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P R E S E N T S .···. ▓ │▀▀▀█▓▄▄ █████ ██████▓▀ ▀ ▀ ▀▓██████ █████▀ The C.I.A. - Surgery Channel ▀█████ ████▀ ▀████ ███▀ ▀███ █▓▓▓▓ ARTiST..[ The C.I.A. ▓▓▓▓█ █▓▓▓▓ TiTLE...[ Surgery Channel ▓▓▓▓█ ████ GENRE...[ Alternative CAT#....[ ████ ████ LABEL...[ In The Red ENCODER.[ Lame 3.100 ████ ████ YEAR....[ 2023 QUALiTY.[ 320kbps ████ ████ SOURCE..[ WEB (FLAC) MODE....[ Joint Stereo ████ ████ PLAYTIME[ 32:02 REL.DATE[ 01.19.2023 ████ ████ TRACKS..[ 12 RiPPER..[ TEAM OMA ████ ████ SiZE....[ 73,56 MB SUPPLiER[ TEAM OMA ████ ████ ████ ████ ████ ████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████ ████ ■ ███▓█ .···. T R A C K L i S T .···. █▓███ ■ ████ ████ · ▄▓███▓ ▓███▓▄ · ████ █████ ▄▄▓█▀▀▀│ ▓ ▓ │▀▀▀█▓▄▄ █████ ██████▓▀ ▀ ▀ ▀▓██████ █████▀ ▀█████ ████▀ ▀████ ███▀ NR. TRACK. TiME. ▀███ █▓▓▓▓ ∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙ ▓▓▓▓█ █▓▓▓▓ ▓▓▓▓█ ████ 01 Introduction 01:38 ████ ████ 02 Better 02:37 ████ ████ 03 Inhale Exhale 02:20 ████ ████ 04 Impersonator 03:20 ████ ████ 05 Surgery Channel Pt.1 02:55 ████ ████ 06 Surgery Channel Pt.2 03:51 ████ ████ 07 Bubble 02:51 ████ ████ 08 You Can Be Here 02:10 ████ ████ 09 The Wait 02:14 ████ ████ 10 Construct 02:32 ████ ████ 11 Under 02:34 ████ ████ 12 Over 03:00 ████ ████ ∙∙∙∙∙∙∙∙∙∙∙∙ ████ ████ TOTAL: 32:02 ████ ████ ████ ████ ████ ████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████ ████ ■ ███▓█ .···. R E L E A S E N O T E S .···. █▓███ ■ ████ ████ · ▄▓███▓ ▓███▓▄ · ████ █████ ▄▄▓█▀▀▀│ ▓ ▓ │▀▀▀█▓▄▄ █████ ██████▓▀ ▀ ▀ ▀▓██████ █████▀ ▀█████ ████▀ ▀████ ███▀ ▀███ █▓▓▓▓ ▓▓▓▓█ █▓▓▓▓ ▓▓▓▓█ ████ https:/open.qobuz.com/album/gy59tgoeuftka ████ ████ ████ ████ Step into a sick rhythm. And I mean sickly. ████ ████ Surgery Channel is a constructed world where ████ ████ everything is piercing and pinpointed. Every ████ ████ single word brings confrontation. With an intro ████ ████ as intimate and uncomfortable as this, The ████ ████ C.I.A. make you question what could be ████ ████ happening hereàor what theyÆre after. Denee ████ ████ Segall (vocals, lyrics) is both haunting and ████ ████ seducing us at once with her voice. Something ████ ████ unhinged might be about to happen and theyÆre ████ ████ calmly dangling it over your head. Is it the ████ ████ possibility of dismemberment? Revenge? ████ ████ ████ ████ There is something about Surgery Channel that ████ ████ is sterile and covered in dirt at the same ████ ████ time. Maybe itÆs the feeling of simultaneous ████ ████ anger and defeat. Maybe itÆs what comes after. ████ ████ Or maybe itÆs about the ever-so-brief silent ████ ████ spaces between notes and words. Rhythm would be ████ ████ nothing without empty space. Words are rhythm ████ ████ at The C.I.A. ████ ████ ████ ████ ôVicious visage / Internal monologue / Blink ████ ████ and stare / The metal and the glare / ████ ████ Intentions negating / The ego ascertaining / A ████ ████ pause / A cue / A push to make a moveö from ████ ████ ôBetterö. ████ ████ ████ ████ ThereÆs nothing wishy washy about The C.I.A. or ████ ████ the way they sound. ItÆs all about precision ████ ████ and aim But really, itÆs a warning... amplified ████ ████ by the suspense of tick-tocking drum machine ████ ████ beats that resemble a hospital room. Ty Segall ████ ████ (bass, percussion, back up vocals) and Emmett ████ ████ Kelly (bass, synth, back up vocals) have ████ ████ painted a jarring and dissonant landscape ████ ████ behind DeneeÆs story. Their basses could easily ████ ████ be swapped for bone drills and you might not be ████ ████ able to tell the difference. EmmettÆs modular ████ ████ synth envisions an environment reminiscent of ████ ████ the instrument itself, a mess of wires and ████ ████ pulsing red lights. TyÆs subtle use of ████ ████ electronic and analog percussion fluctuates ████ ████ between the sound of a metal tray hitting the ████ ████ floor (ôThe Waitö), and the swish of an ████ ████ ultrasound scan (ôBubbleö). At times, it ████ ████ projects the feeling of being probed and ████ ████ investigated. You could assume this reality has ████ ████ been lived by those at The C.I.A, though most ████ ████ listeners could only fear it. So... just how ████ ████ little of this portrayal is solely a work of ████ ████ imagination? ████ ████ ████ ████ ôIÆve been under / IÆve been down / Stripped ████ ████ and bound / Coming outö from ôUnderö. ████ ████ ████ ████ ôItÆs a slight incision / Never really knowing ████ ████ / If weÆre dead or livingö from ôOverö. ████ ████ ████ ████ Dissection is but just one of the issues here. ████ ████ ôBubbleö is a different story... of anxious ████ ████ desire. We will be consumed by what we must ████ ████ consume. Restraint backfires and drives a ████ ████ person to madness. Or maybe thatÆs just what ████ ████ they want you to think. ItÆs one of those ████ ████ tracks that feels as though Denee is whispering ████ ████ directly in your ear. ████ ████ ████ ████ ôShe needed something to eat / She wanted to ████ ████ dine / But it was never enough / She was ████ ████ feeding all the time / She needed someone to ████ ████ see / To look at her and to vie / She puts her ████ ████ fist in her mouth / Tells you sheÆs losing her ████ ████ mindö from ôBubbleö. ████ ████ ████ ████ Both Surgery Channel and The C.I.AÆs first ████ ████ Self-Titled record are ripe with ████ ████ straightforward conviction. However this most ████ ████ recent installment reveals a new side of their ████ ████ personality. Now The C.I.A. is communicating ████ ████ from an electrified, pulsating, metallic ████ ████ playpen that wants you to strut. ôImpersonatorö ████ ████ beckons a new groove, with call and response ████ ████ bass hooks that resemble a sequenced dance ████ ████ track and background vocals that invite a very ████ ████ steamy dynamic. High energy ôYou Can Be Hereö ████ ████ is for those who can move fast, while ôBubbleö ████ ████ is for those who want to sway in sultry slow ████ ████ motion. Surgery Channel shows punks a new way ████ ████ to move while remaining loyal to the traditions ████ ████ of catharsis and social commentary. ████ ████ ████ ████ This record is an astute observation and blunt ████ ████ critique. Both inward and outward. It is an ████ ████ exploration into how harshly intimate that ████ ████ process can be. It was written in 2021 by Denee ████ ████ Segall, Ty Segall, and Emmett Kelly. It was ████ ████ recorded at Harmonizer Studios and mixed at ████ ████ Golden Beat by Mike Kriebel. ████ ████ ████ ████ ████ ████ ████ ████ ████ ████ ████ ████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████ ████ ■ ███▓█ .···. G R O U P .···. █▓███ ■ ████ ████ · ▄▓███▓ ▓███▓▄ · ████ █████ ▄▄▓█▀▀▀│ ▓ MAiL: [email protected] ▓ │▀▀▀█▓▄▄ █████ █▀ ▀██▓▀ ▀ ▀ ▀▓██▀ ▀█ ██▄██▀ ▀██▄██ ████▀ The only thing that really matters is music!!! ▀████ ▀██▓ ▓██▀ ▀██▓▄ ▄▓██▀ .▀ │ ▀▀██▄▓▄ .···. G R E E T S .···. ▄▓▄██▀▀ │ ▀ . ▄▓▓▄ │ ▀▀▀█▄▄ ▄▄█▀▀▀ │ ▄▓▓▄ . ▀▀ ▀▀▄ FRiENDS / SiTEOPS / NUKENET ▄▀▀ ▀▀ ▀ . ▄ ▄▓▓▄ ▀▄ RIP kHz ▄▀ ▄▓▓▄ ▄ . ▀ ▀ ▀▓▀ ▀▀ ▀ . ▄.···. !kb^faa 08.MARCH 2009 .···.▄ . ▀ ▀▀ ▀▓▀ ▀ .