| Genre | Unknown |
|---|---|
| Date (CEST) | 2016-10-29 08:40:44 |
| Group | ERP |
| Size | 72 MB |
| Files | 11 |
| M3U / SFV / NFO | |
The_Mekons-Ancient_And_Modern-2011-ERP
Infos
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Tracklist (M3U)
| # | Filename | Artist | Songname | Bitrate | BPM |
|---|---|---|---|---|---|
| 1 | 01-the_mekons-warm_summer_sun-erp.mp3 | The Mekons | Warm Summer Sun | Unknown | Unknown |
| 2 | 02-the_mekons-space_in_your_face-erp.mp3 | The Mekons | Space In Your Face | Unknown | Unknown |
| 3 | 03-the_mekons-geeshie-erp.mp3 | The Mekons | Geeshie | Unknown | Unknown |
| 4 | 04-the_mekons-i_fall_asleep-erp.mp3 | The Mekons | I Fall Asleep | Unknown | Unknown |
| 5 | 05-the_mekons-calling_all_demons-erp.mp3 | The Mekons | Calling All Demons | Unknown | Unknown |
| 6 | 06-the_mekons-ugly_bethesda-erp.mp3 | The Mekons | Ugly Bethesda | Unknown | Unknown |
| 7 | 07-the_mekons-ancient_and_modern-erp.mp3 | The Mekons | Ancient & Modern | Unknown | Unknown |
| 8 | 08-the_mekons-afar_and_forlorn-erp.mp3 | The Mekons | Afar & Forlorn | Unknown | Unknown |
| 9 | 09-the_mekons-honey_bear-erp.mp3 | The Mekons | Honey Bear | Unknown | Unknown |
| 10 | 10-the_mekons-the_devil_at_rest-erp.mp3 | The Mekons | The Devil At Rest | Unknown | Unknown |
| 11 | 11-the_mekons-arthurs_angel-erp.mp3 | The Mekons | Arthur's Angel | Unknown | Unknown |
NFO
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┌────────┐
────┤ Info ├─────────────────────────────────────────────────────────────────
└────────┘
Artist | The Mekons
Title | Ancient & Modern
Genre | Indie Format | Album
Source | CDDA Time | 45:34
Label | Westpark Music Store | 2011
Catalog | 87214 Rip | 2016
Bitrate | 220 kbps Size | 75.52 MB
Freq | 44.1 kHz Encoder | Lame 3.98.4
┌────────┐
────┤ Tracks ├─────────────────────────────────────────────────────────────────
└────────┘
01. Warm Summer Sun 4:28
02. Space In Your Face 3:30
03. Geeshie 3:10
04. I Fall Asleep 5:04
05. Calling All Demons 3:27
06. Ugly Bethesda 3:56
07. Ancient & Modern 6:52
08. Afar & Forlorn 3:31
09. Honey Bear 3:21
10. The Devil At Rest 3:30
11. Arthur's Angel 4:45
┌────────┐
────┤ Notes ├─────────────────────────────────────────────────────────────────
└────────┘
More than any band that came out of late-70s England, The Mekons (the name
taken from the popular sci-fi comic Dan Dare) have perhaps the most devoted
fans of any band even remotely connected to punk rock. And why not? Over
the course of several decades, this band, with an ever-shifting lineup
(only Jon Langford and Tom Greenhalgh remain from the original), produced
some of the best rock & roll on the planet, be it amateurish rock-noise,
cool synth-driven pop, guitar rave-ups, or postmodern country & western,
The Mekons have done it all and done it with style, grace, and a ribald
sense of humor.
The Mekons have been a going concern since 1976, a distant and almost
unfathomable era by rock & roll standards, and since they've always seemed
to be purposefully out of step with the world around them, the notion that
these former punk firebrands are imagining themselves as denizens of the
early 20th century on their 26th album, "Ancient & Modern", seems at once
curious and perfectly reasonable. "Ancient & Modern" finds the Mekons
moving back and forth between scrappy, electric rock & roll and
acoustic-based performances that reflect sounds of the past, including
eerie nostalgic reveries ('Warm Summer Sun'), Tin Pan Alley jazz
('Geeshie'), stately ballads ('I Fall Asleep'), world-weary folk ('Afar &
Forlorn'), and lean, wiry blues ('Calling All Demons'), all alongside
un-amplified variations of their usual approach.
But as The Mekons look back into another age, their obsessions are the same
as they've always been - politics, class, society, rage, fear, resignation,
and bemusement with a culture that seems to crumble before their eyes. And
if the historical tone of some tracks suits a journey into the past, most
of the time their message seems to have barely changed since "Never Been In
A Riot". If there's a crucial difference in "Ancient & Modern", it's a
matter of craft; 2007's "Natural Found The Mekons" stripping their music
back to an elemental, acoustic core, and here they follow a similar path
but with more ambitious and compelling results, as the slightly shambolic
campfire songs give way to carefully constructed acoustic arrangements that
are artful and evocative.
For a band that's long made a virtue out of inspired amateurism, "Ancient &
Modern" sounds like the group's most musically accomplished album to date
in its own purposefully low-key manner. Tom Greenhalgh's always wobbly
vocals are in better shape here than ever before, and Suzie Honeyman's
fiddle and Rico Bell's accordion possess an elegance here that they've
rarely been granted in the past, while Sally Timms and Jon Langford's
vocals are, as usual, splendid. The Mekons have made their discontent more
aestetically appealing on "Ancient & Modern", but if their rage is more
graceful, it's no less powerfully felt, and the intelligence and care that
went into this album ultimately makes its dour message cut even deeper;
it's The Mekons' most accomplished bit of record making in some time.
┌────────┐
────┤ Group ├─────────────────────────────────────────────────────────────────
└────────┘