▐█ portions in wildly different ways. Just when the meditative █▌ ▐█ "Circles" threatens to keel over from melodrama, in sputters █▌ ▐█ strings of damaged electronics and percussion to lead it into █▌ ▐█ "Welcome," which sounds like Helmet covering Relapse Records' █▌ ▐█ entire catalog at once. Later, another counterpoint is offered, █▌ ▐█ when the swift boot kicks of "Pulse of the Maggots" and "Before █▌ ▐█ I Forget" separate "Vermilion"'s gothic and acoustic parts. Vol. █▌ ▐█ 3: The Subliminal Verses doesn't feel like Slipknot's final █▌ ▐█ statement. It's a satisfying, carefully crafted representation █▌ ▐█ of their career to date. But there's a sense that whatever █▌ ▐█ Slipknot does next will be the true force, the ultimate █▌ ▐█ broadcast to all the kings' men. █▌ ▐█ █▌ ▐█ http://www.slipknot1.com/ █▌ ▐█ █▌ ▐▀ █▌ ▀ ▓▌ ▀■ ░▌ ▀▄ ▄▄ ▌ █ ▓▄ ▄▄█▓▓▄ ▀ ▀ ▓▌ ■▀▓▓▄█▀▀ ▀▀▓▓▓▄ ▄▄▓▄▄ ■ ▀■ ■ ▀ ■ ▓▓ ▀▓▌ ▄ ██▓▓ ▀▓▓▄ ▓▀▀ ▀▀▄▄▀ ▀▄ ■ ▄▀ █▓ ▀■▄▄▀▀ ▐██▓▌▄█▓▀ ▄ ▄▌ ▓▓▌ ▀▀▓▓▀▀ ▓█ ▄ █▓▓ WE SALUTE ▐ ▓██ ▀▄ █▓▓ ▐ ▄▓▓▄ ■ ░▓███ ▄ ██▓▌ ▄▀ ▀▓▓▄▄▀ ░▓██▌█ █▓▓▓ AMRC -%- BERC -%- CNMC -%- PMS ▓▀░ ▄▓▀▀ ░▓███ ▓ ▌ ██▓▓ ▓▀▀■▀ ░ ▓▓▓██ ▒ ░▌ ███▓▌ ■ ░ ░▓▓███ ░ ▓▌ ██▓▓▓ ESC -%- FKK -%- gF ▄■ ▄▓▄ ■ ░▓▓▓███ █▌ ███▓▓ ▄▓▌ ▀ ■▀ ░░▓▓████ scythe!▐█▌ ▀ ▀█▓▌ ■▄▓▓▌▓░ ▄▀ ░▓▓█▓████ ▐█▌ █▄█▓▓▓ UBE -%- ViC -%- CRO ▓▀ ▀▓▄ ▄■▀ ▄▓▓███▓██ █ ▄█▄ ▐█▌ ████▓█ ▄▀ ▀▀ ░ ░▓▓▓▓█████ ▓ ▀ ▐█▌ █████▓▌ ■ ▄■ ▄▓▓▓██▓███▀ ▒ ▐█▌ ▐███▓▓█ ▄▓▄▄▄▓▀ ░▄▓▓▓█▓██▓██░ ■ ░ █▌ ░▓███▓▓ ▀▓▓▓▀░ ░▓▓▓▓█▓█▓█▀██▓ ▀▌ ████▓▓▌ ▀ ▄▓▄ ▐▓▌ ░▓▓▓▓████▓█▀████░ ■ ▌▐████▓▓ ▄■ ▄▓ ▀ ▄▓▀ ░░▓▓▓██▓████▓▄█████ ■▀▄ █░▓██▓█▓ ▀▓▄▄▄▓▓▓█▄▄ ▄▀ ░ ░░▓▓▓▓█▓██████▀▄▓█▀███▓ ▄▄▓▀ █ ██▒▓▒▓▌ ▀▀█▀ ▀▀▀▄▄■ ░ ░░▓▓▓▓▓▓███▓███▀ ▄██▀ █▓█░ ▄ ▄▓▓█▀ █▌▐██▒█▓▓ ■ ░░░▒▓▓▓▓▓█▓████████▀ ▄██▀ █░█ ▐▓▓██▌▌ █▌ ███▓▓▓▌ ░ ░░▒▓▓▓▓▓▓▓███▓█████▀░░▄████ ■ █ ▓ ▀▓▓██▌ ██ ████▓▓▓░ ░ ░░░▒▓▓▓▓▓▓▓▓▒▓████████▀░░▄███▀███ █ ░ ▀▄▐█▌ ██ ▐█▓▓██▓▓▓▄░▒▓▓▓▓▓▓▓▓▓▓█▓▓██▓████▀▀ ░▄▄███▀ ██▓ █ ▄■▐█▌ ██░▓▓▓▓█▓▓▓▓▓▓▓▓▓▓▓▓█▓█████████▀▀ ░░▄▄███▀▀ ▓█░ █ ▀ ■ ▄■▀ ▐█▌ ███ ██▓▓██▓▓▓▓▓▓▓█▓███████▓▀▀ ░░▄▄█████▀ ░█ █ ■ ▄▓▌ ▐█▌ ███ ▐█▓▓███▓▓▓▓███████▀▀ ░░▒▄▄█████▀▀ █ █ ▓ ■▄▓▓ ▓▌ ▐█▌ ███▌ ██▓▓██▀███▀▀▀░ ░▒▒▄▄██▓███▀▀ █ ▓ ░ ▄▄▄ ▓▌ ▀▓▄ ▄██▌ ████ ▐█▓▓███▀░░▒ ▄▄▄██▓███▀█▀ ■ █ ▒ ▄█▀▓ ▀▀▄ ▄▀ ▀▀░▓█▌ ████▌ ██▓▓███▄▄▓████▀▀▀ ▓ █ ■ ░ ▄█▀ ░ ▓▀■▀ ░▓██▌ █▀░▀█ ▐██▓████▀▀▀ ▀ ░ ▓ ▀▄ ▄ ■▀█▓▄▄ ░ ░▓███▌ ██▄██▌ ██▀▀ █ ▀ ░ ▄▓▌ ▀███▓▓▄▄ ▄▄▄██████▀ ███▀ ▀ ▄▄██▄▄ BY █ █ ▀ ▄▓███ m0lo- ▐███▓▓▓▌ ▄███▀▀ █▀ ▄████████▄ ▄▄████▄▄ █ ░▓███▌ ▄███▓▓▓▀ ▐███▌ ▌AWSKEE▐██████▄▀▀ ██████████▄██▌ ■ ▀████▄ ▄▄█████▓▓▀ ████ OF CRO █▄ ▀▀▄████▄▄▄███████████████▄▄█▄░ ▀▀████▄██████▓█▓▓▄▄▄▄▄▄███▀ ▀▀█▄▄▄▄▄█▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀ ▀▀█▄▄▄█▀▀▀▀▀▀▀▀ Version: September 15th, 2004 ▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀ ▀▀█▄█▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀