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Number : ECM 2842 / 785 4505 ▓███ ███▓ Street Date : 2025-12-05 ▓███ ███▓ Rip Date : 2026-05-11 ▓███ ███▓ Encoder : LAME 64bits version 3.100 (http://lame.sf.net) -V0 ▓███ ███▓ Quality : 244kbps / 44.1KHz / Joint Stereo ▓███ ███▓ Tracks : 7 ▓███ ███▓ Playtime : 00:41:07 (75.9MB) ▓███ ███▓ URL : http://ecmrecords.com/product/off-stillness-thomas-str ▓███ ███▓ ▓███ ███▓█▄▄ ▄▄█▓███ ███████▓███▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄███▓███████ ██▀▀▀▀███▓████ ▄▄▄▄▄ ▄▄▄▄ ▀ ▄▄▄ ▀ ▄▄▄▄ ▄ ▄ ▄ ███ ▄ ▄▄▄▄ ▄▄▄▄▄ █████▓███▀▀▀▀██ █ ▓▓▓▓ ███████▄▄ █ ▄ █ █ █ █ █ ▄▄▄ █▄▀ █ ███ █ ▀▄▄▄ ▄ █ ▄▄████████ ▓▓▓▓ █ █ ▓▓▓▓ █████████ █ █ █ ▀▀▄ █▀▀▀█ ▀▄▄▄▄ █ ▀▄ █▄▄▄▄ █ ▄▄▄▄▀ █ █ ██████████ ▓▓▓▓ █ ██▄▄▄▄███▓██████▄▄▄█▄▄▄█▄▄▄▄▄█▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄██▄▄▄███████▓███▄▄▄▄██ ████████▀▀▀ ▀▀▀████████ ███▓▀ ▀▓███ ███▓ ▓███ ███▓ ▓███ ███▓ ▓███ ███▓ 01 Memories of Paul 5:08 ▓███ ███▓ 02 Season 6:31 ▓███ ███▓ 03 Fall 7:18 ▓███ ███▓ 04 Tuesday 3:24 ▓███ ███▓ 05 Cubism 4:07 ▓███ ███▓ 06 Dismissed 6:47 ▓███ ███▓ 07 In Awe of Stillness 7:52 ▓███ ███▓ ▓███ ███▓ ▓███ ███▓ ▓███ ███▓ 41:07 min ▓███ ███▓ ▓███ ███▓█▄▄ ▄▄█▓███ ███████▓███▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄███▓███████ ██▀▀▀▀███▓█████ ▄▄▄▄ ▄▄▄▄▄ ▄ █████████████ ▄ ▄▄▄▄ ▄▄▄▄▄ ▄▄▄ ▀█████▓███▀▀▀▀██ █ ▓▓▓▓ ████████ █ █ █▄▄ ▄ █ █████ ▄▄▄▄▄ █ █ █ ▄ █ █ █ ▄ █ ████████ ▓▓▓▓ █ █ ▓▓▓▓ ████████ █ ▀▀▄ █▄▄▄▄ █▄▄▄▄ █▄▄▄▄▄▄▄█ █ █ █ █ █▀▀▀ ▀▄▄▄▀ ████████ ▓▓▓▓ █ ██▄▄▄▄███▓█████▄▄▄█▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄█████████▄▄▄▄▄█▄▄▄▄▄████▄▄▄▄▄██████▓███▄▄▄▄██ ████████▀▀▀ ▀▀▀████████ ███▓▀ ▀▓███ ███▓ ▓███ ███▓ Off Stillness begins not with sound but with a memory, one that ▓███ ███▓ Thomas Str°nen carries like a stone kept in the pocket of his ▓███ ███▓ youth, made rounder and smoother with time. His recollection of ▓███ ███▓ slipping unnoticed through a cafΘ kitchen in T°nsberg to witness ▓███ ███▓ his first jazz concert at age 15 is more than nostalgia; itÆs an ▓███ ███▓ origin story. There, engulfed in the sounds of Jon BalkeÆs Oslo 13, ▓███ ███▓ was a revelation. Rhythm, he discovered, was not a grid but a ▓███ ███▓ worldview, a way for the body to converse with the unseen. ▓███ ███▓ From this quiet prelude, the latest iteration of his band Time Is A ▓███ ███▓ Blind Guide opens with ôMemories of Paul,ö a piece that feels like ▓███ ███▓ stepping into the half-light of Rainbow Studio, a space that does ▓███ ███▓ not merely record music but seems to cultivate it. Despite the ▓███ ███▓ title, this is not a tribute to Motian or Bley so much as a ▓███ ███▓ meditation on the tension between lineage and selfhood. Ayumi ▓███ ███▓ TanakaÆs piano breathes first, the faint stirring of a creature ▓███ ███▓ waking in its natural habitat. Hσkon AaseÆs violin is a drifting ▓███ ███▓ breeze, Leo Svensson SanderÆs cello a subterranean hum, and Ole ▓███ ███▓ Morten VσganÆs bass a slow-moving tide beneath the surface. ▓███ ███▓ Str°nenÆs drumming is the pulse of the room itself, a presence ▓███ ███▓ woven so delicately into the others that extracting any single ▓███ ███▓ thread seems almost sacrilegious. ▓███ ███▓ As the album moves inward, the climate changes with ôSeason.ö Here, ▓███ ███▓ the strings take on an arid beauty, as if weÆve been transported ▓███ ███▓ into a landscape shaped by centuries of shifting winds. The piece ▓███ ███▓ proceeds like an archaeological dig through sand and sovereignty, ▓███ ███▓ yet from this dryness small harmonies bloom, each a tiny flower of ▓███ ███▓ possibility pushing through historical sediment. The music ▓███ ███▓ astonishes by how much it conveys with so little, conjuring a ▓███ ███▓ vastness that feels earned rather than imposed. ▓███ ███▓ The ensembleÆs paradoxical strength, its ability to move loosely ▓███ ███▓ while bound by deep listening, emerges even more fully in ôFall.ö ▓███ ███▓ The piece sways like a great creature with an internal compass that ▓███ ███▓ needs no magnetic north. Its journey nourishes itself, leaving ▓███ ███▓ behind tracesùmelodic footprints, rhythmic indentationsùfor the ▓███ ███▓ listener to follow. Time is not measured but wandered through. ▓███ ███▓ The mood softens with ôTuesday,ö a piece stripped to its ▓███ ███▓ essentials, left bare so its poetic speech can resonate. Whether ▓███ ███▓ the musicians play in unison or diverge into their own small ▓███ ███▓ eddies, they inhale and exhale as a single lung. It is tenderness ▓███ ███▓ as a means of clarity. ▓███ ███▓ A shift occurs in ôCubism,ö where architecture abounds. The piece ▓███ ███▓ balances on a precarious structure of boards and cylinders, a ▓███ ███▓ slow-motion circus act in which each rotation differs subtly from ▓███ ███▓ the last. Str°nen provides the chemical uplift, one reaction ▓███ ███▓ setting off the next. TanakaÆs piano becomes an alkaline ▓███ ███▓ counterpoint to the more acidic strings, and together they settle ▓███ ███▓ into an equilibrium that feels strangely, beautifully neutral. The ▓███ ███▓ music is precise without being rigid, playful without losing its ▓███ ███▓ center. ▓███ ███▓ Abstract shapes drift into form with ôDismissed,ö which begins like ▓███ ███▓ an experiment suspended in midair. Its irregular surfaces soon ▓███ ███▓ accumulate heat, expanding into outbursts of collective energy. ▓███ ███▓ Metallic tensions shimmer and collapse, highs and lows collide, and ▓███ ███▓ the piece finally dissolves into a sonic steam rising from a ▓███ ███▓ cooling forge. ▓███ ███▓ Then comes ôIn Awe of Stillness,ö which glistens with a ▓███ ███▓ self-generated glow, moving as if guided by impulses as old as they ▓███ ███▓ are unnameable. Just when it feels ready to drift away, it recoils ▓███ ███▓ slightly, a moment of satoric self-recognition. This pause resets ▓███ ███▓ the ensemble for the next step in its nomadic journey. Even as the ▓███ ███▓ piece thickens into louder phrases and hints of groove, it never ▓███ ███▓ sacrifices atmosphere. Nothing is ornamental; everything breathes. ▓███ ███▓ By the end, one realizes that Off Stillness is as much a pilgrimage ▓███ ███▓ as an artistic statement. Its stories do not unfold in straight ▓███ ███▓ lines but in spirals, circling back to that teenage boy in T°nsberg ▓███ ███▓ who planted a seed that has now grown into a tree in its own right. ▓███ ███▓ The music invites repeated listening not to decipher it but to ▓███ ███▓ inhabit it, each return revealing new details, like light shifting ▓███ ███▓ across the same landscape at different hours. ▓███ ███▓ For all these reasons, it may well beùboth in craft and in ▓███ ███▓ spiritùthe ECM album of the year. There is truly nothing else like ▓███ ███▓ it. ▓███ ███▓ ▓███ ███▓█▄▄ ▄▄█▓███ ███████▓███▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄███▓███████ ██▀▀▀▀███▓█████▀ ▄▄▄▄ ▄▄▄▄ ▄▄▄▄ ▀█████████ ▄ ▄▄▄▄ ▄▄▄▄▄ ▄▄▄ ▀█████▓███▀▀▀▀██ █ ▓▓▓▓ ████████ █ ▄▄▄ █ █ █ █ █ ▄▄▄▄▄ █ █ █ ▄ █ █ █ ▄ █ ████████ ▓▓▓▓ █ █ ▓▓▓▓ ████████ █▄▄▄█ █▀▀▀▄ █ ▀▀ ▄█▄▄▄▄▄▄▄█ █ █ █ █ █▀▀▀ ▀▄▄▄▀ ████████ ▓▓▓▓ █ ██▄▄▄▄███▓█████▄▄▄▄▄▄▄▄▄█▄▄▄▄▄█████████████▄▄▄▄▄█▄▄▄▄▄████▄▄▄▄▄██████▓███▄▄▄▄██ ████████▀▀▀ ▀▀▀████████ ███▓▀ ▀▓███ ███▓ ▓███ ███▓ "LOVE AND RESPECT YOUR FRIENDS AND LET YOUR ENEMIES DIE!!!" ▓███ ███▓ ▓███ ███▓▄▄▄ ▄▄▄▓███ ██████████▄▄ ▄▄██████████ ██▀ ▄▄▄ ▀▀███▄ ▄███▀▀ ▄▄▄ ▀██ █ ▄▀▀████▄ ▀███▄ ▄███▀ ▄████▀▀▄ █ █▄▄▄▄ █▓▀██▄ ▀███ ███▀ ▄██▀▓█ ▄▄▄▄█ ████ ▄█▓ ▀██ ▀███ ███▀ ██▀ ▓█▄ ▀███ ███ ███ ▓███ ▀███ ███▀ ███▓ ███ ▀██ ██ ██▀ ▓███▓ ████▄ ▄████ ▓███▓ ▀██ ▀█ █ █▀ ▄██▓ ███████▄▄▄ ▄▄██████▄ ▓██▄ ▀█ █ ██ ▄███▓ ███████████████▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄██████████████ ▓███▄ ██ ██▓ ▓██▀ ▄███████████████▀▀▀▀▀▀▀█▀▀▀▀▀▀▀▀▀█▀▀▀▀▀▀██████████████▄ ▀██▓ ▓██ ██▓ ▓███▄ ▀ ▄▄▄▄ ▀▀█▀▀▀▀ ▄█████▄ ▄█▀▀▀▀▀█▄ ▄████▄ ▀▀▀█▀▀ ▄▄▄▄ ▀ ▄███▓ ▓██ ▓██▓ ▀███████████▄ ▄██▓██▀ ▀███▄ ▄█▀ ▀██▓██▄ ▄████████████▀ ▓██▓ ▓██▓ ▀▀▀▀ ▀██ ▓▓██▓ ▀██ ▄██▀ ▓██▓▓ ███▀ ▀▀▀▀ ▓██▓ █ ▓██▓ ▓██ ▓█▓ ▓██ ██▀ ▓█▓ ██▓ ▓██▓ █ ██ ▓██▄▄ ▓██ ▓█ ▓███▓ █▓ ██▓ ▄▄██▓ ██ ███▄ ▀████▄▄▄ ▄██ ▓█▄ ██▓ █▓ ██▄ ▄▄▄████▀ ▄▄██ █████▄▄ ▀███████▓████▀ ▀██ ██ █▓ ▄█ ██▀ ▀████▓███████▀▀ ▄█████ ██████▀ ▄█▓█▓█▓▓▓█▓ ▀████ ▓ ████▀ ▓█▓▓▓█▓█▓█▄ ▀██████ ████▀ ▄██▓▓█▓▓█▓█▓ ▄▄ ▀██▓ ▓██▀ ▄▄ ▓█▓▓█▓█▓▓██▄ ▀████ ██▀ ▄██▓▓█▓█▓▓█▓██▓ ▓██ ██▄ ▓██ ██▓ ▓██▓█▓▓█▓█▓▓██▄ ▀██ █▀ ███▓█▓█▓▓█▓██▓▀█▓ ▓████▄ ███▄▄ ▄▄██ ▄████▓ ▓█▀▓▓█▓█▓▓█▓█▓███ ▀█ █ ██▓█▓█▓▓█▓██▓█▓ ██ ▓███████▄ ▀█████ █████▀ ▄███████▓ ██ ▓█▓██▓█▓▓█▓█▓██ █ ▓█▓█▓█▓█▓▓█▓▓█▓█ ██ ▓████████▄ ▀██ ██▀ ▄████████▓ ██ █▓▓█▓█▓▓█▓█▓█▓██ ▓█▓▓▓█▓█▓█▓▓█▓██ ██ ▓█████████▄▄ █ █ ▄▄█████████▓ ██ ██▓█▓▓█▓▓██▓▓██▓ ███▓█▓█▓█▓███▀ ▓█▓ ▀▀█████████ █ █ █████████▀▀ ▓█▓ ▀███▓███▓▓█▓▓█ █▓██▓█▓█▓██▀ ▄█ ▓█▄▄ ▀▀▀▀▀ ▀▀▀▀▀ ▄▄█▓ █▄ ▀██▓█▓█▓▓█▓█ █▓▓████▓██ ▄███▄▄ ▀████▄ ▄███ ██ ███▄ ▄████▀ ███▄ ██▓█▓███▓█ █▓▓█▓████ ▄███████▄▄ ▀▀██ ████▄▄▄ ████████ ▄▄▄████ ██▀▀ ▄▄██████▄ ▀███▓█▓▓█ ▓█▓▓█▓█▓ ▄███████████ █ ███▓ ▓██████ ▀▀▀▀ ██████▓ ▓███ █ ███████████ ▓█▓█▓▓█▓ ▓██████▓ ████████████ █ █▓ ▄ █▓█▓█▓▓████████▓▓█▓█▓█ ▄ ▓█ █ ███████████ ▓██▓███▓ ▓█▓█▓█ ▄████████████▄ █ █ ██ █ ▄ ███ ▓█ ███ ▄ █ ██ █ █ ▄███████████▄ █▓█▓█▓ ▓███▓ ▀█████████████▄ █ █▄▀█ ███ █ █ ▀▓ █ █ ███ █▀▄█ █ ▄████████████▀ ▓███▓ ▓███▓ ▀█████████████▄ █ ██▄▓ ▀██ ███ ▀ ██ █▀▀ ▓▄██ █ ▄████████████▀ ▓███▓ ▓████▄ ▀████████████▄ █ ▀████▄▄▓▄ ▀ ▓ ▀ ▓▄█████▀ █ ▄███████████▀ ▄████▓ ▀▀▓███▄▄ ▀▀█████████▄ █▄ ▀▀████████████▀▀ ▄█ ▄████████▀▀ ▄▄███▓▀▀ ▀▀▀▀▀ ▀▀▀▀█████▄ ██▄▄ ▄▄██ ▄████▀▀▀▀ ▀▀▀▀▀ ▀████▄▄▄ ▄▄▄████▀ ▀▀████████████▀▀ ▀▀▀▀▀▀