| Genre | Unknown |
|---|---|
| Date (CEST) | 2013-09-07 07:47:54 |
| Group | 404 |
| Size | 66 MB |
| Files | 12 |
| M3U / SFV / NFO | |
The_Strypes-Snapshot-2013-404
Infos
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Tracklist (M3U)
| # | Filename | Artist | Songname | Bitrate | BPM |
|---|---|---|---|---|---|
| 1 | 01-the_strypes-mystery_man.mp3 | The Strypes | Mystery Man | Unknown | Unknown |
| 2 | 02-the_strypes-blue_collar_jane.mp3 | The Strypes | Blue Collar Jane | Unknown | Unknown |
| 3 | 03-the_strypes-what_the_people_dont_see.mp3 | The Strypes | What The People Don't See | Unknown | Unknown |
| 4 | 04-the_strypes-shes_so_fine.mp3 | The Strypes | She's So Fine | Unknown | Unknown |
| 5 | 05-the_strypes-i_can_tell.mp3 | The Strypes | I Can Tell | Unknown | Unknown |
| 6 | 06-the_strypes-angel_eyes.mp3 | The Strypes | Angel Eyes | Unknown | Unknown |
| 7 | 07-the_strypes-perfect_storm.mp3 | The Strypes | Perfect Storm | Unknown | Unknown |
| 8 | 08-the_strypes-you_cant_judge_a_book_by_the_cover.mp3 | The Strypes | You Can't Judge A Book By The Cover | Unknown | Unknown |
| 9 | 09-the_strypes-what_a_shame.mp3 | The Strypes | What A Shame | Unknown | Unknown |
| 10 | 10-the_strypes-hometown_girls.mp3 | The Strypes | Hometown Girls | Unknown | Unknown |
| 11 | 11-the_strypes-heart_of_the_city.mp3 | The Strypes | Heart Of The City | Unknown | Unknown |
| 12 | 12-the_strypes-rollin_and_tumblin.mp3 | The Strypes | Rollin' & Tumblin' | Unknown | Unknown |
NFO
Artist: The Strypes
Album: Snapshot
Bitrate: 250kbps avg
Quality: EAC Secure Mode / LAME 3.98.4 / -V0 / 44.100Khz
Label: Virgin
Genre: Rock
Size: 69.13 megs
PlayTime: 0h 36min 10sec total
Rip Date: 2013-09-07
Store Date: 2013-09-06
Track List:
--------
01. Mystery Man 2:43
02. Blue Collar Jane 2:50
03. What The People Don't See 2:56
04. She's So Fine 2:19
05. I Can Tell 3:42
06. Angel Eyes 4:10
07. Perfect Storm 2:23
08. You Can't Judge A Book By The 2:16
Cover
09. What A Shame 2:24
10. Hometown Girls 3:05
11. Heart Of The City 3:19
12. Rollin' & Tumblin' 4:03
Release Notes:
--------
The first thing you notice on seeing The Strypes play is what a phenomenal live
band they are, wailing and howling and strutting like a raw rhythm and blues
band.
The second thing you notice is the crowd û recently, the band have been packing
out rooms around the country, and with audiences flecked with rock royalty.
And the third thing you notice is their age. The Strypes are a proper
phenomenon. Four boys aged 15 and 17, they are players with chops way beyond
their years, the hard-earned result of years spent honing their craft in Irish
pubs, hotels and music halls, where theyÆd often play for up to two and a half
hours at a time. ôThe Irish pub band ethos is play for really long, or youÆre no
good,ö says guitarist Josh. ôAnd sometimes thereÆd be five people there, and
theyÆd just want to hear play æWhiskey In The JarÆ,ö says drummer Evan. ôSo we
developed a trick to make them pay attention û we play really LOUD!ö
Bassist Pete OÆHanlon, drummer Evan Walsh and guitarist Josh McClorey have known
each other as long as they can remember, growing up together in Cavan, a small,
pleasant, working class town near the border with Northern Ireland. And for just
as long, theyÆve been delving into the record collections of their parents.
ItÆs in the black plastic grooves of their parentsÆ LPs that they became fans of
a series of artists not commonly discussed among their peers: Doctor Feelgood
and Dave Edmunds, HowlinÆ Wolf and Bo Diddley, Muddy Waters and æBaby FaceÆ
Leroy Foster. They can talk at great length û and frothy enthusiasm û about all
of them. ôWe started off listening to Stiff Records and The Stones and the æ60s
bands, then it was listen to this, listen to this, and then it kind of went back
to the '50s û and then the '40s, '30s and '20sà,ö says Ross.
TheyÆre not retro snobs û they like Jack White, The Black Keys, Arctic Monkeys,
Jake Bugg, Miles Kane and more û but they do place themselves in direct
opposition to the X Factor artists and manufactured pop. ôThe X Factor is not
about people wanting to be an artist and share music, itÆs just get rich quick,
15 minutes of fame,ö says bassist Pete. ôThereÆs no artist satisfaction û itÆs
just going through the motions of getting famous for a couple of months or
years. ItÆs artificial.ö
In falling in love with this music, they started doing what generations of blues
lovers did before them û playing the music themselves, assembling into a crack
guitar, bass and drums formation. Singer Ross Farrelly was the last to join,
recruited after he appeared solo on the same bill as the band. He donned his
trademark Ray Ban shades at his first group performance and the image stuck. ôIt
started because I was nervous û I wore them so I wouldn't be able to see
anybody,ö he says. ôThen it just became a thing û I become a completely
different person on stage.ö