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unique, inimitable playing and composing style that influenced virtually every succeeding jazz generation. His playing technique offered a percussive approach to the piano, identified by sparse, complex, sometimes dissonant harmonies, developed from unusual intervals and rhythms, and imbued with warmth and playfulness. His motto was 'there are no wrong notes on the piano'. Monk's name is synonymous with the creation of modern jazz; many of his compositions are jazz standards including, "Round Midnight", "Well You NeednÆt", "Straight, No Chaser" and "Epistrophy". His bold musical conceptions sought to bind harmony and rhythm seamlessly to melody. A classically trained pianist, he was deeply influenced by Harlem's stride piano tradition. Monk's Blue Note recording sessions between 1947 and 1948, and 1951 and 1952, netted two volumes, numerically titled Genius of Modern Music. He cut outstanding albums for Riverside and Prestige in the '50s (Brilliant Corners), and Columbia in the '60s (Monk's Dream). On-stage, he was in constant motion: he'd leave his piano to dance during another player's solo, wiggle on his piano bench to emphasize a rhythm, and even bash elbows and forearms onto the keys in search of different tones. Monk released the charting Criss-Cross and Monk's Dream in 1963 and landed on the cover of Time a year later. After leaving Columbia in 1971, he recorded and played live only sporadically. From 1976 until his death in 1982, Monk lived at the home of longtime friend Pannonica de Koenigswarter. In 1978, he was honored by President Jimmy Carter during a White House jazz party. Recognized as one of the most original musicians in American history, Thelonious Sphere Monk fashioned a startlingly unique, inimitable playing and composing style that influenced virtually every succeeding jazz generation. His playing technique offered a percussive approach to the piano, identified by sparse, complex, sometimes dissonant harmonies, developed from unusual intervals and rhythms, and imbued with warmth and playfulness. His motto was 'there are no wrong notes on the piano'. Monk's name is synonymous with the creation of modern jazz; many of his compositions are jazz standards including, "Round Midnight", "Well You NeednÆt", "Straight, No Chaser" and "Epistrophy". His bold musical conceptions sought to bind harmony and rhythm seamlessly to melody. A classically trained pianist, he was deeply influenced by Harlem's stride piano tradition. Monk's Blue Note recording sessions between 1947 and 1948, and 1951 and 1952, netted two volumes, numerically titled Genius of Modern Music. He cut outstanding albums for Riverside and Prestige in the '50s (Brilliant Corners), and Columbia in the '60s (Monk's Dream). On-stage, he was in constant motion: he'd leave his piano to dance during another player's solo, wiggle on his piano bench to emphasize a rhythm, and even bash elbows and forearms onto the keys in search of different tones. Monk released the charting Criss-Cross and Monk's Dream in 1963 and landed on the cover of Time a year later. After leaving Columbia in 1971, he recorded and played live only sporadically. From 1976 until his death in 1982, Monk lived at the home of longtime friend Pannonica de Koenigswarter. In 1978, he was honored by President Jimmy Carter during a White House jazz party. 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Four In One 3:31 02. Criss Cross 2:57 03. Eronel 3:06 04. Straight, No Chaser 3:00 05. Ask Me Now 3:17 06. Willow Weep For Me 3:02 07. Four In One (Alternate Take) 3:30 08. Criss Cross (Alternate Take) 2:52 09. Ask Me Now (Alternate Take) 4:30 10. Skippy 3:01 11. Hornin' In 3:15 12. Sixteen (Second Take) 3:42 13. Carolina Moon 3:29 14. Let's Cool One 3:49 15. I'll Follow You 3:48 16. Skippy (Alternate Take) 3:10 17. Hornin' In (Alternate Take) 3:09 18. 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